Romance

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

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1CD
#TitleRatingLength
1Strangers in the Night
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-04-11)
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) (on 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-04-11)
arranger:
Ernie Freeman (on 1966-04-11)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (on 1966-04-11)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Leeds Music, Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4.12:39
2Somethin' Stupid (feat. Nancy Sinatra)
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-02-01)
engineer:
Eddie Brackett and Phil Ramone
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) and Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-02-01) and Nancy Sinatra (on 1967-02-01)
conductor:
Billy Strange (on 1967-02-01)
arranger:
Billy Strange
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (on 1967-02-01)
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
42:42
3Let's Fall in Love
recorded in:
Los Angeles, California, United States (on 1960-12-19)
engineer:
Bill Putnam (on 1960-12-19)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-19)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-19)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-19)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-19) and Don Fagerquist (on 1960-12-19)
vibraphone:
Emil Richards (on 1960-12-19)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-19)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-19)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-19)
cover recording of:
Let’s Fall in Love (on 1960-12-19)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2.52:14
4I've Got a Crush on You
producer:
Dave Cavanaugh
bass trombone:
George Roberts (american bass trombone)
cello:
James Arkatov (American cellist and photographer), Victor Gottlieb and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Norm Jeffries (drummer)
French horn:
William Hinshaw (American horn player) and James McGee
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Plas Johnson, Harry Klee, Joe Koch, Abe Most and Harry Schuchman
trombone:
Tommy Shepard (trombonist) and Ken Shroyer (trombonist)
trumpet:
Cappy Lewis
viola:
Lou Kievman (violist), Alexander Neiman (violist) and Barbara Simons
violin:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Dan Lube, Erno Neufeld, Nathan Ross, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-03-03)
orchestra:
The Nelson Riddle Orchestra (on 1960-03-03)
conductor:
Nelson Riddle (on 1960-03-03)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (from 1960-03 until 1960-04)
recording of:
I’ve Got a Crush on You (on 1960-03-03)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (ended), Warner Bros. Music Corp. (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Treasure Girl (1928 musical)
2:17
5Something
recorded in:
Hollywood, Los Angeles, California, United States (on 1970-10-28)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1970-10-28)
arranger:
Lennie Hayton
cover recording of:
Something (on 1970-10-28)
lyricist and composer:
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. and Nichion Synch Division (NICHION, INC. Synch Division)
3:35
6Night and Day
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1961-11-22)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
33:41
7The Way You Look Tonight
recorded in:
Los Angeles, California, United States (on 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-27)
conductor:
Nelson Riddle (on 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (on 1964-01-27)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
2.853:24
8I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1963-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3.653:17
9Moon River
recorded in:
Los Angeles, California, United States (on 1964-01-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-01-28)
conductor:
Nelson Riddle (on 1964-01-28)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1964)
cover recording of:
Moon River (on 1964-01-28)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 1961 winner)
43:21
10Come Fly With Me (live)
live recording of:
Come Fly With Me
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:00
11Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-22)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Jack Marsh
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Russ Cheever and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Abe Most and Bud Shank
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone:
Russ Cheever, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jack Marsh, Abe Most, Bud Shank and Arthur Smith (Saxophonist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Bobby Bryant, Don Fagerquist, Conrad Gozzo and Al Porcino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Ben Gill, Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-22)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer) and Nelson Riddle
