Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

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1▼CD: Bellini: Beatrice di Tenda (I)
#TitleArtistRatingLength
1Beatrice di Tenda: Preludio
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Preludio (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda
Vincenzo Bellini2:59
2Beatrice di Tenda: Atto I. “Tu, signor! lasciar si presto” (Cortigiani, Filippo)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°1a “Tu, signor! lasciar sì presto” (Cortigiani, Filippo) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini5:00
3Beatrice di Tenda: Atto I. “Ah! non pensar che pieno” (Agnese, Filippo)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°1c “Ah! non pensar che pieno” (Agnese, Filippo, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini9:24
4Beatrice di Tenda: Atto I, scena 2. “Silenzio e notte intorno” (Agnese, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°2a "Silenzio. È notte intorno” (Agnese, Orombello) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini5:00
5Beatrice di Tenda: Atto I, scena 2. “Sì: rivale... rivale regnante” (Agnese, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°2b “Sì: rivale … rivale regnante” (Agnese, Orombello) (from 1966-01 until 1966-02)
writer and composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini6:58
6Beatrice di Tenda: Atto I, scena 3. “Respiro io qui” (Beatrice, Damigelle)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°3a “Respiro io qui … Fra queste piante ombrose” (Beatrice, Damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini7:29
7Beatrice di Tenda: Atto I, scena 3. “Ma la sola, ohimè! son io” (Beatrice, Damigelle)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°3c “Ma la sola, ohimè! son io, che penar per lui si veda?” (Beatrice, Damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini3:50
8Beatrice di Tenda: Atto I, scena 3. “Ah! la pena in lor piombò” (Beatrice, Damigelle)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°3d “Ah! la pena in lor piombò” (Beatrice, Damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini3:55
9Beatrice di Tenda: Atto I, scena 3. “Vedi? La tua presenza” (Rizzardo, Filippo, Beatrice)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Rizzardo del Maino]:
Joseph Ward (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°4a “Vedi? La tua presenza” (Rizzardo, Filippo, Beatrice) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini2:50
10Beatrice di Tenda, Atto I, scena 3. “E quali? quali? spergiura! ingrata!” (Filippo, Beatrice)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°4b “E quali? quali? spergiura! ingrata!” (Filippo, Beatrice) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini4:47
11Beatrice di Tenda, Atto I, scena 3. “Qui di ribelli sudditi” (Filippo, Beatrice)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°4c “Qui di ribelli sudditi” (Filippo, Beatrice) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini6:16
12Beatrice di Tenda, Atto I, scena 4. “Lo vedeste?” (uomini d'arme)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
choir vocals [Uomini d'arme]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°5a Coro d'armigeri “Lo vedeste?” (uomini d'arme) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini5:30
13Beatrice di Tenda, Atto I, scena 4. “Il mio dolore, e l'ira” (Beatrice, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°6a “Il mio dolore, e l'ira” … “Deh, se m'amasti un giorno” (Beatrice, Orombello) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini10:20
14Beatrice di Tenda, Atto I, scena 4. “Parti... Deh! perdona” (Beatrice, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°6b “Parti... Deh! perdona” (Beatrice, Orombello, Filippo, Agnese, Anichino, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini1:34
15Beatrice di Tenda, Atto I, scena 4. “Ah! tal onta io meritai...” (Beatrice, Agnese)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto I. N°6c. “Ah! tal onta io meritai …” (Beatrice, Orombello, Filippo, Agnese, Anichino, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto I
Vincenzo Bellini8:02
2▼CD: Bellini: Beatrice di Tenda (II)
#TitleArtistRatingLength
1Beatrice di Tenda: Atto II, scena 1. “Lassa! e può il ciel permettere” (Damigelle, Cortigiani)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
choir vocals and choir vocals [Cortigiani]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°7 Coro d'introduzione “Lassa! e può il ciel permettere” (Damigelle, Cortigiani) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini6:39
2Beatrice di Tenda: Atto II, scena 1. “Omai del suo destino arbitra solo” (Filippo, Anichino)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
