The Ultimate Collection

~ Veröffentlichung von Johann Sebastian Bach (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

1: P 1985

3: P 1972
4: P 1979
5: P 1976
6: P 1983
7: P 1984
8: P 1992
9: P 1979
10: P 1982/1984
11: P 1984
12: P 1994
13: P 1975
14: P 1983
15: P 1962
16: P 1985
17: P 1979
18: P 1983
19: P 1981

Anmerkung zuletzt geändert am 2015-02-11 10:59 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Brandenburg Concerto No.3, BWV 1048, Allegro
Bratsche / Viola:
Nicola Cleminson (in 1983-12), Trevor Jones (British violist, ex. Salomon Quartet) (in 1983-12) und Jan Schlapp (violist Janet Schlapp) (in 1983-12)
Cello:
Jaap ter Linden (cellist/violist/conductor) (in 1983-12), Richte van der Meer (cellist) (in 1983-12) und Wouter Möller (cellist) (in 1983-12)
Geige / Violine:
Alison Bury (violinist) (in 1983-12), Graham Cracknell (in 1983-12) und Monica Huggett (violinist) (in 1983-12)
Orchester:
Amsterdam Baroque Orchestra (in 1983-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1983-12)
aufgenommen bei:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1983-12)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1983-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
5:43
2Suite No.2, BWV 1067, Badinerie
flute:
Jean‐Pierre Rampal (flautist)
Orchester:
Amsterdam Baroque Orchestra und Orchestre de chambre Jean‐François Paillard
conductor:
Ton Koopman (conductor, organist and harpsichordist) und Jean‐François Paillard (French conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:23
3Cantata, BWV 208, Sheep May Safely Graze (Schafe Können sicher weiden)
Mezzosoprangesang, Solo Mezzosoprangesang und Soprangesang:
Elisabeth von Magnus (mezzo‐soprano / alto) (in 1995-09)
Orchester:
Amsterdam Baroque Orchestra (in 1995-09)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1995-09)
aufgenommen bei:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1995-09)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (in 1995-09)
Premiere in:
Weißenfels, Sachsen-Anhalt, Deutschland (in 1713-02)
komponiert in:
Weimar, Thüringen, Deutschland
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
Librettist:
Salomon Franck
Teil von:
Classic 100: Piano (2025) (Nummer: 38)
Teil von:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
4:11
4Violin Concerto No.2 in E major, BWV 1042, Allegro assai
Techniker(in):
Pierre Lavoix (engineer) (in 1978-04) und Daniel Madelaine (engineer) (in 1978-04)
Geige / Violine:
Gérard Jarry (violinist) (in 1978-04)
Orchester:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
aufgenommen bei:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, Frankreich (in 1978-04)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) (in 1978-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
2:52
5Concerto for harpsichord, strings & continuo No. 5 in F minor, BWV 1056: Largo
recorded in:
Lisbon (Lissabon), Lisboa (Distrikt Lissabon), Portugal (von 1974-06-28 bis 1974-06-29)
recording engineer:
Pierre Lavoix (engineer) (in 1974-06)
Produzent(in):
Michel Garcin (French producer) (in 1974-06)
Klavier:
Maria João Pires (pianist) (von 1974-06-28 bis 1974-06-29)
Orchester:
Orchestre de Chambre de la Fondation Gulbenkian de Lisbonne (The Gulbenkian Orchestra) (von 1974-06-28 bis 1974-06-29)
conductor:
Michel Corboz (conductor and composer) (von 1974-06-28 bis 1974-06-29)
Tonmeister(in):
Pierre Lavoix (engineer)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (von 1974-06-28 bis 1974-06-29)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
3:16
6Partita for Solo Violin, No.3 in E major, BWV 1006, Gavotte en Rondeau
recorded in:
Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1982-03 bis 1982-06)
Geige / Violine:
Thomas Zehetmair (violinist and conductor) (von 1982-03 bis 1982-06)
aufgenommen bei:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1982-03 bis 1982-06)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: III. Gavotte en rondeau (von 1982-03 bis 1982-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
Teil von:
Violin Partita No. 3 in E major, BWV 1006.1/1006
2:31
7Cantata, BWV 147, Chorale No.10, Jesu Joy of Man's Desiring (Jesu bleibet meine Freude)
Chorgesang:
Scottish Philharmonic Singers (in 1983-03)
Orchester:
Scottish Chamber Orchestra (in 1983-03)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1983-03)
chorus master:
Ian McCrorie (choir master) (in 1983-03)
aufgenommen bei:
Usher Hall in Edinburgh, Scotland, Vereinigtes Königreich (in 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1983-03)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:40
8Prelude in C major, BWV 846
Solo-Harfe:
Marielle Nordmann (harpist)
phonographisches Urheberrecht (℗) von:
Warner Music UK (formerly Warner Records Ltd., a branch of WEA International)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
51:44
9Concerto for 2 Violins in D minor, BWV 1043, Largo ma non tanto
Techniker(in):
Pierre Lavoix (engineer) (in 1978-04) und Daniel Madelaine (engineer) (in 1978-04)
Geige / Violine:
Pierre Amoyal (violinist and conductor) (in 1978-04) und Gérard Jarry (violinist) (in 1978-04)
Orchester:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
aufgenommen bei:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, Frankreich (in 1978-04)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1978-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
7:29
10Cello Suite No.1 in G major, BWV 1007, Prelude
Cello:
Jörg Baumann (cellist) (von 1982 bis 1984)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (von 1982 bis 1984)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
2:33
11Cantata, BWV 140, Chorale No.4 Sleepers Awake (Wachet auf)
Chorgesang:
Scottish Chamber Chorus (in 1983-03)
Tenor-Gesang:
Scottish Philharmonic Singers (in 1983-03)
Orchester:
Scottish Chamber Orchestra (in 1983-03)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1983-03)
chorus master:
Ian McCrorie (choir master) (in 1983-03)
aufgenommen bei:
Usher Hall in Edinburgh, Scotland, Vereinigtes Königreich (in 1983-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1983-03)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1731-11-25)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
basiert auf:
Wachet auf, ruft uns die Stimme
Teil von:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
4:56
12St John Passion, BWV 245, Herr, unser Herrscher (excerpt)
Chorgesang:
De Nederlandse Bachvereniging (The Netherlands Bach Society) (in 1993-03)
Orchester:
Amsterdam Baroque Orchestra (in 1993-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (in 1993-03)
aufgenommen bei:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1993-03)
teilweise recording of:
Johannes-Passion, BWV 245: Teil I. No. 1 Chorus "Herr, unser Herrscher" (in 1993-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
3:46
13Sonata, BWV 1031, Sicilienne
Cembalo:
Robert Veyron‐Lacroix (harpsichordist) (in 1973-09)
flute:
Jean‐Pierre Rampal (flautist) (in 1973-09)
viola da gamba:
Jordi Savall (viol player, conductor and composer) (in 1973-09)
aufgenommen bei:
Église Saint-Jean-Baptiste de Grenelle in Paris, Île-de-France, Frankreich (in 1973-09)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (in 1973-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Flute Sonata in E-flat major, BWV 1031
2:09
14Partita No.2 for Solo Violin in D minor, BWV 1004, Sarabande
recorded in:
Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1982-03 bis 1982-06)
Geige / Violine:
Thomas Zehetmair (violinist and conductor) (von 1982-03 bis 1982-05, von 1982-03 bis 1982-06)
aufgenommen bei:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (von 1982-03 bis 1982-06)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande (von 1982-03 bis 1982-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1717 bis 1723)
Teil von:
Violin Partita no. 2 in D minor, BWV 1004
3:21
15Brandenburg Concerto No.2 in F major, BWV 1047, Allegro assai
flute:
Kurt Redel (German flautist and conductor) (von 1962-05-01 bis 1962-05-06)
Geige / Violine:
Reinhold Barchet (violinist) (von 1962-05-01 bis 1962-05-06)
Oboe:
Pierre Pierlot (oboist) (von 1962-05-01 bis 1962-05-06)
Trompete:
Maurice André (French trumpeter) (von 1962-05-01 bis 1962-05-06)
Orchester:
Münchener Kammerorchester (Munich Chamber Orchestra) (von 1962-05-01 bis 1962-05-06)
conductor:
Kurt Redel (German flautist and conductor) (von 1962-05-01 bis 1962-05-06)
aufgenommen bei:
Salesianum de Munich in München, Bayern, Deutschland (von 1962-05-01 bis 1962-05-06)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (von 1962-05-01 bis 1962-05-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
2:55
16Suite No.3. BWV 1068, Air
Produzent(in) und Editing:
Yolanta Skura
Orchester:
English Baroque Soloists (The English Baroque Soloists) (von 1983-01-06 bis 1983-01-27)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (von 1983-01-06 bis 1983-01-27)
Tonmeister(in):
Pierre Lavoix (engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1985)
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (von 1983-01-06 bis 1983-01-27)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1983-01-06 bis 1983-01-27)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:07
17Concerto for Violin in A minor, BWV 1041, Andante
Techniker(in):
Pierre Lavoix (engineer) (in 1978-04) und Daniel Madelaine (engineer) (in 1978-04)
Geige / Violine:
Gérard Jarry (violinist) (in 1978-04)
Orchester:
Orchestre de chambre Jean‐François Paillard (in 1978-04)
conductor:
Jean‐François Paillard (French conductor) (in 1978-04)
aufgenommen bei:
Eglise Notre-Dame des Roses in Grisy-Suisnes, Seine-et-Marne, Île-de-France, Frankreich (in 1978-04)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (in 1978-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Violin Concerto in A minor, BWV 1041
6:20
18St Matthew Passion, BWV 244, Chorale "O Haupt voll Blut und Wunden"
Produzent(in):
Michel Garcin (French producer)
Chorgesang:
Ensemble Vocal de Lausanne (in 1982-06)
Orchester:
Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra) (in 1982-06)
conductor:
Michel Corboz (conductor and composer) (in 1982-06)
Tonmeister(in):
Pierre Lavoix (engineer)
aufgenommen bei:
Casino de Vevey in Vevey, Vaud (Kanton Waadt), Schweiz (von 1982-06-12 bis 1982-06-19)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1982-06)
Texter:
Paul Gerhardt (17th century hymn writer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Librettist:
Picander
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 162)
Teil von:
Matthäus-Passion, BWV 244: Teil II
2:18
19Toccata & Fugue in D minor, BWV 565
Orgel:
Marie‐Claire Alain (organist) (in 1981)
aufgenommen bei:
Sankt Nicolai Kirke (St. Nicolai Church) in Kolding, Region of Southern Denmark, Dänemark (in 1981)
recording of:
Toccata und Fuge d-Moll, BWV 565 (in 1981)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (Nummer: BWV 565) und Bach Compendium (Nummer: BC J 37)
8:20