Joe Top 2000, Volume 11

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Radio Ga Ga
Assistent recording engineer:
Eddie DeLena (engineer) (von 1983-08 bis 1984-01) und Stephan Wissnet (von 1983-08 bis 1984-01)
recording engineer und Programmierung:
Mack (German rock producer/engineer Reinhold Mack) (von 1983-08 bis 1984-01)
zusätzlich recording engineer:
Mike Beiriger (von 1983-08 bis 1984-01)
Synthesizer-Programmierung:
Fred Mandel (von 1983-08 bis 1984-01)
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Mack (German rock producer/engineer Reinhold Mack) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1983-08 bis 1984-01)
drum machine, Schlagzeug, Vocoder und Hintergrundgesang:
Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Gast-Sampler und Gast-Synthesizer:
Fred Mandel (von 1983-08 bis 1984-01)
Gitarre:
Brian May (Queen guitarist) (von 1983-08 bis 1984-01)
Sampler:
Freddie Mercury (von 1983-08 bis 1984-01) und Roger Taylor (Queen drummer) (von 1983-08 bis 1984-01)
Sologesang:
Freddie Mercury (von 1983-08 bis 1984-01)
Synthesizer arranger:
Fred Mandel
phonographisches Urheberrecht (℗) von:
Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1984, in 2011) und Raincloud Productions Ltd. (in 1984)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
produced at:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1983-08 bis 1984-01) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1984-01)
recording of:
Radio Ga Ga (von 1983-08 bis 1984-01)
Texter und Komponist(in):
Roger Taylor (Queen drummer)
publisher:
EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.85:43
2Billie Jean
recording engineer und Mix:
Bruce Swedien
Synthesizer-Programmierung:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Koproduzent(in):
Michael Jackson (“King of Pop”)
Produzent(in):
Quincy Jones
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Gitarre:
David Williams (session guitarist and songwriter)
Rhodes Piano und Synthesizer:
Greg Phillinganes
Schlagzeug:
Leon Ndugu Chancler
Synthesizer:
Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
Sologesang:
Michael Jackson (“King of Pop”)
conductor:
Jeremy Lubbock
Perkussion und Synthesizer arranger und Synthesizer arranger:
Michael Jackson (“King of Pop”)
Saiteninstrumente arranger:
Jerry Hey
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
aufgenommen bei:
Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1982)
Bearbeitung von:
Billie Jean (long version) von Michael Jackson (“King of Pop”)
Musikvideos:
Billie Jean von Michael Jackson (“King of Pop”)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 7), Billboard Hot 100: 2026-05-23 (Nummer: 15), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard Hot 100: 2026-05-16 (Nummer: 17), Billboard Hot 100: 2026-06-20 (Nummer: 18), Billboard Hot 100: 2026-06-06 (Nummer: 19), Billboard Hot 100: 2026-06-13 (Nummer: 19), Billboard Hot 100: 2026-05-30 (Nummer: 32), Billboard Hot 100: 2026-05-09 (Nummer: 38), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 58) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 95)
recording of:
Billie Jean
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
MJ: The Musical
Michael Jackson4.14:53
3Somebody
recording of:
Somebody
geschrieben in:
Vancouver, British Columbia, Kanada (in 1984-03)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (in 1984-03) und Jim Vallance (in 1984-03)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Testatyme Music, Adams Communications Inc. (in 1984), Calypso Toonz (in 1984) und Rondor Music (London) Ltd. (in 1984)
Bryan Adams4:40
4I Don’t Want to Miss a Thing
assistierende(r) Techniker(in):
Alex Dejonge (engineer) und Rob Murphy (Engineer)
Techniker(in) und Mix:
Dave Thoener
Produzent(in):
Matt Serletic
Saiteninstrumente arranger:
Suzie Katayama
arranger:
Matt Serletic
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1998)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
BILLIONS CLUB und The Downloader’s Music Source Book (Nummer: 228)
recording of:
I Don’t Want to Miss a Thing
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs (beendet), Manatt, Phelps & Phillips, LLP, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 71st Academy Award for Best Original Song (Nummer: 2)
Aerosmith4.054:52
5She’s Always a Woman
Techniker(in):
Jim Boyer (producer/engineer) und Phil Ramone
Produzent(in):
Phil Ramone
Akustikgitarre:
Steve Burgh (in 1977) und Hugh McCracken (in 1977)
E-Bass:
Doug Stegmeyer (bass player, aka Slug Douglas) (in 1977)
flute:
Richie Cannata (in 1977)
Klavier und Sologesang:
Billy Joel (American singer‐songwriter and pianist) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (in 1977)
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
Musikvideos:
She’s Always a Woman von Billy Joel (American singer‐songwriter and pianist)
recording of:
She’s Always a Woman (in 1977)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., Joelsongs (vom 1977 bis heute), CBS Songs Ltd. (in 1977) und Impulsive Music (in 1977)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Billy Joel43:19
6Proud Mary
Ike & Tina Turner3:22
7Je hoeft niet naar huis vannacht
recording of:
Je hoeft niet naar huis vannacht
Verfasser(in):
Dan Navarro (singer/songwriter/voice actor), Diana Villegas, Sylvia Villegas und Vicky Villegas
Übersetzer:
Jan Tekstra
übersetzte Version von:
You Don't Have to Go Home Tonight
Marco Borsato3:28
8Candy
recording engineer und Mix:
Ed Cherney
Produzent(in):
Don Was
Bassgitarre:
Charley Drayton
E-Gitarre:
Iggy Pop und Waddy Wachtel
Keyboard:
Jamie Muhoberac
Schlagzeug:
Kenny Aronoff
Gast Sologesang:
Kate Pierson
Sologesang:
Iggy Pop
vocals und Interpret(in):
Kate Pierson
Teil von:
Mixtape – Game Soundtrack (Nummer: 17)
recording of:
Candy
Texter und Komponist(in):
James Osterberg, Jr.
