6 Queens of Jazz Vocal

~ Veröffentlichung von Ella Fitzgerald, Anita O’Day, Carmen McRae, Peggy Lee, Helen Merrill, Monica Zetterlund (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Discs 1 and 6 are in stereo whereas discs 2, 3, 4 and 5 are in mono.

Anmerkung zuletzt geändert am 2022-10-31 17:56 UTC.

Titelliste

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1▼Hybrid-SACD: Ella Fitzgerald: Like Someone in Love
Nr.TitelKünstlerBewertungLänge
1There’s a Lull in My Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
There’s a Lull in My Life
Texter:
Mack Gordon
Komponist(in):
Harry Revel (British-born American composer)
publisher:
Robbins Music Corp.
Ella Fitzgerald3:30
2More Than You Know
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
More Than You Know
Texter:
Edward Eliscu und Billy Rose (lyricist and Broadway producer)
Komponist(in):
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Teil von:
Great Day!
Teil von:
Hit the Deck (1955 movie)
Ella Fitzgerald3:17
3What Will I Tell My Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (am 1957-10-15)
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-10-15)
Orchester:
Frank De Vol and His Orchestra (am 1957-10-15)
conductor:
Frank De Vol (am 1957-10-15)
cover recording of:
What Will I Tell My Heart (am 1957-10-15)
Texter und Komponist(in):
Jack Lawrence (US songwriter) und Peter Tinturin
Ella Fitzgerald3:32
4I Never Had a Chance
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
vocals:
Ella Fitzgerald (American jazz singer) (am 1957-10-15)
Orchester:
Frank De Vol and His Orchestra (am 1957-10-15)
conductor:
Frank De Vol (am 1957-10-15)
cover recording of:
I Never Had a Chance (am 1957-10-15)
Texter und Komponist(in):
Irving Berlin
Ella Fitzgerald32:48
5Close Your Eyes
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Close Your Eyes
Texter und Komponist(in):
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. und Sherman, Clay & Co. (in 1933)
Ella Fitzgerald2:58
6We’ll Be Together Again
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald3:22
7Then I’ll Be Tired of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Then I’ll Be Tired of You
Texter:
Yip Harburg
Komponist(in):
Arthur Schwartz
Ella Fitzgerald3:14
8Like Someone in Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-15)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Like Someone in Love
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:11
9Midnight Sun
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Midnight Sun
Texter:
Johnny Mercer (in 1954)
Komponist(in):
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) und Lionel Hampton (in 1947)
Ella Fitzgerald3:58
10I Thought About You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
I Thought About You
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Ella Fitzgerald2:56
11You’re Blase
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
You’re Blasé
Texter:
Bruce Sievier
Komponist(in):
Ord Hamilton
Ella Fitzgerald4:00
12Night Wind
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
Night Wind
Verfasser(in):
Bob Rothberg (tin-pan alley songwriter)
Komponist(in):
Dave Pollock
Ella Fitzgerald3:21
13What’s New
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Ella Fitzgerald3:08
14Hurry Home
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
recording of:
Hurry Home
Texter:
Buddy Bernier
Verfasser(in):
Robert Emmerich (writer "Our Love") und Joseph Meyer (US songwriter)
Ella Fitzgerald4:42
15How Long Has This Been Going On
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-28)
Produzent(in):
Norman Granz
Saxophon:
Stan Getz (in 1957)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957)
Orchester:
Frank De Vol and His Orchestra
conductor:
Frank De Vol (in 1957)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
Ella Fitzgerald5:50
2▼Hybrid-SACD: Anita O’Day: Anita Sings the Most [MONO]
Nr.TitelKünstlerBewertungLänge
1’s Wonderful / They Can’t Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
medley including a recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
medley including a recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Anita O’Day3:02
2Tenderly
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
Anita O’Day3:23
3Old Devil Moon
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-03)
Produzent(in):
Norman Granz
alto saxophone:
Joe Maini (am 1960-08-03)
Klavier:
Lou Levy (am 1960-08-03)
Kontrabass:
Joe Mondragon (am 1960-08-03)
Posaune:
Frank Rosolino (am 1960-08-03)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1960-08-03)
Tenorsaxophon:
Bill Perkins (jazz saxophonist) (am 1960-08-03)
Trompete:
Lee Katzman (am 1960-08-03) und Al Porcino (am 1960-08-03)
vocals:
Anita O’Day (am 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1960-08-03)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
Anita O’Day2:55
4Love Me or Leave Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Anita O’Day2:35
5We’ll Be Together Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Anita O’Day3:40
6Stella by Starlight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Stella by Starlight
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Anita O’Day42:07
7Taking a Chance on Love
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Taking a Chance on Love
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
Anita O’Day2:24
8Them There Eyes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
