Veronica: Top 1000 allertijden (2022)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1One
recording of:
One
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd., Mother Music, Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group) and Universal Music Publishing International Ltd.
U24:38
2Roller Coaster
Danny Vera4:29
3Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
bass:
David Hungate
drums (drum set) and percussion:
Jeff Procaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich and Steve Porcaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
music videos:
Africa by Toto (US rock group)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:24
4Fix YouColdplay54:56
5Going to the RunGolden Earring3.54:00
6Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 Steve Barron version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.43:40
7Cold Little Heart (long version)
additional engineer:
Todd Monfalcone
engineer:
Kennie Takahashi, Richard Woodcraft and Richard Woodcraft (strings)
producer:
Danger Mouse (Brian Burton) and Inflo (UK hip-hop producer)
mixer:
Richard Woodcraft
acoustic guitar, electric guitar, electric guitar [lead guitar] and lead vocals:
Michael Kiwanuka
bass guitar, percussion and synthesizer [synth pad]:
Brian Burton
cello:
Rosie Danvers and Bryony James (cellist)
double bass:
Richard Pryce (double bassist)
drums (drum set) and piano:
Inflo (UK hip-hop producer)
strings:
Wired Strings
viola:
Naomi Cohen and Emma Owens (violist, violinist, strings)
violin:
Gillon Cameron (violinist), Anna Croad (violinist), Sally Jackson (violinist), Patrick Kiernan (violinist), Eleanor Mathieson (violinist), Jenny Sacha, Kotono Sato (Japanese violinist) and Debbie Widdup (violinist)
background vocals:
Paul Boldeau, Phebe Edwards and Ladonna Harley‐Peters
strings arranger:
Rosie Danvers
recorded at:
The Sound Factory in West Hollywood, California, United States
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, United Kingdom
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 68)
recording of:
Cold Little Heart
writer:
Brian Burton, Dean Josiah Cover (UK hip-hop producer) and Michael Kiwanuka
Michael Kiwanuka4.1510:00
8A Whiter Shade of Pale
Procol Harum4:03
9A Forest
co-producer:
Mike Hedges (UK producer/recording engineer)
producer and mixer:
Mike Hedges (UK producer/recording engineer) and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
drums (drum set):
Lol Tolhurst
electric bass guitar:
Simon Gallup
electric guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
keyboard:
Matthieu Hartley
music videos:
A Forest by The Cure
recording of:
A Forest
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure3.654:45
10Kayleigh
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1986-03 until 1986-05)
drums (drum set) and percussion:
Ian Mosley (from 1986-03 until 1986-05)
guitar:
Steve Rothery (from 1986-03 until 1986-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1986-03 until 1986-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1986-03 until 1986-05)
edit of:
Kayleigh by Marillion (British progressive rock band)
recording of:
Kayleigh (from 1986-03 until 1986-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. and Marillion Music
Marillion4:04
11Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:12
12Back to Black
recording of:
Back to Black
writer:
Mark Ronson (British DJ and producer) and Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse4:02
13SorryKensington3:48
14Saturday Night
guest synthesizer:
Robert Jan Stips
recording of:
Saturday Night
lyricist:
Herman Brood
composer:
Dany Lademacher (Belgian guitarist)
Herman Brood & His Wild Romance43:45
15Dust in the Wind
additional engineer:
Terry Diane Becker (engineer)
engineer:
Jeff Glixman (from 1977-06 until 1977-07)
producer:
Jeff Glixman (in 1977-06)
acoustic guitar and electric guitar:
Kerry Livgren (from 1977-06 until 1977-07) and Rich Williams (guitarist of Kansas) (from 1977-06 until 1977-07)
bass guitar:
Dave Hope (from 1977-06 until 1977-07)
celesta, organ, synthesizer, vibraphone and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
cello, viola and violin [violins]:
Robby Steinhardt (from 1977-06 until 1977-07)
chimes, drums (drum set), gong and timpani:
Phil Ehart (from 1977-06 until 1977-07)
clavinet and synthesizer [synthesizers]:
Kerry Livgren (from 1977-06 until 1977-07)
percussion [additional percussion]:
Phil Ehart (from 1977-06 until 1977-07), Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
piano:
Kerry Livgren (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
background vocals:
Robby Steinhardt (from 1977-06 until 1977-07) and Steve Walsh (original lead singer of Kansas) (from 1977-06 until 1977-07)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1977-06 until 1977-07) and Woodland Studios in Nashville, Tennessee, United States (from 1977-06 until 1977-07)
