100 Essential: 1980’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:39
2Get Down on It
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & the Gang43:31
3Running in the Family (single version)
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
recording of:
Running in the Family
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
Level 423.43:56
4My Prerogative
Assistent recording engineer und assistierende(r) Mix:
Jim Hanneman
recording engineer:
Dennis Mitchell (engineer)
drum machine-Programmierung:
Markell Riley
Produzent(in):
Gene Griffin
Mix:
Gene Griffin, Dennis Mitchell (engineer) und Teddy Riley (US R&B singer & producer)
bass saxophone, Bass-Synthesizer und Synthesizer:
Teddy Riley (US R&B singer & producer)
Fingerschnippen:
Bobby Brown (R&B singer, New Edition member)
Hintergrundgesang:
Bernard Bill, Lee Drakeford, Aaron Hall (R&B singer) und Teddy Riley (US R&B singer & producer)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1988)
produced for:
G.R. Productions
aufgenommen bei:
Axis Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Soundworks (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
My Prerogative von Bobby Brown (R&B singer, New Edition member)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 98) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 460)
recording of:
My Prerogative
Verfasser(in):
Bobby Brown (R&B singer, New Edition member), Gene Griffin und Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und Virgin Music (Publishers) Ltd.
Bobby Brown44:50
5Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
6Don’t Pay the Ferryman
recording of:
Don’t Pay the Ferryman
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
Chris de Burgh3:48
7Upside Down
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 89)
recording of:
Upside Down
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:04
8If I Could Turn Back Time
recording engineer und Mix:
Frank Wolf (engineer at Skyline Recording)
assistierende(r) Techniker(in):
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Guy Roche
Produzent(in):
Guy Roche und Diane Warren (US songwriter)
Bassgitarre:
John Pierce (US session bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
Alan Pasqua und Guy Roche
Schlagzeug und Tamburin:
Mark T. Williams
zusätzlich Gitarre:
Gene Black und Glenn Sciurba
Hintergrundgesang:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain und Maria Vidal (American singer-songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 386)
recording of:
If I Could Turn Back Time
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) und Realsongs (in 1989)
Cher3.753:58
9I Should Have Known Better
Akustikgitarre:
Graham Lyle
E-Bass:
John McKenzie (English blues bassist)
membranophone:
Simon Kirk
Perkussion:
Martin Ditcham
aufgenommen bei:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
I Should Have Known Better (1984 song)
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) und Rondor Music (London) Ltd.
Jim Diamond54:05
10The Only Way Is Up
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz4:28
11Word Up (7″ vocal version)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:14
12Night Shift (single version)
recording of:
Nightshift
Verfasser(in):
Franne Golde, Dennis Lambert und Walter Orange
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Platinum Songs US, Careers–BMG Music Publishing, Inc., Franne Golde Music, Reservoir Media Music, Rightsong Music Inc., Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Zomba Enterprises, Inc.
Commodores4:16
13Don’t Push It Don’t Force It
recording of:
Don't Push It, Don't Force It (Leon Haywood song)
Texter und Komponist(in):
Leon Haywood (funk and soul singer, songwriter, record producer)
publisher:
Jim-Edd Music
Leon Haywood53:27
14Don’t Stop the Music
recording of:
Don’t Stop the Music
Verfasser(in):
Jonah Ellis, Alisa Peoples und Lonnie Simmons (producer, songwriter)
publisher:
BMG Platinum Songs US und BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
Yarbrough & Peoples3:33
15Eloise
Techniker(in) und Produzent(in):
Jon Kelly (engineer at Air London Studios)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 1985), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Eloise
Texter und Komponist(in):
Paul Ryan (UK singer, songwriter & producer) (in 1968)
publisher:
Carlin Music Corporation und Hill & Range (publisher)
The Damned3.55:09
16Never Knew Love Like This Before (single)
Produzent(in):
Reggie Lucas und James Mtume (jazz/funk musician)
recording of:
Never Knew Love Like This Before
Verfasser(in):
Reggie Lucas und James Mtume (jazz/funk musician)
publisher:
Frozen Butterfly Publishing Co.
