100 Hits: 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1I’m in the Mood for Dancing
recording of:
I’m in the Mood for Dancing
Verfasser(in):
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) und Bob Puzey
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Songs of Windswept Pacific
The Nolans4.53:11
2Dance, Dance, Dance
Bearbeitung von:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (LP / 12″ version) von Chic (US disco group)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 20)
recording of:
Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) (in 1977)
Verfasser(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
Chic3.653:40
3Brown Girl in the Ring
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett, Frank Farian und Liz Mitchell
recording of:
Brown Girl in the Ring (Boney M.)
Texter:
[traditional] (special purpose artist) und Frank Farian
Komponist(in):
[traditional] (special purpose artist)
arranger:
Frank Farian
publisher:
ATV Music Ltd., Far Musikverlag GmbH, Far Musikverlag GmbH und Co., KG und Hansa International
Version von:
Brown Girl in the Ring (traditional)
Boney M.2.54:03
4Dr. Love
cover recording of:
Dr. Love
Texter und Komponist(in):
Biddu (composer, songwriter, producer and musician)
Tina Charles3:06
5Fantasy
Techniker(in):
George Massenburg
Produzent(in):
Maurice White (Earth, Wind & Fire)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
Samples von:
All 'n All von Earth, Wind & Fire (in 1977)
recording of:
Fantasy (in 1977-08)
Verfasser(in):
Eduardo Del Barrio (Eduardo Gutiérrez del Barrio), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Criga Music, EMI Songs Australia Pty. Ltd. und Saggifire Music
Earth, Wind & Fire3.74:39
6Harvest for the WorldThe Isley Brothers2.653:54
7Nights on BroadwayCandi Staton33:33
8One Way Ticket
recording of:
One Way Ticket
Verfasser(in):
Eruption (British disco/R&B band)
cover recording of:
One Way Ticket (to the Blues)
Verfasser(in):
Hank Hunter und Jack Keller
publisher:
Colgems-EMI Music Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Eruption33:37
9There Goes My First Love
recording of:
There Goes My First Love
Verfasser(in):
Roger Greenaway und Barry Mason (English songwriter)
The Drifters3:04
10Chirpy Chirpy Cheep Cheep
cover recording of:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
Texter:
Lally Stott (in 1971)
Komponist(in):
Lally Stott
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:59
11Never Let Her Slip Away
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Perkussion:
Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
Saxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
Synthesizer:
Andrew Gold (in 1978)
Hintergrundgesang:
Andrew Gold (in 1978), John David Souther (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:27
12Tie a Yellow Ribbon Round the Old Oak Tree
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Tony Orlando & Dawn3:09
13Dancing on a Saturday Night
Produzent(in):
Barry Blue (singer, producer, and songwriter)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1973), Crimson Copyrights Ltd. (in 1973) und Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
Verfasser(in):
Barry Blue (singer, producer, and songwriter) und Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:13
14Hit Me With Your Rhythm Stick
Produzent(in):
Laurie Latham
E-Bass:
Norman Watt-Roy (in 1978)
Gitarre:
John Turnbull (in 1978)
Hammond-Orgel:
Mick Gallagher (UK hammond organ player) (in 1978)
Klavier:
Chaz Jankel (English musician and songwriter) (in 1978)
Saxophon:
Davey Payne (UK saxophonist) (in 1978)
Schlagzeug:
Charley Charles (UK drummer) (in 1978)
Sologesang:
Ian Dury (in 1978)
phonographisches Urheberrecht (℗) von:
Templemill Music Ltd (in 1979)
aufgenommen bei:
The Workhouse in London (Greater London), England, Vereinigtes Königreich (in 1978)
recording of:
Hit Me With Your Rhythm Stick (in 1978)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:44
15I Lost My Heart to a Starship Trooper
Sologesang:
Sarah Brightman
recording of:
I Lost My Heart to a Starship Trooper
Verfasser(in):
Jeffrey Calvert und Geraint Hughes (production music composer)
publisher:
Coconut Airways Productions
Sarah Brightman34:20
16Hey Rock and Roll
Techniker(in):
Dave Hunt (engineer, producer and occasional writer, worked predominantly in the genres of post-punk and experimental music)
Produzent(in):
Mike Hurst (musician and record producer from London, England)
produced for:
Solid Gold Organisation (production company)
recording of:
Hey Rock ’n’ Roll
Verfasser(in):
Malcolm Allured, Dave Bartram, Romeo Challenger, Rod Deas, Russ Field, Buddy Gask, Al James (Showaddywaddy bassist) und Trevor Oakes
publisher:
Bailey Publishing
Showaddywaddy33:24
17The Boy From New York City
cover recording of:
The Boy From New York City
Verfasser(in):
George Davis (US songwriter - singer, doo-wop era) und John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company und フジパシフィックミュージック (Fujipacific Music, Inc.)