recording of:
Candy
Texter und Komponist(in):
James Osterberg, Jr.
Übersetzer:
Wolfgang Niedecken
übersetzte Version von:
Candy
Iggy Pop4.354:12
9Smooth Operator
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1994)
recording of:
Smooth Operator
Texter und Komponist(in):
Sade Adu und Raymond St. John
publisher:
Angel Music Ltd., Peer Music, Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.654:16
10Easy
Produzent(in):
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael und Commodores (US funk/soul band with Lionel Richie)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977), Motown Records (not for label use; use “Motown” instead) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 2009)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 93)
recording of:
Easy
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Libren Music
Commodores3.754:14
11Back for Good
Programmierung:
Gary Barlow und Chris Cameron (British pianist, singer-songwriter, arranger and producer)
assistierende(r) Techniker(in):
Steve McNichol
Produzent(in):
Gary Barlow und Chris Porter (engineer and producer)
Gitarre:
Phil Palmer (guitarist)
Sologesang:
Gary Barlow
vocals:
Howard Donald, Jason Orange, Mark Owen (singer–songwriter) und Robbie Williams
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1995) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1995)
recording of:
Back for Good
Texter und Komponist(in):
Gary Barlow
publisher:
EMI Virgin Music Australia Pty Ltd und EMI Virgin Music Ltd. (do not use this as a release label!)
Take That34:01
12Lily Was Here
Gast-Saxophon:
Candy Dulfer
recording of:
Lily Was Here
Komponist(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd. und Eligible Music Ltd.
David A. Stewart feat. Candy Dulfer4:07
13Dance Away
recording of:
Dance Away
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. und E.G. Music Ltd. (publisher) (in 1979)
Roxy Music3:45
14Grace Kelly
recording engineer:
Joe Chiccarelli
Produzent(in):
MIKA (Lebanese-born English pop singer) und Greg Wells
Mix:
Greg Wells
Gitarre:
Lyle Workman
Keyboard und Hintergrundgesang:
MIKA (Lebanese-born English pop singer)
Schlagzeug und Gitarre:
Greg Wells
aufgenommen bei:
Rocket Carousel Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Rocket Carousel Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Grace Kelly von MIKA (Lebanese-born English pop singer)
recording of:
Grace Kelly
Verfasser(in):
Jodi Marr (American songwriter and record producer), John Merchant, MIKA (Lebanese-born English pop singer) und Dan Warner (producer, writer and studio guitarist)
publisher:
Famous Publishing Co. Ltd., Rondor Music (London) Ltd., Sony/ATV Music Publishing (UK) Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
MIKA3.353:06
15It’s My Life
Techniker(in):
Gundars Rullis (Chorgesang)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar und Ricco (background vocals on "It's My Life")
Hintergrundgesang:
Paola Toro
Chorgesang arranger:
Anders Hansson (producer / writer / performer)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1992, in 1993)
produced for:
SweMix Productions (in 1992)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang) und SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
It’s My Life von Dr. Alban
recording of:
It’s My Life
Texter:
Dr. Alban
Komponist(in):
Denniz PoP
publisher:
SweMix Music, SweMix Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Dr. Alban3.84:00
16I Heard It Through the Grapevine
Produzent(in):
Norman Whitfield
Bass [1962 Fender Precision Bass]:
James Jamerson (von 1967-02-03 bis 1967-04-10)
Conga und Tamburin:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (von 1967-02-03 bis 1967-04-10)
Gitarre [1964 Gibson Firebird III]:
Eddie Willis (von 1967-02-03 bis 1967-04-10)
Gitarre [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (von 1967-02-03 bis 1967-04-10)
Hammond-Orgel [B-3]:
Earl Van Dyke (von 1967-02-03 bis 1967-04-10)
Instrumente:
The Funk Brothers (von 1967-02-03 bis 1967-04-10)
Schlagzeug:
Uriel Jones (von 1967-02-03 bis 1967-04-10)
Tom Tom:
Richard "Pistol" Allen (von 1967-02-03 bis 1967-04-10)
Waldhorn:
Don Ozga (von 1967-02-03 bis 1967-04-10) und Edwin Jones (von 1967-02-03 bis 1967-04-10)
Wurlitzer Electric Piano:
Johnny Griffith (von 1967-02-03 bis 1967-04-10)
Hintergrundgesang:
The Andantes (von 1967-02-03 bis 1967-04-10), Marlene Barrow (von 1967-02-03 bis 1967-04-10), Louvain Demps (von 1967-02-03 bis 1967-04-10) und Jackie Hicks (von 1967-02-03 bis 1967-04-10)
Sologesang:
Marvin Gaye (von 1967-02-03 bis 1967-04-10)
Orchester:
Detroit Symphony Orchestra (von 1967-02-03 bis 1967-04-10)
Saiteninstrumente arranger:
Paul Riser (von 1967-02-03 bis 1967-04-10)
Orchestrator(in):
Paul Riser (von 1967-02-03 bis 1967-04-10)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
aufgenommen bei und mixed at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (von 1967-02-03 bis 1967-04-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 80), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 119) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 307)
cover recording of:
I Heard It Through the Grapevine (von 1967-02-03 bis 1967-04-10)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye3.73:12
17Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley3.552:42
18I Would Stay
recording of:
I Would Stay (in 2000)
Texter und Komponist(in):
Jacqueline Govaert (Dutch singer, songwriter and pianist)