Stephanie Mills3:25
17Perfect Strangers (single edit)
Techniker(in):
Nick Blagona (engineer/producer)
Produzent(in):
Roger Glover
E-Bass:
Roger Glover (in 1984-08)
E-Gitarre:
Ritchie Blackmore (in 1984-08)
Hammond-Orgel und Keyboard:
Jon Lord (in 1984-08)
Schlagzeug:
Ian Paice (in 1984-08)
Sologesang:
Ian Gillan (in 1984-08)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
aufgenommen bei:
Le Mobile in Carlsbad, California (Kalifornien), Vereinigte Staaten (in 1984-08)
mixed at:
Tennessee Tonstudio in Hamburg, Deutschland
recording of:
Perfect Strangers (in 1984-08)
Verfasser(in):
Ritchie Blackmore, Ian Gillan und Roger Glover
publisher:
Blackmore Music Ltd., Chappell & Co., Inc. (USA), EMI April Music Inc., EMI Music Publishing (do not use as a release label!), HEC Music, Pussy Music Ltd., Rugged Music, Ltd. und Thames Overtures Ltd.
Deep Purple44:11
18No Sleep Till Brooklyn
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
Gast-E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
recording of:
No Sleep Till Brooklyn
Texter:
Adam Horovitz, Michael Diamond (member of Beastie Boys) und Adam Yauch
Komponist(in):
Adam Horovitz und Rick Rubin (US record producer, former co‐president of Columbia Records)
Beastie Boys3.754:07
19Heat of the Moment
Techniker(in) und Produzent(in):
Mike Stone (producer and engineer, 1960s–80s)
E-Bass:
John Wetton
Gitarre:
Steve Howe
Keyboard:
Geoff Downes (English keyboardist)
Schlagzeug und Perkussion:
Carl Palmer
vocals:
Geoff Downes (English keyboardist), Steve Howe und John Wetton
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Heat of the Moment (music video) von Asia (UK progressive rock band)
recording of:
Heat of the Moment
Verfasser(in):
Geoff Downes (English keyboardist) und John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (vom 1982 bis heute), Almond Legg Music Corp. (vom 1982 bis heute), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Asia4.53:48
20Happy Talk
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:24
2CD
Nr.TitelKünstlerBewertungLänge
1The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:30
2Addicted to Love
Produzent(in):
Bernard Edwards (American bassist and record producer)
Mix:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1985)
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) und WC Music Corp.
Robert Palmer4.53:51
3You Keep Me Hanging
recorded in:
England, Vereinigtes Königreich
Techniker(in):
Peter Wade Schwier (producer, mixing and recording engineer)
Produzent(in):
Ricky Wilde
Gitarre:
Steve Byrd
Keyboard:
Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1986), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten, Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Cachitos Nochevieja 2022 (Nummer: 108)
cover recording of:
You Keep Me Hangin’ On
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division und Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Kim Wilde3.454:12
4Sweet Little Mystery
Gitarre:
Graeme Duffin
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (not for release label use!) (in 1987)
Musikvideos:
Sweet Little Mystery von Wet Wet Wet
recording of:
Sweet Little Mystery
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
Wet Wet Wet3.653:41
5Breakout
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 72)
recording of:
Breakout (in 1986)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) und Virgin 10 Music Ltd.
Swing Out Sister3.83:45
6Lullaby
assistierende(r) Techniker(in):
Roy Spong und Richard Sullivan (engineer)
Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Smudger
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth), The Cure, Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup (von 1988-11 bis 1989-02)
Bassgitarre [six string bass guitar]:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02) und Porl Thompson (von 1988-11 bis 1989-02)
Instrumente:
Lol Tolhurst (von 1988-11 bis 1989-02)
Keyboard:
Roger O’Donnell (von 1988-11 bis 1989-02) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
Schlagzeug:
Boris Williams (von 1988-11 bis 1989-02)
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (von 1988-11 bis 1989-02)
remixer:
Chris Parry, Mark Saunders (UK record producer) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 2009-07)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1989) und Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1989)
aufgenommen bei:
Outside Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, Vereinigtes Königreich (von 1988-11 bis 1989-02) und Wembley Arena (OVO Arena Wembley) in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1989-07)
mixed at:
RAK Studio Three in London (Greater London), England, Vereinigtes Königreich (in 1989)
Musikvideos:
Lullaby von The Cure
recording of:
Lullaby (von 1988-11 bis 1989-02)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
live recording of:
Lullaby (in 1989-07)
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Roger O’Donnell, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co. und Fiction Songs Ltd. (in 1989)
The Cure3.954:10
7Steppin’ Out
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4:12
8Labelled With LoveSqueeze3.54:31
9Eighth Day
Produzent(in):
Tony Visconti
vocals:
Hazel O’Connor
arranger:
Tony Visconti
aufgenommen bei und mixed at:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Eighth Day
Texter, Verfasser(in) und Komponist(in):
Hazel O’Connor
Hazel O’Connor3:10
10Look Away
Techniker(in):
Will Gosling
Produzent(in):
Robin Millar
Mix:
Walter Turbitt (UK engineer, producer, songwriter, and guitarist.)