cover recording of:
Come Rain or Come Shine (on 1961-11-22)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
14:08
12Love's Been Good to Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1969-03-20)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1969-03-20)
conductor:
Don Costa (US pop music arranger & producer) (on 1969-03-20)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Love’s Been Good to Me (on 1969-03-20)
lyricist and composer:
Rod McKuen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
43:27
13Misty
recorded in:
Hollywood, Los Angeles, California, United States (on 1961-11-21)
bass:
Ed Gilbert and Ralph Peña
bass clarinet:
Billy Usselton
bass trombone:
George Roberts (american bass trombone)
bassoon:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
cello:
Justin Ditullio, Armand Kaproff, Ray Kramer, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
clarinet:
Mahlon Clark and Arthur Smith (Saxophonist)
drums (drum set):
John Markham
flute:
Arthur Gleghorn, Jules Kinsler and Ethmer Roten
French horn:
John Cave (french horn), James Decker (French hornist), Vincent DeRosa, William Hinshaw (American horn player), Sinclair Lott (french horn) and Richard Perissi
guitar:
Al Viola
harp:
Kathryn Julye
oboe:
Jules Jacob (US jazz woodwind player)
percussion:
Emil Richards
piano:
Bill Miller (pianist)
trombone:
Dick Nash, Dick Noel (trombone) and Frank Rosolino
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Allan Harshman (violist), Virginia Majewski (violist), Robert Ostrowsky and Paul Robyn
violin:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, Daniel Karpilowsky, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Amerigo Marino, Erno Neufeld, Nathan Ross, Paul Shure, Felix Slatkin, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-11-21)
assistant conductor:
Don Costa (US pop music arranger & producer)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Misty (on 1961-11-21)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
12:44
14More (Theme From Mondo Cane)
recorded in:
Los Angeles, California, United States (on 1964-06-12)
engineer:
Lowell Frank (engineer) (on 1964-06-12)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-12)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-12)
drums (drum set):
Sonny Payne (on 1964-06-12)
guitar:
Freddie Green (on 1964-06-12)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-12)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-12), Frank Foster (saxophonist) (on 1964-06-12), Charlie Fowlkes (baritone saxophonist) (on 1964-06-12) and Frank Wess (on 1964-06-12)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-12), Bill Hughes (jazz trombonist) (on 1964-06-12), Grover Mitchell (trombone) (on 1964-06-12) and Ken Shroyer (trombonist) (on 1964-06-12)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-12), Wallace Davenport (on 1964-06-12), Harry “Sweets” Edison (on 1964-06-12) and Al Porcino (on 1964-06-12)
vibraphone:
Emil Richards (on 1964-06-12)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-12)
orchestra:
Count Basie and His Orchestra (on 1964-06-12)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-12)
cover recording of:
More (English translation) (on 1964-06-12)
lyricist:
Marcello Ciorciolini (Italian screenwriter, director, playwright, television/radio author & lyricist)
composer:
Nino Oliviero (Italian musician and composer) and Riz Ortolani (songwriter, film music composer and music director)
translator:
Norman Newell
publisher:
C.A.M. Creazioni Artistiche Musicali (company, do not use as label), Ortolani Creative Team Inc. and Sugar Song Publications, Inc.
part of:
The 36th Academy Award for Best Original Song (number: 2)
translated version of:
Ti guarderò nel cuore
2.53:07
15You and the Night and the Music
recorded in:
Los Angeles, California, United States (on 1960-12-21)
engineer:
Bill Putnam (on 1960-12-21)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-21)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-21)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-21)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-21) and Don Fagerquist (on 1960-12-21)
vibraphone:
Emil Richards (on 1960-12-21)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-21)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-21)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-21)
cover recording of:
You and the Night and the Music (on 1960-12-21)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
1.152:39
16September Song
recording of:
Knickerbocker Holiday: September Song
lyricist:
Maxwell Anderson
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) and Crawford Music Corp. (on 1938-09-24)
part of:
Knickerbocker Holiday (Kurt Weill musical)
3:35
17Cycles
recorded in:
New York, New York, United States (on 1968-07-24)
producer:
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1968-07-24)
conductor:
Bill Miller (pianist) (on 1968-07-24)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Cycles (on 1968-07-24)
lyricist and composer:
Gayle Caldwell
publisher:
Irving Music (BMI) and Irving Music, Inc.