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1977-08)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 39)
recording of:
Dust in the Wind (from 1977-06 until 1977-07)
lyricist and composer:
Kerry Livgren
publisher:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing and Kirshner-Warner Bros Music Ltd.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adaptations:
As the Sun Rises
Kansas4.13:29
16Child in Time (long version)
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1995)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 3) and SWR1 Hitparade 2023 (Baden-Württemberg) (number: 3)
recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple4.510:11
2CD
#TitleArtistRatingLength
1The River
recording engineer:
Neil Dorfsman (from 1979-08-26 until 1980-04-24)
assistant engineer:
James A. Farber (sound engineer), Jeff Hendrickson (sound engineer), Garry Rindfuss and Raymond Willard (sound engineer)
producer:
Jon Landau, Little Steven and Bruce Springsteen
assistant mixer:
Dana Bisbee (in 1980)
mixer:
Chuck Plotkin and Toby Scott
12 string guitar, electric guitar and harmonica:
Bruce Springsteen (from 1979-08-26 until 1980-04-24)
acoustic guitar and electric guitar:
Little Steven (from 1979-08-26 until 1980-04-24)
bass guitar:
Garry Tallent (from 1979-08-26 until 1980-04-24)
drums (drum set):
Max Weinberg (from 1979-08-26 until 1980-04-24)
guitar:
Little Steven (from 1979-08-26 until 1980-04-24) and Bruce Springsteen (from 1979-08-26 until 1980-04-24)
organ:
Danny Federici (from 1979-08-26 until 1980-04-24)
percussion and saxophone:
Clarence Clemons
piano:
Roy Bittan (from 1979-08-26 until 1980-04-24)
saxophone:
Clarence Clemons (from 1979-08-26 until 1980-04-24)
background vocals:
Roy Bittan (from 1979-08-26 until 1980-04-24), Clarence Clemons (from 1979-08-26 until 1980-04-24) and Little Steven (from 1979-08-26 until 1980-04-24)
vocals:
Bruce Springsteen (from 1979-08-26 until 1980-04-24)
phonographic copyright (℗) by:
Bruce Springsteen (in 1980)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1979-08-26 until 1980-04-24)
mixed at:
Clover Recording Studios (Chuck Plotkin’s Clover Studios in Hollywood CA, USA) in Hollywood, Los Angeles, California, United States (from 1980-05 until 1980-07)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 52)
recording of:
The River (from 1979-08-26 until 1980-04-24)
publisher:
Bruce Springsteen (in 1979)
lyricist:
Bruce Springsteen (from 1979 until 1980)
composer:
Bruce Springsteen (in 1979)
publisher:
Zomba Music Publishing Ltd.
version of:
Oh Angelyne
Bruce Springsteen45:02
2Impossible (orchestral version live at Abbey Road)
Nothing But Thieves4:11
3Paradise by the Dashboard Light (long version)
Meat Loaf8:31
4Old and Wise
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass and bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
lead vocals:
Colin Blunstone
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
recording of:
Old and Wise
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc. and Woolfsongs Ltd.
The Alan Parsons Project3.94:55
5Don’t Look Back in Anger
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
bass guitar:
Paul McGuigan (Oasis)
drums (drum set) and percussion:
Alan White (Oasis drummer)
electric guitar [lead guitar] and lead vocals:
Noel Gallagher
electric guitar [rhythm guitar] and Hammond organ:
Paul Arthurs ("Bonehead", Oasis)
piano:
Paul Arthurs ("Bonehead", Oasis) and Noel Gallagher
tambourine:
Liam Gallagher (English musician, lead singer of Oasis)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Don’t Look Back in Anger by Oasis (Noel & Liam Gallagher)
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 45)
recording of:
Don’t Look Back in Anger
lyricist and composer:
Noel Gallagher
Oasis4.354:51
6Bridge Over Troubled Water
recording engineer:
Ted Brosnan (on 1969-11-09)
engineer:
Roy Halee
producer:
Arthur Garfunkel, Roy Halee and Paul Simon (of Simon & Garfunkel)
bass guitar:
Joe Osborn (American bass guitar player, session musician and songwriter) (on 1969-11-09)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1969-11-09)
guitar:
Fred Carter, Jr. (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
keyboard:
Larry Knechtel (on 1969-11-09)
strings:
Ernie Freeman (on 1969-11-09) and Jimmie Haskell (on 1969-11-09)
vocals:
Art Garfunkel (on 1969-11-09) and Paul Simon (of Simon & Garfunkel) (on 1969-11-09)
phonographic copyright (℗) by:
Paul Simon (of Simon & Garfunkel) (in 1969)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 1), The Co-Op: Top 10 British Funeral Songs (number: 9), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 47), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 58) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 66)
recording of:
Bridge Over Troubled Water (on 1969-11-09)
lyricist:
Paul Simon (of Simon & Garfunkel)