Krezip43:50
19Do It to Me
recording of:
Do It to Me
Texter und Komponist(in):
Brenda Harvey–Richie und Lionel Richie
Lionel Richie4:37
2CD
Nr.TitelKünstlerBewertungLänge
1Gimme! Gimme! Gimme! (A Man After Midnight)
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979, in 1986)
recording of:
Gimme! Gimme! Gimme! (A Man After Midnight) (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., Union Songs Music und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
ABBA44:48
2Easy LoverPhilip Bailey & Phil Collins45:01
3Like a Rolling Stone
recording of:
Like a Rolling Stone
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Bob Dylan6:08
4Blauw
recording of:
Blauw
Texter und Komponist(in):
M.J. Lau
publisher:
Peermusic Holland B.V., Tenyor Music und Warner Basart Publ. Group
The Scene4:35
5Bright EyesArt Garfunkel3:56
6Pamela
recording of:
Pamela
Verfasser(in):
David Paich und Joseph Williams (vocalist for Toto, son of composer John Williams)
publisher:
Hudmar Publishing Co. Inc. und Jogi Wimball Music
Toto4:30
7Virtual Insanity
Jamiroquai4:04
8Alors on danse
phonographisches Urheberrecht (℗) von:
Mosaert (Stromae’s label) (in 2010)
a cappella versions:
Alors On Danse (L∆VINCi Remix) von L∆VINCi (LAVINCi) feat. Stromae
Teil von:
MIA Award: Song of the Year (Nummer: 2010)
recording of:
Alors on danse
Texter und Komponist(in):
Paul Van Haver
publisher:
Because Éditions, Kilomaître Publishing und Mosaert (Stromae’s label)
Stromae3.453:26
9Lady Marmalade
recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3:56
10Hot Water
recording of:
Hot Water
Verfasser(in):
Wally Badarou, Phil Gould, Mark King (bass guitarist and vocalist) und Mike Lindup
Level 423:38
11Summer Son
recording of:
Summer Son
Texter und Komponist(in):
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone und Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. und BMG 10 Music Ltd.
Texas3:58
12Adult Education
recording of:
Adult Education
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
Daryl Hall & John Oates3:58
13American Woman
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) und BMG Music (in 1970)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
American Woman (original stereo mix) von The Guess Who (Canadian rock band)
recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.23:52
14Two Princes
Techniker(in):
Frank Aversa und Spin Doctors
Produzent(in):
Frank Aversa, Peter Denenberg, Frankie LaRocka und Spin Doctors
Mix:
Peter Denenberg, Frankie LaRocka und Spin Doctors
Bassgitarre:
Mark White (Spin Doctors)
Gitarre:
Eric Schenkman
Hammond-Orgel, Schlagzeug und Perkussion:
Aaron Comess
Gast Hintergrundgesang:
John Popper
vocals:
Chris Barron
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
Verfasser(in):
Chris Barron, Aaron Comess, Eric Schenkman und Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. und Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:15
15Ring of Fire
recording of:
Ring of Fire
Verfasser(in):
June Carter Cash (American Country singer and songwriter) und Merle Kilgore
publisher:
Painted Desert Music Corporation
Johnny Cash2:38
16Malle Babbe
cover recording of:
Malle Babbe
Texter:
Lennaert Nijgh
Komponist(in):
Boudewijn de Groot
Rob de Nijs4:33
17When You Say Nothing at All
cover recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
recording of:
When You Say Nothing at All
Verfasser(in):
Paul Overstreet (country singer and songwriter) und Don Schlitz
Ronan Keating4:06
18Let Her Go
recording engineer und Mix:
Chris Vallejo
Produzent(in):
Mike Rosenberg (British singer-songwriter Mike Rosenberg, formerly of the band Passenger) und Chris Vallejo
Akustikgitarre und Sologesang:
Mike Rosenberg (British singer-songwriter Mike Rosenberg, formerly of the band Passenger)
Bratsche / Viola:
Shelley Soerensen
Cello:
Janine Boubbov
E-Bass:
Cameron Undy
Geige / Violine:
Madeleine Boud (violinist) und Kerry Martin (violinist)
Klavier und Synthesizer:
Stuart Hunter (Pianist/Composer)
Schlagzeug, shakers und Tamburin:
Glenn Wilson (Australian drummer)
Hintergrundgesang:
Stu Larsen und Georgia Mooney (singer/songwriter)
Saiteninstrumente arranger:
James Steendam
aufgenommen bei und mixed at:
Linear Studios in Sydney, New South Wales, Australien
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 19), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 50) und Billboard Year-End Hot 100 singles of 2013 (Nummer: 97)
recording of:
Let Her Go
Texter und Komponist(in):
Michael David Rosenberg (British singer-songwriter Mike Rosenberg, formerly of the band Passenger)
Passenger3.74:11
197 Seconds
Techniker(in):
Ronny Lahti (Swedish musician, songwriter)
Produzent(in):
Booga Bear und Jonny Dollar (UK producer & songwriter)
Mix:
Booga Bear und Falcon & Fabian
Interpret(in):
Neneh Cherry
aufgenommen bei:
Power Play Studios in New York, New York, Vereinigte Staaten
Bearbeitung von:
7 Seconds von Youssou N’Dour & Neneh Cherry
recording of:
7 Seconds
Texter:
Neneh Cherry und Youssou N’Dour
Komponist(in):
Cameron McVey und Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Youssou N’Dour & Neneh Cherry3.54:05
3CD
Nr.TitelKünstlerBewertungLänge
1Jealous Guy
recording of:
Jealous Guy
Texter und Komponist(in):
John Lennon (The Beatles)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), BMG Music Publishing Ltd., Chappell Music Ltd., EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Lenono Music, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