tenor vocals [Anichino]:
Joseph Ward (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°8 “Omai del suo destino arbitra solo” (Filippo, Anichino) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini3:18
3Beatrice di Tenda: Atto II, scena 1. “[Oh, troppo a mie preghiere sordo...]” (Anichino, Agnese)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
tenor vocals [Anichino]:
Joseph Ward (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°9a “Oh, troppo a mie preghiere sordo …” (Anichino, Agnese, Filippo, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini6:49
4Beatrice di Tenda: Atto II, scena 1. “Orombello!... [Oh! voce! e dessa!...]” (Beatrice, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°9c “Orombello!” … “Oh! voce! e dessa! …” (Beatrice, Orombello) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini3:45
5Beatrice di Tenda: Atto II, scena 1. “Al tuo fallo ammenda festi” (Beatrice, Orombello)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Orombello]:
Luciano Pavarotti (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°9d “Al tuo fallo ammenda festi” (Beatrice, Orombello, Filippo, Agnese, giudici, damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini9:02
6Beatrice di Tenda: Atto II, scena 1. “Filippo!... Tu! ti appressa” (Agnese, Filippo)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
mezzo-soprano vocals [Agnese del Maino]:
Josephine Veasey (mezzo-soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°10a “Filippo! … Tu! ti appressa” (Agnese, Filippo) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini2:08
7Beatrice di Tenda: Atto II, scena 1. “Rimorso in lei?” (Filippo, Anichino)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
tenor vocals [Anichino]:
Joseph Ward (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°10b "Rimorso in lei?" (Filippo, Anichino, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini4:40
8Beatrice di Tenda: Atto II, scena 1. “Qui m'accolse oppresso, errante” (Filippo, Damigelle)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
baritone vocals [Filippo Maria Visconti]:
Cornelis Opthof (baritone) (from 1966-01 until 1966-02)
choir vocals [Damigelle]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°11a "Qui m'accolse oppresso, errante" (Filippo, damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini6:11
9Beatrice di Tenda: Atto II, scena 2. “Prega! Ah no, non sia la misera” (Damigelle, Famigliari)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
choir vocals [Damigelle]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°12a “Prega! Ah no, non sia la misera” (Damigelle, famigliari) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini2:59
10Beatrice di Tenda: Atto II, scena 2. “Nulla io dissi” (Beatrice, Damigelle)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
choir vocals [Damigelle]:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1966-01 until 1966-02)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°12b “Nulla diss'io” (Beatrice, Damigelle) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini10:53
11Beatrice di Tenda: Atto II, scena 2. “Ah! se un'urna è a me concessa” (Beatrice, Anichino)
recording engineer:
Gordon Perry and Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer) and John Mordler (producer)
soprano vocals [Beatrice di Tenda]:
Joan Sutherland (soprano) (from 1966-01 until 1966-02)
tenor vocals [Anichino]:
Joseph Ward (tenor) (from 1966-01 until 1966-02)
orchestra:
London Symphony Orchestra (from 1966-01 until 1966-02)
conductor:
Richard Bonynge (conductor and pianist) (from 1966-01 until 1966-02)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1966-01 until 1966-02)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1966-01 until 1966-02)
recording of:
Beatrice di Tenda: Atto II. N°12f “Deh! Se un’urna è a me concessa” (Beatrice, Anichino, coro) (from 1966-01 until 1966-02)
composer:
Vincenzo Bellini (Sicilian opera composer)
part of:
Beatrice di Tenda: Atto II
Vincenzo Bellini7:33
3▼CD: Donizetti: La fille du régiment (I)
#TitleArtistRatingLength
1La fille du régiment: Ouverture
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti6:45
2La fille du régiment: Acte I. « L'ennemi s'avance, amis, armons-nous! » (Villageois)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals [soldats Français]:
Chorus of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti3:29
3La fille du régiment: Acte I. « Pour une femme de mon nom » (La Marquise)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
contralto vocals [La Marquise de Berkenfield]:
Monica Sinclair (contralto) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti5:04
