Love at the Opera

~ Veröffentlichung von World Famous Opera Stars including: Jose Carreras, Renata Tebaldi, Cecilia Bartoli, Luciano Pavarotti, Joan Sutherland, Kiri Te Kanawa (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Che gelida manina (Your Tiny Hand Is Frozen)
Tenor-Gesang:
José Carreras (Spanish tenor) (in 1979-02)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (in 1979-02)
conductor:
Sir Colin Davis (English conductor) (in 1979-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1979)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo) (in 1979-02)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini24:52
2Recondita armonia
Chorgesang:
Chorus dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Tenor-Gesang:
Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Francesco Molinari‐Pradelli (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:07
3La fleur que tu m’avais jetee
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
Orchester:
Tonhalle Orchestra
conductor:
Franco Patanè (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Georges Bizet4:16
4La ci darem la mano
recording engineer:
Gordon Parry (engineer) (in 1971-10)
Produzent(in):
Christopher Raeburn (producer)
Baritongesang [Don Giovanni]:
Tom Krause (bass-baritone) (am 1971-10-06)
Soprangesang [Zerlina]:
Lucia Popp (soprano) (am 1971-10-06)
Orchester:
Vienna Haydn Orchestra (am 1971-10-06)
conductor:
István Kertész (conductor) (am 1971-10-06)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (am 1971-10-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (am 1971-10-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:23
5Dunque io son…tu non m’inganni?
Baritongesang:
Leo Nucci (baritone)
Mezzosoprangesang:
Cecilia Bartoli (mezzo‐soprano)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Giuseppe Patanè (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
recording of:
Il barbiere di Siviglia: Atto I, N°7a. Duetto “Dunque io son” (Rosina, Figaro)
Komponist(in):
Gioachino Rossini (composer)
Librettist:
Cesare Sterbini
Teil von:
Il barbiere di Siviglia: Atto I
Gioachino Rossini5:13
6Bei mannern, welche liebe fuhlen
recorded in:
London (Greater London), England, Vereinigtes Königreich (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) und Roger de Schot
leitende(r) Produzent(in):
Eve Edwards
Produzent(in):
Eric Smith (classical music producer)
Editing:
Kees De Visser (engineer)
Baritongesang [Papageno]:
Olaf Bär (baritone) (in 1989-07)
Chorgesang:
Ambrosian Opera Choir (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1989-07)
Soprangesang [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
Tenor-Gesang:
Francisco Araiza (tenor) (in 1989-07)
Orchester:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (in 1989-07)
Tonmeister(in):
Erdo Groot (sound engineer for recordings of classical music)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1990)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (in 1989-07)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1791)
Librettist:
Emanuel Schikaneder
Teil von:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:27
7Belle nuit, o nuit d’amour
Chorgesang:
Choir of Pro Arte Lausanne, Choir of Radio Suisse Romande und Chorale du Brassus
Mezzosoprangesang [Nicklausse]:
Huguette Tourangeau (mezzo-soprano)
Soprangesang [Giulietta]:
Joan Sutherland (soprano)
Orchester:
Orchestra de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:10
8Au fond du temple saint
Baritongesang:
Gino Quilico (baritone)
Tenor-Gesang:
Gregory Cross (tenor)
Orchester:
Symphony Orchestra of Montreal (Montreal Symphony Orchestra)
conductor:
Charles Dutoit (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1992)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
ABC Classic 100 (2001) (Nummer: 7)
Teil von:
Les Pêcheurs de perles : Acte I
Georges Bizet8:52
9Viens Mallika…dome epais le jasmine (Flower Duet)
Techniker(in):
Michael Mailes (engineer) (am 1967-10-12) und Kenneth Wilkinson (engineer) (am 1967-10-12)
Produzent(in):
John Mordler (producer)
Mezzosoprangesang [Mallika]:
Jane Berbié (mezzo-soprano) (am 1967-10-12)
Soprangesang [Lakmé]:
Joan Sutherland (soprano) (am 1967-10-12)
Orchester:
Orchestre National de lʼOpéra de Monte‐Carlo (Monte-Carlo Philharmonic Orchestra) (am 1967-10-12)
conductor:
Richard Bonynge (conductor and pianist) (am 1967-10-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1968)
aufgenommen bei:
Salle Alcazar in Monte-Carlo (Monte Carlo), Monaco (am 1967-10-12)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (am 1967-10-12)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes6:05
10Piangea cantando (Willow Song)
Soprangesang:
Renata Tebaldi (soprano)
Orchester:
Accademia Nazionale di Santa Cecilia Orchestra (Orchestra of the National Academy of Santa Cecilia)
conductor:
Alberto Erede (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1884 bis 1886-11-01)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
Otello: Atto IV
Giuseppe Verdi6:26
11Vogliatemi bene (Love Duet)
recording engineer:
Jack Law (engineer) (in 1974-01), James Lock (James Locke, engineer) (in 1974-01) und Gordon Parry (engineer) (in 1974-01)
assistierende(r) Produzent(in):
Michael Woolcock (producer) (in 1974-01)
Produzent(in):
Christopher Raeburn (producer) (in 1974-01)
Soprangesang [Butterfly]:
Mirella Freni (soprano) (in 1974-01)
Tenor-Gesang [Pinkerton]:
Luciano Pavarotti (tenor) (in 1974-01)
Orchester:
Wiener Philharmoniker (in 1974-01)
conductor:
Herbert von Karajan (conductor) (in 1974-01)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1974-01)
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet) (in 1974-01)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
Teil von:
Madama Butterfly: Atto I (Madame Butterfly: Act I)
Giacomo Puccini7:51
12Una furtiva lagrima
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Jesús López Cobos (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1985)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Gaetano Donizetti4:53
13O soave fanciulla
Soprangesang:
Renata Tebaldi (soprano) (in 1959-08)
Orchester:
Accademia Nazionale di Santa Cecilia Orchestra (Orchestra of the National Academy of Santa Cecilia) (in 1959-08)
conductor:
Tullio Serafin (conductor) (in 1959-08)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1959)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1959-08)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Luigi Illica und Giuseppe Giacosa (in 1896)
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:10
14E lucevan le stelle
Chorgesang:
Chorus dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
Tenor-Gesang:
Mario Del Monaco (tenor)
Orchester:
Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Francesco Molinari‐Pradelli (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1961)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:01
15Vesti la giubba!
Tenor-Gesang:
José Carreras (Spanish tenor)
Orchester:
London Symphony Orchestra
conductor:
Jesús López-Cobos (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1980)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:51
16Nessun dorma
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1982-04)
Orchester:
Royal Philharmonic Orchestra (in 1982-04)
conductor:
Kurt Herbert Adler (conductor) (in 1982-04)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1982)
aufgenommen bei:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1982-04)
live recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (in 1982-04)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini3:22

Nennungen

Veröffentlichung

hergestellt in:the U.K.
liner notes:Michael Heatley (in 1997)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Marks and Spencer PLC (in 1997)