Darts53:04
18Yellow River
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 83)
recording of:
Yellow River (in 1970)
Texter und Komponist(in):
Jeff Christie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Christie3.352:42
19Long Train Running
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Long Train Runnin’
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner Bros. Music (publisher; do NOT use as release label) (in 1982) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) (in 1991)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.13:27
20My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:43
2CD
Nr.TitelKünstlerBewertungLänge
1Oh Carol
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Terry Uttley (English bassist, singer and songwriter)
Gitarre:
Chris Norman (English soft rock singer) und Alan Silson
Keyboard und Sologesang:
Chris Norman (English soft rock singer)
Perkussion und Schlagzeug:
Pete Spencer (UK drummer/songwriter, in Smokie)
produced for:
Chinnichap (production company and publisher)
recording of:
Oh Carol
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Smokie3:41
2Summerlove Sensation
Produzent(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
arranger:
Phil Coulter
recording of:
Summerlove Sensation
Verfasser(in):
Phil Coulter und Bill Martin (Scottish songwriter & producer)
publisher:
Martin-Coulter Music Ltd
Bay City Rollers3:16
3All the Young Dudes
Produzent(in):
David Bowie (English singer‐songwriter)
Sologesang:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
Teil von:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 166) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 253)
recording of:
All the Young Dudes
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Mott the Hoople4.23:31
4Wig Wam Bam
Produzent(in):
Phil Wainman
recording of:
Wig Wam Bam
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
The Sweet53:02
5Just What I Needed
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 75), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 112) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 369)
recording of:
Just What I Needed (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
BMG Music Publishing Ltd., Lido Music, Inc. und Lido Music (not for release label use!) (in 1978)
The Cars4.33:46
6Shake Some Action
leitende(r) Produzent(in):
Greg Shaw
Produzent(in):
Dave Edmunds
Schlagzeug:
Danny Mihm
produced at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Shake Some Action
Verfasser(in):
Cyril Jordan und Chris Wilson (US guitarist, Ex- Flamin' Groovies)
publisher:
Bleu Disque Music Co., Inc. (publisher) und Chappell Music Ltd.