sub-publisher:
Fujipacific Music, Inc. Division 2
Revision von:
Child of Nature
John Lennon4:11
2Let the Music Play
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
Bearbeitung von:
Let the Music Play (LP version) von Barry White
recording of:
Let the Music Play
Texter und Komponist(in):
Barry White
Barry White43:27
3Pour que tu m’aimes encoreCéline Dion4.54:12
4Here Comes the Rain Again
Techniker(in):
Jon Bavin
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Appalachian dulcimer [dulcimer], Gitarre, Keyboard, Synthesizer und xylophone:
Dave Stewart (UK guitarist/singer for Eurythmics)
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Flügelhorn, Horn, Kornett und Trompete:
Dick Cuthell
Instrumente:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983) und Dave Stewart (UK guitarist/singer for Eurythmics) (in 1983)
Saiteninstrumente:
British Philharmonic Orchestra (in 1983)
Hintergrundgesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Sologesang:
Ann Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) (in 1983)
conductor:
Michael Kayman (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Michael Kamen (American score composer)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) und BMG Records (UK) Limited (1987–1996) (in 1983, in 1991)
recording of:
Here Comes the Rain Again (in 1983)
Verfasser(in):
Dave Stewart (UK guitarist/singer for Eurythmics) und Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd. und D’n’A Ltd.
Eurythmics4.154:53
5Close to Me
recording of:
Close to Me
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co. und Fiction Songs Ltd.
The Cure3:24
6Electricity
Orchestral Manoeuvres in the Dark3:27
7Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:39
8(You Gotta) Fight for Your Right (To Party)
Techniker(in):
Steve Ett
Koproduzent(in):
Beastie Boys
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
E-Gitarre:
Kerry King (co‐founder of Slayer)
phonographisches Urheberrecht (℗) von:
Def Jam Recordings (US) (in 1986)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 49) und Indie 88: Top 500 Indie Rock Songs (Nummer: 269)
recording of:
Fight for Your Right (to Party)
Texter:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) und Adam Yauch
Komponist(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music und Def Jam Music
Beastie Boys3.853:28
9Wild Thing
Produzent(in):
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
E-Gitarre:
Chris Britton (The Troggs) (in 1966)
Okarina und Sologesang:
Reg Presley (in 1966)
Schlagzeug:
Ronnie Bond (The Troggs) (in 1966)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1966)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 257)
cover recording of:
Wild Thing (in 1966)
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs4.42:36
10Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:32
11Maria Maria
assistierende(r) Techniker(in):
Chuck Bailey (engineer) und Jason Gorucott
Techniker(in):
Steve Fontano, Andy Grassi und Chris Theis
Produzent(in):
Jerry Duplessis und Wyclef Jean (Haitian rapper, musician and actor)
assistierende(r) Mix:
Michael McCoy
Mix:
Andy Grassi
Bratsche / Viola:
David Balakrishnan und Danny Seidenberg
Cello:
Joseph Hébert
E-Gitarre [guitar] und zusätzlich vocals:
Carlos Santana
Geige / Violine:
Jeremy Cohen (violinist)
Perkussion:
Carol Steele
Sologesang:
The Product G&B
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999)
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Maria Maria
Verfasser(in):
Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), David McRae, Marvin Moore-Hough, Karl Perazzo, Raul Rekow und Carlos Santana
publisher:
EMI Blackwood Music Inc., Ghetto and Blues, Hempstead Live, Huss‐Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP), Stellabella Music, Te Bass Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Santana feat. The Product G&B3.854:19
12Mr. Tambourine Man
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-01-20)
Produzent(in):
Terry Melcher
Bassgitarre:
Chris Hillman (am 1965-01-20)
Gitarre:
David Crosby (am 1965-01-20)
Schlagzeug:
Michael Clarke (drummer for the 1960s rock group The Byrds) (am 1965-01-20)
Tamburin:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20)
zwölfsaitige Gitarre:
Jim McGuinn (am 1965-01-20)
vocals:
Gene Clark (US singer-songwriter; founder of The Byrds) (am 1965-01-20), David Crosby (am 1965-01-20), Chris Hillman (am 1965-01-20) und Jim McGuinn (am 1965-01-20)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1965) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 79) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 230)
cover recording of:
Mr. Tambourine Man (am 1965-01-20)
Texter und Komponist(in):
Bob Dylan (von 1964-02 bis 1964-04)
publisher:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1964 bis 1992) und Special Rider Music (vom 1992 bis heute)
adaptations:
Setä pelimanni
The Byrds4.152:30
13Dancing in the Moonlight
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
George Drakoulias
Mix:
Dave Shiftman (American producer/audio engineer) und Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2000)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Ocean Wave Studios
cover recording of:
Dancing in the Moonlight
Texter und Komponist(in):
Sherman Kelly
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader4.53:48
14Love Will Save the Day
recording of:
Love Will Save the Day
Texter und Komponist(in):
Toni C.