vocals:
Stuart Adamson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986)
Musikvideos:
Look Away von Big Country
recording of:
Look Away
Texter und Komponist(in):
Stuart Adamson
publisher:
Big Country Music Ltd. und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1986)
Big Country3.54:26
11Fight for Your Right
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 49) und Indie 88: Top 500 Indie Rock Songs (Nummer: 269)
recording of:
Fight for Your Right (to Party)
Texter:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) und Adam Yauch
Komponist(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music und Def Jam Music
Beastie Boys3.853:30
12I Am the Law
recording of:
I Am the Law (von 1986-10 bis 1986-12)
Verfasser(in):
Joey Belladonna, Frank Bello (US bassist for Anthrax), Charlie Benante, Scott Ian und Dan Lilker
publisher:
Anthrax Music, NFP Music, Universal Music–Z Tunes LLC und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Anthrax4:16
13I Surrender
cover recording of:
I Surrender (in 1980-11)
Texter und Komponist(in):
Russ Ballard
publisher:
April Music Publishing Inc., Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd, フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Rainbow4:24
14Ain’t Nothing Goin’ on but the Rent
recording of:
Ain’t Nothin’ Goin’ On but the Rent
Texter und Komponist(in):
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:34
15My One Temptation
recording of:
My One Temptation
Verfasser(in):
Michael Leeson, Peter Vale (writer/arranger) und Miles Waters (songwriter)
publisher:
Abacus Publishing und Chappell Music Co. Inc.
Mica Paris4:20
16Happy Hour
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
Bassgitarre:
Norman Cook (in 1986)
Chimes:
P.d. Heaton (in 1986)
Gitarre:
Stan Cullimore (in 1986)
Schlagzeug:
Hugh Whitaker (in 1986)
Hintergrundgesang:
Norman Cook (in 1986), Stan Cullimore (in 1986), P.d. Heaton (in 1986) und Hugh Whitaker (in 1986)
Sologesang:
Paul Heaton (in 1986)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
aufgenommen bei:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich (in 1986)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Happy Hour (in 1986)
Texter:
Paul Heaton
Komponist(in):
Stan Cullimore
publisher:
Go! Discs Music (publisher)
The Housemartins4.52:22
17New Beginnings (Mamba Seyra)
recording of:
New Beginning
Verfasser(in):
Tony Gibber und Mike Myers (UK producer/songwriter)
Bucks Fizz4:07
18Under the Boardwalk
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), The Hudson Bay Music Co. (publisher), TM Music Ltd. und Trio Music Company
Bruce Willis2.353:01
19Say You Say Me
Produzent(in):
James Anthony Carmichael und Lionel Richie
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2003) und Motown Records (not for label use; use “Motown” instead) (in 2015)
recording of:
Say You, Say Me
Texter und Komponist(in):
Lionel Richie
publisher:
Brockman Music
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1985 winner)
Lionel Richie4.154:01
20The Music of the Night (single version)
recording engineer:
Martin Levan
Produzent(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
vocals:
Michael Crawford (UK actor and singer)
conductor:
Michael Reed (UK conductor/arranger for musicals)
Orchestrator(in):
David Cullen (composer, arranger, orchestrator) und Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographisches Urheberrecht (℗) von:
The Really Useful Group PLC (fka The Really Useful Record Company Ltd., renamed as The Really Useful Group Ltd. on 17 July 1991) (in 1987)
recording of:
The Music of the Night (The Phantom of the Opera)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Michael Crawford5:14
3CD
Nr.TitelKünstlerBewertungLänge
1Shout
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears56:04
2Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
3Song for Whoever
Techniker(in):
Ian Grimble
Produzent(in):
Mike Hedges (UK producer/recording engineer)
Akustikgitarre und E-Gitarre:
Dave Rotheray
Bassgitarre:
Sean Welch
Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Schlagzeug:
David Stead
vocals:
Paul Heaton und Dave Hemingway
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
Song for Whoever
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Go! Discs Music Ltd. (publisher) und Island Music Ltd.
