The Very Best of Nina Simone

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Ne me quitte pas
recorded in:
New York, New York, Vereinigte Staaten (in 1965-01)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (in 1965-01)
Klavier:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
cover recording of:
Ne me quitte pas (original French version) (in 1965-01)
Texter und Komponist(in):
Jacques Brel
publisher:
Éditions Jacques Brel, Pouchenel Éditions Musicales und Warner Chappell Music France
43:38
2I Loves You, Porgy
flute:
Rudy Stevenson
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Perkussion:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (am 1964-03-21)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America und Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:32
3My Baby Just Cares for Me
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
live cover recording of:
My Baby Just Cares for Me (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
3:04
4Strange Fruit
Produzent(in):
Hal Mooney
cover recording of:
Strange Fruit (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Bitter Fruit
3.653:31
5Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
4.12:56
6Love Me or Leave Me
cover recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
4:06
7Mood Indigo
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1965)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3.352:27
8If You Knew / Let It Be Me
Gitarre:
Arthur Adams (US blues singer, guitarist & songwriter) (von 1985-12-03 bis 1985-12-08)
Klavier:
Nina Simone (von 1985-12-03 bis 1985-12-08)
vocals:
Nina Simone (von 1985-12-03 bis 1985-12-08)
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
Bearbeitung von:
If You Knew / Let It Be Me (live, 1985‐12: Vine St. Bar & Grill, Hollywood, Los Angeles, CA, USA) von Nina Simone
live medley including a recording of:
If You Knew (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Nina Simone
live medley including a cover recording of:
Let It Be Me (von 1985-12-03 bis 1985-12-08)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
5:24
9That’s All I Ask
Produzent(in):
Hal Mooney
Klavier:
Nina Simone
Kontrabass:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
That’s All I Ask (am 1965-10-01)
Texter und Komponist(in):
Horace Ott
32:29
10Images
Klavier:
Nina Simone (am 1964-03-21)
vocals:
Nina Simone (am 1964-03-21)
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live recording of:
Images (am 1964-03-21)
Texter:
Waring Cuney
Komponist(in):
Nina Simone
2.652:52
11Don’t Let Me Be Misunderstood
recorded in:
New York, New York, Vereinigte Staaten (in 1964-06)
Klavier:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
Orchester:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
4.052:47
12Be My Husband
Produzent(in):
Hal Mooney
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (von 1965-05-19 bis 1965-05-20)
recording of:
Be My Husband (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
basiert auf:
Rosie (Work camp song first recorded by Alan and John Lomax)
2.53:21
13I Love My Baby
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
recording of:
I Love My Baby
Texter und Komponist(in):
Andy Stroud (former husband of Nina Simone.)
44:08
14Lilac Wine
Produzent(in):
Hal Mooney (am 1965-09-30)
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone (am 1965-09-30)
Kontrabass und Perkussion:
Lisle Atkinson
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Lilac Wine (am 1965-09-30)
Texter und Komponist(in):
James H. Shelton (composer of “Lilac Wine”)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3.654:17
15See Line Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Produzent(in):
Hal Mooney
Klavier:
Nina Simone (in 1964)
vocals und conductor:
Nina Simone (in 1964)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
cover recording of:
See‐Line Woman (am 1964-03-21)
Verfasser(in):
George Bass und Nina Simone
basiert auf:
Sea Lion Woman
2.752:38
16What More I Can Say
Produzent(in):
Hal Mooney
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass:
Lisle Atkinson
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
What More Can I Say (am 1965-10-01)
Verfasser(in):
Wade Brown Jr. und Horace Ott
32:51
17Plain Gold Ring
Gitarre:
Rudy Stevenson (am 1964-04-06)
Klavier und Sologesang:
Nina Simone (am 1964-04-06)
Kontrabass:
Lisle Atkinson (am 1964-04-06)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-04-06)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-04-06)