publisher:
House of Fun Music, Inc (in 1988)
Whitney Houston5:22
15Ti sento
Matia Bazar4:09
16Slow Hand
recording of:
Slow Hand
Texter:
John Bettis
Komponist(in):
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:51
17Seasons in the Sun
Produzent(in):
Terry Jacks
arranger:
Terry Jacks
phonographisches Urheberrecht (℗) von:
Bell Records Inc. (record company behind the Bell Records and Mala labels) (in 1973), Arista Records, LLC (holding company - file NO releases here!) (in 1974) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980)
produced for:
Poppy Family Productions Ltd.
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 19)
cover recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
recording of:
Seasons in the Sun
Texter und Übersetzer:
Rod McKuen
Komponist(in):
Jacques Brel
publisher:
E.B. Marks Music Corp. und Francis, Day & Hunter Ltd. (in 1973)
übersetzte Version von:
Le Moribond
Terry Jacks3.53:28
18To France
Techniker(in) und Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Schlagzeug und Perkussion:
Simon Phillips (rock drummer)
Gast vocals:
Maggie Reilly
Interpret(in):
Mike Oldfield
recording of:
To France
Texter und Komponist(in):
Mike Oldfield
publisher:
Virgin Music Ltd., Oldfield Music Overseas Ltd. (in 1984) und Virgin Music (Publishers) Ltd. (in 1984)
Mike Oldfield feat. Maggie Reilly44:42
19Annie’s Song
assistierende(r) Techniker(in):
Artie Torgersen
Techniker(in):
Mickey Crofford
assistierende(r) Produzent(in) und zusätzliche(r) Produzent(in):
Kris O'Connor
Produzent(in):
Milton Okun
Bass:
Dick Kniss
Gitarre:
John Denver und Steve Weisberg
Mandoline:
John Sommers (country music songwriter and multi- instrumentalist)
Perkussion:
Jim Gordon (US drummer with Derek and the Dominos)
Sologesang:
John Denver
conductor:
Lee Holdridge
arranger:
Lee Holdridge
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
recording of:
Annie’s Song (John Denver song) (am 1974-03-08)
Texter:
John Denver (in 1973-01)
Komponist(in):
John Denver
gewidmet:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
Liedtexte geschrieben bei:
Aspen Mountain in Aspen, Colorado, Vereinigte Staaten (in 1973-01)
John Denver3.653:00
20I’d Do Anything for Love (But I Won’t Do That)
Meat Loaf5:22
4CD
Nr.TitelKünstlerBewertungLänge
1Feel
Programmierung:
Jim Brumby (UK engineer) und Richard Flack (producer/engineer)
assistierende(r) Techniker(in):
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios), Tom Jenkins (Welsh band Straight Lines singer), Tim Lauber, John Morical, Christine Sirois und Yen-Hue Tan
Techniker(in):
Richard Flack (producer/engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger)
zusätzliche(r) Techniker(in):
Jim Brumby (UK engineer)
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
assistierende(r) Mix:
J.D. Andrew
Mix:
Steve Power
Bass:
Phil Spalding
Bass-Synthesizer:
Guy Chambers (English songwriter and record producer)
drum machine [drum loops]:
Richard Flack (producer/engineer) und Jony Rockstar
Gitarre [picky guitar]:
Gary Nuttall
Klavier:
Andy Wallace (engineer)
Schlagzeug [drums]:
Jeremy Stacey
Slide-Gitarre:
Fil Eisler (Czech score composer) und Neil Taylor (guitarist)
Synthesizer:
Dave Clayton
Hintergrundgesang [backing vocals]:
Gary Nuttall und Zenia Santini
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
conductor:
Gavyn Wright (UK violinist, conductor)
chorus master:
Anne Skates
arranger:
Guy Chambers (English songwriter and record producer)
Orchestrator(in):
Guy Chambers (English songwriter and record producer), Sally Herbert (violinist, composer, and conductor) und Nick Ingman
phonographisches Urheberrecht (℗) von:
Robert Williams (in 2002) und The In Good Company Co Ltd (in 2002)
aufgenommen bei:
Air Lyndhurst Recording Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Angel Recording Studios in Islington, London (Greater London), England, Vereinigtes Königreich, Capitol Recording Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Conway Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Le Zénith in Paris, Île-de-France, Frankreich, Mayfair Recording Studios in London (Greater London), England, Vereinigtes Königreich, O'Henry Sound Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Tower of Power Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Feel von Robbie Williams starring Daryl Hannah
recording of:
Feel
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Bella Figura Music Ltd., BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), EMI Music Publishing (do not use as a release label!) und Farrell Music Limited
live recording of:
Feel
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Bella Figura Music Ltd., BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), EMI Music Publishing (do not use as a release label!) und Farrell Music Limited
Robbie Williams4.24:23
2Russians
Sting3:53
3God Only Knows
recording of:
God Only Knows
Texter:
Tony Asher (US lyricist, worked on Pet Sounds)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division und Yamaha Music EH(CM)
The Beach Boys2:51
4Despacito
Produzent(in):
Mauricio Rengifo (El Dandee) und Andrés Torres (Colombian producer, songwriter and drummer)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 84)
recording of:
Despacito (original version w/o Justin Bieber)
Texter:
Erika Ender und Luis Fonsi
Verfasser(in):
Erika Ender, Luis Fonsi und Raymond Ayala