The Beautiful South2.654:06
4Pull Up to the Bumper
Produzent(in):
Chris Blackwell (Island Records) und Alex Sadkin
remixer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:42
5I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:46
6Just Like Heaven
assistierende(r) Produzent(in):
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) und Jacques Hermet
Produzent(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Mix:
Bob Clearmountain
E-Bass:
Simon Gallup
E-Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Perkussion und Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1987)
aufgenommen bei:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Region Brüssel-Hauptstadt), Belgien und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
Musikvideos:
Just Like Heaven von The Cure
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 231) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 483)
recording of:
Just Like Heaven
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst und Boris Williams
publisher:
APB Music Co.
The Cure4.23:34
7Stop
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown44:00
8In My House
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls4:01
9Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Sologesang:
Nik Kershaw (in 1983)
Horn arranger:
Jerry Hey und Nik Kershaw
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983, in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 88)
recording of:
Wouldn’t It Be Good (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
Teil von:
Gotcha! (1985 film soundtrack)
Nik Kershaw44:36
10Follow the Leader
Produzent(in):
Eric B. und Rakim (William Michael Griffin Jr., American rapper)
phonographisches Urheberrecht (℗) von:
UNI Records, Inc. (in 1988)
Samples:
I Know You Got Soul von Eric B. & Rakim, I Wouldn’t Change a Thing von Coke Escovedo, Listen to Me von Baby Huey (US rock/soul singer James Ramey) und Nautilus von Bob James (US jazz keyboardist, arranger and producer)
recording of:
Follow the Leader
Texter:
William Griffin (William Michael Griffin Jr., American rapper)
Verfasser(in):
Eric Barrier und William Griffin (William Michael Griffin Jr., American rapper)
Eric B. & Rakim45:36
11I Can Dream About You
recording engineer:
Dan Hartman
zusätzlich recording engineer:
Shelly Yakus
zusätzliche(r) Techniker(in):
Gabe Veltri
assistierende(r) Mix:
Steve Krause (Steven A Krause)
Mix:
Humberto Gatica
E-Bass:
Eddie N. Watkins Jr.
Klavier:
Bill Payne
Perkussion:
Bobbye Hall
zusätzlich Gitarre:
Richie Zito
zusätzlich Schlagzeug:
Art Wood (US session drummer/percussionist)
Hintergrundgesang:
Winston Ford, Dan Hartman und Joe Pizzullo
Sologesang:
Dan Hartman
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) und Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:09
12(Do) The Hucklebuck
cover recording of:
The Hucklebuck
Texter:
Roy Alfred (Tin Pan Alley lyricist and composer)
zusätzliche(r) Verfasser(in):
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Komponist(in):
Andy Gibson (trumpet, arranger, composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal/MCA Music Publishing Pty Ltd
Coast to Coast2:33
13Secret Lovers
recording of:
Secret Lovers
Verfasser(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Jodaway Music (ASCAP)
Atlantic Starr33:38
14Too Good to Be Forgotten
cover recording of:
Too Good to Be Forgotten
Verfasser(in):
Barbara Acklin (singer and songwriter) und Eugene Record
Amazulu3:07
15Harvest for the World
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
S. & M. Young (Martyn Young & Steven Young)
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1988) und Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
Musikvideos:
Harvest for the World von The Christians
cover recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Christians3:56
16Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:54
17Marlene on the Wall
assistierende(r) Techniker(in):
Kurt Upper
Techniker(in):
Steve Addabbo
leitende(r) Produzent(in):
Ronald K. Fierstein