Anita O’Day2:40
9I’ve Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Anita O’Day4:01
10You Turned the Tables on Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
You Turned the Tables on Me
Texter:
Sidney Mitchell
Komponist(in):
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
Anita O’Day3:44
11Bewitched, Bothered and Bewildered
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Anita O’Day3:56
3▼Hybrid-SACD: Carmen McRae: After Glow [MONO]
Nr.TitelKünstlerBewertungLänge
1I Can’t Escape From You
Klavier:
Carmen McRae (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I Can’t Escape From You (am 1957-03-06)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Richard A. Whiting (composer)
Carmen McRae3:37
2Guess Who I Saw Today
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Guess Who I Saw Today (am 1957-03-06)
Texter:
Elisse Boyd (in 1952)
Komponist(in):
Murray Grand (in 1952)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Carmen McRae3:39
3My Funny Valentine
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
My Funny Valentine (from “Babes in Arms”) (am 1957-03-06)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Carmen McRae4:23
4It’s the Little Things That Mean So Much
Klavier:
Carmen McRae (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Little Things That Mean So Much (am 1957-03-06)
Texter:
Harold Adamson
Komponist(in):
Teddy Wilson
Carmen McRae3:18
5I'm Thru With Love
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-04-18)
Kontrabass:
Ike Isaacs (bassist) (am 1957-04-18)
Schlagzeug:
Charles “Specs” Wright (am 1957-04-18)
vocals:
Carmen McRae (am 1957-04-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
I’m Thru With Love (am 1957-04-18)
Texter:
Gus Kahn
Komponist(in):
Fud Livingston und Matty Malneck
publisher:
Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981) (am 1931-04-17)
Carmen McRae4:13
6Nice Work If You Can Get It
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-04-18)
Kontrabass:
Ike Isaacs (bassist) (am 1957-04-18)
Schlagzeug:
Charles “Specs” Wright (am 1957-04-18)
vocals:
Carmen McRae (am 1957-04-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Nice Work If You Can Get It (am 1957-04-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Carmen McRae2:33
7East of the Sun (West of the Moon)
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
East of the Sun (and West of the Moon) (am 1957-03-06)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
Carmen McRae2:18
8Exactly Like You
Klavier:
Carmen McRae (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Exactly Like You (am 1957-03-06)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1930)
Verfasser(in):
Fritz Löhner-Beda (librettist, lyricist, writer)
Komponist(in):
Jimmy McHugh (songwriter) (in 1930)
Carmen McRae2:13
9All My Life
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-04-18)
Kontrabass:
Ike Isaacs (bassist) (am 1957-04-18)
Schlagzeug:
Charles “Specs” Wright (am 1957-04-18)
vocals:
Carmen McRae (am 1957-04-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
Carmen McRae4:18
10Between the Devil and the Deep Blue Sea
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-04-18)
Kontrabass:
Ike Isaacs (bassist) (am 1957-04-18)
Schlagzeug:
Charles “Specs” Wright (am 1957-04-18)
vocals:
Carmen McRae (am 1957-04-18)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Between the Devil and the Deep Blue Sea (am 1957-04-18)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Carmen McRae2:30
11Dream of Life
Klavier:
Ray Bryant (US jazz pianist, composer, and arranger) (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Dream of Life (Carmen McRae song) (am 1957-03-06)
Verfasser(in):
Luther Henderson und Carmen McRae
Carmen McRae4:04
12Perdido
Klavier:
Carmen McRae (am 1957-03-06)
Kontrabass:
Ike Isaacs (bassist) (am 1957-03-06)
Schlagzeug:
Charles “Specs” Wright (am 1957-03-06)
vocals:
Carmen McRae (am 1957-03-06)
phonographisches Urheberrecht (℗) von:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Perdido (with lyrics) (am 1957-03-06)
Texter:
Ervin Drake (songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Version von:
Perdido (original instrumental version)
Carmen McRae2:19
4▼Hybrid-SACD: Peggy Lee: Black Coffee [MONO]
Nr.TitelKünstlerBewertungLänge
1Black Coffee
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
cover recording of:
Black Coffee (1948 song) (am 1953-05-04)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Peggy Lee3:13
2I’ve Got You Under My Skin
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
recording of:
I’ve Got You Under My Skin (am 1953-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:32
3Easy Living
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
Easy Living (am 1953-05-01)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Verfasser(in):
Ralph Rainger (in 1937) und Leo Robin (US composer, lyricist & songwriter) (in 1937)
Komponist(in):
Ralph Rainger und Leo Robin (US composer, lyricist & songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1937, in 1964)
Peggy Lee2:48
4My Heart Belongs to Daddy
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
My Heart Belongs to Daddy (am 1953-05-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Peggy Lee2:11
5It Ain’t Necessarily So
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (in 1956-04)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Peggy Lee3:25
6Gee Baby, Ain’t I Good to You?