sub-publisher:
Warner Chappell Music France
Flamin’ Groovies54:33
7Sheena Is a Punk Rocker
assistierende(r) Techniker(in):
Don Berman
Techniker(in):
Ed Stasium (US record producer & audio engineer)
Produzent(in):
Tony Bongiovi und Thomas Erdelyi (Tommy Ramone)
Bassgitarre:
Dee Dee Ramone
Gitarre:
Johnny Ramone
Schlagzeug:
Tommy Ramone
Sologesang:
Joey Ramone
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mediasound Studios in New York, New York, Vereinigte Staaten und Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten
mixed at:
Le Studio in Morin‐Heights, Québec (Quebec), Kanada, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten und Track Recorders (location listed as Maryland or Washington, DC) in Silver Spring, Maryland, Vereinigte Staaten
Remix von:
Sheena Is a Punk Rocker (single version) von Ramones (US punk rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 434) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 457)
recording of:
Sheena Is a Punk Rocker (in 1977-04)
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher), Taco Tunes Inc. und Warner/Chappell North America
Ramones4.552:49
8Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:40
925 or 6 to 4
Produzent(in):
James William Guercio
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2002)
recording of:
25 or 6 to 4 (in 1969-08)
Texter und Komponist(in):
Robert Lamm (in 1969)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Spirit Music Publishing Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Aurelius Music (in 1986) und Lamminations Music (in 1986)
Chicago2:54
10Reasons to Be Cheerful, Part 3
Saxophon:
Davey Payne (UK saxophonist) (in 1979)
Sologesang:
Ian Dury (in 1979)
Interpret(in):
Chaz Jankel (English musician and songwriter) (in 1979)
aufgenommen bei:
Eretcia Studios in Roma (Rom), Roma, Lazio, Italien (in 1979)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter) und Davey Payne (UK saxophonist)
Ian Dury & the Blockheads3.356:41
11Angel Face
Produzent(in):
Mike Leander
Bassgitarre:
John Springate
Gitarre und Sologesang:
Gerry Shephard
Schlagzeug:
Pete Phipps
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1974)
recording of:
Angel Face
Texter:
Gerry Shephard
Komponist(in):
John Rossall (The Glitter Band)
publisher:
EMI Tunes Ltd
The Glitter Band42:58
12I Want You to Want Me
live recording of:
I Want You to Want Me
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick53:35
13Once Bitten, Twice Shy
assistierende(r) Techniker(in):
Gary Edwards, Pete Henderson (engineer), Jon Kelly (engineer at Air London Studios), Sean Milligan, Mike Sellers (Michael Peter Anthony Sellers; actor, author and the son of actor Peter Sellers) und Mike Stafford
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Ian Hunter (Mott the Hoople) und Mick Ronson (British guitarist)
arranger:
Mick Ronson (British guitarist)
Bearbeitung von:
Once Bitten Twice Shy von Ian Hunter (Mott the Hoople)
recording of:
Once Bitten Twice Shy
Texter und Komponist(in):
Ian Hunter (Mott the Hoople)
publisher:
April (publisher), EMI April Music Inc. und Ian Hunter Music Inc.
Ian Hunter3:54
14Rock On
recording engineer:
Gary Martin (sound engineer)
Produzent(in):
Jeff Wayne (musician)
vocals:
David Essex
conductor:
Jeff Wayne (musician)
arranger:
Jeff Wayne (musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1973)
recording of:
Rock On
Texter und Komponist(in):
David Essex
publisher:
BMG Gold Songs, Fujipacific Music, Inc., Jeff Wayne Music Ltd., Joseph Webster Ltd, Mushroom Music (Mushroom label’s publishing company), Rock On Music, Stage Three Music (Catalogues) Ltd., Stage Three Music Ltd. und Stage Three Songs
David Essex4.353:24
15Born to Be With You
cover recording of:
Born to Be With You
Texter und Komponist(in):
Don Robertson (“Happy Whistler” songwriter)
Dave Edmunds43:30
16Telegram Sam
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Telegram Sam
Texter und Komponist(in):
Marc Bolan
publisher:
SPIRIT CATALOGUE HD(T REX) 301 und フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.853:46
17Move With Me
recording of:
Move With Me
Verfasser(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) und Jerry Goldstein (producer, record label owner and publisher)
Tim Buckley4:52
18Northern Lights
Sologesang:
Annie Haslam
recording of:
Northern Lights
Verfasser(in):
Michael Dunford (guitarist / songwriter for the group Renaissance) und Betty Thatcher
Renaissance4:08
19The Witch Queen of New Orleans
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recording of:
The Witch Queen of New Orleans (1971 song)
Verfasser(in):
Lolly Vegas und Pat Vegas
publisher:
EMI Songs Ltd.