Produzent(in):
Steve Addabbo und Lenny Kaye
Editing:
Rhonda Schoen
Akustikgitarre:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
Bass:
Frank Gravis (von 1985-01 bis 1985-03)
E-Gitarre:
Jon Gordon (guitarist, music director, producer, composer) (von 1985-01 bis 1985-03)
Schlagzeug:
Sue Evans (von 1985-01 bis 1985-03)
Synthesizer:
C. P. Roth (von 1985-01 bis 1985-03)
vocals:
Suzanne Vega (American singer-songwriter) (von 1985-01 bis 1985-03)
aufgenommen bei:
Celestial Sound Studios in New York, New York, Vereinigte Staaten (von 1985-01 bis 1985-03)
mixed at:
Sterling Sound (original NYC studio; split/relocated to Nashville and Edgewater in 2018) in Chelsea, New York, New York, Vereinigte Staaten
Musikvideos:
Marlene on the Wall von Suzanne Vega (American singer-songwriter)
recording of:
Marlene on the Wall (von 1985-01 bis 1985-03)
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Suzanne Vega3.853:42
18There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:44
19The Wanderer
Techniker(in):
Steve Churchyard, Greg Jackman und Tim Summerhayes
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1984), Mercury Records Ltd. (London) (for copyrights use only) (in 1984), Mercury Records Ltd. (UK) (in 1984) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1984)
cover recording of:
The Wanderer
Texter und Komponist(in):
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. und Warner/Chappell North America
Status Quo33:28
20Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:23
4CD
Nr.TitelKünstlerBewertungLänge
1The Lady in Red
Produzent(in):
Paul Hardiman
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1986)
aufgenommen bei:
RDS Arena in Dublin, County Dublin, Leinster, Irland (am 1988-12-07) und Westfalenhalle in Dortmund, Nordrhein-Westfalen, Deutschland (am 2004-11-06)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 54)
recording of:
The Lady in Red (in 1986)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 1988-12-07)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
live recording of:
The Lady in Red (am 2004-11-06)
Texter und Komponist(in):
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) und Rondor Music (London) Ltd. (, in 1986)
Chris de Burgh3.354:18
2Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:51
3Licence to Kill
Partner-Produzent(in):
Walter "Babylove" Afanasieff*
Produzent(in):
Narada Michael Walden
Interpret(in):
Gladys Knight (soul and r&b music singer-songwriter)
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
Bearbeitung von:
Licence to Kill (extended version) von Gladys Knight (soul and r&b music singer-songwriter)
recording of:
Licence to Kill
Verfasser(in):
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) und Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und SBK Songs Ltd. (in 1989)
Teil von:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:13
4(They Long to Be) Close to YouGwen Guthrie3:46
5Lessons in Love
Techniker(in) und Mix:
Julian Mendelsohn (Australian record producer and engineer)
assistierende(r) Produzent(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Wally Badarou und Level 42
Gast-Saxophon:
Gary Barnacle
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1986) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986)
recording of:
Lessons in Love
Texter:
Boon Gould
Verfasser(in):
Wally Badarou und Mark King (bass guitarist and vocalist)
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Level 423.64:04
6Love Changes Everything
assistierende(r) Techniker(in):
John Mackswith (English sound engineer)
Techniker(in):
Lorraine Francis
Sologesang:
Michael Ball (British actor, singer, and radio and TV presenter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
arranger:
David Arch (pianist, conductor, arranger and composer)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Love Changes Everything
Texter:
Don Black (English lyricist) und Charles Hart (British lyricist)
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Music Co. Ltd. (not for release label use!)