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
Gee, Baby Ain’t I Good to You (in 1956-04)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Peggy Lee3:27
7A Woman Alone With the Blues
Klavier:
Jimmy Rowles (am 1953-05-01)
Kontrabass:
Max Wayne (am 1953-05-01)
Schlagzeug:
Ed Shaughnessy (am 1953-05-01)
Trompete:
Pete Candoli (am 1953-05-01)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-01)
cover recording of:
A Woman Alone With the Blues (am 1953-05-01)
Texter und Komponist(in):
Willard Robison
Peggy Lee3:18
8I Didn’t Know What Time It Was
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
cover recording of:
I Didn’t Know What Time It Was (Pal Joey) (am 1953-04-30)
Texter:
Lorenz Hart (in 1939)
Komponist(in):
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Pal Joey
Peggy Lee2:20
9When the World Was Young
Klavier:
Jimmy Rowles (am 1953-05-04)
Kontrabass:
Max Wayne (am 1953-05-04)
Schlagzeug:
Ed Shaughnessy (am 1953-05-04)
Trompete:
Pete Candoli (am 1953-05-04)
vocals:
Peggy Lee (jazz vocalist) (am 1953-05-04)
recording of:
When the World Was Young (am 1953-05-04)
Texter:
Johnny Mercer
Komponist(in):
Philippe-Gérard (French composer & lyricist)
publisher:
Macmelodies (aka Macmelodies Ltd., or Macmelodies Music Ltd.) und Peter Maurice Music Co. Ltd.
Version von:
Le Chevalier de Paris
Peggy Lee3:21
10Love Me or Leave Me
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
cover recording of:
Love Me or Leave Me (am 1953-04-30)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
Peggy Lee42:11
11You’re My Thrill
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
You’re My Thrill (in 1956-04)
Texter:
Sidney Clare
Komponist(in):
Jay Gorney
publisher:
Bourne Co. (not for release label use, this is a music publisher), Gorney Music Publisher, Next Decade Entertainment, Productions et Éditions Cinématographiques Françaises, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Peggy Lee3:27
12There’s a Small Hotel
Gitarre:
Bill Pitman (in 1956-04)
Harfe:
Stella Castellucci (in 1956-04)
Klavier:
Lou Levy (in 1956-04)
Kontrabass:
Buddy Clark (US jazz bassist) (in 1956-04)
Schlagzeug, Perkussion und Vibraphon:
Larry Bunker (in 1956-04)
vocals:
Peggy Lee (jazz vocalist) (in 1956-04)
cover recording of:
There’s a Small Hotel (from “On Your Toes”) (in 1956-04)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
Peggy Lee2:53
5▼Hybrid-SACD: Helen Merrill: Helen Merril [MONO]
Nr.TitelKünstlerBewertungLänge
1Don’t Explain
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Helen Merrill5:19
2You’d Be So Nice to Come Home To
Produzent(in):
Quincy Jones
baritone saxophone und Bassklarinette:
Danny Bank (reeds) (am 1954-12-22)
Bass:
Milt Hinton (am 1954-12-22)
Gitarre:
Barry Galbraith (am 1954-12-22)
Instrumente:
Osie Johnson (am 1954-12-22)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1954-12-22)
Trompete:
Clifford Brown (trumpet) (am 1954-12-22)
Sologesang:
Helen Merrill (am 1954-12-22)
conductor:
Quincy Jones
arranger:
Quincy Jones
aufgenommen bei:
Fine Recording Studios in Manhattan, New York, New York, Vereinigte Staaten (am 1954-12-22)
cover recording of:
You’d Be So Nice to Come Home To (am 1954-12-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Helen Merrill4:24
3What’s New
cover recording of:
What’s New?