composer:
Paul Simon (of Simon & Garfunkel) (in 1969)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel4.054:54
7Mr. Blue Sky
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set), other instruments [fire extinguisher] and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
background vocals:
Bev Bevan (English rock drummer) (in 1977) and Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (in 1977), Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
recording of:
Mr. Blue Sky (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
Concerto for a Rainy Day
Electric Light Orchestra4.555:08
8Hallelujah
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1994, in 2008) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1994)
cover recording of:
Hallelujah
lyricist and composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley54:17
9The Eve of the WarJeff Wayne & Justin Hayward4:33
10Not an Addict
engineer:
Werner Pensaert (Belgian engineer, producer & keyboardist)
editor:
Uwe Teichert (Belgian mastering engineer)
part of:
ZAMU Award: Song (number: 1995)
recording of:
Not an Addict
lyricist and composer:
Gert Bettens (Belgian musician) and Sam Bettens
publisher:
Double T Publishing
sub-publisher:
Sony Music Publishing France
K’s Choice4.44:50
11If You Tolerate This Your Children Will Be Next
assistant engineer and assistant producer:
Lee Butler (UK engineer)
engineer, producer and mixer:
Dave Eringa
assistant mixer:
John Bailey (engineer)
12 string guitar and acoustic guitar:
James Dean Bradfield
bass guitar [bass]:
Nicky Wire
drums (drum set):
Sean Moore (Manic Street Preachers)
Hammond organ [Hammond], mellotron and Wurlitzer electric piano [Wurlitzer]:
Nick Nasmyth
percussion:
Andy Duncan (UK drummer and producer)
vocals:
James Dean Bradfield
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1998)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
music videos:
If You Tolerate This Your Children Will Be Next by Manic Street Preachers
part of:
168 Songs of Hatred and Failure (playlist) (number: 54)
recording of:
If You Tolerate This Your Children Will Be Next
lyricist:
Nicky Wire
composer:
James Dean Bradfield and Sean Moore (Manic Street Preachers)
Manic Street Preachers44:51
12Drops of Jupiter
recording engineer:
Nick DiDia and Brett Eliason
programming:
Scott Underwood (Drummer for Train)
additional engineer:
Ryan Williams (US recording engineer/producer)
assistant engineer:
Karl Egsieker and Steve Genewick
engineer:
Steve Churchyard
producer:
Brendan O’Brien (engineer)
mixer:
John Burton (engineer), Brett Eliason and Brendan O’Brien (engineer)
bass:
Charlie Colin and Rob Hotchkiss
cello:
Dan Smith (cellist) and Suzie Katayama
drums (drum set):
Scott Underwood (Drummer for Train)
guitar and background vocals:
Charlie Colin, Rob Hotchkiss and Jimmy Stafford (member of Train)
keyboard:
Brendan O’Brien (engineer) and Scott Underwood (Drummer for Train)
mandolin:
Jimmy Stafford (member of Train)
percussion:
Pat Monahan and Scott Underwood (Drummer for Train)
piano:
Chuck Leavell
viola:
Evan Wilson (viola player)
violin:
Michael Markman
lead vocals:
Pat Monahan
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 2001)
music videos:
Drops of Jupiter by Train (US pop rock band)
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) and My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Drops of Jupiter
writer:
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) and Scott Underwood (Drummer for Train)
publisher:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:22
13Sweet Dreams (Are Made of This)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) and RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.153:37
14Stil in Mij
recording of:
Stil in mij
lyricist:
Martin Buitenhuis
composer:
Sandro Assorgia
Van Dik Hout4:08
15Hurricane (long version)
recording engineer:
Lou Waxman (on 1975-10-24)
engineer:
Don Meehan
producer:
Don DeVito
bass guitar:
Rob Stoner (on 1975-10-24)
congas:
Luther Rix (on 1975-10-24)
drums (drum set):
Howie Wyeth (on 1975-10-24)
guitar:
Bob Dylan (on 1975-10-24) and Steven Soles (on 1975-10-24)
harmonica:
Bob Dylan (on 1975-10-24)
violin:
Scarlet Rivera (on 1975-10-24)
background vocals:
Ronee Blakley (on 1975-10-24) and Steve Soles (on 1975-10-24)
vocals:
Bob Dylan (on 1975-10-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1975) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1976)
part of:
Alan Cross: Hurricane Songs (number: 3)
recording of:
Hurricane (on 1975-10-24)
lyricist:
Bob Dylan (in 1975) and Jacques Levy (in 1975)
composer:
Bob Dylan (in 1975)
publisher:
Ram’s Horn Music (from 1975 until 2003) and Special Rider Music (from 2003 to present)
Bob Dylan4.48:29
3CD
#TitleArtistRatingLength
1Rocket Man
recording of:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) and Universal–Songs of PolyGram International, Inc.