Teil von:
Aspects of Love (full musical)
Michael Ball3:33
7Every Little Step
recording of:
Every Little Step
Verfasser(in):
Antonio “L.A.” Reid und Babyface (R&B musician Kenny Edmonds)
publisher:
Chappell Music Ltd., Hip Trip Music (publisher) und Kear Music (publisher)
Bobby Brown4:37
8Luka
Sound-Engineering:
Robin Danar
Techniker(in):
Steve Addabbo und Rod O’Brien
Produzent(in):
Steve Addabbo und Lenny Kaye
Mix:
Shelly Yakus
Solo-Gitarre:
Jon Gordon (guitarist, music director, producer, composer)
Hintergrundgesang:
Shawn Colvin
vocals:
Suzanne Vega (American singer-songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1987)
aufgenommen bei:
duo Music Exchange in Dōgenzaka, Shibuya (Shibuya-ku), Tokyo, Japan
recording of:
Luka
Texter und Komponist(in):
Suzanne Vega (American singer-songwriter)
publisher:
WB Music Corp. (1929–2019)
Suzanne Vega4.353:52
9Wasteland
recording of:
Wasteland
Texter:
Wayne Hussey
Komponist(in):
Craig Adams (bass player for Sisters of Mercy/The Mission), Mick Brown (British drummer of the gothic rock band The Mission), Simon Hinkler und Wayne Hussey
The Mission43:59
10Drop the Pilot
assistierende(r) Techniker(in):
Niko Bolas
Techniker(in) und Produzent(in):
Val Garay
Bass:
Bryan Garofalo
Gitarre:
Joan Armatrading, Craig Hull und Tim Pierce (US session guitarist)
Keyboard:
Steve Goldstein
Perkussion:
M. L. Benoit
Schlagzeug:
Craig Krampf
vocals:
Joan Armatrading
phonographisches Urheberrecht (℗) von:
A&M Records (in 1983) und A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
Komponist(in):
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. und Polygram Music
Joan Armatrading43:42
11A Love Supreme
recording of:
A Love Supreme
Texter:
David Cole (US musician/producer, member of C+C Music Factory) und Will Downing (American soul, house singer, songwriter and producer)
Komponist(in):
John Coltrane
basiert auf:
A Love Supreme (entire suite)
Will Downing3:51
12All I Ask of You
recording of:
All I Ask of You (The Phantom of the Opera)
Texter:
Charles Hart (British lyricist)
zusätzlicher Texter:
Richard Stilgoe
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (beendet)
Teil von:
The Phantom of the Opera (Andrew Lloyd Webber musical)
Teil von:
The Phantom of the Opera (2004 film soundtrack)
Sarah Brightman & Cliff Richard4:12
13Somewhere Down the Crazy River
Techniker(in):
Jim Scott (US recording engineer and producer)
Partner-Produzent(in):
Jim Scott (US recording engineer and producer)
Produzent(in):
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) und Robbie Robertson
Mix:
Bob Clearmountain
Bassgitarre [bass]:
Tony Levin (US rock bassist/Chapman stick player)
Gitarre:
Bill Dillon und Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Omnichord:
Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter)
Schlagzeug [drums]:
Manu Katché
Hintergrundgesang:
Robbie Robertson und Sammy BoDean
Sologesang [vocal]:
Robbie Robertson
phonographisches Urheberrecht (℗) von:
The David Geffen Company (legal rights relating to Geffen Records) (in 1987)
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson4.54:57
14Lost Weekend
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recording of:
Lost Weekend
Texter:
Lloyd Cole
Komponist(in):
Neil Clark (Scottish guitarist, The Commotions), Lloyd Cole und Lawrence Donegan (Scottish musician and journalist)
Lloyd Cole and the Commotions43:15
15Obsession
cover recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
recording of:
Obsession
Verfasser(in):
Michael Des Barres und Holly Knight
publisher:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) und The Makiki Publishing Co. Ltd.
Animotion3.353:55
16Let’s Get Serious
Jermaine Jackson3:31
17I Found Someone
Produzent(in):
Michael Bolton
Bass:
Will Lee (US jazz/rock bassist)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) und John McCurry
Schlagzeug [drums]:
Chris Parker (American drummer)
phonographisches Urheberrecht (℗) von:
MBO Productions, Inc.
cover recording of:
I Found Someone
Verfasser(in):
Michael Bolton und Mark Mangold
publisher:
EMI Blackwood Music Inc. und Is Hot Music Ltd.