Redbone4.252:46
20Wonderous Stories
assistierende(r) Techniker(in):
David Richards (Swiss-based producer and engineer)
Techniker(in):
John Timperley
leitende(r) Produzent(in):
Brian Lane (producer)
Produzent(in):
Yes (British progressive rock band)
Bassgitarre:
Chris Squire (Yes bassist) (von 1976 bis 1977)
Moog [Polymoog]:
Rick Wakeman (von 1976 bis 1977)
portugiesische Gitarre [Vachalia] und E-Gitarre:
Steve Howe (von 1976 bis 1977)
Schlagzeug und Perkussion:
Alan White (Yes drummer) (von 1976 bis 1977)
Hintergrundgesang:
Steve Howe (von 1976 bis 1977) und Chris Squire (Yes bassist) (von 1976 bis 1977)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (von 1976 bis 1977)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1976 bis 1977)
teilweise recording of:
Wonderous Stories (von 1976 bis 1977)
Texter und Komponist(in):
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Topographic Music, Ltd. (in 1977)
Yes4.353:51
3CD
Nr.TitelKünstlerBewertungLänge
1The Wonder of You
Sologesang:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Imperials (gospel/CCM group), Millie Kirkham und The Sweet Inspirations
phonographisches Urheberrecht (℗) von:
BMG Music (in 1970) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
International Hotel in Winchester, Nevada, Vereinigte Staaten (am 1970-02-17)
live cover recording of:
The Wonder of You (am 1970-02-17)
Texter und Komponist(in):
Baker Knight
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music Ltd., Universal Duchess Music Corp. und Universal/MCA Music Ltd. (not for release label use!)
Elvis Presley2.62:37
2It’s Impossible
Produzent(in):
Ernie Altschuler
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1970-05-05)
conductor:
Marty Manning (am 1970-05-05)
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recording of:
It’s Impossible (am 1970-05-05)
Komponist(in):
Armando Manzanero (in 1970)
Übersetzer:
Sid Wayne
publisher:
BMG Songs, Inc.
übersetzte Version von:
Somos novios
Perry Como33:16
3It Don’t Matter to Me
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread), James Griffin (soft rock singer/songwriter/guitarist) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1969) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1973)
recording of:
It Don’t Matter to Me
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Screen Gems–Columbia Music, Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread42:50
4Tears on My Pillow
recording of:
Tears on My Pillow (Johnny Nash song)
Texter und Komponist(in):
Ernie Smith
publisher:
EMI Songs Ltd.
cover recording of:
Tears on My Pillow (Johnny Nash song)
Texter und Komponist(in):
Ernie Smith
publisher:
EMI Songs Ltd.
Johnny Nash33:15
5Ruby Tuesday
vocals:
Melanie (US singer‐songwriter Melanie Safka) (in 1970)
cover recording of:
Ruby Tuesday (in 1970)
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie44:36
6Fool (If You Think It’s Over)
Techniker(in):
Justin Shirley‐Smith
Produzent(in):
Jon Kelly (engineer at Air London Studios) und Chris Rea
phonographisches Urheberrecht (℗) von:
Magnet Records Ltd. (in 1988)
aufgenommen bei:
Sol Mill Studios (The Sol) in Windsor and Maidenhead, England, Vereinigtes Königreich (in 2007)
recording of:
Fool (If You Think It’s Over) (in 2007)
Texter und Komponist(in):
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea54:05
7Chuck E’s in Love
Techniker(in):
Loyd Clifft und Lee Herschberg
zusätzliche(r) Techniker(in):
Tom Knox und Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:31
8If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:56
9Seasons in the Sun
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3:15
10Ready or Not Here I Come (Can’t Hide from Love)
recording of:
Ready or Not Here I Come (Can't Hide From Love)
Texter und Komponist(in):
Thom Bell (keyboards, songwriter, producer) und William Hart (of The Delfonics)
The Delfonics2:01
11I Only Have Eyes for You
recording engineer:
Brooks Arthur
Koproduzent(in):
Art Garfunkel
Produzent(in):
Richard Perry (producer)