4La fille du régiment: Acte I. « Sacré nom d'une pipe! » (Sulpice)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass-baritone vocals [Sulpice]:
Spiro Malas (bass-baritone) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:11
5La fille du régiment: Acte I. « Au bruit de la guerre » (Marie, Sulpice)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass-baritone vocals [Sulpice]:
Spiro Malas (bass-baritone) (from 1967-07-17 until 1967-07-27)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti7:11
6La fille du régiment: Acte I. « Allons, allons, march', march' » (Soldats)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
choir vocals [soldats Français]:
Chorus of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti3:55
7La fille du régiment: Acte I. « La, la, la... Chacum le sait, chacum le dit » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti4:08
8La fille du régiment: Acte I. « Dès que l'appel sonne » (Sulpice, soldats)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass-baritone vocals [Sulpice]:
Spiro Malas (bass-baritone) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:31
9La fille du régiment: Acte I. « Ils l'ont emmené brutalement » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:08
10La fille du régiment: Acte I. « Quoi! vous m'aimez? » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti10:05
11La fille du régiment: Acte I. « Rataplan, rataplan, rataplan » (Le Caporal, soldats)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Le Caporeal]:
Eric Garrett (English Bass) (from 1967-07-17 until 1967-07-27)
choir vocals [soldats Français]:
Chorus of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:07
12La fille du régiment: Acte I. « Ah! mes amis, quel jour de fête! » (Tonio)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti1:44
13La fille du régiment: Acte I. « Le camarade est amoureux » (Le Caporal)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass vocals [Le Caporeal]:
Eric Garrett (English Bass) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti5:06
14La fille du régiment: Acte I. « Je suis soldat » (Tonio)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti10:26
4▼CD: Donizetti: La fille du régiment (II)
#TitleArtistRatingLength
1La fille du régiment: Acte II. Entr'acte
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:38
2La fille du régiment: Acte II. « La romance perdue, on la retrouvée » (La Marquise)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
contralto vocals [La Marquise de Berkenfield]:
Monica Sinclair (contralto) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti1:40
3La fille du régiment: Acte II. « Le jour naissait dans le bocage » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti8:58
4La fille du régiment: Acte II. « C'en est donc fait » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti10:13
5La fille du régiment: Acte II. « Tous les trois réunis » (Marie, Tonio, Sulpice)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
bass-baritone vocals [Sulpice]:
Spiro Malas (bass-baritone) (from 1967-07-17 until 1967-07-27)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti3:00
6La fille du régiment: Acte II. « Ecoutez-moi, de grâce! » (Tonio)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals [Tonio]:
Luciano Pavarotti (tenor) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti6:56
7La fille du régiment: Acte II. « Ah! c'est elle! » (La Marquise)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
contralto vocals [La Marquise de Berkenfield]:
Monica Sinclair (contralto) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti2:05
8La fille du régiment: Acte II. « Oui! Quand le destin, au milieu de la guerre » (Marie)
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
soprano vocals [Marie]:
Joan Sutherland (soprano) (from 1967-07-17 until 1967-07-27)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1967-07-17 until 1967-07-27)
conductor:
Richard Bonynge (conductor and pianist) (from 1967-07-17 until 1967-07-27)
chorus master:
Douglas Robinson (chorus master) (from 1967-07-17 until 1967-07-27)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1967-07-17 until 1967-07-27)
Gaetano Donizetti4:09
5▼CD: Verdi: Messa da Requiem
#TitleArtistRatingLength
1Messa da Requiem: I. Requiem
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: I. Requiem aeternam – Kyrie (quartetto solista, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi9:13
2Messa da Requiem: II. Dies irae. Dies irae
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:21
3Messa da Requiem: II. Dies irae. Tuba mirum
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIb. Dies irae: Tuba mirum (basso, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
recording of:
Messa da requiem: IIc. Dies irae: Mors stupebit (basso, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:02