33:14
18The Best Is Yet to Come
recorded in:
Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer) (on 1964-06-09)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1964-06-09)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (baritone saxophonist) (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-09), Bill Hughes (jazz trombonist) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones
arranger:
Quincy Jones (on 1964-06-09)
cover recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (on 1964-06-09)
lyricist:
Carolyn Leigh (in 1959)
composer:
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. and WB Music Corp. (1929–2019)
3.652:57
19East of the Sun (and West of the Moon)
recorded in:
Los Angeles, California, United States (on 1961-05-03)
bass:
Joe Comfort
bass trombone:
Ken Shroyer (trombonist)
cello:
Justin Ditullio, Ray Kramer and Edgar Lustgarten
drums (drum set):
John Markham
French horn:
George Price
guitar:
Al Viola
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone:
Plas Johnson, Joe Koch, Abe Most, Wilbur Schwartz and Billy Usselton
trombone:
Milt Bernhart, Dick Noel (trombone) and Bobby Pring
trumpet:
Conte Candoli, Ray Linn, Al Porcino and Jimmy Zito
viola:
Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Arnold Belnick, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Marvin Limonick, Leonard Malarsky, Erno Neufeld, Marshall Sosson, Arnold Sukonick (violinist) and Gerald Vinci (American violinist and strings conductor)
woodwind:
Plas Johnson and Abe Most
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-03)
conductor:
Sy Oliver (on 1961-05-03)
arranger:
Sy Oliver
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1961-05-03)
cover recording of:
East of the Sun (and West of the Moon) (on 1961-05-03)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
13:26
20You'd Be So Easy to Love
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Easy to Love (on 1960-12-20)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
12:26
21When Somebody Loves You
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-04-14)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-04-14)
orchestra:
Gordon Jenkins & His Orchestra (on 1965-04-14)
conductor:
Gordon Jenkins (on 1965-04-14)
arranger:
Ernie Freeman
recording of:
When Somebody Loves You (on 1965-04-14)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
11:57
22I Love You
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I Love You (on 1962-04-10)
lyricist:
Harlan Thompson
writer and composer:
Harry Archer and Harlan Thompson
publisher:
Chappell & Co., Inc. (USA) and SBK Feist Catalog, Inc.
cover recording of:
I Love You (Mexican Hayride musical) (on 1962-04-10)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
12:19
23Gentle on My Mind
recorded in:
Hollywood, Los Angeles, California, United States (on 1968-11-12)
producer:
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1968-11-12)
conductor:
Bill Miller (pianist) (on 1968-11-12)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Gentle on My Mind (on 1968-11-12)
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
13:24
24It Had to Be You
recorded in:
Los Angeles, California, United States (on 1979-07-18)
cello:
Douglas Davis (cellist) (on 1979-07-18), Marie Fera (on 1979-07-18), Raymond Kelley (cellist) (on 1979-07-18), Mary Lane (cellist) (on 1979-07-18), Frederick Seykora (on 1979-07-18) and Eleanor Slatkin (US cellist, b. Aller) (on 1979-07-18)
double bass:
Peter Mercurio (on 1979-07-18) and Meyer "Mike" Rubin (US bassist 1930s - 1960s) (on 1979-07-18)
drums (drum set):
Irv Cottler (on 1979-07-18)
electric bass guitar:
Gene Cherico (on 1979-07-18)
French horn:
Vincent DeRosa (on 1979-07-18), Richard Perissi (on 1979-07-18) and Henry Sigismonti (on 1979-07-18)
guitar:
Al Viola (on 1979-07-18)
harp:
Verlye Mills (on 1979-07-18)
percussion:
Larry Bunker (on 1979-07-18)
piano:
Vincent Falcone, Jr. (on 1979-07-18)
trombone:
Charles Loper (American trombonist) (on 1979-07-18), Dick Nash (on 1979-07-18) and Lloyd Ulyate (on 1979-07-18)
trumpet:
John Audino (on 1979-07-18), Chuck Findley (trumpet, trombone, horn player) (on 1979-07-18), Uan Rasey (on 1979-07-18) and Charles Turner (US jazz trumpeter) (on 1979-07-18)
tuba:
Tommy Johnson (session tuba player) (on 1979-07-18)
viola:
Pamela Goldsmith (American violist) (on 1979-07-18), Allan Harshman (violist) (on 1979-07-18), Janet Lakatos (on 1979-07-18), Archie Levin (on 1979-07-18), David Schwartz (violist) (on 1979-07-18) and Linn Subotnick (on 1979-07-18)
violin:
Israel Baker (American violinist) (on 1979-07-18), Norman Carr (on 1979-07-18), Glenn Dicterow (violinist) (on 1979-07-18), Ronald Folsom (on 1979-07-18), David Frisina (on 1979-07-18), James Getzoff (American concertmaster and violinist) (on 1979-07-18), Harris Goldman (on 1979-07-18), Marvin Limonick (on 1979-07-18), Mary Lundquist (on 1979-07-18), Stanley Plummer (on 1979-07-18), Nathan Ross (on 1979-07-18), Sheldon Sanov (violinist) (on 1979-07-18), Paul Shure (on 1979-07-18), Marshall Sosson (on 1979-07-18), Joseph Stepansky (on 1979-07-18), Robert Sushel (on 1979-07-18), David Turner (string player) (on 1979-07-18) and Dorothy Wade (Violinist) (on 1979-07-18)
woodwind:
Gene Cipriano (on 1979-07-18), Jules Jacob (US jazz woodwind player) (on 1979-07-18), John Lowe (woodwind) (on 1979-07-18), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1979-07-18) and Wilbur Schwartz (on 1979-07-18)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1979-07-18)
orchestra:
Billy May & His Orchestra (on 1979-07-18)
conductor:
Billy May (on 1979-07-18)
arranger:
Billy May (on 1979-07-18)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1979-07-18)
cover recording of:
It Had to Be You (on 1979-07-18)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
33:57
25Let's Face the Music and Dance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (on 1960-12-20)
lyricist and composer:
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. and Williamson Music Company
part of:
Follow the Fleet (1936 film)
3.52:58
2CD
#TitleRatingLength
1A Fine Romance
recorded in:
Los Angeles, California, United States (on 1960-12-20)
engineer:
Bill Putnam (on 1960-12-20)
bass:
Joe Comfort and Joe Mondragon
bass trombone:
George Roberts (american bass trombone)
cello:
Ray Kramer, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
drums (drum set):
Irv Cottler
flute:
Bud Shank (on 1960-12-20)
guitar:
Al Viola
harp:
Kathryn Julye
percussion:
Larry Bunker and Emil Richards
piano:
Bill Miller (pianist) (on 1960-12-20)
saxophone and woodwind:
Buddy Collette, Chuck Gentry, Plas Johnson, Harry Klee and Joe Maini
trombone:
Dick Nash, Stu Williamson and Frank Rosolino (on 1960-12-20)
trumpet:
Conrad Gozzo, Ray Triscari, John Anderson (US jazz trumpeter) (on 1960-12-20) and Don Fagerquist (on 1960-12-20)
vibraphone:
Emil Richards (on 1960-12-20)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Alexander Neiman (violist) and Paul Robyn
violin:
Victor Arno, Herman Clebanoff, Elliott Fisher, James Getzoff (American concertmaster and violinist), Ben Gill, Erno Neufeld, Marshall Sosson, Joseph Stepansky and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (on 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
recorded at:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1960-12-20)
cover recording of:
A Fine Romance (from “Swing Time”) (on 1960-12-20)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
12:12
2I've Got You Under My Skin
recorded in:
Los Angeles, California, United States (on 1963-04-30)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-04-30)
arranger:
Nelson Riddle
cover recording of:
I’ve Got You Under My Skin (on 1963-04-30)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:32
3Have You Met Miss Jones?
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1961-05-18)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
12:34
4Fly Me to the Moon (In Other Words)
recorded in:
Hollywood, Los Angeles, California, United States (on 1964-06-09)
engineer:
Lowell Frank (engineer)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Buddy Catlett
cello:
Ann Goodman and Edgar Lustgarten (, on 1964-06-09)
drums (drum set):
Sonny Payne (on 1964-06-09)
guitar:
Freddie Green (on 1964-06-09)
percussion:
Emil Richards
piano:
Count Basie (pianist) (on 1964-06-09)
reeds:
Marshall Royal, Eric Dixon (woodwind) (on 1964-06-09), Frank Foster (saxophonist) (on 1964-06-09), Charlie Fowlkes (baritone saxophonist) (on 1964-06-09) and Frank Wess (on 1964-06-09)
trombone:
Henderson Chambers, Henry Coker (jazz trombonist) (on 1964-06-09), Bill Hughes (jazz trombonist) (on 1964-06-09), Grover Mitchell (trombone) (on 1964-06-09) and Ken Shroyer (trombonist) (on 1964-06-09)
trumpet:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1964-06-09), Wallace Davenport (on 1964-06-09), Harry “Sweets” Edison (on 1964-06-09) and Al Porcino (on 1964-06-09)
vibraphone:
Emil Richards (on 1964-06-09)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) and Paul Robyn
violin:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson and Gerald Vinci (American violinist and strings conductor)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1964-06-09)
orchestra:
Count Basie and His Orchestra (on 1964-06-09)
conductor:
Quincy Jones (, on 1964-06-09)
arranger:
Quincy Jones
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 75)
recording of:
Fly Me to the Moon (on 1964-06-09)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (on 1964-06-09)
lyricist and composer:
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. and Hampshire House Publishing Corp.