Mix:
Bill Schnee
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter)
E-Gitarre, Klavier und Schlagzeug:
Andrew Gold
Hybrid-Piano:
Nicky Hopkins (pianist and organist)
Hintergrundgesang:
Stephen Bishop (American singer-songwriter)
Sologesang:
Art Garfunkel
conductor:
Del Newman (British conductor, orchestrator, arranger)
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1975)
mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. und Warner Bros. Inc. (not for release label use!)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Art Garfunkel23:36
12Fire
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1996)
cover recording of:
Fire
Texter und Komponist(in):
Bruce Springsteen (in 1977-05)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Pointer Sisters4.353:28
13What a Fool Believes
Techniker(in):
Donn Landee
zusätzliche(r) Techniker(in):
Loyd Clifft
Produzent(in):
Ted Templeman
Bassgitarre:
Tiran Porter (in 1978-08)
Gitarre:
Jeff “Skunk” Baxter (in 1978-08) und Patrick Simmons (in 1978-08)
Keyboard und Sologesang:
Michael McDonald (R&B & soul singer) (in 1978-08)
Schlagzeug:
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
Synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) und Bill Payne (in 1978-08)
zusätzlich Conga und zusätzlich vocals:
Bobby LaKind (in 1978-08)
zusätzlich Synthesizer:
Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
aufgenommen bei:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 147) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 343)
recording of:
What a Fool Believes (in 1978-08)
Verfasser(in):
Ken Loggins und Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) und Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
14Love Grows (Where My Rosemary Goes)
Produzent(in):
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographisches Urheberrecht (℗) von:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) und Demon Music Group (in 1970)
Musikvideos:
Love Grows (Where My Rosemary Goes) von Edison Lighthouse
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 40) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
Verfasser(in):
Tony Macaulay und Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. und Universal Music Publishing MGB Australia
Edison Lighthouse3.82:50
15You Won’t Find Another Fool Like MeThe New Seekers3:12
16Under the Moon of Love
Produzent(in):
Mike Hurst (musician and record producer from London, England)
phonographisches Urheberrecht (℗) von:
Arista Records (not an imprint, use “Arista” for release labels) (in 1976)
produced for:
Solid Gold Organisation (production company)
cover recording of:
Under the Moon of Love
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Curtis Lee (US rock & roll singer, had single “Pretty Little Angel Eyes”)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it)
Showaddywaddy3:11
17I Get a Kick Out of You
cover recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Gary Shearston53:39
18And I Love You So
Techniker(in):
Tom Pick
Produzent(in):
Chet Atkins
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1973-01-19)
conductor:
Cam Mullins (am 1973-01-19)
arranger:
Cam Mullins
phonographisches Urheberrecht (℗) von:
RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1973)
cover recording of:
And I Love You So (am 1973-01-19)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI), The Welk Music Group, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Perry Como33:20
19She’s Gone
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 413)
recording of:
She’s Gone
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates4.53:27
20No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music und Westminster Music Ltd.
The Walker Brothers5:45
4CD
Nr.TitelKünstlerBewertungLänge
1Metal Guru
phonographisches Urheberrecht (℗) von:
Wizard (Bahamas) Ltd., Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Metal Guru
Texter und Komponist(in):
Marc Bolan
publisher:
Westminster Music und Wizard (Bahamas) Ltd.
