| # | Title | Artist | Rating | Length |
|---|
| 1 | Happy (from “Despicable Me 2”)- assistant recording engineer:
- Matthew Desrameaux
- recording engineer:
- Mike Larson
- producer:
- Pharrell Williams
- mixer:
- Leslie Brathwaite
- editor:
- Andrew Coleman and Mike Larson
- background vocals:
- Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
- arranger:
- Andrew Coleman and Mike Larson
- recorded at:
- Circle House Studios in North Miami, Florida, United States
- mixed at:
- Music Box Studios in Atlanta, Georgia, United States
- music videos:
- Happy by Pharrell Williams and Happy (from Despicable Me 2) by Pharrell Williams
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 1), Billboard Decade End Chart: Streaming Songs (number: 20) and Billboard: Greatest of All Time Hot 100 Songs (number: 88)
- recording of:
- Happy
- lyricist and composer:
- Pharrell Williams
- publisher:
- EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
- part of:
- The 86th Academy Award for Best Original Song (number: 2)
| Pharrell Williams | 4.3 | 3:53 |
| 2 | Uptown Funk- programming:
- Mark Ronson
- additional engineer:
- Riccardo Damian , Ken Lewis , Devin Nakao and Matthew Stevens
- engineer:
- Josh Blair, Wayne Gordon, Inaam Haq, Boo Mitchell, Charles Moniz and Mark Ronson
- producer:
- Jeff Bhasker, Bruno Mars and Mark Ronson
- assistant mixer:
- John Hanes
- mixer:
- Serban Ghenea
- additional keyboard:
- Phredley Brown
- baritone saxophone:
- Ian Hendrickson-Smith
- drum machine [LinnDrum] and electric guitar:
- Mark Ronson
- drums (drum set) and lead vocals:
- Bruno Mars
- electric bass guitar:
- Jamareo Artis
- electric guitar:
- Carlos Alomar
- keyboard and talkbox:
- Jeff Bhasker
- tenor saxophone:
- Dwayne Dugger and Neal Sugarman
- trombone:
- Ray Mason and Kameron Whalum
- trumpet:
- David Guy, Jimmy King and Michael Leonhart
- phonographic copyright (℗) by:
- Mark Ronson (in 2014)
- recorded at:
- Cherry Beach Studios in Toronto, Ontario, Canada, Daptone Studios in Bushwick, New York, New York, United States, Dunham Studios in Brooklyn, New York, New York, United States, Enormous Studios in Los Angeles, California, United States, Levcon Studios in Hollywood, Los Angeles, California, United States, Royal Studios in Memphis, Tennessee, United States, The Armory in Vancouver, British Columbia, Canada and Zelig Studios in London , England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 5), Billboard Decade End Chart: Streaming Songs (number: 6), Stereogum: The 200 Best Songs of the 2010s (number: 19), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2016 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 66), Billboard: The 500 Best Pop Songs (number: 76) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 417)
- recording of:
- Uptown Funk
- writer:
- Jeff Bhasker, Bruno Mars , Charlie Wilson , Devon Gallaspy, Lonnie Simmons , Mark Ronson , Nicholas Williams, Philip Lawrence , Robert Wilson , Ronnie Wilson and Rudolph Taylor
- publisher:
- Imagem CV, Mars Force Songs, LLC, Songs of Zelig , Sony/ATV Ballad, Sony/ATV Songs LLC, Tig7 Publishing LLC, Trinlanta Publishing, Way Above Music and ZZR Music, LCC
- is based on:
- All Gold Everything
| Mark Ronson feat. Bruno Mars | 3.5 | 4:31 |
| 3 | Love on Top- recording engineer:
- Jordan “DJ Swivel” Young
- assistant engineer:
- Scott Barnett and Pete Wolford
- executive producer:
- Beyoncé Knowles
- producer:
- Beyoncé Knowles and Shea Taylor
- assistant mixer:
- Phil Seaford
- mixer:
- Serban Ghenea and John Hanes
- alto saxophone:
- Shea Taylor and Nick Videen
- baritone saxophone:
- Drew Sayers
- drums (drum set) [drums]:
- Nikki Gallespi
- guitar:
- Robert “R.T.” Taylor and Pat Thrall
- horn [horns]:
- The Superpower Horns
- tenor saxophone:
- Drew Sayers and Nick Videen
- trombone:
- Alex Asher
- trumpet:
- Cole Kamen‐Green and Josiah Woodson
- lead vocals:
- Beyoncé
- phonographic copyright (℗) by:
- Sony Music Entertainment (in 2011)
- recorded at:
- MSR Studios in New York, New York, United States and Real World Studios in Box, Wiltshire, England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 167)
- recording of:
- Love on Top
- writer:
- Beyoncé Knowles, Shea Taylor and Terius Nash
- publisher:
- 2082 Music Publishing, B‐Day Publishing, DLJ Songs, Downtown Music Publishing and EMI April Music Inc.