arrangement of:
Fly Me to the Moon
42:31
5My Funny Valentine
producer:
Voyle Gilmore
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1953-11-05)
orchestra:
The Nelson Riddle Orchestra (on 1953-11-05)
conductor:
Nelson Riddle (on 1953-11-05)
arranger:
George Siravo
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (on 1953-11-05)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, volume I)
part of:
Waiting to Exhale (1995 film)
32:30
6What Is This Thing Called Love?
recording engineer:
John Palladino
producer:
Voyle Gilmore
celesta:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader)
double bass:
Phil Stephens (bass and tuba player)
drums (drum set):
Alvin Stoller
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
saxophone and woodwind:
Mahlon Clark, Skeets Herfurt, Ted Nash (40s-80s US swing reedman, uncle of the other), Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin and Champ Webb
trumpet:
Harry “Sweets” Edison (on 1955-02-16)
viola:
Alvin Dinkin and Eleanor Slatkin (US cellist, b. Aller)
violin:
Harry Bluestone, Mischa Russell (violinist), Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-16)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-16)
conductor:
Nelson Riddle (on 1955-02-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-16)
cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1955-02-16)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
12:34
7Bewitched
recorded in:
Hollywood, Los Angeles, California, United States (on 1963-02-20)
alto saxophone and flute:
Arthur Gleghorn and Harry Klee
bass:
Peter Mercurio and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
bass clarinet:
Charles Butler and Chuck Gentry
bass trombone:
George Roberts (american bass trombone)
bassoon:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player) and Ray Nowlin (Bassoon)
clarinet and tenor saxophone:
Buddy DeFranco and Mitchell Lurie (clarinetist)
drums (drum set):
Mel Lewis (American jazz drummer)
French horn:
John Cave (french horn), Vincent DeRosa, William Hinshaw (American horn player) and Richard Perissi
harp:
Kathryn Julye
oboe:
Gordon Schoneberg and Champ Webb
piano:
Bill Miller (pianist)
saxophone:
Charles Butler, Chuck Gentry, Gordon Schoneberg and Champ Webb
trombone:
Dick Nash and Thomas Shepard
trumpet:
Manny Klein, Cappy Lewis and Uan Rasey
violin:
Israel Baker (American violinist), Victor Bay, Alex Beller, Arnold Belnick, Emo Neufeld, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Davida Jackson (Violinist), Anatol Kaminsky (Violinist), Leonard Malarsky, Nathan Ross, Paul Shure, Marshall Sosson, Joseph Stepansky, Victor Amo and Gerald Vinci (American violinist and strings conductor)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-02-20)
conductor:
Nelson Riddle
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (on 1963-02-20)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (ended), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and Williamson Music Company
part of:
Pal Joey
23:00
8Call Me Irresponsible
recorded in:
Los Angeles, California, United States (on 1963-01-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1963-01-21)
arranger:
Nelson Riddle
recording of:
Call Me Irresponsible (on 1963-01-21)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Paramount Music Corporation
part of:
The 36th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1963 winner)
12:56
9I'm Beginning to See the Light
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
I’m Beginning to See the Light (on 1962-04-10)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
12:35
10The Very Thought of You
recorded in:
London (Greater London), England, United Kingdom (on 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (on 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Very Thought of You (on 1962-06-12)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
13:32
11Summer Wind
recorded in and engineered in:
Hollywood, Los Angeles, California, United States (on 1966-05-16)
engineer:
Eddie Brackett (on 1966-05-16) and Lee Herschberg (on 1966-05-16)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1966-05-16)
bass:
Ralph Peña
bass trombone:
George Roberts (american bass trombone)
cello:
Justin Ditullio, Elizabeth Greenschpoon and Armand Kaproff
drums (drum set):
Irv Cottler
guitar:
Al Viola
organ:
Artie Kane
percussion:
Victor Feldman (jazz musician)
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), William Green (woodwind), Harry Klee and Abe Most
trombone:
Dick Noel (trombone), Pullman “Tommy” Pederson and Tommy Shepard (trombonist)
trumpet:
Pete Candoli, Don Fagerquist, Cappy Lewis and Ray Triscari
viola:
Paul Robyn and Barbara Simons
violin:
Victor Arno, Israel Baker (American violinist), Victor Bay, Alex Beller, Herman Clebanoff, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Ralph Schaeffer and Paul Shure
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle (on 1966-05-16)
arranger:
Nelson Riddle
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (on 1966-05-16)
lyricist:
Johnny Mercer
composer:
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
translated version of:
Sommerwind
32:56
12Like Someone in Love
producer:
Voyle Gilmore
celesta:
Bill Miller (pianist)
cello:
Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson and Allan Reuss
harp:
Kathryn Julye
saxophone and woodwind:
Mahlon Clark and Skeets Herfurt
viola:
Paul Robyn
violin:
Paul Shure and Felix Slatkin
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (in 1953-11)
cover recording of:
Like Someone in Love (on 1953-11-06)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:09
13Quiet Nights of Quiet Stars (Corcovado)
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-01-31)
engineer:
Lee Herschberg
co-producer:
Ray Gilbert
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Ralph Peña
cello:
Elizabeth Greenschpoon, Ray Kramer, Kurt Reher (cellist) and Nino Rosso (cellist)
drums (drum set):
Irv Cottler and Dom Um Romão
piano:
Bill Miller (pianist)
saxophone and woodwind:
Buddy Collette, Arthur Gleghorn and Bud Shank
trombone:
Dick Noel (trombone)
violin:
Israel Baker (American violinist), Thelma Beach, Arnold Belnick, Bonnie Douglas, Emo Neufeld, James Getzoff (American concertmaster and violinist), Anatol Kaminsky (Violinist), Bernard Kundell, Nathan Ross and Ralph Schaeffer
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-01-31)
conductor:
Claus Ogerman (on 1967-01-31)
arranger:
Claus Ogerman
cover recording of:
Quiet Nights of Quiet Stars (lyric version #2, with "Corcovado" included in the lyric) (on 1967-01-31)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
cover recording of:
Quiet Nights of Quiet Stars (version #3, lyrics credited to Buddy Kaye & Gene Lees) (on 1967-01-31)
lyricist:
Buddy Kaye and Gene Lees
composer:
Antônio Carlos Jobim
publisher:
Duchess Music Corporation (BMI-affiliated)
translated version of:
Corcovado (original Portuguese version)
2.52:45
14Desafinado
recorded in:
Hollywood, Los Angeles, California, United States (on 1969-02-12)
acoustic guitar:
Antônio Carlos Jobim (on 1969-02-12)
vocals:
Antônio Carlos Jobim (on 1969-02-12) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1969-02-12)
arranger:
Eumir Deodato
cover recording of:
Off Key (Gene Lees version) (on 1969-02-12)
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
is based on:
Desafinado
recording of:
Slightly Out of Tune (Hendricks/Cavanaugh version) (on 1969-02-12)
lyricist:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Jon Hendricks
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp. and Hollis Music, Inc.
is based on:
Desafinado
3:01
15Wave
recorded in:
Hollywood, Los Angeles, California, United States (on 1969-02-11)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1969-02-11)
conductor:
Morris Stoloff (on 1969-02-11)
arranger:
Eumir Deodato
cover recording of:
Wave (English lyrics) (on 1969-02-11)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
version of:
Wave (original instrumental)
recording of:
Wave (English lyrics)
lyricist and composer:
Antônio Carlos Jobim
publisher:
Corcovado Music Corp.
