The No. 1 Classic Rock Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Sweet Home Alabama
supporto a vario titolo:
Ronnie Van Zant
tecnico e produttore:
Al Kooper
basso elettrico :
Leon Wilkeson (nel 1973-07)
batteria :
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (nel 1973-07)
chitarra elettrica :
Allen Collins (nel 1973-07), Ed King (US guitarist, bassist & songwriter) (nel 1973-07) e Gary Rossington (nel 1973-07)
tastiera :
Billy Powell (nel 1973-07)
voce di accompagnamento:
Merry Clayton (nel 1973-07) e Clydie King (nel 1973-07)
voce principale:
Ronnie Van Zant (nel 1973-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1974), Universal Music (plain logo: “Universal Music”) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
è stato produttore per:
Sounds of the South Productions
registrata presso:
Studio One (Doraville, GA) in Doraville, Georgia, Stati Uniti (nel 1973-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 398)
registrazione di:
Sweet Home Alabama (nel 1973-07)
supporto a vario titolo:
Ronnie Van Zant
autore:
Ed King (US guitarist, bassist & songwriter), Gary Rossington e Ronnie Van Zant
editore:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH e Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:46
2Midnight Rider
tecnico e produttore:
Tom Dowd
basso :
Berry Oakley (US bassist, The Allman Brothers Band) (dal 1970-02 al 1970-07)
batteria e percussione :
Jai Johanny Johanson (dal 1970-02 al 1970-07) e Butch Trucks (dal 1970-02 al 1970-07)
chitarra [lead guitar] :
Dickey Betts (dal 1970-02 al 1970-07)
chitarra acustica, chitarra [lead guitar] e chitarra slide :
Duane Allman (dal 1970-02 al 1970-07)
organo e pianoforte e voce principale:
Gregg Allman (dal 1970-02 al 1970-07)
registrata presso:
Capricorn Sound Studio in Macon, Georgia, Stati Uniti (nel 1970-02), Criteria Studios in Miami, Florida, Stati Uniti (nel 1970-03, nel 1970-05, nel 1970-07) e Regent Sound Studios in New York, New York, Stati Uniti (nel 1970-07)
registrazione di:
Midnight Rider (dal 1970-02 al 1970-07)
paroliere e autore:
Gregg Allman e Robert Kim Payne
compositore:
Gregg Allman
editore:
Elijah Blue Music, Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.152:58
3Old Time Rock and Roll
tecnico:
Greg Hamm (US engineer)
produttore:
The Muscle Shoals Rhythm Section e Bob Seger
tecnico di missaggio:
John Arrias (engineer), Punch (Ed Andrews, Bob Seger's Manager) e Bob Seger
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist)
batteria e percussione :
Roger Hawkins (drummer and producer)
chitarra :
Ken Bell e Howie McDonald
pianoforte :
Randy McCormick (session musician and songwriter)
sassofono :
Alto Reed
voce:
Bob Seger
voce di accompagnamento:
Stanley Carter, George Jackson (US soul songwriter/vocalist) e James Lavell Easley (Blues harmonica player)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978) e Hideout Records & Distributors, Inc. (nel 1978)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti
registrazione di:
Old Time Rock & Roll
autore:
George Jackson (US soul songwriter/vocalist) e Thomas Jones, III (Songwriter)
editore:
Muscle Shoals Sound Publishing, Peermusic (UK) Limited e Peermusic III, Ltd. (BMI)
parte di:
Risky Business (film soundtrack)
Bob Seger & the Silver Bullet Band4.53:11
4More Than a Feeling
assistente tecnico:
Bruce Hensal, Deni King (engineer) e Doug Rider
tecnico:
Warren Dewey e Tom Scholz
produttore:
John Boylan e Tom Scholz
assistente tecnico di missaggio:
Steve Hodge (engineer and producer)
batteria e percussione :
Sib Hashian (dal 1975 al 1976)
chitarra [lead guitar] , chitarra [rhythm guitar] , chitarra acustica e chitarra basso :
Tom Scholz (dal 1975 al 1976)
voce principale e voce principale [Harmony]:
Brad Delp (dal 1975 al 1976)
arrangiatore:
Brad Delp e Tom Scholz
co-arrangiatore:
Jim Masdea
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Foxglove Studios in Watertown, Massachusetts, Stati Uniti (nel 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1976)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
prima pubblicazione:
More Than a Feeling di Boston (US rock band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 212) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 500)
registrazione di:
More Than a Feeling (dal 1975 al 1976)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston3.954:46
5Sunshine of Your Love
tecnico di registrazione:
Tom Dowd (dal 1967-04 al 1967-05)
produttore:
Felix Pappalardi
basso :
Jack Bruce (dal 1967-04 al 1967-05)
batteria :
