Orkestsuites / Brandenburgse Concerten / Musikalisches Opfer / Kunst der Fuge

~ Release by Johann Sebastian Bach; Stuttgarter Kammerorchester, Karl Münchinger (see all versions of this release, 2 available)

Tracklist

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1▼CD: Brandenburgse Concerten Nos. 1-4
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1Brandenburgs Concert Nr. 1 in F, BWV 1046: I. Allegro
horn:
Siegfried Hammer and Gottfried Langenstein (horn player)
oboe:
宮本文昭 (Fumiaki Miyamoto, oboist), Hans-Peter Weber (oboist) and Helmut Winschermann (oboist/conductor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:11
2Brandenburgs Concert Nr. 1 in F, BWV 1046: II. Adagio
horn:
Siegfried Hammer and Gottfried Langenstein (horn player)
oboe:
宮本文昭 (Fumiaki Miyamoto, oboist), Hans-Peter Weber (oboist) and Helmut Winschermann (oboist/conductor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:02
3Brandenburgs Concert Nr. 1 in F, BWV 1046: III. Allegro
horn:
Siegfried Hammer and Gottfried Langenstein (horn player)
oboe:
宮本文昭 (Fumiaki Miyamoto, oboist), Hans-Peter Weber (oboist) and Helmut Winschermann (oboist/conductor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach5:14
4Brandenburgs Concert Nr. 1 in F, BWV 1046: IV. Minuetto - Trio - Minuetto - Polacca - Minuetto - Trio - Minuetto
horn:
Siegfried Hammer and Gottfried Langenstein (horn player)
oboe:
宮本文昭 (Fumiaki Miyamoto, oboist), Hans-Peter Weber (oboist) and Helmut Winschermann (oboist/conductor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto – Trio I – Menuetto da capo – Polacca – Menuetto da capo – Trio II – Menuetto da capo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach9:02
5Brandenburgs Concert Nr. 2 in F, BWV 1047: I. Allegro
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:18
6Brandenburgs Concert Nr. 2 in F, BWV 1047: II. Andante
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:03
7Brandenburgs Concert Nr. 2 in F, BWV 1047: III. Allegro
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:59
8Brandenburgs Concert Nr. 3 in G, BWV 1048: I. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:16
9Brandenburgs Concert Nr. 3 in G, BWV 1048: II. Adagio
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence))
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
Johann Sebastian Bach1:35
10Brandenburgs Concert Nr. 3 in G, BWV 1048: III. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:33
11Brandenburgs Concert Nr. 4 in G, BWV 1049: I. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09) and Peter Reidemeister (Liner Notes author) (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgart Chamber Orchestra (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:33
12Brandenburgs Concert Nr. 4 in G, BWV 1049: II. Andante
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09) and Peter Reidemeister (Liner Notes author) (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach3:38
13Brandenburgs Concert Nr. 4 in G, BWV 1049: III. Presto
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09) and Peter Reidemeister (Liner Notes author) (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach4:55
2▼CD: Brandenburgse Concerten Nos. 5, 6
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1Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: I. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09)
harpsichord:
Igor Kipnis (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach10:05
2Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: II. Affettuoso
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09)
harpsichord:
Igor Kipnis (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:38
3Brandenburgs Concert Nr. 5 in D majeur, BWV 1050: III. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
flute:
Aurèle Nicolet (flutist) (from 1972-07 until 1972-09)
harpsichord:
Igor Kipnis (from 1972-07 until 1972-09)
violin:
Stoika Milanova (violinist) (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:42
4Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: I. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach7:25
5Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: II. Adagio ma non troppo
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:19
6Brandenburgs Concert Nr. 6 in Bes majeur, BWV 1051: III. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (from 1972-07 until 1972-09)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1972-07 until 1972-09)
conductor:
Karl Münchinger (German conductor) (from 1972-07 until 1972-09)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro (from 1972-07 until 1972-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:48
7Fuga in G mineur, BWV 542
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
arranger:
Karl Münchinger (German conductor)
