Das Kantatenwerk: Sacred Cantatas, Vol. 1: BWV 1-14, 16-19

~ Release by Johann Sebastian Bach; Harnoncourt, Leonhardt (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": I [Coro] »Wie schön leuchtet der Morgenstern«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: I. Coro “Wie schön leuchtet der Morgenstern” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach9:36
2BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": II Recitativo (Tenore) »Du wahrer Gottes und Marien Sohn«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: II. Recitativo (Tenore) “Du wahrer Gottes und Marien Sohn” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:55
3BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": III Aria (Soprano) »Erfüllet, ihr himmlischen göttlichen Flammen«
choir vocals:
Soloists of the Wiener Sängerknaben (The Vienna Boys Choir)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: III. Aria (Soprano) “Erfüllet, ihr himmlischen göttlichen Flammen” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach5:09
4BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": IV Recitativo (Basso) »Ein irdscher Glanz, ein leiblich Licht«
bass vocals:
Max van Egmond (bass-baritone) (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: IV. Recitativo (Basso) “Ein irdscher Glanz, ein leiblich Licht” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach0:58
5BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": V Aria (Tenore) »Unser Mund und Ton der Saiten«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: V. Aria (Tenore) “Unser Mund und Ton der Saiten” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach7:21
6BWV 1 BC A173*: "Wie schön leuchtet der Morgenstern": VI Choral (Coro) »Wie bin ich doch so herzlich froh«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”: VI. Choral “Wie bin ich doch so herzlich froh” (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Philipp Nicolai (in 1599)
part of:
Breitkopf 389 Choralgesänge (number: 378)
part of:
Kantate, BWV 1 “Wie schön leuchtet der Morgenstern”
Johann Sebastian Bach1:41
7BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": I [Coro] «Ach Gott, vom Himmel sieh darein«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": I. Coro "Ach Gott, vom Himmel sieh darein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach3:52
8BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": II Recitativo (Tenore) »Sie lehren eitel falsche List«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": II. Recitativo (Tenore) "Sie lehren eitel falsche List" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:02
9BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": III Aria (Alto) »Tilg, o Gott, die Lehren«
alto vocals:
Paul Esswood (countertenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": III. Aria (Alto) "Tilg, o Gott, die Lehren" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach4:01
10BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": IV Recitativo (Basso) »Die Armen sind verstört«
bass vocals:
Max van Egmond (bass-baritone) (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": IV. Recitativo (Basso) "Die Armen sind verstört" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:41
11BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": V Aria (Tenore) »Durchs Feuer wird das Silber rein«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": V. Aria (Tenore) "Durchs Feuer wird das Silber rein" (from 1970-12-01 until 1971-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach7:13
12BWV 2 BC A98: "Ach Gott, von Himmel sieh darein": VI Choral (Coro) »Das wollst du, Gott, bewahren rein«
choir vocals:
Chorus Viennensis (on 1970-12-01, from 1970-12 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (on 1970-12-01, from 1970-12 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein": VI. Choral "Das wollst du, Gott, bewahren rein" (on 1970-12-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-18)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 7)
part of:
Kantate, BWV 2 "Ach Gott, vom Himmel sieh darein"
Johann Sebastian Bach1:14
13BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": I [Coro] »Ach Gott, wie manches Herzeleid«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": I. Coro "Ach Gott, wie manches Herzeleid" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach4:55
14BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": II [Choral] Recitativo (Soprano, Alto, Tenore, Basso, Coro) »Wie schwerlich läßt sich Fleisch und Blut«
alto vocals:
Paul Esswood (countertenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
bass vocals:
Max van Egmond (bass-baritone) (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": II. Recitativo e choral (Tenore, Alto, Soprano, Basso) "Wie schwerlich lässt sich Fleisch und Blut" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Moller (german poet) (in 1587)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach2:28
15BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": III Aria (Basso) »Empfind ich Höllenangst und Pein«
bass vocals:
Max van Egmond (bass-baritone) (from 1970-04 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": III. Aria (Basso) "Empfind ich Höllenangst und Pein" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach5:50
16BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": IV Recitativo (Tenore) »Es mag mir Leib und Geist verschmachten«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Tenore) "Es mag mir Leib und Geist verschmachten" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach1:14
17BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": V Aria (Duetto: Soprano, Alto) »Wenn Sorgen auf mich dringen«
alto vocals:
Paul Esswood (countertenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": V. Aria (Duetto: Soprano, Alto) "Wenn Sorgen auf mich dringen" (from 1970-12-01 until 1971-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist) (ended)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach8:34
18BWV 3 BC A33: "Ach Gott, wie manches Herzeleid": VI Choral (Coro) »Erhalt mein Herz in Glauben rein«
recording engineer:
Teije van Geest (engineer/producer)
producer:
Richard Hauck (engineer/producer) (task: recording supervisor)
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid": VI. Choral "Erhalt mein Herz im Glauben" (from 1970-12-01 until 1971-04)
lyricist:
Martin Moller (german poet) (in 1587)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 8)
part of:
Kantate, BWV 3 "Ach Gott, wie manches Herzeleid"
Johann Sebastian Bach0:43
2▼CD
#TitleArtistRatingLength
1BWV 4 BC A54b: "Christ lag in Todes Banden": I Sinfonia
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (on 1970-12-01, from 1970-12 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1970-12-01, from 1970-12 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (on 1970-12-01)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:06
2BWV 4 BC A54b: "Christ lag in Todes Banden": II [Coro] Versus I »Christ lag in Todes Banden«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:18
3BWV 4 BC A54b: "Christ lag in Todes Banden": III [Duetto] (Soprano, Alto) Versus II: »Den Tod niemand zwingen kunnt«
alto vocals:
Paul Esswood (countertenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:41
4BWV 4 BC A54b: "Christ lag in Todes Banden": IV [Aria] (Tenore) Versus III »Jesus Christus, Gottes Sohn«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:18
5BWV 4 BC A54b: "Christ lag in Todes Banden": V [Coro] Versus IV »Es war ein wunderlicher Krieg«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:28
6BWV 4 BC A54b: "Christ lag in Todes Banden": VI [Aria] (Basso) Versus V »Hier ist das rechte Osterlamm«
bass vocals:
Max van Egmond (bass-baritone) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04-01)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (from 1970-12-01 until 1971-04-01)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:00
7BWV 4 BC A54b: "Christ lag in Todes Banden": VII [Duetto] (Soprano, Tenore) Versus VI »So feiern wir das hohe Fest«
tenor vocals:
Kurt Equiluz (tenor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:08
8BWV 4 BC A54b: "Christ lag in Todes Banden": VIII Choral (Coro) Versus VII »Wir essen und leben wohl«
choir vocals:
Chorus Viennensis (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
orchestra:
Concentus Musicus Wien (from 1970-12 until 1971-04)
conductor:
Nikolaus Harnoncourt (conductor) (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
chorus master:
Hans Gillesberger (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1970-12 until 1971-04, from 1970-12-01 until 1971-04)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (from 1970-12-01 until 1971-04)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:19
9BWV 5 BC A145: "Wo soll ich fliehen hin": I [Coro] »Wo soll ich fliehen hin«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": I. Coro "Wo soll ich fliehen hin" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach3:53
10BWV 5 BC A145: "Wo soll ich fliehen hin": II Recitativo (Basso) »Der Sünden Wust hat mich nicht nur befleckt«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo (Basso) "Der Sünden Wust hat mich nicht nur befleckt" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:03
11BWV 5 BC A145: "Wo soll ich fliehen hin": III Aria (Tenore) »Ergieße dich reichlich«
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": III. Aria (Tenore) "Ergieße dich reichlich, du göttliche Quelle" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach6:37