Elton John44:44
2Zoutelande
engineer and mixer:
Huub Reijnders
producer:
Ferdy van der Singel
bass guitar:
Peter Slager
drums (drum set):
Norman Drums
guitar and lead vocals:
Paskal Jacobsen
keyboard:
Bas Kennis
vocals:
Geike Arnaert (Belgian singer Geike Arnaert), Bas Kennis, Norman Drums and Peter Slager
recorded at:
Real World Studios in Box, Wiltshire, England, United Kingdom (in 2016)
part of:
MIA Award: Song of the Year (number: 2018)
recording of:
Zoutelande (in 2016)
translator:
Peter Slager
translated version of:
Frankfurt Oder
Bløf feat. Geike Arnaert3:42
3Time Stood StillBad English feat. John Waite5:25
4Graceland
assistant engineer:
Mark Cobrin, Steven Strassman and Peter Thwaites
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
Baghiti Khumalo
drums (drum set):
Vusi Khumalo
guitar:
Chikapa “Ray” Phiri
pedal steel guitar:
Demola Adepoju
percussion:
Makhaya Mahlangu
background vocals:
Paul Simon (of Simon & Garfunkel)
vocals:
The Everly Brothers and Paul Simon (of Simon & Garfunkel)
performer:
Tau Ea Matsekha
recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States, Ovation Studios in Johannesburg, Gauteng, South Africa (in 1985-02) and The Hit Factory in Manhattan, New York, New York, United States (in 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 485)
recording of:
Graceland
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.34:53
5Jolene
engineer:
Tom Pick
producer:
Bob Ferguson
banjo:
Bobby Thompson (guitar & banjo player) (on 1972-05-03) and Buck Trent (on 1972-05-03)
bass:
Bobby Dyson (on 1972-05-03)
drums (drum set):
Kenny Malone (session drummer/percussion) (on 1972-05-03)
electric guitar:
Jimmy Colvard (American session guitarist) (on 1972-05-03)
fiddle:
Johnny Gimble (on 1972-05-03) and Mack Magaha (Bluegrass Fiddler) (on 1972-05-03)
guitar:
Dolly Parton (on 1972-05-03)
guitar [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (on 1972-05-03)
piano:
Hargus "Pig" Robbins (on 1972-05-03)
steel guitar:
Stu Basore (on 1972-05-03)
background vocals:
Joe Babcock (on 1972-05-03), Dolores Edgin (on 1972-05-03), June Page (on 1972-05-03) and Hurshel Wiginton (on 1972-05-03)
vocals:
Dolly Parton (on 1972-05-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1973) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1972-05-03)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 63) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 217)
recording of:
Jolene (on 1972-05-03)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. and Velvet Apple Music
Dolly Parton4.252:42
6Still Loving You
recording engineer, producer and mixer:
Mikael Nord Andersson (Swedish guitarist, songwriter and producer) and Martin Hansen (Swedish record producer)
engineer:
Hans‐Martin Buff (German vocalist, engineer, and producer), Marc Ebermann and Kevin Hahn
editor:
Hans‐Martin Buff (German vocalist, engineer, and producer) and Marc Ebermann
bass guitar:
Paweł Mąciwoda
drums (drum set):
James Kottak
guitar [lead guitars]:
Matthias Jabs
guitar [rhythm guitars]:
Rudolf Schenker
background vocals:
Matthias Jabs, James Kottak, Paweł Mąciwoda and Rudolf Schenker
guest background vocals:
Micke “Nord” Andersson, Martin Hansen (Swedish record producer) and Peter Kirkman
lead vocals:
Klaus Meine
performer:
Scorpions (German rock band)
recorded at:
Opal Studios in Portland, Oregon, United States, Scorpio Sound Studios in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany and Vocal Land Studio in Germany
recording of:
Still Loving You
lyricist:
Klaus Meine
composer:
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH
Scorpions4.46:45
7Suspicious Minds
engineer:
Al Pachucki
producer:
Felton Jarvis and Chips Moman
bass:
Tommy Cogbill (on 1969-01-23) and Mike Leech (Nashville session musician and arranger) (on 1969-01-23)
drums (drum set):
Gene Chrisman (on 1969-01-23)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-23) and Reggie Young (guitarist and songwriter) (on 1969-01-23)
organ:
Bobby Emmons (on 1969-01-23)
piano:
Bobby Wood (American pianist, keyboard player and songwriter) (on 1969-01-23)
steel guitar:
John Hughey (on 1969-01-23)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1969-01-22)
vocals:
J.D. Sumner & The Stamps, The Sweet Inspirations and Kathy Westmoreland
arranger:
Mike Leech (Nashville session musician and arranger) and Glen Spreen (Arranger, keyboardist, producer, conductor, and songwriter)
phonographic copyright (℗) by:
BMG Entertainment (in 1969), BMG Music (in 1969, in 1973), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1969), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1973) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
American Sound Studio ((Defunct) Memphis, TN - American North) in Memphis, Tennessee, United States (on 1969-01-23) and United Recording Studios (Las Vegas) in Las Vegas, Nevada, United States (on 1969-08-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 363)