live recording of:
Plain Gold Ring (am 1964-04-06)
Texter:
George Stone (composer)
Komponist(in):
Blue Sky Black Death (US hip hop production duo), Earl Burroughs und George Stone (composer)
publisher:
Thandewye Music (publisher; do NOT use as release label) und Hank Snow Music (am 1959-09-21)
26:19
2▼CD
Nr.TitelBewertungLänge
1Tell Me More and More and Then Some
Produzent(in):
Hal Mooney
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (von 1965-05-19 bis 1965-05-20)
Texter und Komponist(in):
Billie Holiday
33:11
2Work Song
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1966)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
3.253:08
3Blues on Purpose
recorded in:
New York, New York, Vereinigte Staaten (in 1964)
Gitarre:
Rudy Stevenson (in 1964)
Klavier:
Nina Simone (in 1964)
recording of:
Blues on Purpose (in 1964)
Komponist(in):
Rudy Stevenson
43:16
4I Love You Lovin’ Ways
recording of:
I Love Your Lovin’ Ways
Verfasser(in):
Bennie Benjamin und Sol Marcus
2:30
5Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:20
6For Myself
recording of:
For Myself
Texter und Komponist(in):
Van McCoy
2.652:08
7The Last Rose of Summer
recorded in:
New York, New York, Vereinigte Staaten (in 1966-08)
Klavier:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
Orchester:
Harold Mooney & His Orchestra (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Hal Mooney
recording of:
The Last Rose of Summer (in 1966-08)
Texter:
Thomas Moore (Irish poet)
Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13861)
43:07
8If I Should Lose You
Produzent(in):
Hal Mooney
Klavier:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
If I Should Lose You (am 1965-05-20)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3.654:00
9Don’t Explain
Bassgitarre und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
arranger:
Nina Simone
cover recording of:
Don’t Explain
Verfasser(in):
Arthur Herzog, Jr. und Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) und Universal Music Publishing (use ONLY if no country‐specific information is available)
34:21
10Wild Is the Wind
Produzent(in):
Hal Mooney
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Kontrabass und Perkussion:
Lisle Atkinson
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (am 1964-03-21)
Texter:
Ned Washington
Komponist(in):
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) und Patti Washington Music (in 1957, in 1985)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 2)
3.656:59
11The Other Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:05
12Mississippi Goddam
recording of:
Mississippi Goddam
Texter und Komponist(in):
Nina Simone
publisher:
Sam Fox Publishing Co. (LDN) Ltd. und Sam Fox Publishing Company (publisher; do NOT use as release label)
Teil von:
Martin Luther King Suite
4:54
13Don’t Smoke in Bed
Gitarre:
Rudy Stevenson (am 1964-03-21)
Klavier und Sologesang:
Nina Simone (am 1964-03-21)
Kontrabass:
Lisle Atkinson (am 1964-03-21)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1964-03-21)
arranger:
Nina Simone
aufgenommen bei:
Carnegie Hall in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (am 1964-03-21)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
25:26
14Take Me to the Water
Klavier:
Nina Simone (in 1966-08)
vocals:
Nina Simone (in 1966-08)
conductor:
Hal Mooney (in 1966-08)
arranger:
Nina Simone
recording of:
Take Me to the Water (in 1966-08)
Verfasser(in):
[traditional] (special purpose artist), Koos Versteeg und Henk Westendorp
2.652:51
15Four Women
Produzent(in):
Hal Mooney
Bassgitarre, Kontrabass und Perkussion:
Lisle Atkinson
flute und Gitarre:
Rudy Stevenson
Klavier:
Nina Simone
Mundharmonika:
Al Schackman
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals)
vocals:
Nina Simone
recording of:
Four Women (am 1965-09-30)
Texter und Komponist(in):
Nina Simone
publisher:
EMI Tunes Ltd
34:27
16I Put a Spell on You
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (am 1965-01-15)
Texter und Komponist(in):
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) und EMI United Partnership Ltd. (in 1956)
4.252:37
17Just Like a Woman
aufgenommen bei:
Vine St. Bar & Grill in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1985-12-03 bis 1985-12-08)
live cover recording of:
Just Like a Woman (von 1985-12-03 bis 1985-12-08)
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
3:39

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