Ginger Baker (dal 1967-04 al 1967-05)
chitarra :
Eric Clapton (dal 1967-04 al 1967-05)
voce:
Jack Bruce (dal 1967-04 al 1967-05) e Eric Clapton (dal 1967-04 al 1967-05)
diritti fonografici (℗) detenuti da:
Robert Stigwood Group Ltd. (nel 1967), Robert Stigwood Organisation Ltd. (nel 1967, nel 1969) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1967-04 al 1967-05)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 65) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Sunshine of Your Love (dal 1967-04 al 1967-05)
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce e Eric Clapton
editore:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Cream4.14:12
6Dream Police
tecnico:
Mike Beiriger e Gary Ladinsky (engineer)
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978, nel 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978, nel 1979), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1979) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1979)
registrata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1978)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Dream Police (nel 1978)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (dal 1978 al 1979) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (dal 1978 al 1979)
Cheap Trick3.53:51
7Bad Boy for Love
produttore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
basso :
Ian Riland
batteria :
Dallas Royal
chitarra :
Michael Cocks e Peter Wells (Rose Tattoo guitarist)
voce:
Angry Anderson
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1977, nel 1978) e J. Albert & Son Pty. Ltd. (nel 1977)
registrazione di:
Bad Boy for Love
paroliere e compositore:
Ian Rilen
editore:
J. Albert & Son e J. Albert & Son Pty. Ltd.
Rose Tattoo3:06
8Mama Weer All Crazee Now
produttore:
Bryan “Chas” Chandler
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1972)
registrazione di:
Mama Weer All Crazee Now
autore:
Jim Lea e Neville Holder
editore:
Barn Publishing (Slade) Ltd. e Warner Chappell
Slade4.23:45
9American Woman
produttore:
Nimbus 9 e Jack Richardson
diritti fonografici (℗) detenuti da:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1970) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 3) e Huffington Post: 100 Best Canadian Songs Ever (numero: 4)
registrazione di:
American Woman (dal 1969-08 al 1969-11)
autore:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) e Garry Peterson (Canadian drummer for The Guess Who)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music e Unichappell Music, Inc.
The Guess Who4.15:08
10Baba O’Riley
produttore:
The Who
produttore associato:
Glyn Johns
pianoforte :
Pete Townshend (of The Who) (nel 1971-05)
violino ospite :
Dave Arbus (nel 1971-05)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (nel 1971-05)
registrazione di:
Baba O’Riley (nel 1971-05)
paroliere e compositore:
Pete Townshend (of The Who)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Eel Pie Publishing Ltd., Fabulous Music, Ltd. (this is a publisher, not an imprint!), Towser Tunes, Inc. e TRO Essex Japan, A-Division
The Who4.65:10
11Hold the Line
tecnico di registrazione:
Dana Latham, Gabe Veltri e Tom Knox
assistente tecnico:
Dana Latham (incarico: assistant) e Gabe Veltri (incarico: assistant)
tecnico e tecnico di missaggio:
Tom Knox
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
basso :
David Hungate e Michael Porcaro
batteria :
Jeffrey Porcaro (nel 1978-08)
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate (nel 1978-08)
chitarra elettrica :
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08)
percussione :
Jeffrey Porcaro e Lenny Castro (nel 1978-08)
pianoforte :
David Paich (nel 1978-08)
tastiera :
David Paich (nel 1978-08) e Steve Porcaro (nel 1978-08)
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Bobby Kimball (nel 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (nel 1978-08) e David Paich (nel 1978-08)
voce principale:
Jean-Michel Byron e Bobby Kimball (nel 1978-08)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
registrata presso:
Studio 55 in Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
BILLIONS CLUB
registrazione di:
Hold the Line (nel 1978-08)
paroliere e compositore:
David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. e Spirit Two Music
sub-editore:
Sony/ATV Music Publishing (UK) Ltd. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:57
12Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:22
13Take a Long Line
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1978)
registrazione di:
Take a Long Line
autore:
John Brewster, Rick Brewster e Doc Neeson
editore:
BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.), Mushroom Music International e J. Albert & Son Pty. Ltd. (nel 1978)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
The Angels53:01
14Slow Down
Status Quo3:51
15Takin’ Care of Business
assistente tecnico:
Marc Sterling
tecnico:
Buzz Richmond
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
batteria e percussione :
Rob Bachman (dal 1973-09 al 1973-10)
chitarra [lead guitar] e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10)
chitarra [second lead guitar] :
Tim Bachman (dal 1973-09 al 1973-10)
chitarra basso :
C.F. Turner (dal 1973-09 al 1973-10)
pianoforte :
Norman Durkee (dal 1973-09 al 1973-10)
voce di accompagnamento:
C.F. Turner (dal 1973-09 al 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (dal 1973-09 al 1973-10) e Tim Bachman (dal 1973-09 al 1973-10)
diritti fonografici (℗) detenuti da:
Phonogram, Inc. (nel 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1973) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1973)
registrata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti (dal 1973-09 al 1973-10)
mixata presso:
Kaye–Smith Studios in Seattle, Washington, Stati Uniti
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 59)
registrazione di:
Takin’ Care of Business (dal 1973-09 al 1973-10)
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
Bachman–Turner Overdrive4.254:52
16Wishing Well
registrazione di:
Wishing Well (Free song)
autore:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers e Tetsu Yamauchi
editore:
Cayman Music Inc, Keepers Cottage Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-editore:
Universal Music Publishing France (not for release label use!)
Free3:39
17Locomotive Breath
tecnico:
John Burns (engineer/producer for Genesis)
produttore:
Ian Anderson (of Jethro Tull) e Terry Ellis (UK producer & band manager)
produttore esecutivo:
Terry Ellis (UK producer & band manager)
batteria e percussione :
Clive Bunker (il 1971-02-12)
chitarra acustica e flauto e voce principale:
Ian Anderson (of Jethro Tull) (il 1971-02-12)
chitarra basso e flauto dolce contralto :
Jeffrey Hammond Hammond (il 1971-02-12)
chitarra elettrica e flauto dolce soprano :
Martin Barre (il 1971-02-12)
mellotron, organo e pianoforte e organo Hammond, pianoforte, fisarmonica a piano e sintetizzatore :
John Evan (il 1971-02-12)
direttore d'orchestra:
Dee Palmer (aka David Palmer, of Jethro Tull) (il 1971-02-12)
remixer:
Robin Black (engineer)
orchestratore:
Dee Palmer (aka David Palmer, of Jethro Tull)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1971-02-12)
remixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Locomotive Breath (il 1971-02-12)
paroliere e compositore:
Ian Anderson (of Jethro Tull)
Jethro Tull4.34:24
18Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:21
19School’s Out
tecnico:
Roy Cicala e Shelly Yakus
produttore:
Bob Ezrin
basso elettrico :
Dennis Dunaway (original bass player for Alice Cooper)
batteria :
Neil Smith (former Alice Cooper drummer)
chitarra e voce di accompagnamento:
Reggie Vincent
chitarra elettrica :
Michael Bruce (of Alice Cooper) e Glen Buxton (American guitarist)
tastiera :
Michael Bruce (of Alice Cooper) e Bob Ezrin
voce principale:
Alice Cooper (the singer, active as a solo artist 1975‐present)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
è stato produttore per:
Alive Enterprises Incorporated e Nimbus 9 Productions
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 293) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 319)
registrazione di:
School’s Out
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the singer, active as a solo artist 1975‐present), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:29
20La Grange
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1973)
registrazione di:
La Grange
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic e Stage Three Songs
si basa su:
Boogie Chillen’
ZZ Top4.23:54
2▼CD
#TitoloArtistaValutazioneDurata
1Fat Bottomed Girls
tecnico:
John Etchells e Geoff Workman
produttore:
Roy Thomas Baker (producer) e Queen (UK rock group)
batteria :
Roger Taylor (Queen drummer)
chitarra basso :
John Deacon
chitarra elettrica :
Brian May (Queen guitarist)
voce di accompagnamento:
Brian May (Queen guitarist) e Freddie Mercury
voce principale:
Freddie Mercury
diritti fonografici (℗) detenuti da:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (nel 1978) e Raincloud Productions Ltd. (nel 1978)