cover recording of:
Suspicious Minds (from 1969-01-23 until 1969-08-07)
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Elvis Presley4.14:32
8Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:31
9Need Your Love So BadFleetwood Mac3:57
10Insomnia
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
lead vocals [rap]:
Maxi Jazz
edit of:
Insomnia (original Reverence album mix) by Faithless
recording of:
Insomnia
lyricist:
Maxi Jazz
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless33:36
11More Than a Feeling
assistant engineer:
Bruce Hensal, Deni King (engineer) and Doug Rider
engineer:
Warren Dewey and Tom Scholz
producer:
John Boylan and Tom Scholz
assistant mixer:
Steve Hodge (engineer and producer)
acoustic guitar, bass guitar, guitar [lead guitar] and guitar [rhythm guitar]:
Tom Scholz (from 1975 until 1976)
drums (drum set) and percussion:
Sib Hashian (from 1975 until 1976)
lead vocals and lead vocals [Harmony]:
Brad Delp (from 1975 until 1976)
arranger:
Brad Delp and Tom Scholz
co-arranger:
Jim Masdea
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1976), CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Foxglove Studios in Watertown, Massachusetts, United States (in 1975), Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (in 1976) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1976)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
earliest release:
More Than a Feeling by Boston (US rock band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 39), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 63), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 194), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 212) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 500)
recording of:
More Than a Feeling (from 1975 until 1976)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston3.954:48
12Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work4.053:43
13Black Betty
producer:
Jerry Kasenetz and Jeff Katz (music producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (from 1977 to present) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam4.52:32
14Rain Down on Me
recording of:
Rain Down on Me
lyricist and composer:
DINAND
Kane4:10
15Worn Down Piano (long version)
The Mark & Clark Band8:11
16I Want You to Want Me (live)
recording engineer:
鈴木智雄 (Tomoo Suzuki) (from 1978-04-28 until 1978-04-30)
assistant engineer:
Mike Beriger
engineer:
Gary Ladinsky (engineer)
producer:
Cheap Trick and Jack Douglas
mixer:
Cheap Trick, Gary Ladinsky (engineer) and Jay Messina (in 1978)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (from 1978-04-28 until 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978)
live recording of:
I Want You to Want Me (from 1978-04-28 until 1978-04-30)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3.853:41
4CD
#TitleArtistRatingLength
1Every Breath You Take
recording of:
Every Breath You Take
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4:16
2Me and Bobby McGee
engineer:
Phil Macy (50s-70s engineer)
producer:
Paul Rothchild
acoustic guitar and lead vocals:
Janis Joplin (on 1970-09-25)
bass guitar:
Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25)
drums (drum set):
Clark Pierson (on 1970-09-25)
guest bongos and guest congas:
Bobbye Hall
guest bongos and congas:
Bobbye Hall (on 1970-09-25)
guest tambourine:
Sandra Crouch (on 1970-09-25)
guitar:
John Till (rock guitarist) (on 1970-09-25)
organ:
Ken Pearson (on 1970-09-25)
piano:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25)
background vocals:
Phil Badella (on 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (on 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (rock guitarist) (on 1970-09-25)
performer:
Full Tilt Boogie (on 1970-09-25)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
part of:
New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 148)
cover recording of:
Me and Bobby McGee (on 1970-09-25)
lyricist and composer:
Fred Foster and Kris Kristofferson
publisher:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. and Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:31
3Another Love
engineer:
Duncan Fuller and Dan Grech‐Marguerat
producer:
Dan Grech‐Marguerat
assistant mixer:
Sean Julliard
mixer:
Cenzo Townshend (engineer)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2013)
mixed at:
Decoy Studios (Woodbridge UK) in Woodbridge, Suffolk, England, United Kingdom
part of:
Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 26)
recording of:
Another Love
lyricist and composer:
Tom Odell
Tom Odell3.54:06
4The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
music video for:
The Final Countdown by Europe (Swedish band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.055:11
5The Ballroom Blitz
engineer:
Peter Coleman (British engineer & producer)
