Absolute Hits of the 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band4.43:05
2Born to Be Alive
recording of:
Born to Be Alive
Texter und Komponist(in):
Patrick Hernandez
Patrick Hernandez3:10
3Hot Stuff
recording of:
Hot Stuff
Verfasser(in):
Pete Bellotte (English lyricist and producer), Harold Faltermeyer und Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer52:56
4You Sexy Thing
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1984)
recording of:
You Sexy Thing (in 1975)
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. und RAK Publishing Ltd
Hot Chocolate3.854:05
5I Love the Nightlife
recording of:
I Love the Nightlife
Verfasser(in):
Alicia Bridges und Susan Hutcheson
publisher:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Alicia Bridges53:08
6Rock the Boat
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974)
recording of:
Rock the Boat
Texter und Komponist(in):
Wally Holmes (songwriter)
publisher:
Origin Network Pty Ltd und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hues Corporation4.43:07
7Yes Sir, I Can Boogie
Produzent(in):
Rolf Soja
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1977) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music und Peermusic (UK) Ltd.
Baccara4.754:35
8Rivers of Babylon
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1978)
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.3.54:00
9I Will Survive
Partner-Produzent(in):
Freddie Perren
Produzent(in):
Dino Fekaris
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978) und Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979)
Bearbeitung von:
I Will Survive (12″ single version) von Gloria Gaynor
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 251) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 489)
recording of:
I Will Survive
Verfasser(in):
Dino Fekaris und Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:19
10Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:58
11We Are Family
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
recording of:
We Are Family
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge4.258:23
12Good Times
recording of:
Good Times
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs und Tommy Jymi Inc.
Chic3:58
13Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:18
14Moviestar
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1976)
recording of:
Movie Star
Texter und Komponist(in):
Harpo (Swedish pop singer) (in 1975)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. und Warner/Chappell Music Scandinavia AB
Harpo4.53:24
15Kissin’ in the Back Row of the Movies
Baritongesang:
Grant Kitchings
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters)
Tenor-Gesang:
Butch Leake
vocals:
Bill Fredericks und Butch Mann
arranger:
Tony King (songwriter, arranger)
recording of:
Kissin’ in the Back Row of the Movies
Komponist(in):
Roger Greenaway und Tony Macaulay
The Drifters3.653:32
16Sugar Baby Love
Techniker(in):
John Mackswith (English sound engineer)
Produzent(in):
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes3:30
2▼CD
Nr.TitelKünstlerBewertungLänge
1All by Myself
assistierende(r) Techniker(in):
Joey Barbaria
Techniker(in):
Jack Sherdel
Produzent(in):
Jimmy Ienner (producer)
Sologesang:
Eric Carmen (von 1975-08 bis 1975-09)
arranger:
Eric Carmen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975) und Arista Records, LLC (holding company - file NO releases here!) (in 1975)
produced for:
CAM Productions (US)
aufgenommen bei:
O.D.O. Sound Studios in New York, New York, Vereinigte Staaten (von 1975-08 bis 1975-09)
recording of:
All by Myself (von 1975-08 bis 1975-09)
Texter:
Eric Carmen
Komponist(in):
Eric Carmen und Sergei Rachmaninov (Sergei Rachmaninow, Russian composer)
publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (beendet), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Let’s Pretend
basiert auf:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:55
2Far Far Away
recording of:
Far Far Away
Verfasser(in):
Jim Lea und Neville Holder
publisher:
Barn Publishing (Slade) Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
Slade3:37
3Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:59
4This Town Ain’t Big Enough for Both of Us
Produzent(in):
Muff Winwood (bass player, songwriter, producer)
Mix:
Bill Price (UK producer/engineer)
Bass:
Martin Gordon
Gitarre:
Adrian Fisher
Keyboard [keyboards]:
Ron Mael
Schlagzeug:
Dinky Diamond
vocals:
Russell Mael
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1974)
Musikvideos:
This Town Ain’t Big Enough for the Both of Us (silent film version) von Sparks (US rock and pop duo, The Mael Brothers) und This Town Ain’t Big Enough for the Both of Us (version 2) von Sparks (US rock and pop duo, The Mael Brothers)