12BWV 5 BC A145: "Wo soll ich fliehen hin": IV Recitativo (Alto) »Mein treuer Heiland tröstet mich«
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": IV. Recitativo (Alto) "Mein treuer Heiland tröstet mich" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach1:47
13BWV 5 BC A145: "Wo soll ich fliehen hin": V Aria (Basso) »Verstumme, Höllenheer«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": V. Aria (Basso) "Verstumme, Höllenheer, Du machst mich nicht verzagt!" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach7:49
14BWV 5 BC A145: "Wo soll ich fliehen hin": VI Recitativo (Soprano) »Ich bin ja nur das kleinste Teil der Welt«
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VI. Recitativo (Soprano) "Ich bin ja nur das kleinste Teil der Welt" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:48
15BWV 5 BC A145: "Wo soll ich fliehen hin": VII Choral (Coro) »Führ auch mein Herz und Sinn«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 5 "Wo soll ich fliehen hin": VII. Choral "Führ auch mein Herz und Sinn" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-15)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 28)
part of:
Kantate, BWV 5 "Wo soll ich fliehen hin"
Johann Sebastian Bach0:58
16BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": I [Coro] »Bleib bei uns, denn es will Abend werden«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": I. Coro "Bleib bei uns, denn es will Abend werden" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach5:33
17BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": II Aria (Alto) »Hochgelobter Gottessohn«
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": II. Aria (Alto) "Hochgelobter Gottessohn, Laß es dir nicht sein entgegen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach3:45
18BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": III Choral (Soprano) »Ach bleib bei uns, Herr Jesu Christ«
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": III. Choral (Soprano) "Ach bleib bei uns, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Nikolaus Herman (in 1572) and Nikolaus Selnecker (in 1572)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:04
19BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": IV Recitativo (Basso) »Es hat die Dunkelheit an vielen Orten«
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": IV. Recitativo (Basso) "Es hat die Dunkelheit" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:40
20BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": V Aria (Tenore) »Jesu, laß uns auf dich sehen«
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": V. Aria (Tenore) "Jesu, lass uns auf dich sehen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach4:07
21BWV 6 BC A57: "Bleib bei uns, denn es will Abend werden": VI Choral (Coro) »Beweis dein Macht, Herr Jesu Christ«
choir vocals:
Chorus Viennensis (in 1971-01) and Wiener Sängerknaben (The Vienna Boys Choir) (in 1971-01)
orchestra:
Concentus Musicus Wien (in 1971-01)
conductor:
Nikolaus Harnoncourt (conductor) (in 1971-01)
chorus master:
Hans Gillesberger (in 1971-01)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1971-01)
recording of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden": VI. Choral "Beweis dein Macht, Herr Jesu Christ" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Luther (German theologian of the Reformation) (in 1542)
part of:
Breitkopf 389 Choralgesänge (number: 79)
part of:
Kantate, BWV 6 "Bleib bei uns, denn es will Abend werden"
Johann Sebastian Bach0:43
3▼CD
#TitleArtistRatingLength
1BWV 7 BC A177: "Christ unser Herr zum Jordan kam": I [Coro] »Christ unser Herr zum Jordan kam«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": I. Coro "Christ unser Herr zum Jordan kam" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach7:50
2BWV 7 BC A177: "Christ unser Herr zum Jordan kam": II Aria (Basso) »Merkt und hört, ihr Menschenkinder«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": II. Aria (Basso) "Merkt und hört, ihr Menschenkinder" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach5:40
3BWV 7 BC A177: "Christ unser Herr zum Jordan kam": III Recitativo (Tenore) »Dies hat Gott klar mit Worten«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": III. Recitativo (Tenore) "Dies hat Gott klar mit Worten und mit Bildern dargetan" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:16
4BWV 7 BC A177: "Christ unser Herr zum Jordan kam": IV Aria (Tenore) »Des Vaters Stimme ließ sich hören«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": IV. Aria (Tenore) "Des Vaters Stimme ließ sich hören" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:58
5BWV 7 BC A177: "Christ unser Herr zum Jordan kam": V Recitativo (Basso) »Als Jesus dort nach seinen Leiden«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": V. Recitativo (Basso) "Als Jesus dort nach seinen Leiden" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:01