producer:
Phil Wainman
arranger:
Sweet (UK glam rock band)
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1973), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1973, in 1974, in 1975), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at and engineered at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
The Ballroom Blitz
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. and Universal Music Publishing MGB Australia
Sweet4.64:04
6Pride and Joy
assistant recording engineer:
James Geddes
recording engineer:
Richard Mullen
assistant producer:
Mikie Harris
executive producer:
John Hammond (producer)
producer:
Double Trouble (assoc. with Stevie Ray Vaughan), Richard Mullen and Stevie Ray Vaughan
assistant mixer:
Harry Spiridakis and Don Wershba (engineer)
mixer:
Lincoln Clapp (engineer)
bass guitar:
Tommy Shannon
drums (drum set):
Chris Layton
guitar:
Stevie Ray Vaughan
vocals:
Stevie Ray Vaughan
recorded at:
Down Town Studio in Los Angeles, California, United States and Riverside Sound in Austin, Texas, United States
mixed at:
Mediasound Studios in New York, New York, United States
recording of:
Pride and Joy
lyricist and composer:
Stevie Ray Vaughan
publisher:
Wixen Music UK Ltd.
Stevie Ray Vaughan and Double Trouble4.253:41
7Keep on Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer (drummer)
producer:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) and Gary Richrath (guitarist and songwriter)
acoustic guitar:
Kevin Cronin (guitarist, singer and songwriter)
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer (drummer)
guitar:
Gary Richrath (guitarist and songwriter)
Hammond organ:
Neal Doughty (keyboards)
background vocals:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.553:23
8Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.552:08
9Your Love
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1985)
recording of:
Your Love
lyricist and composer:
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) and Warning Tracks Ltd.
The Outfield3:19
10Perfect Day
producer:
David Bowie (English singer‐songwriter) and Mick Ronson (British guitarist)
lead vocals:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Music (in 1972) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Indie 88: Top 500 Indie Rock Songs (number: 334)
recording of:
Perfect Day (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed4.33:46
11I Can’t Go for That (No Can Do)
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:47
12The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.054:58
13What I Like About You
producer:
Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1979) and Nemperor Records, Inc. (in 1979)
recorded at:
Coconut Recording in Miami, Florida, United States (in 1979-10)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 97) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 483)
recording of:
What I Like About You (in 1979-10)
writer:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) and Mike Skill (Singer, bassist, guitarist, songwriter)
publisher:
EMI April Music Inc. and EMI Music Publishing Australia Pty. Limited (not for release label use!)
part of:
Freaky Friday (2003)
The Romantics4.552:57
14Human
producer:
Two Inch Punch (pop producer from London)
mixer:
Manny Marroquin
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2017)
music videos:
Human by Rag’n’Bone Man and Human (official video) by Rag’n’Bone Man
recording of:
Human (in 2016)
writer:
Jamie Hartman (pop songwriter and producer), Nick Monson and Rory Graham
Rag’n’Bone Man4.253:21
15Total Eclipse of the Heart (long version)
producer:
Jim Steinman (in 1982)
background vocals:
Rory Dodd
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
music videos:
Total Eclipse of the Heart (music video) by Bonnie Tyler
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 56) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 121)
recording of:
Total Eclipse of the Heart
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
live recording of:
Total Eclipse of the Heart
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.456:58
16Broken Wings
engineer:
Paul DeVilliers and Lois Oki
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
mixer:
Mick Guzauski and Mike Shipley (audio engineer, mixer, producer)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
vocals:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Entertainment International (in 1985), BMG Music (in 1985), BMG Music International (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:43
17I’m So Excited
producer:
Richard Perry (producer)
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
phonographic copyright (℗) by:
BMG Music (in 1982)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 258)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters4.83:51
18Folsom Prison Blues (live)
additional producer:
Bob Irwin