recording of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542 (Fantasia and Fugue in G minor, BWV 542)
recording of:
Fantasie und Fuge g-Moll, BWV 542: II. Fuge (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Fantasie (Praeludium) und Fuge g-Moll, BWV 542: II. Fuge
part of:
Fantasie und Fuge g-Moll, BWV 542 (catch all for arrangements)
Johann Sebastian Bach5:02
8Fuga in A mineur, BWV 947
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
Johann Sebastian Bach3:49
9Sinfonia uit het Weihnachtsoratorium
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
orchestra:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) and Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany and Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:42
10Cantate 147, "Jesus meine Freude"
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
Johann Sebastian Bach3:04
11Cantate 208, "Schafe können sicher weiden"
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
3▼CD: Orkestsuites Nos. 1-4
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1Orkestsuite Nr. 1 in C majeur, BWV 1066: I. Ouverture
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach6:32
2Orkestsuite Nr. 1 in C majeur, BWV 1066: II. Courante
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach1:42
3Orkestsuite Nr. 1 in C majeur, BWV 1066: III. Gavotte I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:48
4Orkestsuite Nr. 1 in C majeur, BWV 1066: IV. Forlane
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach1:21
5Orkestsuite Nr. 1 in C majeur, BWV 1066: V. Menuet I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:12
6Orkestsuite Nr. 1 in C majeur, BWV 1066: VI. Bourrée I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:15
7Orkestsuite Nr. 1 in C majeur, BWV 1066: VII. Passepied I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)
Johann Sebastian Bach2:55
8Orkestsuite Nr. 2 in B mineur, BWV 1067: I. Ouverture
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach6:48
9Orkestsuite Nr. 2 in B mineur, BWV 1067: II. Rondeau
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:56
10Orkestsuite Nr. 2 in B mineur, BWV 1067: III. Sarabande
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:27
11Orkestsuite Nr. 2 in B mineur, BWV 1067: IV. Bourrée I-II
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach2:05
12Orkestsuite Nr. 2 in B mineur, BWV 1067: V. Polonaise & Double
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach3:38
13Orkestsuite Nr. 2 in B mineur, BWV 1067: VI. Menuet
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach11:20
14Orkestsuite Nr. 2 in B mineur, BWV 1067: VII. Badinerie
producer:
Michael Haas (classical music producer)
flute:
Wolfgang Schulz (flutist) (in 1985-01)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:37
15Orkestsuite Nr. 3 in D majeur, BWV 1068: I. Ouverture
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach7:07
16Orkestsuite Nr. 3 in D majeur, BWV 1068: II. Air
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01) and James Lock (James Locke, engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:42
17Orkestsuite Nr. 3 in D majeur, BWV 1068: III. Gavotte I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:10
18Orkestsuite Nr. 3 in D majeur, BWV 1068: IV. Bourrée
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:29
19Orkestsuite Nr. 3 in D majeur, BWV 1068: V. Gigue
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:22
20Orkestsuite Nr. 4 in D majeur, BWV 1069: I. Ouverture
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: I. Ouverture (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach8:58
21Orkestsuite Nr. 4 in D majeur, BWV 1069: II. Bourrée I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: II. Bourrée I - alternativement Bourrée II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach3:25
22Orkestsuite Nr. 4 in D majeur, BWV 1069: III. Gavotte
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: III. Gavotte (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach1:58
23Orkestsuite Nr. 4 in D majeur, BWV 1069: IV. Menuet I-II
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: IV. Menuet I - alternativement Menuet II (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:51
24Orkestsuite Nr. 4 in D majeur, BWV 1069: V. Réjouissance
producer:
Michael Haas (classical music producer)
orchestra:
Stuttgart Chamber Orchestra (in 1985-01)
conductor:
Karl Münchinger (German conductor) (in 1985-01)
balance engineer:
Stanley Goodall (engineer) (in 1985-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recorded at:
Karlshöhe Chapel in Ludwigsburg, Baden-Württemberg, Germany (in 1985-01)
recording of:
Orchestersuite Nr. 4 D-Dur, BWV 1069: V. Réjouissance (in 1985-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 4 D-Dur, BWV 1069 (Orchestral suite no. 4 in D major, BWV 1069)