4Messa da Requiem: II. Dies irae. Liber scriptus
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IId. Dies irae: Liber scriptus (mezzo-soprano, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:59
5Messa da Requiem: II. Dies irae. Quid sum miser
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIe. Dies irae: Quid sum miser (soprano, mezzo-soprano, tenore) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:44
6Messa da Requiem: II. Dies irae. Rex tremendae
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIf. Dies irae: Rex tremendae (quartetto solista, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:41
7Messa da Requiem: II. Dies irae. Recordare
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIg. Dies irae: Recordare (soprano, mezzo-soprano) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:03
8Messa da Requiem: II. Dies irae. Ingemisco
producer:
John Culshaw and Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi3:36
9Messa da Requiem: II. Dies irae. Confutatis
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIi. Dies irae: Confutatis (basso, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi5:21
10Messa da Requiem: II. Dies irae: Lacrymosa
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIj. Dies irae: Lacrymosa (quartetto solista, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi6:08
11Messa da Requiem: III. Offertorium. Domine, Jesu Christe
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
tenor vocals:
Luciano Pavarotti (tenor) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIIa. Offertorio: Domine Jesu Christe (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Messa da requiem: III. Offertorio (quartetto solista)
Giuseppe Verdi4:21
12Messa da Requiem: III. Offertorium. Hostias
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IIIb. Offertorio: Hostias (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem: III. Offertorio (quartetto solista)
Giuseppe Verdi5:55
13Messa da Requiem: IV. Sanctus
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: IV. Sanctus (a doppio coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi2:41
14Messa da Requiem: V. Agnus Dei
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi4:57
15Messa da Requiem: VI. Lux aeterna
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro) (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Giuseppe Verdi6:42
16Messa da Requiem: VII. Libera me. Libera me
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: VIIa. Libera me: Libera me, Domine (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIa. Responsorium. Libera me, Domine: Libera me
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi2:35
17Messa da Requiem: VII. Libera me. Dies irae
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: VIIb. Libera me: Dies irae (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIb. Responsorium. Libera me, Domine: Dies irae
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi2:24
18Messa da Requiem: VII. Libera me. Requiem aeternam
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: VIIc. Libera me: Requiem aeternam (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIIc. Responsorium. Libera me, Domine: Requiem aeternam
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi2:54
19Messa da Requiem: VII. Libera me. Libera me
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Martti Talvela (operatic bass) (from 1967-10-18 until 1967-10-28)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1967-10-18 until 1967-10-28)
soprano vocals:
Joan Sutherland (soprano) (from 1967-10-18 until 1967-10-28)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1967-10-18 until 1967-10-28)
conductor:
Sir Georg Solti (conductor) (from 1967-10-18 until 1967-10-28)
balance engineer:
Gordon Parry (engineer) (from 1967-10-18 until 1967-10-28)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-10-18 until 1967-10-28)
recording of:
Messa da requiem: VIId. Libera me: Libera me, Domine (from 1967-10-18 until 1967-10-28)
composer:
Giuseppe Verdi (Italian opera composer)
version of:
Messa per Rossini: VIId. Responsorium. Libera me, Domine: Libera me
part of:
Messa da requiem: VII. Libera me (soprano, coro)
Giuseppe Verdi5:37
6▼CD: Mascagni: L'amico Fritz (I)
#TitleArtistRatingLength
1L'amico Fritz: Atto I. Preludietto
producer:
Christopher Bishop (conductor/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L’amico Fritz: Preludietto (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz
Pietro Mascagni3:34
2L'amico Fritz: Atto I. “Ma questa è una pazzia!” (Fritz, David, Hanezò, Caterina)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
soprano vocals [Caterina]:
Malvina Major (soprano / mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Ma questa e una pazzia!” (Fritz, David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni4:58
3L'amico Fritz: Atto I. “Son pochi fiori!” (Suzel, Fritz)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Son pochi fiori” (Suzel, Fritz, Hanezò, Federico, Caterina, David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni3:31
4L'amico Fritz: Atto I. “Orsù, vieni tra noi, al fianco mio” (Fritz, Suzel, Hanezò, Federico, David)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Orsu, vieni tra noi, al fianco mio...” (Beppe, Suzel, Fritz, Hanezò, Federico, David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni1:46
5L'amico Fritz: Atto I. “Chi mai sarà?” (Hanezò, Fritz, David, Federico, Suzel, Beppe)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Chi mai sara?” (Hanezò, Suzel, Fritz, Federico, Beppe, David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni4:01
6L'amico Fritz: Atto I. “Laceri, miseri, tanti bambini” (Beppe, Fritz, Hanezò, David, Federico)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Laceri, miseri, tanti bambini” (Beppe, Fritz, Hanezò, David, Federico) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni2:50
7L'amico Fritz: Atto I. “Viva lo zingaro!” (David, Hanezò, Federico, Fritz, Caterina, Suzel, Beppe)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
soprano vocals [Caterina]:
Malvina Major (soprano / mezzo-soprano) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Viva lo zingaro!” (David, Hanezò, Federico, Fritz, Caterina, Suzel, Beppe) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni1:37
8L'amico Fritz: Atto I. “Per voi, ghiottoni inutili” (David)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Per voi, ghiottoni inutili” (David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni1:08
9L'amico Fritz: Atto I. “Il suo sermone è splendido!” (Beppe, Federico, Fritz, David, Hanezò)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Il suo sermone e splendido!” (Beppe, Federico, Fritz, David, Hanezò) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni0:38
10L'amico Fritz: Atto I. “Son gli orfanelli” (Hanezò, Beppe, Federico, Fritz, David, Coro)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto I. “Son gli orfanelli...” (Hanezò, Beppe, Federico, Fritz, David, Coro) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto I
Pietro Mascagni2:22
11L'amico Fritz: Atto II. “Ah, le belle ciliege!” (Suzel, Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals [Chorus]:
Chorus of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Ah, le belle ciliege!” (Suzel, Coro) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni6:08
12L'amico Fritz: Atto II. “Bel cavalier, che vai per la foresta” (Suzel)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Tra poco sara desto” … “Bel cavalier che vai per la foresta” (Suzel) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
part of:
L’amico Fritz: Atto II
Pietro Mascagni2:08
13L'amico Fritz: Atto II. “Suzel, buon di!” (Cherry Duet)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
vocals:
Mirella Freni (soprano)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) (Cherry Duet) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni4:11
14L'amico Fritz: Atto II. “Tutto tace” (Fritz, Suzel)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Tutto tace" (Fritz, Suzel) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni4:26
15L'amico Fritz: Atto II. “Oh! chi è che giunge?” (Fritz, Suzel, Beppe, David, Hanezò, Federico)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Oh! chi e che giunge?” (Fritz, Suzel, Beppe, David, Hanezò, Federico) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni2:20
16L'amico Fritz: Atto II. “Vediamo un po'!” (David, Suzel)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Vediamo un po'!” (David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni2:59
17L'amico Fritz: Atto II. “Faceasi vecchio Abramo” (Suzel, David, Fritz)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Faceasi vecchio Abramo” (Suzel, David, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni6:11
18L'amico Fritz: Atto II. “Come va?” (Fritz, David)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Come vai?” (Fritz, David) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni2:11
19L'amico Fritz: Atto II. “Quale strano turbamento” (Fritz)
producer:
Christopher Bishop (conductor/producer)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Quale strano turbamento” (Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni1:19