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass:
Marshall Grant (on 1968-01-13)
drums (drum set):
W.S. Holland (on 1968-01-13)
electric guitar:
Carl Perkins (American pioneer of rockabilly music) (on 1968-01-13) and Luther Perkins (on 1968-01-13)
guitar:
Johnny Cash (country music legend) (on 1968-01-13)
vocals:
Johnny Cash (country music legend) (on 1968-01-13)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1968)
recorded at:
Folsom State Prison in Folsom, California, United States (on 1968-01-13)
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 54) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 164)
live recording of:
Folsom Prison Blues (on 1968-01-13)
lyricist and composer:
Johnny Cash (country music legend)
publisher:
Aberbach (London) (publisher), Carlin Music Corporation and Hi Lo Music
is based on:
Crescent City Blues
Johnny Cash4.852:48
19Love Rears Its Ugly Head
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990)
recording of:
Love Rears Its Ugly Head
lyricist and composer:
Vernon Reid (English-born US guitarist and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Living Colour24:17
5CD
#TitleArtistRatingLength
1Gravity
recording of:
Gravity
lyricist and composer:
John Mayer (US singer‐songwriter)
John Mayer4:07
2Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
music videos:
Rock the Casbah by The Clash (70s–80s British punk rock band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash4.653:44
3Valerie
assistant recording engineer:
Iain Gore and Rohan Onraet
recording engineer:
Gabriel Roth, Taz Mattar, Dom Morley, Derek Pacuk and Mark Ronson (British DJ and producer)
producer:
Mark Ronson (British DJ and producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
baritone saxophone:
Ian Hendrickson-Smith
bass:
Nick Movshon
guitar:
Thomas Brenneck and Binky Griptite
membranophone:
Homer Steinweiss
percussion:
?uestlove (US drummer, producer and DJ)
tenor saxophone:
Neal Sugarman
trumpet:
Dave Guy
viola:
Rachel Bolt (violist), Peter Lale (violist), Ivo van der Werff and Bruce White (violist)
violin:
Mark Berrow (violinist), Thomas Bowes (violinist), Boguslaw Kostecki (violinist), Julian Leaper (concert master and violinist), Rita Manning (violinist), Everton Nelson (violinist), Jonathan Rees, Jackie Shave, Emlyn Singleton (violinist), Cathy Thompson (violinist), David Woodcock (violinist) and Warren Zielinski (violinist)
guest lead vocals:
Amy Winehouse
conductor:
Chris Elliott (composer and arranger)
strings arranger:
Chris Elliott (composer and arranger)
phonographic copyright (℗) by:
Mark Ronson (British DJ and producer) (in 2007)
recorded at:
Allido Sound (studio for Mark Ronson's Allido label) in New York, New York, United States, Daptone Studios in Bushwick, New York, New York, United States, Metropolis (London) in London (Greater London), England, United Kingdom and SARM West in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
cover recording of:
Valerie
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Mark Ronson feat. Amy Winehouse43:42
4Shout
recording of:
Shout
arranger:
Ron Baker (record producer, bassist, arranger and songwriter)
arrangement of:
Shout
The Trammps3:32
5Shotgun
programming:
Cam Blackwood, Matthew Racher (drummer) and Liam Thorne
engineer:
Liam Thorne
producer:
Cam Blackwood
assistant mixer:
Joel Davies (engineer) and Charles Haydon Hicks
mixer:
Dan Grech‐Marguerat
additional percussion:
Liam Thorne
bass guitar [bass]:
George Ezra and FRED (UK producer, songwriter, multi-instrumentalist and DJ)
brass:
The Atlantic Horns
drums (drum set) [drums]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ), Jaleesa Gemerts and Matthew Racher (drummer)
guitar:
Cam Blackwood and George Ezra
keyboard and lead vocals:
George Ezra
keyboard [keys]:
FRED (UK producer, songwriter, multi-instrumentalist and DJ)
organ:
James Wyatt
percussion:
Matthew Racher (drummer)
saxophone [sax]:
Mark Brown (London based saxophonist and keyboardist)
synthesizer [synths]:
Cam Blackwood
trombone:
Mike Kearsey
trumpet:
Ben Edwards (trumpet and flugelhorn player)
background vocals [backing vocals]:
Cam Blackwood, Florrie Arnold (Florence Arnold), Ollie Hodge and Joel Pott
additional brass arranger:
Emma Corby
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2018)
recorded at:
Voltaire Road Studios in Clapham, Lambeth, London (Greater London), England, United Kingdom
mixed at:
Studio 3, Strongroom Studios in Shoreditch, Hackney, London (Greater London), England, United Kingdom
recording of:
Shotgun
writer:
George Ezra and Joel Pott
George Ezra33:22
6Rock This Town
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Rock This Town
lyricist and composer:
Brian Setzer
publisher:
EMI Music Publishing (do not use as a release label!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Windswept Pacific Music Ltd. (publishing company)
Stray Cats4.43:27