Cher3.853:42
18Don’t Turn Around
cover recording of:
Don’t Turn Around
Texter und Komponist(in):
Albert Hammond und Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs und Warner Chappell
Aswad2.53:21
19Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:51
20Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
5CD
Nr.TitelKünstlerBewertungLänge
1The Lovecats
Produzent(in):
Steve Nye (producer, engineer and pianist), Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Mix:
Chris Parry, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Phil Thornalley
Bassgitarre:
Phil Thornalley
Gitarre und Keyboard und Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Schlagzeug:
Andy Anderson (drummer for The Cure)
Vibraphon:
Lol Tolhurst
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 448)
recording of:
The Lovecats
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co.
The Cure3.83:41
2Don’t Walk Away
recording of:
Don't Walk Away
Texter und Komponist(in):
Jerry Knight
Four Tops4:07
3Fresh
recording of:
Fresh
Verfasser(in):
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4.44:23
4Fool If You Think It’s Over
vocals:
Elkie Brooks
cover recording of:
Fool (If You Think It’s Over)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Elkie Brooks4:49
5Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:05
6Higher Love
recording of:
Higher Love
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America und Willin' David Music
Steve Winwood54:05
7On Our Own
recording of:
On Our Own
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), L.A. Reid und Daryl Simmons
publisher:
Chappell Music Ltd.
Bobby Brown4:32
8There’s a Guy Works Down the Chip Shop Swears He’s Elvis
Produzent(in):
Bazza
Mix:
Bazza und Kirsty MacColl
produced for:
Loose End Productions
recording of:
There’s a Guy Works Down the Chip Shop Swears He’s Elvis
Verfasser(in):
Kirsty MacColl und Philip Rambow
publisher:
Blackhill Music Ltd. und Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Kirsty MacColl43:08
9The Riddle
assistierende(r) Techniker(in):
Dave Meegan (producer)
Techniker(in):
Julian Mendelsohn (Australian record producer and engineer)
Produzent(in):
Peter Collins (producer)
Sologesang:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) und MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984, in 1985)
Musikvideos:
The Riddle von Nik Kershaw
recording of:
The Riddle
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. und Rondor Musikverlag GmbH
Nik Kershaw3.253:54
10Piano in the Dark
recording of:
Piano in the Dark
Verfasser(in):
Scott Cutler, Jeff Hull (songwriter and producer) und Brenda Russell (US singer-songwriter & keyboardist)
publisher:
Dwarf Village Music
Brenda Russell4:19
11Reward Me
Produzent(in):
Clive Langer und Alan Winstanley (English record producer)
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes4.52:43
12Me, Myself, I
assistierende(r) Techniker(in):
Gregg Caruso
Techniker(in):
Thom Panunzio
Produzent(in):
Richard Gottehrer (American songwriter and music executive)
Bass:
Marcus Miller (jazz musician) (in 1980-03)
Gitarre:
Hiram Bullock (in 1980-03) und Chris Spedding (in 1980-03)
Klavier:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
Orgel:
Danny Federici (in 1980-03)
Saxophon:
Clarence Clemons (in 1980-03)
Schlagzeug:
Anton Fig (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1980)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1980-03)
recording of:
Me Myself I (in 1980-03)
Texter und Komponist(in):
Joan Armatrading
publisher:
Irving Music, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Rondor Music (London) Ltd. (in 1980)
Joan Armatrading3.653:20
13Wonderland
Produzent(in):
Steve Lillywhite
Herausgeber:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Musikvideos:
Wonderland von Big Country
recording of:
Wonderland
Verfasser(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
BMG VM Music Ltd., Virgin Music Publishing Ltd. und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984)
Big Country23:56
14Somebody’s Watching Me
Produzent(in):
Curtis Anthony Nolen und Rockwell (R & B – “Somebody’s Watching Me”)
Gast vocals:
Michael Jackson (“King of Pop”)
Hintergrundgesang:
Jermaine Jackson (soul/pop singer, of Jackson 5)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 20)
recording of:
Somebody’s Watching Me
Texter und Komponist(in):
Rockwell (R & B – “Somebody’s Watching Me”)
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Rockwell3.853:50
15Under Your Thumb
recording of:
Under Your Thumb
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
St. Anne’s Music Ltd.
