For Lovers Only

~ Release by Luciano Pavarotti (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Passione
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Passione (in 1985-07)
lyricist:
Libero Bovio (in 1934)
composer:
Ernesto Tagliaferri (composer) (in 1934) and Nicola Valente (in 1934)
3:45
2Chitarra Romana
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
choir vocals:
The Henry Mancini Chorus (in 1984-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1984-01)
orchestra:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Grand Casino Noga Hilton in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1984-01)
recording of:
Chitarra romana (in 1984-01)
lyricist:
Bruno Cherubini (brother of Bixio Cherubini) and Eldo di Lazzaro (singer, composer)
composer:
Eldo di Lazzaro (singer, composer)
3:18
3Mamma
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1984-01)
orchestra:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
recorded at:
Grand Casino Noga Hilton in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
lyricist:
Bixio Cherubini
composer:
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
arrangement of:
Mamma
3:36
4Caruso
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
performer:
Lucio Dalla (Italian singer‐songwriter)
phonographic copyright (℗) by:
Dala Luma (in 1988)
recording of:
Caruso
lyricist and composer:
Lucio Dalla (Italian singer‐songwriter)
publisher:
BMG Music Publishing Ltd., BMG Ricordi Music Publishing Spain, BMG Songs, Inc., Edizioni BMG Ariola Music, EMI Music Publishing Italia Srl (Italian branch of EMI Music Publishing), EMI Music Publishing Ltd. (PRS‐affiliated), Universal Music Publishing International MGB Ltd. and Universal Music Publishing Ricordi srl
5:22
5Core 'ngrato
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
Dala Luma
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
lyricist:
Riccardo Cordiferro (in 1911)
composer:
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
4:55
6Non ti scordar di me
2:57
7Voce'e notte
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Voce ’e notte! (in 1985-07)
lyricist:
Eduardo Nicolardi
composer:
Ernesto De Curtis (composer) (in 1903)
4:31
8Santa Lucia luntana
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1985-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Santa Lucia luntana
lyricist and composer:
E.A. Mario (in 1919)
5:45
9Fra tanta gente
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1987-06 until 1987-07)
orchestra:
Orchestra del Teatro Comunale di Bologna (from 1987-06 until 1987-07)
conductor:
Henry Mancini (US composer, conductor & arranger) and Adalberto Tonini (from 1987-06 until 1987-07)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (from 1987-06 until 1987-07)
recording of:
Fra Tanta Gente (from 1987-06 until 1987-07)
writer:
Luciano Pavarotti (tenor)
composer:
Giuseppe Casarini (Italian composer)
3:14
10Mattinata
recording engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger and orchestrator:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Mattinata (in 1977-04)
lyricist and composer:
Ruggero Leoncavallo (composer)
recording of:
Mattinata (catch-all for arrangements)
composer:
Ruggero Leoncavallo (composer)
is based on:
Mattinata
2:00
11Ti voglio tanto bene
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
producer:
Ray Minshull (record producer)
choir vocals:
Coro del Teatro Comunale di Bologna (from 1987-06 until 1987-07)
tenor vocals:
Luciano Pavarotti (tenor) (from 1987-06 until 1987-07)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna (from 1987-06 until 1987-07)
conductor:
Henry Mancini (US composer, conductor & arranger) (from 1987-06 until 1987-07)
arranger:
Henry Mancini (US composer, conductor & arranger)
recorded at:
Chiesa di San Giorgio (Palazzo in Bologna) (from 1987-06 until 1987-07)
recording of:
Ti voglio tanto bene (from 1987-06 until 1987-07)
lyricist:
Domenico Furnò
composer:
Ernesto De Curtis (composer)
3:04
12O sole mio
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
lyricist:
Giovanni Capurro
composer:
Eduardo Di Capua and Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
arrangement of:
’O sole mio
3:25
13Torna a Surriento
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1979-03)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1979-03)
recording of:
Torna a Surriento (Giancarlo Chiaramello arrangement) (in 1979-03)
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer)
arranger:
Giancarlo Chiaramello
arrangement of:
Torna a Surriento
recording of:
Torna a Surriento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
4:24
14Volare (nel blu, dipinto di blu)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Henry Mancini (US composer, conductor & arranger)
recording of:
Nel blu dipinto di blu (Volare)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
publisher:
Curci and EMI Robbins Catalog Inc. (ASCAP)
part of:
Grammy Award: Song of the Year nominees (number: 1959 winner)
3:13
2▼CD
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1Che gelida manina
engineer:
James Lock (James Locke, engineer), Colin Moorfoot (engineer) and Gordon Parry (engineer)
producer:
James Mallinson (producer) and Ray Minshull (record producer)
tenor vocals [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1972-10)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1972-10)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
4:42
2Una furtiva lagrima
recording engineer and engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor) (from 1971-06-28 until 1971-07-16)
orchestra:
English Chamber Orchestra (from 1971-06-28 until 1971-07-16)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06-28 until 1971-07-16)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-01 until 1970-06, from 1971-06-28 until 1971-07-16)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 1971-06-28 until 1971-07-16)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
4:51
3M'appari
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-06)
tenor vocals [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
composer:
Friedrich von Flotow (composer) (in 1849)
librettist:
Friedrich Wilhelm Riese