| Beyoncé | 4.2 | 4:27 |
| 4 | Love Never Felt So Good- cello:
- Annie Tangberg and Bastiaan van der Werf
- piano:
- Paul Anka and Giorgio Tuinfort
- solo guitar:
- Kevin Hissink
- violin:
- Vera van der Bie, Herman van Haaren , Mieke Honingh , Norman Jansen , Julia Jowett, Sara Koch, Wim Kok, Vera Laporeva, Elisabeth Liefkes, David Peijnenburg, Arlia de Ruiter and Pauline Terlouw
- vocals:
- Michael Jackson
- recording of:
- Love Never Felt So Good
- writer:
- Paul Anka (in 1983) and Michael Jackson (in 1983)
- publisher:
- Mijac Music and ソニー・ミュージックパブリッシング A事業部
| Michael Jackson | 3.75 | 3:56 |
| 5 | Summer | Calvin Harris | 3.7 | 3:43 |
| 6 | All of Me (Tiësto’s Birthday Treatment remix) (radio edit) | John Legend | 3.5 | 4:12 |
| 7 | Best Song Ever- programming:
- Matt Rad
- assistant engineer:
- Ian Franzino
- engineer:
- Petros Anastos-Prastacos, Julian Bunetta, John Hanes , Matt Rad, Alex Oriet (lead vocals [vocals]) and John Ryan
- producer:
- Julian Bunetta, Matt Rad and John Ryan
- mixer:
- Serban Ghenea
- bass, guitar and keyboard [keyboards]:
- Matt Rad
- drums (drum set) [drums]:
- Stefan Litrownik
- instruments:
- Julian Bunetta and John Ryan
- background vocals:
- Damon Bunetta, Julian Bunetta, Ian Franzino, Ruth Anne Cunningham and John Ryan
- other vocals [gang vocals]:
- Petros Anastos-Prastacos and Matt Rad
- recorded at:
- Barefoot Recordings in Hollywood, Los Angeles, California, United States, Enemy Dojo in Calabasas, California, United States and Wendy House Studios in Hammersmith, Hammersmith and Fulham, London , England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- samples:
- Baba O’Riley by The Who
- part of:
- Billboard Year-End Hot 100 singles of 2013 (number: 74)
- recording of:
- Best Song Ever
- writer:
- Julian Bunetta, Ed Drewett, Wayne Hector and John Ryan
- publisher:
- BMG Platinum Songs US, BMG Rights Management , BMG Rights Management (US) LLC , BMG Silver Songs, Bob Erotik Music, Holy Cannoli Music, Music of Big Deal, Songs of Universal, Inc. , The Family Songbook, Warner–Tamerlane Publishing Corp. , Warner/Chappell Music Ltd. , Warner/Chappell Music Publishing Ltd. and WB Music Corp.