7Oh, Pretty Woman
recorded in:
Nashville, Tennessee, United States (on 1964-08-01)
producer:
Fred Foster
12 string guitar [12 string guitar Epiphone] and lead vocals:
Roy Orbison (on 1964-08-01)
double bass [upright bass]:
Bob Moore (U.S. bassist and bandleader) (on 1964-08-01)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1964-08-01)
guitar:
Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (guitar) (on 1964-08-01)
harmonica:
Charlie McCoy (white blues harmonica player, 1960s-present) (on 1964-08-01)
percussion:
Paul Garrison (on 1964-08-01)
piano:
Floyd Cramer (on 1964-08-01)
saxophone:
Boots Randolph (on 1964-08-01)
vocals:
Roy Orbison
phonographic copyright (℗) by:
Orbison Records, Orbison Records, Inc. and Monument Record Corp. (not for release label use!) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 222)
recording of:
Oh, Pretty Woman (Roy Orbison song) (on 1964-08-01)
lyricist and composer:
Bill Dees (songwriter, singer, guitarist) and Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (on 1964-08-26) and Acuff-Rose (BMI) (in 1972)
Roy Orbison4.33:00
8Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonanno and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Volcano Entertainment III, L.L.C. (in 1985)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.73:51
9Lido Shuffle
engineer:
Tom Perry (engineer)
producer:
Joe Wissert
bass guitar:
David Hungate (in 1975-09)
brass:
Dick Hyde (in 1975-09)
drums (drum set):
Jeff Porcaro (in 1975-09)
guitar:
Louie Shelton (in 1975-09) and Fred Tackett (in 1975-09)
horn:
Vincent DeRosa (in 1975-09)
Moog:
David Paich (in 1975-09)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) and Paul Hubinon (in 1975-09)
wind instruments:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) and Bud Shank (in 1975-09)
lead vocals:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
Lido Shuffle (in 1975-09)
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Music Ltd., Boz Scaggs Music (publisher), Francis & Freedman Accountancy Corp., Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3.653:42
10Het Regent ZonnestralenAcda en De Munnik4.53:48
11Teenage Dirtbag
recording engineer and producer:
Philip A. Jimenez and Wheatus
mixer:
David Thoener
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
lyricist and composer:
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) and Montauk Mantis Productions (in 2000)
Wheatus2.54:04
12Une Belle Histoire
lead vocals:
Michel Fugain (in 1972)
vocals:
Michel Fugain (in 1972)
conductor:
Jean Bouchéty (musician, composer and bandleader) (in 1972)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1972) and BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (in 2009)
recording of:
Une belle histoire (in 1972)
lyricist:
Pierre Delanoë
composer:
Michel Fugain
Michel Fugain & Le Big Bazar43:18
13Deeper Shade of Soul
mixer:
J.M.A. (Belgian guitarist & producer)
recording of:
Deeper Shade of Soul (from 1989-05 until 1989-07)
lyricist and composer:
Ray Barretto, de Vreede (Dutch DJ/producer Arjen de Vreede), Matadin, Schoots (Dutch drummer, performs as Magic Stick), Tilon and van Barneveld (Dutch singer/guitarist born in Soerabaja)
publisher:
Universal Music–MGB Songs
Urban Dance Squad3.54:36
14Nescio
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983)
recording of:
Nescio
lyricist and composer:
Henk Hofstede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Nitsongs
Nits4:47
15September
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975, in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 16) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 65)
recording of:
September
writer:
Al McKay, Maurice White (Earth, Wind & Fire) and Allee Willis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:38
16Come and Get Your LoveRedbone4.453:29
17Baby Love
live recording of:
Baby Love
lyricist and composer:
Jerry Seay
publisher:
Sat Songs Music
Mother’s Finest44:26
18Kronenburg Park
vocals:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
performer:
Frank Boeijen Groep
recording of:
Kronenburg Park
lyricist and composer:
Frank Boeijen (Dutch singer, founder of Frank Boeijen Groep)
Frank Boeijen Groep4.54:04
19Midnight Train to Georgia
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:43
20(Don’t Fear) The Reaper
recording engineer:
Andy Abrams (in 1976-03) and Shelly Yakus (in 1976-03)
engineer:
Andy Abrams and Shelly Yakus
producer:
Murray Krugman, David Lucas (US producer, composer & engineer) and Sandy Pearlman
mixer:
Andy Abrams (from 1975 until 1976) and Shelly Yakus (from 1975 until 1976)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1976-03)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 55) and Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 60)
recording of:
(Don’t Fear) The Reaper (in 1976-03)
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:06