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Warner Bros., Inc. (not for release label use!)
Helen Merrill5:05
4Falling in Love With Love
cover recording of:
Falling in Love With Love
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Chappell & Co., Inc. (USA)
Teil von:
The Boys From Syracuse
Teil von:
The Real Book (compilation of jazz standards, volume I)
Helen Merrill3:58
5Yesterdays
cover recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Helen Merrill6:05
6Born to Be Blue
cover recording of:
Born to Be Blue
Verfasser(in):
Mel Tormé (“The Velvet Fog”) und Robert Wells (songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PW 3 ASCAP Songs
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) (beendet), Universal Music Publishing France (not for release label use!) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Helen Merrill5:20
7’s Wonderful
cover recording of:
’S Wonderful
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
Helen Merrill3:15
6▼Hybrid-SACD: Monica Zetterlund: Waltz for Debby
Nr.TitelKünstlerBewertungLänge
1Come Rain or Come Shine
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
cover recording of:
Come Rain or Come Shine (am 1964-08-23)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans4:44
2Beautiful Rose
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
arranger:
Bill Evans (pianist)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
Jag vet en dejlig rosa (am 1964-08-23)
Verfasser(in) und Komponist(in):
[traditional] (special purpose artist)
publisher:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans2:53
3Once Upon a Summertime
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
Once Upon a Summertime (La Valse des lilas) (am 1964-08-23)
Texter:
Eddy Marnay (French lyricist)
Komponist(in):
Eddie Barclay und Michel Legrand
Übersetzer:
Johnny Mercer
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Ltd. (beendet), Leeds/BIEM, Patricia Editions Musical (SACEM-affiliated publisher), Universal Music Corp. (USA, affiliated with ASCAP) und Universal Music Publishing AB (Sweden)
übersetzte Version von:
La Valse des lilas
Monica Zetterlund & Bill Evans3:03
4So Long Big Time
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
So Long, Big Time! (am 1964-08-23)
Texter:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
Komponist(in):
Harold Arlen
publisher:
Warner/Chappell Music Scandinavia AB
Monica Zetterlund & Bill Evans3:49
5Waltz for Debby (Monicas vals)
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
Monicas vals (am 1964-08-23)
Texter:
Gene Lees
Komponist(in):
Bill Evans (pianist)
Übersetzer:
Beppe Wolgers
publisher:
Air Chrysalis Scandinavia und Essex Musikförlaget
übersetzte Version von:
Waltz for Debby (English lyrics)
recording of:
Waltz for Debby (English lyrics)
Texter:
Gene Lees
Komponist(in):
Bill Evans (pianist)
publisher:
Acorn Music (label in Berkeley, CA founded by hammered dulcimer player Tony Elman), Folkways Music Publishers Inc. und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Version von:
Waltz for Debby (instrumental)
Monica Zetterlund & Bill Evans2:47
6Lucky to Be Me
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
On the Town: Lucky to Be Me (am 1964-08-23)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: file NO releases) und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
On the Town
Monica Zetterlund & Bill Evans3:36
7Sorrow Wind
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
Monica Zetterlund & Bill Evans3:03
8It Could Happen to You
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
cover recording of:
It Could Happen to You (am 1964-08-23)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony und Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Monica Zetterlund & Bill Evans3:00
9Some Other Time
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
recording of:
On the Town: Some Other Time (am 1964-08-23)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Leonard Bernstein (American conductor, composer, pianist)
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
On the Town
Monica Zetterlund & Bill Evans5:35
10In the Night (Om natten)
Produzent(in):
Göte Wilhelmson
Bass:
Chuck Israels (am 1964-08-23)
Klavier:
Bill Evans (pianist) (am 1964-08-23)
Schlagzeug:
Larry Bunker (am 1964-08-23)
Sologesang:
Monica Zetterlund (am 1964-08-23)
aufgenommen bei:
Europa Film in Stockholm, Stockholms län (Stockholm county), Schweden (am 1964-08-23)
cover recording of:
Om natten (am 1964-08-23)
Texter:
Carl Fredrik Reuterswärd
Komponist(in):
Olle Adolphson (Swedish writer, singer and songwriter)
publisher:
Universal Music Publishing AB (Sweden)
Monica Zetterlund & Bill Evans1:41