translated version of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
3:30
4Tu che a Dio spiegasti l'ali
recording engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
engineer:
James Lock (James Locke, engineer) (from 1971-06 until 1971-07) and Kenneth Wilkinson (engineer) (from 1971-06 until 1971-07)
producer:
Christopher Raeburn (producer) (from 1971-06 until 1971-07)
bass vocals [Raimondo]:
Nicolaï Ghiaurov (operatic bass) (from 1971-06 until 1971-07)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
tenor vocals [Edgardo]:
Luciano Pavarotti (tenor) (from 1971-06 until 1971-07)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1971-06 until 1971-07)
conductor:
Richard Bonynge (conductor and pianist) (from 1971-06 until 1971-07)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-06 until 1971-07)
recording of:
Lucia di Lammermoor: Atto III, Scena 2. no. 15. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro) (from 1971-06 until 1971-07)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Lucia di Lammermoor: Atto III
4:57
5Dalla sua pace
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Pritchard (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:35
6Un'aura amorosa
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Pritchard (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:20
7E lucevan le stelle
tenor vocals:
Luciano Pavarotti (tenor) (in 1972-04)
orchestra:
Royal Philharmonic Orchestra (in 1972-04)
conductor:
Leone Magiera (conductor, pianist) (in 1972-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (in 1972-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (ended)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
3:17
8Donna non vidi mai
recording engineer:
James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals [Des Grieux]:
Luciano Pavarotti (tenor) (in 1979-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-06)
conductor:
Oliviero de Fabritiis (conductor and composer) (in 1979-06)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (in 1979-06)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1979-06)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:41
9Ah mes amis - Pour mon ame
recording engineer:
James Lock (James Locke, engineer) and Gordon Parry (engineer)
producer:
Christopher Raeburn (producer)
baritone vocals and bass vocals:
Eric Garrett (English Bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals and tenor vocals [Tonio]:
Luciano Pavarotti (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
Douglas Robinson (chorus master)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1967-07)
recording of:
La Fille du régiment : Acte I, Scène 11. Final “Pour mon âme” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Jean-François Bayard (French librettist) and Jules-Henri Vernoy de Saint-Georges
part of:
La Fille du régiment : Acte I
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
recording of:
La Fille du régiment : Acte I, Scène 11. Final: Cavatina “Ah ! mes amis” (Tonio)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
La Fille du régiment : Acte I
6:56
10La donna e mobile
sound engineer:
Stanley Goodall (engineer) and Kenneth Wilkinson (engineer)
producer:
David Harvey (producer) and Michael Woolcock (producer)
tenor vocals [Duca]:
Luciano Pavarotti (tenor) (on 1971-06-28)
orchestra:
London Symphony Orchestra (on 1971-06-28)
conductor:
Richard Bonynge (conductor and pianist) (on 1971-06-28)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1971-06-28)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (on 1971-06-28)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
2:25
11Caro mio ben
recording engineer and balance engineer:
Kenneth Wilkinson (engineer)
producer:
James Mallinson (producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
lyricist:
[anonymous] (special purpose artist)
previously attributed to:
Giuseppe Giordani and Tommaso Giordani
publisher:
G. Schirmer Inc.
3:07
12Recondita armonia
bass vocals [Sacristan]:
Italo Tajo (Italian operatic bass) (from 1978-05-31 until 1978-08-01)
tenor vocals [Cavaradossi]:
Luciano Pavarotti (tenor) (from 1978-05-31 until 1978-08-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-05-31 until 1978-08-01)
conductor:
Nicola Rescigno (conductor) (from 1978-05-31 until 1978-08-01)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1978-05-31 until 1978-08-01)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
3:03
13Salut! Demeure chaste et pure
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1973-12)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
partial recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
5:35
14Spirto gentil
recording engineer:
Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Woolcock (producer)
producer:
Christopher Raeburn (producer)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
recorded at:
Teatro Comunale di Bologna in Bologna, Bologna, Emilia-Romagna, Italy (in 1974-08)
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
composer:
Gaetano Donizetti (Italian opera composer)
translated version of:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
part of:
La favorita: Atto IV
4:47
15La fleur que tu m'avais jetee
tenor vocals:
Luciano Pavarotti (tenor) (in 1973-12)
orchestra:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recorded at:
Wiener Staatsoper (The Vienna State Opera) in Innere Stadt, Wien (Vienna), Austria (in 1973-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (in 1973-12)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
4:31
16Nessun dorma
choir vocals:
The John Alldis Choir (from 1972-08-10 until 1972-08-25) and Wandsworth School Boys’ Choir (from 1972-08-10 until 1972-08-25)
tenor vocals [Calaf]:
Luciano Pavarotti (tenor) (from 1972-08-10 until 1972-08-25)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1972-08-10 until 1972-08-25)
conductor:
Zubin Mehta (conductor) (from 1972-08-10 until 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1972-08-10 until 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (from 1972-08-10 until 1972-08-25)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
53:03

Credits

Release

ASIN:US: B0006SSNAA [info]