| # | Title | Artist | Rating | Length |
|---|
| 1 | Never Knew a Love Like This | Alexander O’Neal | | 3:51 |
| 2 | New York Eyes | Nicole | | 3:56 |
| 3 | Saturday Love | Cherrelle | 4 | 3:49 |
| 4 | Never Too Much | Luther Vandross | | 3:52 |
| 5 | Blame It on the Boogie- engineer:
- Don Murray
- executive producer:
- Mike Atkinson and Bobby Colomby
- mixer:
- John Luongo
- bass:
- Gary King (in 1978) and Nathan Watts (in 1978)
- congas:
- Laudir de Oliveira (in 1978) and Claudio Slon (in 1978)
- drums (drum set) and percussion:
- Rick Morotta (in 1978)
- flute, saxophone and trumpet:
- Seawind Horns
- guitar:
- Roland Bautista (in 1978), Tito Jackson (in 1978) and Mike Sembello (in 1978)
- keyboard:
- Greg Phillinganes (in 1978)
- background vocals:
- Jackie Jackson , Marlon Jackson and Randy Jackson
- lead vocals:
- Michael Jackson (in 1978)
- horn arranger:
- Jerry Hey
- arranger:
- Michael Jackson
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1978)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Dawnbreakers Studios in Los Angeles, California, United States, Filmways/Heider Recording in Hollywood, Los Angeles, California, United States, The Record Plant in Hollywood, Los Angeles, California, United States and Total Experience Recording Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Producer’s Workshop in Hollywood, Los Angeles, California, United States and Westlake Audio in Los Angeles, California, United States
- cover recording of:
- Blame It on the Boogie (in 1978)
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
- recording of:
- Blame It on the Boogie
- writer:
- Dave Jackson , Mick Jackson and Elmar Krohn
- publisher:
- Almo Music Corp. , Carlin Music Ltd. and Peterman & Co. Ltd.
- part of:
- MJ: The Musical
| The Jacksons | 4.3 | 3:33 |
| 6 | Just Be Good to Me | The S.O.S. Band | | 3:57 |
| 7 | Juicy Fruit | Mtume | | 3:49 |
| 8 | After the Love Has Gone- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1979)
- edit of:
- After the Love Has Gone by Earth, Wind & Fire
- recording of:
- After the Love Has Gone
- writer:
- Bill Champlin, David Foster and Jay Graydon
- publisher:
- Copyright Control , EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music , Irving Music, Inc., Music Sales Corporation , Ninth Music and Noted for the Record
- sub-publisher:
- Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部
| Earth, Wind & Fire | 4.65 | 3:55 |
| 9 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.45 | 4:11 |
| 10 | Caravan of Love | Isley Jasper Isley | | 4:18 |
| 11 | Shake You Down | Gregory Abbott | 3.3 | 4:05 |
| 12 | Love TKO | Teddy Pendergrass | | 3:40 |
| 13 | Sexual Healing- assistant engineer:
- Henri Van Durme and Didier Leonard
- engineer:
- Dan Bates (wind instruments [horns]), Mike Butcher and John Kovorak
- executive producer:
- Larkin Arnold
- producer:
- Marvin Gaye
- mixer and editor:
- Harvey Fuqua
- bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
- Marvin Gaye
- guitar:
- Gordon Banks
- wind instruments [horns]:
- The L.A. Horn Section and David Stout
- background vocals:
- Gordon Banks, Harvey Fuqua and Marvin Gaye
- vocals:
- Marvin Gaye
- conductor:
- McKinley T. Jackson (wind instruments [horns])
- wind instruments [horns] arranger:
- McKinley T. Jackson
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (in 1982)
- recorded at:
- Arco Studios in München , Bayern , Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium and Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium (lead vocals, background vocals)
- mixed at:
- Studio Katy in Waterloo, Brabant wallon , Wallonie , Belgium
- edited at and remixed at:
- Devonshire Studios in North Hollywood, Los Angeles, California, United States
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (number: 231)
- recording of:
- Sexual Healing
- writer:
- Odell Brown, Marvin Gaye and David Ritz
- publisher:
- April Music Publishing Inc., Blackwood Music Inc. , Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
| Marvin Gaye | 3.65 | 4:07 |
| 14 | Half a World Away | Paul Johnson | | 3:58 |
| 15 | So Amazing | Luther Vandross | 3.5 | 3:37 |
| 16 | I Didn’t Mean to Turn You On | Cherrelle | | 4:01 |
| 17 | Lady Love | Lou Rawls | | 3:41 |
| 18 | Heroes (Wind Beneath My Wings) | Gladys Knight & the Pips | | 3:42 |
| 19 | Promises | Basia | | 2:02 |
| 20 | Paradise | Sade | | 3:34 |
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