Godley & Creme53:49
16When Smokey Sings
Assistent recording engineer und assistierende(r) Mix:
Tim Burrell
recording engineer und Techniker(in):
Martyn Webster (engineer)
Koproduzent(in):
Bernard Edwards (American bassist and record producer)
Produzent(in):
Bernard Edwards (American bassist and record producer), Martin Fry und Mark White (ABC/Vice Versa)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
Bass:
Brad Lang
Keyboard:
David Clayton
Kontrabass:
Danny Thompson (English double bass player)
Mundharmonika:
Judd Lander
Perkussion:
Pandit Dinesh und Louis Jardim
Saxophon:
Howie Casey
Schlagzeug:
Graham Broad
Saiteninstrumente arranger:
Richard Niles
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1987) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
aufgenommen bei und mixed at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
When Smokey Sings von ABC (English 80s pop group)
Teil von:
The Downloader’s Music Source Book (Nummer: 70)
recording of:
When Smokey Sings
Verfasser(in):
Martin Fry und Mark White (ABC/Vice Versa)
gewidmet:
Smokey Robinson
publisher:
Neutron Music, Neutron Music Ltd. und 10 Music Ltd. (in 1987)
ABC4.254:21
17It’s Different for the Girls
Joe Jackson3:45
18I Want Your LoveTransvision Vamp2.53:31
19Shout to the Top
Produzent(in):
Paul Weller (English singer‐songwriter and musician) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council34:17
20Do They Know It’s Christmas
Programmierung:
Midge Ure (am 1984-11-25)
Produzent(in):
Trevor Horn und Midge Ure
E-Bass:
John Taylor (UK bassist for Duran Duran) (am 1984-11-25)
Gitarre:
Andy Taylor (of Duran Duran) (am 1984-11-25)
Keyboard:
Midge Ure (am 1984-11-25)
Schlagzeug:
Phil Collins (of Genesis) (am 1984-11-25)
Sologesang:
Bono (singer of U2) (am 1984-11-25), Boy George (am 1984-11-25), George Michael (am 1984-11-25), Simon Lebon (singer for Duran Duran) (am 1984-11-25) und Paul Young (English pop singer and musician) (am 1984-11-25)
sonstiger Gesang [chorus]:
Paul Weller (English singer‐songwriter and musician) (am 1984-11-24), Robert “Kool” Bell (am 1984-11-25), Pete Briquette (am 1984-11-25), Adam Clayton (am 1984-11-25), Phil Collins (of Genesis) (am 1984-11-25), Chris Cross (UK bassist for Ultravox) (am 1984-11-25), Simon Crowe (am 1984-11-25), Sara Dallin (am 1984-11-25), Siobhan Fahey (am 1984-11-25), Johnnie Fingers (am 1984-11-25), Bob Geldof (am 1984-11-25), Tony Hadley (am 1984-11-25), John Keeble (am 1984-11-25), Gary Kemp (am 1984-11-25), Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (am 1984-11-25), Jon Moss (am 1984-11-25), Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (am 1984-11-25), Rick Parfitt (UK guitarist for Status Quo) (am 1984-11-25), Nick Rhodes (am 1984-11-25), Francis Rossi (am 1984-11-25), Andy Taylor (of Duran Duran) (am 1984-11-25), James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) (am 1984-11-25), John Taylor (UK bassist for Duran Duran) (am 1984-11-25), Roger Taylor (Duran Duran drummer) (am 1984-11-25), Dennis “D.T.” Thomas (Kool & The Gang) (am 1984-11-25), Midge Ure (am 1984-11-25), Martyn Ware (am 1984-11-25), Jody Watley (am 1984-11-25) und Keren Woodward (am 1984-11-25)
vocals:
Glenn Gregory (am 1984-11-25), Marilyn (British pop singer) (am 1984-11-25) und Sting (singer, songwriter & member of The Police) (am 1984-11-25)
phonographisches Urheberrecht (℗) von:
Phonogram Ltd. (London) (company name, NOT a label!) (in 1984) und The Band Aid Trust (in 2004)
aufgenommen bei:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1984-11-25)
Musikvideos:
Do They Know It's Christmas? (music video) von Band Aid (UK charity supergroup)
recording of:
Do They Know It’s Christmas? (von 1984-11-24 bis 1984-11-25)
Verfasser(in):
Bob Geldof und Midge Ure
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Band Aid3.63:46