version of:
Wave (original instrumental)
23:20
16Watch What Happens
recorded in:
Hollywood, Los Angeles, California, United States (on 1969-02-24)
engineer:
Lee Herschberg
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) and Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1969-02-24)
conductor:
Don Costa (US pop music arranger & producer) (on 1969-02-24)
arranger:
Don Costa (US pop music arranger & producer)
recorded at:
United Recording Studios in Hollywood, Los Angeles, California, United States (on 1969-02-24)
cover recording of:
Watch What Happens (on 1969-02-24)
lyricist:
Jacques Demy
composer:
Michel Legrand
translator:
Norman Gimbel
translated version of:
Les Parapluies de Cherbourg: Récit de Cassard
12:20
17I Have Dreamed
recording of:
I Have Dreamed (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The King and I (Rodgers & Hammerstein musical)
2:59
18I Only Have Eyes for You
recording of:
I Only Have Eyes for You (on 1962-10-03)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. and Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
3:30
19Love Walked In
recorded in:
Los Angeles, California, United States (on 1961-05-18)
bass:
Joe Comfort
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
John Markham
guitar:
Al Viola
percussion:
Emil Richards
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Jules Jacob (US jazz woodwind player), Harry Klee and Ted Nash (40s-80s US swing reedman, uncle of the other)
trombone:
Milt Bernhart, Joe Howard (american trombone player) and Pullman “Tommy” Pederson
trumpet:
Frank Beach (trombone, trumpet), Conrad Gozzo, Vito N. Mangano and Shorty Sherock
tuba:
Phil Stephens (bass and tuba player)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1961-05-18)
conductor:
Billy May
arranger:
Billy May
cover recording of:
Love Walked In (on 1961-05-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
2:21
20It's Always You
recording of:
It’s Always You (on 1961-05-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:49
21They Can't Take That Away From Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1962-04-10)
bass:
Al McKibbon (double bassist)
bass trombone:
George Roberts (american bass trombone)
drums (drum set):
Earl Palmer
guitar:
Al Viola
instruments:
Conte Candoli
piano:
Bill Miller (pianist)
saxophone and woodwind:
Chuck Gentry, Plas Johnson, Harry Klee, Joe Maini and Ben Webster
trombone:
Lew McCreary, Dick Nash, Dick Noel (trombone) and Frank Rosolino
trumpet:
Pete Candoli, Don Fagerquist, Al Porcino and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (, on 1962-04-10)
conductor:
Neal Hefti
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1962-04-10)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
2.52:42
22The Look of Love
recorded in:
Los Angeles, California, United States (on 1962-08-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1962-08-27)
arranger:
Nelson Riddle
recording of:
The Look of Love (on 1962-08-27)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Maraville Music Corp.
12:44
23Call Me
recorded in:
Hollywood, Los Angeles, California, United States (on 1966-05-16)
engineer:
Eddie Brackett (on 1966-05-16) and Lee Herschberg (on 1966-05-16)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (on 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1966-05-16)
conductor:
Nelson Riddle (on 1966-05-16)
arranger:
Nelson Riddle (on 1966-05-16)
phonographic copyright (℗) by:
Frank Sinatra Enterprises, LLC (in 1966, in 2009)
cover recording of:
Call Me (on 1966-05-16)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (SOCAN)
22:48
24It Was a Very Good Year
recorded in:
Hollywood, Los Angeles, California, United States (on 1965-04-22)
recording engineer:
Lowell Frank (engineer) (on 1965-04-22)
producer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
bassoon:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
cello:
Armand Kaproff
clarinet:
Clyde Hylton, Harry Klee and Wayne Songer (clarinetist and saxophonist)
drums (drum set):
Nick Fatool
guitar:
Vincent Terri (Jazz Guitarist)
harp:
Kathryn Thompson (harpist)
oboe:
Arnold Koblentz (Oboe player) and Melinda Eckels
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Lou Kievman (violist) and Paul Robyn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1965-04-22)
conductor:
Gordon Jenkins (on 1965-04-22)
arranger:
Gordon Jenkins (in 1965)
cover recording of:
It Was a Very Good Year (on 1965-04-22)
lyricist and composer:
Ervin Drake (songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. and The Songwriters Guild
44:28
25All the Way (feat. Céline Dion)
guest performer:
Céline Dion
performer:
Céline Dion and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
All the Way (from “The Joker Is Wild”)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
cover recording of:
All the Way (from “The Joker Is Wild”)
lyricist:
Sammy Cahn
composer:
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network and Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
part of:
The 30th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1957 winner)
3:51