Johann Sebastian Bach2:39
4▼CD: Die Kunst der Fuge I
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080: I. Contrapunctus I
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:18
2Die Kunst der Fuge, BWV 1080: II. Contrapunctus II
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: II. Contrapunctus 2 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:45
3Die Kunst der Fuge, BWV 1080: III. Contrapunctus III
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: III. Contrapunctus 3 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/3)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:15
4Die Kunst der Fuge, BWV 1080: IV. Contrapunctus IV
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: IV. Contrapunctus 4 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/4)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach3:22
5Die Kunst der Fuge, BWV 1080: V. Contrapunctus V
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: V. Contrapunctus 5 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/5)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:55
6Die Kunst der Fuge, BWV 1080: VI. Contrapunctus VI
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VI. Contrapunctus 6 a 4 in Stylo Francese (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/6)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:32
7Die Kunst der Fuge, BWV 1080: VII. Contrapunctus VII
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VII. Contrapunctus 7 a 4 per Augmentationem et Diminutionem (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/7)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:54
8Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus VIII
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: VIII. Contrapunctus 8 a 3 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/8)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach6:10
9Die Kunst der Fuge, BWV 1080: IX. Contrapunctus IX
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:36
10Die Kunst der Fuge, BWV 1080: X. Contrapunctus X
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: X. Contrapunctus 10 a 4 alla Decima (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/10)
version of:
Die Kunst der Fuge, BWV 1080: Contrapunctus a 4
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Die Kunst der Fuge, BWV 1080.1: Contrapunctus 10 (1742 autograph, early version)
Johann Sebastian Bach4:46
11Die Kunst der Fuge, BWV 1080: XI. Contrapunctus XI
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XI. Contrapunctus 11 a 4 (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/11)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach7:09
12Die Kunst der Fuge, BWV 1080: XV. Canon alla octava
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XV. Canon alla Ottava (or "Canon in Hypodiapason" (1742 manuscript)) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/15)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:45
13Die Kunst der Fuge, BWV 1080: XVII. Canon alla duodecima
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVII. Canon alla Duodecima in Contrapunto alla Quinta (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/17)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:39
14Die Kunst der Fuge, BWV 1080: XVI. Canon alla decima
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVI. Canon alla Decima in Contrapunto alla Terza (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/16)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach4:01
15Die Kunst der Fuge, BWV 1080: XIV. Canon per augmentationem in contrario moto
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIV. Canon per Augmentationem in Contrario Motu (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/14)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon al roverscio et per augmentationem (1742 autograph, early version)
version of:
Die Kunst der Fuge, BWV 1080.1: Canon in Hypodiateßeron al roverscio e per augmentationem, perpetuus (1742 autograph, early version)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
revision of:
Canon in Hypodiatesseron, al roversio [sic] e per augmentationem (supplementation to 1742 autograph)
Johann Sebastian Bach4:47
16Die Kunst der Fuge, BWV 1080: XIIIa. Contrapunctus XIII (rectus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:28
17Die Kunst der Fuge, BWV 1080: XIIIb. Contrapunctus XIII (inversus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
recording of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/13,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach2:28
18Die Kunst der Fuge, BWV 1080: XIXa. Fuga a 2 Clavecimbali (rectus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 1. Fuga à 2 Claviere (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,1)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 1. Contrapunctus inversus a 3 (Forma recta)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:34