registrata presso:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1978-07 al 1978-10) e Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes (Alpi Marittime), Provence-Alpes-Côte-d'Azur, Francia (dal 1978-07 al 1978-10)
registrazione di:
Fat Bottomed Girls
scritta a:
Montreux, Vaud (Canton Vaud), Svizzera e Nice, Alpes-Maritimes (Alpi Marittime), Provence-Alpes-Côte-d'Azur, Francia
paroliere e compositore:
Brian May (Queen guitarist) (dal 1978-07 al 1978-10)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
compresa in:
We Will Rock You (German version of the Queen musical)
Queen3.653:25
2Bad to the Bone
tecnico:
Paul Mufson e John Nagy
assistente produttore:
Ken Irwin e John Nagy
produttore:
Terry Manning (US recording engineer) e The Delaware Destroyers (George Thorogood & the Destroyers)
tecnico di missaggio:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) e Terry Manning (US recording engineer) (nel 1992)
basso :
Bill Blough (dal 1981 al 1982)
batteria :
Jeff Simon (dal 1981 al 1982)
chitarra e voce principale:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (dal 1981 al 1982)
pianoforte :
Ian Stewart (piano/keyboard, Rolling Stones member)
sassofono :
Hank Carter (Hank "Hurricane" Carter) (dal 1981 al 1982)
tastiera :
Ian Stewart (piano/keyboard, Rolling Stones member) (dal 1981 al 1982)
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrata presso:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Stati Uniti (dal 1981 al 1982)
mixata presso:
The Mixing Lab in Newton, Massachusetts, Stati Uniti
registrazione di:
Bad to the Bone (dal 1981 al 1982)
paroliere e compositore:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
editore:
Del Sound Music
George Thorogood4.24:49
3Feel Like Makin’ Love
tecnico di registrazione:
Ron Nevison (nel 1974-09)
produttore:
Bad Company (British blues-rock supergroup)
tecnico di missaggio:
Ron Nevison
basso elettrico :
Boz Burrell (English musician) (nel 1974-09)
batteria :
Simon Kirke (nel 1974-09)
chitarra :
Mick Ralphs (nel 1974-09) e Paul Rodgers (nel 1974-09)
pianoforte e voce principale:
Paul Rodgers (nel 1974-09)
tastiera :
Mick Ralphs (nel 1974-09)
diritti fonografici (℗) detenuti da:
Swan Song Inc. (nel 1975)
registrata presso:
Clearwell Castle in Gloucestershire, England, Regno Unito (nel 1974-09)
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 78)
registrazione di:
Feel Like Makin’ Love (nel 1974-09)
autore:
Mick Ralphs e Paul Rodgers
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Badco Music, Inc. (dal 1974 a oggi)
Bad Company4.255:12
4Born to Be Wild
produttore:
Gabriel Mekler
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1968) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 129)
registrazione di:
Born to Be Wild
paroliere e compositore:
Mars Bonfire
editore:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:29
5Live and Let Die
tecnico di registrazione:
Bill Price (UK producer/engineer) (dal 1972-10-19 al 1972-10-20)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (dal 1972-10-19 al 1972-10-20) e Paul McCartney (The Beatles) (dal 1972-10-19 al 1972-10-20)
tecnico di missaggio:
Bill Price (UK producer/engineer) (il 1972-10-21)
batteria :
Denny Seiwell (US drummer) (dal 1972-10-19 al 1972-10-20)
chitarra basso :
Denny Laine (dal 1972-10-19 al 1972-10-20)
chitarra basso, chitarra elettrica e percussione , pianoforte e voce principale:
Paul McCartney (The Beatles) (dal 1972-10-19 al 1972-10-20)
chitarra elettrica :
Denny Laine (dal 1972-10-19 al 1972-10-20) e Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (dal 1972-10-19 al 1972-10-20)
percussione :
Ray Cooper (percussionist) (dal 1972-10-19 al 1972-10-20) e Denny Seiwell (US drummer) (dal 1972-10-19 al 1972-10-20)
richiamo per anatre e timpani :
Ray Cooper (percussionist) (dal 1972-10-19 al 1972-10-20)
voce di accompagnamento:
Denny Laine (dal 1972-10-19 al 1972-10-20) e Linda McCartney (dal 1972-10-19 al 1972-10-20)
orchestratore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (nel 1973)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-20)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-19)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (il 1972-10-21)
registrazione di:
Live and Let Die (dal 1972-10-19 al 1972-10-20)
autore:
Linda McCartney e Paul McCartney (The Beatles)
editore:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Kobalt Songs Music Publishing (USA, ASCAP affiliated), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) e SBK Unart Catalog Inc.