Komponist(in):
Luis Fonsi
publisher:
DaFons Songs, Gasolina Recording Co., Sony/ATV Latin Music Publishing, LLC und Spirit Two Latino DY (ASCAP-affiliated)
Luis Fonsi4.253:50
5Let’s Get LoudJennifer Lopez4:00
6Mambo No. 5 (A Little Bit Of…)
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag (Peermusic Musikverlag GesmbH) und Peermusic (Germany) GmbH
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.753:40
7I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:20
8This Love
assistierende(r) Techniker(in):
Posie Muliadi und Danny Wright (US engineer)
Techniker(in):
Mike Landolt
Produzent(in):
Matt Wallace (US producer & engineer)
zusätzliche(r) Produzent(in):
Mark Endert
Mix:
Mark Endert und Matt Wallace (US producer & engineer)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 437)
recording of:
This Love
Texter und Komponist(in):
A. Levine (Maroon 5’s lead vocalist), Ryan Dusick, J. Carmichael, Mickey Madden und James Valentine (Maroon 5)
publisher:
February Twenty Second Music 301 /372, Valentine, Valentine, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Octjay LLC (in 2003)
Maroon 54.153:25
9Green Green Grass of Home
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
cover recording of:
Green, Green Grass of Home
Texter und Komponist(in):
Claude “Curly” Putman, Jr.
publisher:
Burlington Music, Burlington Music Ltd. und Tree Music
übersetzte Version von:
Ik ben weer in m’n dorpje
Tom Jones43:04
10Would I Lie to You?
Produzent(in):
Josh Deutsch
Bearbeitung von:
Would I Lie to You? von Charles & Eddie
recording of:
Would I Lie to You?
Verfasser(in):
Michael Leeson und Peter Vale (writer/arranger)
publisher:
EMI Virgin Music Publishing Australia P/L und BMG VM Music Ltd. (vom 2013-05-16 bis heute)
Charles & Eddie3.353:38
11Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:17
12Bad Romance
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2009)
recording of:
Bad Romance
Verfasser(in):
Nadir Khayat und Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc. und Sony/ATV Songs LLC
Lady Gaga3.54:22
13I Want It That Way
Produzent(in):
Kristian Lundin (in 1999) und Max Martin (Swedish record producer) (in 1999)
Mix:
Kristian Lundin und Max Martin (Swedish record producer)
E-Bass [bass]:
Tomas Lindberg (Swedish bass player)
Gitarre:
Esbjörn Öhrwall
vocals:
Alexander James “A.J.” McLean (US singer, songwriter, actor, dancer & model), Brian “B-Rok” Littrell (from the Backstreet Boys), Nick Carter (US pop singer & Backstreet Boy), Howard “Howie D.” Dorough (from the Backstreet Boys) und Kevin Richardson (from the Backstreet Boys)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1998, in 2025) und Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1999)
produced for:
Cheiron Productions (in 1999)
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1999)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 4), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 240)
recording of:
I Want It That Way
Texter, Verfasser(in) und Komponist(in):
Andreas Carlsson (pop songwriter) und Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Backstreet Boys3.753:32
14Lovely Day
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Lovely Day
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers43:45
15Always There
cover recording of:
Always There (with lyrics)
Texter:
Paul Allen (US songwriter)
Komponist(in):
William Jeffrey und Ronnie Laws
Version von:
Always There (instrumental)
Incognito feat. Jocelyn Brown3:34
16Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:34
17Islands in the Stream
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
vocals:
Dolly Parton und Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983)
produced for:
Karlbhy Productions
recording of:
Islands in the Stream
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crompton Songs, Gibb Brothers Music, Screen Gems–EMI Music, Summerhill Songs, Unichappel Music und Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Rogers & Dolly Parton44:08
18White Flag
recording engineer und Mix:
Ash Howes (British mixer, writer and musician)
zusätzlich recording engineer:
Grippa
Programmierung:
Mark Bates (member of the band Dusted) und P*Nut
Produzent(in):
Dido (English singer‐songwriter) und Rollo (Rollo Armstrong of Faithless)
Bassgitarre und Schlagzeug:
P*Nut
E-Gitarre:
Rusty Anderson
Gitarre und Keyboard:
Rick Nowels
Klavier:
Mark Bates (member of the band Dusted)
zusätzlich Akustikgitarre:
Paul Herman
Sologesang:
Dido (English singer‐songwriter)
conductor:
Gavyn Wright (UK violinist, conductor)
Saiteninstrumente arranger:
Nick Ingman
phonographisches Urheberrecht (℗) von:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (in 2003) und SONY BMG MUSIC ENTERTAINMENT (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 2003)
recording of:
White Flag
Texter:
Dido (English singer‐songwriter)
Komponist(in):
Dido (English singer‐songwriter), Rick Nowels und Rollo Armstrong
Dido4.054:00
19She
vocals:
Charles Aznavour (von 1974-04 bis 1974-05)
conductor:
Del Newman (British conductor, orchestrator, arranger) (von 1974-04 bis 1974-05)
arranger:
Del Newman (British conductor, orchestrator, arranger)
recording of:
She (Seven Faces of Woman) (von 1974-04 bis 1974-05)
Texter:
Herbert Kretzmer
Komponist(in):
Charles Aznavour
publisher:
Essex Music International, Inc. und Standard Music Publishing Ltd.