19Die Kunst der Fuge, BWV 1080: XIXb. Fuga a 2 Clavecimbali (inversus)
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XVIII, 2. Alio modo. Fuga à 2 Claviere (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/18,2)
arrangement of:
Die Kunst der Fuge, BWV 1080: XIII, 2. Contrapunctus inversus a 3 (Forma inversa)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
Johann Sebastian Bach2:38
5▼CD: Die Kunst der Fuge II / Musikalisches Opfer
#TitleArtistRatingLength
1Die Kunst der Fuge, BWV 1080: XIIa. Contrapunctus XII (rectus)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:18
2Die Kunst der Fuge, BWV 1080: XIIb. Contrapunctus XII (inversus)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 2. Contrapunctus inversus 12 a 4 (Forma inversa) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,2)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:07
3Die Kunst der Fuge, BWV 1080: XVIII. Fuga a 4 soggetti
recording engineer:
Martin Fouqué and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
orchestra and performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1965-02)
conductor:
Karl Münchinger (German conductor) (in 1965-02)
orchestrator:
Wolfgang Graeser
recorded at:
Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1965-02)
recording of:
Die Kunst der Fuge, BWV 1080: XIX. Fuga a 3 [4] Soggetti (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/19)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
recording of:
Wenn wir in höchsten Nöten sein, BWV 668.1 (former BWV 668a, published in Art of the Fugue) (in 1965-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 668.1) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 668a)
revision of:
Wenn wir in höchsten Nöten sein, BWV 641
Johann Sebastian Bach14:29
4Musikalisches Opfer, BWV 1079: Ricercar a 3
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:26
5Musikalisches Opfer, BWV 1079: Canon perpetuus a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:35
6Musikalisches Opfer, BWV 1079: Canon a 2 violini in unisono
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:48
7Musikalisches Opfer, BWV 1079: Canon a 2 per motum contrarium
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:52
8Musikalisches Opfer, BWV 1079: Canon a 2 augmentationem, contrario motu
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:20
9Musikalisches Opfer, BWV 1079: Canon a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach0:46
10Musikalisches Opfer, BWV 1079: Canon a 2
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VI. Canon a 2 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:56
11Musikalisches Opfer, BWV 1079: Canon a 2 per tonos
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:24
12Musikalisches Opfer, BWV 1079: Canon perpetuus contrario motu
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach1:20
13Musikalisches Opfer, BWV 1079: Canon a 4
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VII. Canon a 4 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:11
14Musikalisches Opfer, BWV 1079: Fuga canonica
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:01
15Musikalisches Opfer, BWV 1079: Sonata a 3, I. Largo
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach4:56
16Musikalisches Opfer, BWV 1079: Sonata a 3, II. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach6:17
17Musikalisches Opfer, BWV 1079: Sonata a 3, III. Andante
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach2:56
18Musikalisches Opfer, BWV 1079: Sonata a 3, IV. Allegro
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:16
19Musikalisches Opfer, BWV 1079: Ricercar a 6
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
engineer:
James Lock (James Locke, engineer)
producer:
James Mallinson (producer)
cello:
Mischa Frey (in 1976-07)
cor anglais:
Hans-Peter Weber (oboist) (in 1976-07)
flute:
Robert Dohn (flautist) (in 1976-07)
harpsichord:
Martin Galling (pianist and harpsichordist) (in 1976-07)
viola:
Michael Mayer (violinist, Michael Mayer-Freyholdt) (in 1976-07)
violin:
Georg Baynov (in 1976-07)
orchestra:
Stuttgart Chamber Orchestra (in 1976-07)
conductor:
Karl Münchinger (German conductor) (in 1976-07)
performer:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1976-07)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany (in 1976-07)
recording of:
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 (in 1976-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach9:13

Credits

Release

cello:Mischa Frey
clavichord:Martin Galling (pianist and harpsichordist)
flute:Robert Dohn (flautist)
oboe:Hans-Peter Weber (oboist)
viola:Michael Mayer (violinist, Michael Mayer-Freyholdt)
violin:Georg Baynov