recording of:
This Town Ain’t Big Enough for Both of Us
Texter und Komponist(in):
Ron Mael
arranger:
Tony Visconti
publisher:
Island Music Ltd.
Sparks3.853:05
5Living Next Door to Alice
Partner-Produzent(in):
Nicky Chinn
Produzent(in):
Mike Chapman (Australian producer and songwriter) und G. Kasper (German sound engineer & producer, “Mr. Cool”)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1976) und RAK Records Ltd. (in 1976)
produced for:
Chinnichap (production company and publisher)
cover recording of:
Living Next Door to Alice
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH und Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:29
6Some Girls
recording of:
Some Girls
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:27
7Funny Funny
Produzent(in):
Phil Wainman
recording of:
Funny Funny
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Phil Wainman Music (in 1971)
Sweet52:47
8I Only Want to Be With You
cover recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1976)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
Bay City Rollers3:39
9Everybody’s Talkin’
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Harry Nilsson3.92:45
10The Joker
Produzent(in):
Steve Miller (leader of Steve Miller Band)
Akustikgitarre, Slide-Gitarre und Sologesang [vocals]:
Steve Miller (leader of Steve Miller Band)
Bass:
Gerald Johnson
Schlagzeug:
John King (drums)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2003)
recording of:
The Joker
Verfasser(in):
Eddie Curtis (songwriter), Ahmet Ertegun (US songwriter/producer) und Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.054:26
11Sylvia’s Mother
Produzent(in):
Ron Haffkine
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recording of:
Sylvia’s Mother
Texter und Komponist(in):
Shel Silverstein
publisher:
Essex Music, Essex Music of Australia Pty. Ltd. und Evil Eye Music Inc.
Dr. Hook & the Medicine Show43:49
12Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) und Rod Stewart (in 1971-01)
Bass:
Andy Pyle (in 1971-01)
Bassgitarre, Gitarre und Pedal-Steel-Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
Geige / Violine:
Dick Powell (Violinist and double-bass player) (in 1971-01)
Klavier:
Pete Sears (in 1971-01)
Kontrabass:
Danny Thompson (English double bass player) (in 1971-01)
Orgel:
Ian McLagan (in 1971-01)
Schlagzeug:
Micky Waller (in 1971-01)
Slide-Gitarre:
Sam Mitchell (in 1971-01)
Sologesang:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
Kompilation von:
Henry von Rod Stewart und Maggie May (without “Henry” prelude) von Rod Stewart
Musikvideos:
Maggie May von Rod Stewart
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 130) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 141)
recording of:
Henry (prelude to “Maggie May”) (in 1971-01)
Komponist(in):
Martin Quittenton (guitarist for Steamhammer)
recording of:
Maggie May (in 1971-01)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.155:47
13I’m Not in Love
recording engineer:
10cc (in 1974)
Techniker(in) und Mix:
Eric Stewart
Produzent(in):
10cc
Bass und Gitarre:
Graham Gouldman (in 1974)
Effektgerät [musical effects], Hybrid-Piano und Sologesang:
Eric Stewart (in 1974)
Klavier:
Lol (in 1974)
Moog:
Kevin (in 1974)
Synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) und Eric Stewart (in 1974)
Hintergrundgesang:
Graham Gouldman (in 1974), Kevin (in 1974) und Lol (in 1974)
sonstiger Gesang [whisper vocals]:
Kathy Redfern (in 1974)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) und Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (in 1974)
Musikvideos:
I’m Not in Love von 10cc
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 319)
recording of:
I’m Not in Love (in 1974)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc3.856:03
14Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.53:27
15We Don’t Talk Anymore
Produzent(in):
Bruce Welch (English guitarist, singer, songwriter and producer)
vocals:
Cliff Richard (in 1979)
phonographisches Urheberrecht (℗) von:
EMI America (in 1979) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
Musikvideos:
We Don’t Talk Anymore von Cliff Richard
recording of:
We Don’t Talk Anymore (in 1979)
Texter und Komponist(in):
Alan Tarney
publisher:
ATV Music Ltd., Sony/ATV Songs LLC und Warner Chappell
Cliff Richard34:13
16Tubular Bells (single edit)
recording of:
Tubular Bells
Komponist(in):
Mike Oldfield
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Teil von:
Tubular Bells, Part One
Mike Oldfield4.254:14

Nennungen

Veröffentlichungsgruppe

Teil von:Absolute Hits of the (EVA Records (Denmark)) (Nummer: 70) (Reihenfolge: 3)
Wikidata:Q18646861 [Info]