übersetzte Version von:
Tous les visages de l’amour
Charles Aznavour2:33
20Casser la voix (live)
Patrick Bruel4:45
5CD
Nr.TitelKünstlerBewertungLänge
1The Sound of Silence
Simon & Garfunkel3:05
2Zoutelande
Techniker(in) und Mix:
Huub Reijnders
Produzent(in):
Ferdy van der Singel
Bassgitarre:
Peter Slager
Gitarre und Sologesang:
Paskal Jacobsen
Keyboard:
Bas Kennis
Schlagzeug:
Norman Drums
vocals:
Geike Arnaert (Belgian singer Geike Arnaert), Bas Kennis, Norman Drums und Peter Slager
aufgenommen bei:
Real World Studios in Box, Wiltshire, England, Vereinigtes Königreich (in 2016)
Teil von:
MIA Award: Song of the Year (Nummer: 2018)
recording of:
Zoutelande (in 2016)
Übersetzer:
Peter Slager
übersetzte Version von:
Frankfurt Oder
BLØF feat. Geike Arnaert3:39
3Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears for Fears3.954:10
4WannabeSpice Girls2:52
5Living in AmericaJames Brown4:09
6Bad Girls
recording of:
Bad Girls
Verfasser(in):
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson und Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.53:06
7Summer Nights
Techniker(in) und Mix:
David J. Holman
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Saiteninstrumente arranger:
Ben Lanzarone
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 69)
recording of:
Summer Nights (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Chappell Musikverlag GmbH, Chappell/Morris Ltd., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Warner Chappell Music France und Warner/Chappell Music International Ltd.
Teil von:
Grease (1971 musical)
John Travolta & Olivia Newton‐John4.253:36
8Crucified
Programmierung:
Anders Wollbeck (pop music songwriter and producer)
Techniker(in) und Mix:
Per Adebratt
Koproduzent(in):
Per Adebratt
leitende(r) Produzent(in):
Ola Håkansson (Oson)
Produzent(in):
Per Adebratt, Alexander Bard und Anders Wollbeck (pop music songwriter and producer)
Gitarre und Keyboard:
Anders Wollbeck (pop music songwriter and producer)
Hintergrundgesang:
Malin Bäckström, Erika Essen-Möller, Richard Evenlind, Jean Paul Wall und Katarina Wilczewski
Sologesang:
Jean-Pierre Barda
phonographisches Urheberrecht (℗) von:
Sonet Grammofon (in 1991), Sonet Grammofon AB (in 1991) und Ton Son Ton (in 1991)
aufgenommen bei und mixed at:
Sonet Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Crucified
Verfasser(in):
Alexander Bard, Jean-Pierre Barda und Anders Wollbeck (pop music songwriter and producer)
publisher:
Esrange Music, Habana Music, Sundance Music, Team Sonet Publ. Ltd. und Stainless Music (in 1992)
Army of Lovers43:33
9Back to Black
Assistent recording engineer:
Jesse Gladstone und Mike Makowski
recording engineer:
Vaughan Merrick und Mark Ronson (British DJ and producer)
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: contractor)
Techniker(in):
Dom Morley
Produzent(in):
Mark Ronson (British DJ and producer)
assistierende(r) Mix:
Matt Paul
Mix:
Tom Elmhirst (mixing engineer)
alto saxophone:
Chris Davies und Andy Mackintosh (British-born saxophonist)
baritone saxophone:
Dave Bishop (saxophonist)
Bassgitarre:
Nick Movshon
Bratsche / Viola:
Rachel Bolt (violist), Jonathan Thorne (viola player), Bruce White (violist) und Katie Wilkinson (violist)
Cello:
John Heley (cellist), Joely Koos (cellist) und Anthony Pleeth (cellist)
Geige / Violine:
Mark Berrow (violinist), Elizabeth Edwards (violinist), Peter Hanson (violinist), Boguslaw Kostecki (violinist), Perry Montague‐Mason (violinist), Everton Nelson (violinist), Tom Pigott‐Smith (violinist), Jonathan Rees, Chris Tombling (violinist) und Warren Zielinski (violinist)
Gitarre:
Thomas Brenneck und Binky Griptite
Klavier:
Victor Axelrod
Perkussion:
Frank Ricotti (percussionist)
Schlagzeug:
Homer Steinweiss
Tamburin:
Mark Ronson (British DJ and producer)
Tenorsaxophon:
Jamie Talbot (English jazz alto saxophonist)
conductor:
Chris Elliott (composer and arranger)
Saiteninstrumente arranger:
Chris Elliott (composer and arranger)
arranger:
Gabriel Roth (Gabriel Alexander Roth)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten, Daptone’s House of Soul in Bushwick, New York, New York, Vereinigte Staaten und Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