parte di:
The 46th Academy Award for Best Original Song (numero: 2) e James Bond themes
Wings43:13
6Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.253:27
7Layla
produttore:
Derek and the Dominos
produttore esecutivo:
Tom Dowd
batteria e percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1970-09-09)
chitarra :
Duane Allman (il 1970-09-09) e Eric Clapton (il 1970-09-09)
chitarra basso :
Carl Radle (il 1970-09-09)
organo elettrico e pianoforte :
Bobby Whitlock (il 1970-09-09)
voce:
Bobby Whitlock (il 1970-09-09)
voce principale:
Eric Clapton (il 1970-09-09)
arrangiatore:
Derek and the Dominos
diritti fonografici (℗) detenuti da:
RSO Records Ltd., London (nel 1970) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1970)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1970-09-09)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 23), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 27) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 224)
registrazione di:
Layla (il 1970-09-09)
autore:
Eric Clapton e Jim Gordon (US drummer with Derek and the Dominos)
editore:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.57:04
8Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:26
9Wild Thing
diritti fonografici (℗) detenuti da:
Page One Records Ltd. (nel 1966)
registrazione cover di:
Wild Thing
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs2:37
10Stay With Me
produttore:
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) e Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
piano elettrico Wurlitzer :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1971) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1971)
registrazione di:
Stay With Me
autore:
Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Faces4.54:40
11Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:44
12You Got Nothin’ I Want
produttore:
Mark Opitz e Dave Walsh
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
tastiera :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
registrazione di:
You Got Nothing I Want
paroliere e compositore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Cold Chisel3:16
13The Stroke
assistente tecnico di registrazione:
Garry Rindfuss
tecnico di registrazione:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Mack (German rock producer/engineer Reinhold Mack) e Billy Squier
batteria :
Bobby Chouinard
chitarra e voce principale:
Billy Squier
voce di accompagnamento:
Mark Clarke (Rock, UK) e Alan St. Jon
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata in aggiunta presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 59)
registrazione di:
The Stroke
paroliere e compositore:
Billy Squier
editore:
Songs of the Knight
Billy Squier3.753:38
14Bat Out of Hell
tecnico di registrazione:
Jimmy Iovine, John Jansen (US recording engineer and producer), Ed Sprague e Mark Thomas (mix engineer)
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
batteria :
Max Weinberg
famiglia delle chitarre, tastiera e percussione :
Todd Rundgren
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e percussione :
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Ellen Foley, Kasim Sultan e Todd Rundgren
voce principale:
Meat Loaf
remixer:
John Jansen (US recording engineer and producer)
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti, House of Music in West Orange, New Jersey, Stati Uniti, The Hit Factory in Manhattan, New York, New York, Stati Uniti e Utopia Sound in Lake Hill, New York, Stati Uniti
video musicali:
Bat Out of Hell di Meat Loaf
registrazione di:
Bat out of Hell
paroliere e compositore:
Jim Steinman
editore:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music e Peg Music Co.
Meat Loaf4.359:47
15Itchycoo Park
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces3.652:46
16Well Alright
Santana4:11
17Piece of My Heart
produttore:
John Simon (US producer, arranger, composer, songwriter and musician)
batteria :
Dave Getz (drummer and songwriter) (il 1968-05-20)
chitarra :
Sam Andrew (il 1968-05-20) e James Gurley (il 1968-05-20)
chitarra basso e chitarra :
Peter Albin (il 1968-05-20)
voce principale:
Janis Joplin (il 1968-05-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1968) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Piece of My Heart (il 1968-05-20)
autore:
Bert Russell e Jerry Ragovoy
editore:
Campbell Connelly, MPL Music Publishing Inc., Sloopy II Music, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Unichappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Web IV Music Inc. e Wren Music Co.
Janis Joplin4.54:16
18Mississippi Queen
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1969), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
registrazione di:
Mississippi Queen
autore:
Corky Laing, Felix Pappalardi, David Rea e Leslie West
editore:
Universal Music Publishing MGB Ltd. e Upfall Music Corp.
Mountain4.12:31

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