| One Direction | 3 | 3:21 |
| 8 | All About That Bass- recording engineer, engineer, producer, mixer and sound effects:
- Kevin Kadish
- drum machine [drum] programming:
- Kevin Kadish
- baritone saxophone [bari sax], Hammond organ [Hammond B3] and piano:
- David Baron
- bass and electric guitar:
- Kevin Kadish
- handclaps and percussion:
- Meghan Trainor
- vocals:
- Meghan Trainor
- phonographic copyright (℗) by:
- Epic Records (in 2014, in 2015, in 2025)
- recorded at, mixed at and engineered at:
- The Carriage House in Nolensville, Tennessee, United States
- music videos:
- All About That Bass by Meghan Trainor
- part of:
- Billboard Year-End Hot 100 singles of 2014 (number: 8), Billboard Decade End Chart: Streaming Songs (number: 11), Billboard Year-End Hot 100 singles of 2015 (number: 28) and Billboard: Greatest of All Time Hot 100 Songs (number: 74)
- recording of:
- All About That Bass
- writer:
- Kevin Kadish and Meghan Trainor
- publisher:
- Endurance Alpha, MTrain Music, Over‐Thought Under‐Appreciated Songs, Sony/ATV Allegro, Year of the Dog Music, エイベックス・ミュージック・パブリッシング 第7出版事業部 and 大洋音楽
| Meghan Trainor | 3.1 | 3:09 |
| 9 | Bills | LunchMoney Lewis | 2.5 | 3:25 |
| 10 | Cheerleader (Felix Jaehn remix) (radio edit) | OMI | 2.6 | 3:00 |
| 11 | Clap Your Hands | Sia | 2.75 | 3:58 |
| 12 | Heartbeat Song- additional engineer:
- John DeNosky (task: vocal session) and Chris Dye (task: vocal session)
- engineer:
- John Hanes (task: engineered for mix), Greg Kurstin and Alex Pasco
- producer:
- Jason Halbert (task: vocal production) and Greg Kurstin (in 2014)
- mixer:
- Serban Ghenea
- bass, drums (drum set), guitar [guitars] and keyboard [keyboards]:
- Greg Kurstin
- vocals:
- Kelly Clarkson
- phonographic copyright (℗) by:
- 19 Recordings Ltd. (in 2015)
- produced for:
- Sound Kollektiv
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- additionally engineered at:
- The Attic in Nashville, Tennessee, United States
- engineered at:
- Echo Studio in Los Feliz, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 91)
- recording of:
- Heartbeat Song (in 2014)
- writer:
- Mitch Allan , Kara DioGuardi, Jason Evigan and Audra Mae
- publisher:
- amaeb, Bad Robot Music, BMG Bumblebee , BMG Platinum Songs, It Burns When I Pee Music, Kobalt Songs Music Publishing , Sunshine Terrace Music and WB Music Corp.
| Kelly Clarkson | 3.05 | 3:19 |
| 13 | We Can’t Stop | Miley Cyrus | 3.6 | 3:52 |
| 14 | Shine Ya Light | Rita Ora | 3 | 3:31 |
| 15 | TiK ToK- miscellaneous support:
- Gary "G" Silver (task: production coordination) and Vanessa Silberman (task: production assistance)
- programming and producer:
- benny blanco and Dr. Luke
- assistant engineer:
- Tatiana Gottwald
- engineer:
- benny blanco , Sam Holland and Emily Wright
- assistant mixer:
- Tim Roberts
- mixer:
- Serban Ghenea and John Hanes
- editor:
- Emily Wright (lead vocals [vocal])
- drums (drum set) [drums] and keyboard [keyboards]:
- benny blanco and Dr. Luke
- phonographic copyright (℗) by:
- RCA/Jive Label Group (in 2009) and RCA Records (in 2025)
- produced for:
- Kasz Money Productions, Inc.