6BWV 7 BC A177: "Christ unser Herr zum Jordan kam": VI Aria (Alto) »Menschen, glaubt doch dieser Gnade«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VI. Aria (Alto) "Menschen, glaubt doch dieser Gnade" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach4:00
7BWV 7 BC A177: "Christ unser Herr zum Jordan kam": VII Choral (Coro) »Das Aug allein das Wasser sieht«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam": VII. Choral "Das Aug allein das Wasser sieht" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-06-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1541)
part of:
Breitkopf 389 Choralgesänge (number: 44)
part of:
Kantate, BWV 7 "Christ unser Herr zum Jordan kam"
Johann Sebastian Bach1:21
8BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": I [Coro] »Liebster Gott, wenn werd ich sterben?«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:50
9BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": II Aria (Tenore) »Was willst du dich, mein Geist, entsetzen«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
tenor vocals:
Kurt Equiluz (tenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": II. Aria (Tenore) "Was willst du dich, mein Geist, entsetzen" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach4:10
10BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": III Recitativo (Alto) »Zwar fühlt mein schwaches Herz«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
alto vocals:
Paul Esswood (countertenor) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": III. Recitativo (Alto) "Zwar fühlt mein schwaches Herz" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:11
11BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": IV Aria (Basso) »Doch weichet, ihr tollen, vergeblichen Sorgen!«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
bass vocals:
Max van Egmond (bass-baritone) (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 8 appendix "Liebster Gott, wenn werd ich sterben?": IV. Aria (Basso) "Doch weichet, ihr tollen, vergeblichen Sorgen!" (Alternative version)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:17
12BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": V Recitativo (Soprano) »Behalte nur, o Welt, das Meine!«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": V. Recitativo (Soprano) "Behalte nur, o Welt, das Meine!" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:13
13BWV 8 BC A137a: "Liebster Gott, wenn werd ich sterben": VI Choral (Coro) »Herrscher über Tod und Leben«
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (in 1971-01, on 1971-12-08)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": VI. Choral "Herrscher über Tod und Leben" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Breitkopf 389 Choralgesänge (number: 227)
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach1:32
14BWV 9 BC A107: "Es ist das Heil uns kommen her": I [Coro] »Es ist das Heil uns kommen her«
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach4:57
15BWV 9 BC A107: "Es ist das Heil uns kommen her": II Recitativo (Basso) »Gott gab uns ein Gesetz«
bass vocals:
Max van Egmond (bass-baritone) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:15
16BWV 9 BC A107: "Es ist das Heil uns kommen her": III Aria (Tenore) »Wir waren schon zu tief gesunken«
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:22
17BWV 9 BC A107: "Es ist das Heil uns kommen her": IV Recitativo (Basso) »Doch mußte das Gesetz erfüllet werden«
bass vocals:
Max van Egmond (bass-baritone) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:17
18BWV 9 BC A107: "Es ist das Heil uns kommen her": V Aria (Duetto: Soprano, Alto) »Herr, du siehst statt guter Werke«
alto vocals:
Paul Esswood (countertenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach7:25
19BWV 9 BC A107: "Es ist das Heil uns kommen her": VI Recitativo (Basso) »Wenn wir die Sünd aus dem Gesetz erkennen«
bass vocals:
Max van Egmond (bass-baritone) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:24
20BWV 9 BC A107: "Es ist das Heil uns kommen her": VII Choral (Coro) »Ob sichs anließ, als wollt er nicht«
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (on 1971-12-08)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:05
4▼CD
#TitleArtistRatingLength
1BWV 10 BC A175: "Meine Seel erhebt den Herren": I [Coro] »Meine Seel erhebt den Herren«
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:03
2BWV 10 BC A175: "Meine Seel erhebt den Herren": II Aria (Soprano) »Herr, der du stark und mächtig bist«
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:28
3BWV 10 BC A175: "Meine Seel erhebt den Herren": III Recitativo (Tenore) »Des Höchsten Güt und Treu«
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:24