T. Rex52:30
2Shine a Little Love
Techniker(in):
Reinhold Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Kelly Groucutt (von 1979-03 bis 1979-04)
Clavinet, Flügel und Hybrid-Piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
Gitarre, Klavier und Sologesang:
Jeff Lynne (von 1979-03 bis 1979-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (von 1979-03 bis 1979-04)
Synthesizer:
Jeff Lynne (von 1979-03 bis 1979-04) und Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-03 bis 1979-04)
conductor:
Louis Clark (von 1979-03 bis 1979-04)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1979, in 2005)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-03 bis 1979-04)
recording of:
Shine a Little Love (von 1979-03 bis 1979-04)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4:12
3Baby I Love You
cover recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
Dave Edmunds43:31
4Say You Don’t Mind
recording engineer:
Peter Vince (engineer, producer)
Produzent(in):
Rod Argent und Chris White (UK bassist for The Zombies)
arranger:
Christopher Gunning (English composer)
recording of:
Say You Don’t Mind
Texter und Komponist(in):
Denny Laine
publisher:
Sparta Florida Music Group
Colin Blunstone33:19
5Jealous Mind
recording of:
Jealous Mind
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust52:42
6Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:47
7Time for Action
recording of:
Time for Action
Texter und Komponist(in):
David Cairns (of Secret Affair)
Secret Affair32:45
8Have I the Right
Produzent(in):
Barry Blue (singer, producer, and songwriter)
cover recording of:
Have I the Right
Verfasser(in):
Alan Blaikley und Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ivy Music Ltd.
Dead End Kids43:13
9Give a Little Love
Produzent(in):
Phil Wainman
recording of:
Give a Little Love
Verfasser(in):
John Goodison und Phil Wainman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bay City Rollers3:23
10Natural Sinner
recording of:
Natural Sinner
Verfasser(in):
Andy Fairweather‐Low
Fair Weather4:27
11Love on a Mountain TopRobert Knight2:24
12Little Does She KnowKursaal Flyers3:46
13Jack in the Box
Teil von:
United Kingdom in the Eurovision Song Contest (Vereinigtes Königreich beim Eurovision Song Contest) (Nummer: 1971)
recording of:
Jack in the Box
Verfasser(in):
David Myers (1970s songwriter, producer) und John Worsley
Clodagh Rodgers33:02
14A Glass of Champagne
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
recording of:
Glass of Champagne (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner/Chappell Music Ltd. (1996–2019)
Sailor52:42
15Bang BangB. A. Robertson3:22
16Short People
Techniker(in):
Loyd Clifft und Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
Bass:
Klaus Voorman (von 1977-07 bis 1977-09)
Conga:
Milt Holland (von 1977-07 bis 1977-09)
Gitarre:
Waddy Wachtel (von 1977-07 bis 1977-09)
Schlagzeug:
Jim Keltner (von 1977-07 bis 1977-09)
Hintergrundgesang:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) (von 1977-07 bis 1977-09), J.D. Souther (von 1977-07 bis 1977-09) und Tim Schmit (von 1977-07 bis 1977-09)
conductor:
Randy Newman (American singer‐songwriter and score composer) (von 1977-07 bis 1977-09)
arranger:
Randy Newman (American singer‐songwriter and score composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
remixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 41)
recording of:
Short People (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Six Pictures Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Hightree Music (in 1977)
Randy Newman42:56
17Come Back My Love
cover recording of:
Come Back My Love
Texter und Komponist(in):
Bobby Mansfield
Darts2:33
18Look What You’ve Done
recording of:
Look What You've Done
Verfasser(in):
James Griffin (soft rock singer/songwriter/guitarist) und Robb Royer (American composer, songwriter, multi-instrumentalist, and producer)
publisher:
Olde Grog Music
Bread33:13
19I Can Help
Techniker(in):
Chip Young (American session guitarist, bassist, producer in the genre of country)
Produzent(in):
Billy Swan und Chip Young (American session guitarist, bassist, producer in the genre of country)
Akustikgitarre:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (in 1974)