BILLIONS CLUB, Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 62) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 79)
recording of:
Back to Black
Verfasser(in):
Mark Ronson (British DJ and producer) und Amy Winehouse
publisher:
BMG Platinum Songs, BMG VM Music Ltd., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Amy Winehouse4.34:01
10Sacramento
recording of:
Sacramento (Middle of the Road song)
Texter:
Giovambattista Sposato und Lally Stott
zusätzlicher Texter:
Viggo Happel
Verfasser(in):
Giosy Capuano, Mario Capuano, Rubirosa und Lally Stott
Komponist(in):
Giosy Capuano und Mario Capuano
Middle of the Road2:53
11Our Darkness
recording of:
Our Darkness
Texter und Komponist(in):
Anne Clark (English poet, songwriter and electronic musician) und David Harrow (English record producer, DJ, and multimedia artist)
publisher:
BMG 10 Music Ltd., Red Flame Music Ltd. und Virgin Music (Publishers) Ltd.
Anne Clark45:19
12Hold on Tight
recording of:
Hold On Tight
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Ltd. (British branch), Polygon Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra3:08
13Bad Case of Lovin’ You (Doctor, Doctor)
recording engineer und Mix:
Karl Pitterson
Produzent(in):
Robert Palmer (English singer‐songwriter)
assistierende(r) Mix:
Benjamin Armbrister und Kendal Stubbs
E-Bass:
Pierre Brock
Gitarre:
Eddie Martinez (guitar) und Kenny Mazur
Keyboard:
Steve Robbins (US keyboardist) und Jack Waldman
Schlagzeug:
Dony Wynn
vocals:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Bad Case of Lovin’ You
Texter und Komponist(in):
Moon Martin
publisher:
Bug Music Ltd. und Sony/ATV Songs LLC
Robert Palmer4.653:12
14Steppin’ Out
Techniker(in):
Michael Ewasko
Koproduzent(in) und Ko-Mix:
Joe Jackson (English musician) und David Kershenbaum
Sologesang:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Blue Rock Studio in New York, New York, Vereinigte Staaten (von 1982-03 bis 1982-06)
recording of:
Steppin’ Out
gewidmet:
New York, New York, Vereinigte Staaten
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:13
15Rockin’ All Over the World
recording of:
Rockin’ All Over the World
Texter und Komponist(in):
John Fogerty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company und Intersong Ltd. (publisher) (in 1977)
Status Quo3:35
16Bitch
drum machine [drum/loop]-Programmierung:
Geza X
assistierende(r) Techniker(in):
Husky Hoskulds, Cappy Japngie, Mauricio Iragorri und Charles Nasser
Techniker(in):
Jim Ebert und Geza X
Produzent(in):
Geza X
Mix:
Jim Ebert
Akustikgitarre, E-Gitarre und Hintergrundgesang:
Meredith Brooks (US singer/songwriter and guitarist)
Bass und Fretless Bass:
Paul Bushnell (session bassist, producer and music director)
Keyboard [keyboards]:
David Ricketts (of David & David)
Schlagzeug:
Josh Freese (American drummer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
aufgenommen bei:
City Lab Sound Design in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bitch
Verfasser(in):
Meredith Brooks (US singer/songwriter and guitarist) und Shelly Peiken
publisher:
Bug Music (music publishing), Hidden Pun Music, Kissing Booth Music, Songs of Kobalt Music Publishing, Sushi Too Music und Warner–Tamerlane Music Corp.
Meredith Brooks3.854:10
17Horizon
Tourist LeMC feat. Spiritually Wally3:36
18Only You
The Flying Pickets3:23
19Only the Lonely
Roy Orbison2:27
20Diane
Techniker(in), Produzent(in) und Mix:
Al Clay
cover recording of:
Diane
Texter und Komponist(in):
Grant Hart
publisher:
Husker Music und Nora/Hi-Art Music
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Therapy?34:03
21Belfast Child
recording of:
Belfast Child
Texter:
Jim Kerr (of Simple Minds)
Komponist(in):
[traditional] (special purpose artist)
arranger:
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing (do not use as a release label!)
basiert auf:
She Moved Through the Fair
Simple Minds6:00

Nennungen

Veröffentlichungsgruppe

Teil von:Joe Top 2000 (Series of compilation albums by Belgian radio station Joe) (Nummer: 11) (Reihenfolge: 11)