20L'amico Fritz: Atto II. “Fritz, noi partiamo. Addio!” (Federico, Fritz, Hanezò, Beppe)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Fritz, noi partiamo...addio!” (Federico, Fritz, Hanezò, Beppe) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
Pietro Mascagni0:43
21L'amico Fritz: Atto II. “Che più s'aspetta?” (Federico, Fritz, David, Suzel, Coro)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto II. “Che piu s'aspetta?” … “Sono i sonagli del biroccino” (Federico, Fritz, David, Suzel, Coro) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto II
part of:
L’amico Fritz: Atto II
Pietro Mascagni3:34
7▼CD: Mascagni: L'amico Fritz (II)
#TitleArtistRatingLength
1L'amico Fritz: Atto II. Intermezzo
producer:
Christopher Bishop (conductor/producer)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. Intermezzo (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni4:00
2L'amico Fritz: Atto III. “Tutto ho tentato” (Fritz, Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals [Chorus]:
Chorus of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Tutto ho tentato... ” (Fritz, Coro) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni3:11
3L'amico Fritz: Atto III. “Buon Giorno, Fritz!” (Beppe, Fritz)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Buon giorno, Fritz! ” (Beppe, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni1:25
4L'amico Fritz: Atto III. “O pallida, che un giorno mi guardasti” (Beppe, Fritz)
producer:
Christopher Bishop (conductor/producer)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “O pallida, che un giorno mi guardasti” (Beppe, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni2:51
5L'amico Fritz: Atto III. “O amore, o bella luce del core” (Fritz)
producer:
Christopher Bishop (conductor/producer)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L’amico Fritz: Atto III: “O amore, o bella luce del core” (Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni2:29
6L'amico Fritz: Atto III. “L'amico Fritz fantastica d'amore” (David, Fritz)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “L'amico Fritz fantastica d'amore” (David, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni1:42
7L'amico Fritz: Atto III. “Povero Fritz, l'amore in te si desta” (David, Suzel)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Povero Fritz, l'amore in te si desta... ” (David, Suzel) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni1:20
8L'amico Fritz: Atto III. “Non mi resta che il pianto ed il dolore” (Suzel, Fritz)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L’amico Fritz: Act III. “Non mi resta che il pianto” (Suzel, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni2:45
9L'amico Fritz: Atto III. “Come s'e fatta pallida!” (Suzel, Fritz)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Suzel!” … “Signor!” … “Come s'è fatta pallida!” (Fritz, Suzel) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni1:38
10L'amico Fritz: Atto III. “Ah! ditela per me quella parola” (Suzel, Fritz)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Suzel]:
Mirella Freni (soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Ah! Ditela per me quella parola” (Suzel, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni6:12
11L'amico Fritz: Atto III. “Amici, ho vinto, ho vinto!” (David, Fritz, Beppe, Caterina)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
mezzo-soprano vocals [Beppe]:
Laura Didier Gambardella (mezzo-soprano) (from 1968-08 until 1968-09)
soprano vocals [Caterina]:
Malvina Major (soprano / mezzo-soprano) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Amici, ho vinto, ho vinto! ” (David, Fritz, Beppe, Caterina) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni0:47
12L'amico Fritz: Atto III. “Tu sposi, Fritz?” (Federico, Hanezò, David, Fritz, All)
producer:
Christopher Bishop (conductor/producer)
baritone vocals [David]:
Vicente Sardinero (baritone) (from 1968-08 until 1968-09)
baritone vocals [Hanezò]:
Benito Di Bella (Italian baritone) (from 1968-08 until 1968-09)
choir vocals [Chorus]:
Chorus of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
tenor vocals [Federico]:
Luigi Pontiggia (tenor) (from 1968-08 until 1968-09)
tenor vocals [Fritz Kobus]:
Luciano Pavarotti (tenor) (from 1968-08 until 1968-09)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1968-08 until 1968-09)
conductor:
Gianandrea Gavazzeni (conductor) (from 1968-08 until 1968-09)
chorus master:
Douglas Robinson (chorus master) (from 1968-08 until 1968-09)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1968-08 until 1968-09)
recording of:
L'amico Fritz: Atto III. “Tu sposi, Fritz? ” (Federico, Hanezò, David, Fritz) (from 1968-08 until 1968-09)
composer:
Pietro Mascagni (composer & conductor)
part of:
L’amico Fritz: Atto III
Pietro Mascagni2:09
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]