4BWV 10 BC A175: "Meine Seel erhebt den Herren": IV Aria (Basso) »Gewaltige stößt Gott vom Stuhl«
bass vocals:
Max van Egmond (bass-baritone) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:28
5BWV 10 BC A175: "Meine Seel erhebt den Herren": V Duetto (Alto, Tenore) »Er denket der Barmherzigkeit«
alto vocals:
Paul Esswood (countertenor) (on 1971-12-08)
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:20
6BWV 10 BC A175: "Meine Seel erhebt den Herren": VI Recitativo (Tenore) »Was Gott den Vätern alter Zeiten«
tenor vocals:
Kurt Equiluz (tenor) (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:10
7BWV 10 BC A175: "Meine Seel erhebt den Herren": VII Choral (Coro) »Lob und Preis sei Gott dem Vater«
choir vocals:
King's College Choir Cambridge (on 1971-12-08)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (on 1971-12-08)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (on 1971-12-08)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (on 1971-12-08)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (on 1971-12-08)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (on 1971-12-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:08
8BWV 11 BC D9: "Lobet Gott in seinen Reichen": I [Coro] »Lobet Gott in seinen Reichen«
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach5:09
9BWV 11 BC D9: "Lobet Gott in seinen Reichen": II Recitativo (Tenore) »Der Herr Jesus hub seine Hände auf«
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
recording of:
Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:29
10BWV 11 BC D9: "Lobet Gott in seinen Reichen": III Recitativo (Basso) »Ach, Jesu, ist dein Abschied schon so nah?«
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:00
11BWV 11 BC D9: "Lobet Gott in seinen Reichen": IV Aria (Alto) »Ach, bleibe doch, mein liebstes Leben«
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:43
12BWV 11 BC D9: "Lobet Gott in seinen Reichen": V Recitativo (Tenore) »Und ward aufgehoben zusehends«
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:25
13BWV 11 BC D9: "Lobet Gott in seinen Reichen": VI Choral (Coro) »Nun lieget alles unter dir«
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" (from 1971-12-08 until 1971-12-15)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Breitkopf 389 Choralgesänge (number: 82)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:17
14BWV 11 BC D9: "Lobet Gott in seinen Reichen": VII Recitativo (Tenore, Basso) »Und da sie ihm nachsahen«
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach1:04
15BWV 11 BC D9: "Lobet Gott in seinen Reichen": VIII Recitativo (Alto) »Ach ja! so komme bald zurück«
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:38
16BWV 11 BC D9: "Lobet Gott in seinen Reichen": IX Recitativo (Tenore) »Sie aber beteten ihn an«
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach0:41
17BWV 11 BC D9: "Lobet Gott in seinen Reichen": X [Aria](Soprano) »Jesu, deine Gnadenblicke«
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach6:51
18BWV 11 BC D9: "Lobet Gott in seinen Reichen": XI Coral (Coro) »Wenn soll es doch geschehen«
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:44
19BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": I Sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:21
20BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": II [Coro] »Weinen, Klagen, Sorgen, Zagen«
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:02
21BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": III [Arioso](Alto) »Wir müssen durch viel Trübsal«
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:57
22BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": IV Aria (Alto) »Kreuz und Krone sind verbunden«
alto vocals:
Paul Esswood (countertenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:27
23BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": V Aria (Basso) »Ich folge Christo nach«
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:48
24BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": VI Aria (Tenore) »Sei getreu, alle Pein«
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach4:18
25BWV 12 BC A68: "Weinen, Klagen, Sorgen, Zagen": VII Choral »Was Gott tut, das ist wohlgetan«
choir vocals:
King's College Choir Cambridge (from 1971-12-08 until 1971-12-15) and Tölzer Knabenchor (Tölz Boys’ Choir) (from 1971-12-08 until 1971-12-15)
vocals:
Choir of King’s College, Cambridge and Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Gerhard Schmidt‐Gaden (Tölzer Knabenchor) (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (from 1971-12-08 until 1971-12-15)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:53
5▶CD
6▶CD

Credits

Release

part of:Das Kantatenwerk (Teldec) (order: 1)
Das Alte Werk (order: 18)
Discogs:https://www.discogs.com/release/4682124 [info]