Bass:
Mike Leech (Nashville session musician and arranger) (in 1974)
E-Gitarre:
Chip Young (American session guitarist, bassist, producer in the genre of country) (in 1974) und Reggie Young (guitarist and songwriter) (in 1974)
Instrumente:
Paul Richmond (engineer) (in 1974)
Schlagzeug:
Hayward Bishop (in 1974)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
Youngun Sound Studio in Murfreesboro, Tennessee, Vereinigte Staaten (in 1974)
recording of:
I Can Help (in 1974)
Texter und Komponist(in):
Billy Swan
publisher:
CBS Songs, Combine Music Corp., EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Billy Swan44:03
20Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:27
5CD
Nr.TitelKünstlerBewertungLänge
1You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:20
2My Coo Ca Choo
Produzent(in):
Peter Shelley (British 1970s pop singer/songwriter)
Sologesang:
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
My Coo Ca Choo
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust22:47
3There’s a Whole Lot of Loving
recording of:
There’s a Whole Lot of Loving
Verfasser(in):
Chris Arnold (songwriter with Butterscotch/The Stream of Consciousness), David Martin (UK songwriter and Butterscotch member) und Geoff Morrow (Butterscotch/Ammo)
Guys ’n’ Dolls3:15
4Rio
recording of:
Rio
Texter, Verfasser(in) und Komponist(in):
Michael Nesmith
Michael Nesmith4:31
5Gertcha
recording of:
Gertcha
Verfasser(in):
Chas Hodges und Dave Peacock (English bass guitarist, Chas & Dave)
Chas & Dave3:51
6New York Groove
recording of:
New York Groove
Texter und Komponist(in):
Russ Ballard
publisher:
EMI April Music Inc. (beendet), Complete Music Ltd. und EMI Virgin Music Ltd. (do not use this as a release label!)
Hello52:46
7Something Old, Something New
recording of:
Something Old, Something New
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Tony Macaulay
The Fantastics2:47
8Beach Baby
phonographisches Urheberrecht (℗) von:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
Verfasser(in):
John Carter (songwriter & producer, b. 1942) und Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) und Peermusic Pty. Ltd. (Australia)
First Class4.54:51
9Knocked It OffB. A. Robertson3:26
10Rockabilly Rebel
recording of:
Rockabilly Rebel
Texter und Komponist(in):
Steve Bloomfield
Matchbox2:45
11Arms of Mary
Produzent(in):
Howard Albert und Ron Albert
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
Texter und Komponist(in):
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. und Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:38
12Morning DanceSpyro Gyra3:58
13The Chosen Few
recording of:
The Chosen Few
Texter und Komponist(in):
Ben Findon (songwriter and producer)
The Dooleys53:09
14Also Sprach Zarathustra
recording of:
Also sprach Zarathustra (2001) (arr. Deodato jazz-funk style)
Komponist(in):
Richard Strauss (German composer)
arranger:
Eumir Deodato
publisher:
EMI Full Keel Music und Publishing One's Music
Version von:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Deodato48:59
15Got to Get You Into My Life
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Earth, Wind & Fire34:11
16(Blame It) On the Pony Express
recording of:
Blame It on the Pony Express
Verfasser(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Tony Macaulay
Johnny Johnson & The Bandwagon33:05
17Sorry I’m a Lady
recording of:
Sorry, I’m a Lady (in 1977)
Texter:
Frank Dostal und Rolf Soja
Komponist(in):
Rolf Soja
Baccara33:37
18Please Tell Him That I Said Hello
cover recording of:
Please Tell Her
Verfasser(in):
Shepstone & Dibbens
publisher:
Éditions LABRADOR
Dana3:19
19Knock Three Times
Produzent(in):
Dave Appell und The Tokens
arranger:
Norman Bergen
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1975)
recording of:
Knock Three Times
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.352:59
20Do You Wanna Dance
Produzent(in):
Barry Blue (singer, producer, and songwriter)
recording of:
Do You Wanna Dance?
Verfasser(in):
Barry Blue (singer, producer, and songwriter), Ron Roker und Gerry Shury
publisher:
ATV Music Ltd.
Barry Blue33:55

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Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 2) (Reihenfolge: 34)