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2010 (number: 1), Billboard: Greatest of All Time Hot 100 Songs (number: 68) and Billboard: The 500 Best Pop Songs (number: 149)
- recording of:
- TiK ToK
- writer:
- Benjamin Levin , Łukasz Gottwald and Kesha Sebert
- publisher:
- Dynamite Cop Music, Kasz Money Publishing , Matza Ball Music and Where da Kasz At
| Kesha | 3.9 | 3:20 |
| 16 | Waka Waka (This Time for Africa) | Shakira feat. Freshlyground | 2.4 | 3:24 |
| 17 | Party All Night (Sleep All Day) | Sean Kingston | 2 | 3:42 |
| 18 | Rock ’n’ Roll- recording engineer:
- Chris Baseford, Sam Holland , Martin Johnson , Kyle Moorman, Brandon Paddock and Peter Svensson
- additional programming:
- Max Martin
- programming:
- Martin Johnson , Kyle Moorman, Brandon Paddock and Peter Svensson
- assistant engineer:
- Cory Bice
- engineer:
- John Hanes (task: engineered for mix)
- producer:
- Rickard Göransson, Martin Johnson , Kyle Moorman, Brandon Paddock and Peter Svensson
- mixer:
- Serban Ghenea
- acoustic guitar, electric guitar, percussion, piano and background vocals:
- Martin Johnson
- guitar:
- Rickard Göransson and Peter Svensson
- keyboard:
- Rickard Göransson, Max Martin and Peter Svensson
- choir vocals:
- Dan Gillan , Devin Kam, Kyle Moorman and Brandon Paddock
- lead vocals:
- Avril Lavigne
- recording of:
- Rock n Roll
- writer:
- Rickard Göransson, David Hodges , Jacob Kasher , Chad Kroeger, Avril Lavigne and Peter Svensson
| Avril Lavigne | 4 | 3:29 |
| 19 | I Wanna Get Better | Bleachers | 4 | 3:24 |
| 20 | Superheroes | The Script | 3 | 4:05 |
| 21 | Wrapped Up | Olly Murs feat. Travie McCoy | 3.5 | 3:06 |
| 22 | Rude | MAGIC! | 4.35 | 3:45 |
| 23 | Budapest- programming and producer:
- Cam Blackwood
- engineer:
- Cam Blackwood and Liam Thorne
- assistant producer:
- Liam Thorne
- assistant mixer:
- Sean Julliard
- mixer:
- Cenzo Townshend
- bass synthesizer [bass synth] and keyboard [keys]:
- Cam Blackwood
- guitar [guitars] and percussion:
- Cam Blackwood and George Ezra
- keyboard [keyboards]:
- George Ezra
- vocals:
- George Ezra
- phonographic copyright (℗) by:
- Sony Music Entertainment UK Limited (in 2014)
- produced for:
- Big Life Management
- recorded at:
- Voltaire Road Recording Studios in Clapham, Lambeth, London , England, United Kingdom
- mixed at:
- Decoy Studios in Studio City, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 89)
- recording of:
- Budapest
- writer:
- George Ezra Barnett and Joel Pott
- publisher:
- BMG Chrysalis , BMG Platinum Songs US, BMG Rights Management (UK) Ltd. , Chrysalis Music Ltd. and Copyright Control
| George Ezra | 3.65 | 3:21 |
| 24 | Your Body Is a Wonderland | John Mayer | 3.5 | 4:08 |
| 25 | After the Disco | Broken Bells | 4 | 3:39 |
| 26 | Happiness | Alexis Jordan | 3.35 | 4:04 |
| 27 | Sledgehammer | Fifth Harmony | 3 | 3:52 |
| 28 | Wings- additional programming:
- MNEK
- additional engineer:
- Daniel Aslet (lead vocals [vocal])
- assistant engineer:
- Phil Seaford
- engineer:
- John Hanes
- additional producer:
- James F Reynolds (task: vocal)
- producer:
- TMS
- mixer:
- Serban Ghenea
- alto saxophone and baritone saxophone:
- Simon Clarke
- brass:
- Kick Horns
- drums (drum set) [drums]:
- Tom Barnes
- guitar:
- Ben Kohn
- keyboard [keyboards]:
- Pete Kelleher
- tenor saxophone:
- Tim Sanders
- trombone:
- David Liddell
- trumpet:
- Ryan Quigley and Darren Wiles
- background vocals:
- Carmen Reece and Iain James
- vocals:
- JADE , Leigh‐Anne, Jesy Nelson and Perrie
- bass arranger:
- Simon Clarke , Tim Sanders and TMS
- arranger:
- Simon Clarke , Tim Sanders and TMS
- vocals arranger:
- Carmen Reece and Iain James
- phonographic copyright (℗) by:
- Sony Music Entertainment UK Limited (in 2021) and Warner Music UK Limited (in 2021)
- recorded at:
- The Music Shed in London , England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- music videos:
- Wings by Little Mix
- recording of:
- Wings
- writer:
- Thomas Barnes , JADE , Iain James, Peter Kelleher , Ben Kohn , Leigh‐Anne, Michelle Lewis , Mischke, Jesy Nelson, Erika Nuri, Perrie and Heidi Rojas
- publisher:
- Bea the Dog Music, Eternal Dance Media, Golden Sunset Music, Mischkemusic, Inc, Sony Music Publishing , Universal Music Corp. and Warner Chappell Music Limited
| Little Mix | | 3:39 |
| 29 | Candyman | Christina Aguilera | 3.5 | 3:13 |
| 30 | Hey, Soul Sister | Train | 4.15 | 3:36 |
| 31 | Shut Up and Dance- assistant recording engineer:
- Andrew "Muffman" Luftman
- recording engineer:
- Kuk Harrell (lead vocals, background vocals), Jarett Holmes, Tim Pagnotta and Marcos Tovar (lead vocals, background vocals)
- programming:
- Jarett Holmes, Eli Maiman and Nick Petricca
- assistant engineer:
- Blake Mares and Robert Cohen
- co-producer:
- Ben Berger and Ryan McMahon
- producer:
- Ben Berger (task: vocal production), Ryan McMahon (task: vocal production) and Tim Pagnotta
- assistant mixer:
- Scott Skrzynski
- mixer:
- Neal Avron
- editor:
- Allen Casillas, Ryan Gillmore, Jarett Holmes and Brian Phillips
- bass:
- Kevin Ray
- electric guitar:
- Eli Maiman
- keyboard and lead vocals:
- Nick Petricca
- percussion:
- Nick Petricca and Sean Waugaman
- background vocals:
- Eli Maiman, Kevin Ray and Sean Waugaman
- drums (drum set) technician:
- Mauro Rubbi
- recorded at:
- Rancho Pagzilla in North Hollywood, Los Angeles, California, United States
- mixed at:
- The Casita in Hollywood, Los Angeles, California, United States
- part of:
- Billboard Year-End Hot 100 singles of 2015 (number: 6), Billboard Decade End Chart: Adult Contemporary Songs (number: 21), Billboard: The 500 Best Pop Songs (number: 434) and Indie 88: Top 500 Indie Rock Songs (number: 491)
- recording of:
- Shut Up and Dance
- writer:
- Ben Berger, Eli Maiman, Ryan McMahon , Nicholas Petricca, Kevin Ray and Sean Waugaman
- publisher:
- Anna Sun Music, Benjamin Berger Publishing, Ryan McMahon Publishing, Sony/ATV Allegro, Treat Me Better Tina, Verb to Be Music, WB Music Corp. , What a Raucous and What a Raucous Music
| WALK THE MOON | 4.2 | 3:18 |
| 32 | Regret | Everything Everything | | 3:23 |
| 33 | Take a Walk | Passion Pit | 3.75 | 4:24 |
| 34 | 100 Yard Dash | Raphael Saadiq | | 2:17 |
| 35 | Broken Heels (single mix) | Alexandra Burke | 2 | 3:34 |
| 36 | Time of Our Lives | Pitbull & Ne‐Yo | 4.45 | 3:49 |
| 37 | You Bring Me Joy | Amelia Lily | 2.5 | 3:48 |
| 38 | Don’t Stop Believin’ (Glee Cast version) | Glee Cast | 4.35 | 3:51 |
| 39 | Daft Punk | Pentatonix | 4.35 | 4:06 |
| 40 | That’s Not My Name | The Ting Tings | 4.05 | 5:09 |
| 41 | She Bangs (English edit) | Ricky Martin | 3 | 4:03 |
| 42 | Señorita- recording engineer:
- Andrew Coleman
- additional engineer:
- John Hanes
- assistant engineer:
- Daniel Betancourt and Tim Roberts
- producer:
- Williams and Hugo
- mixer:
- Serban Ghenea
- instruments:
- Chad Hugo and Pharrell Williams
- additional vocals:
- Pharrell Williams
- background vocals:
- Lainie Aguilar
- vocals arranger:
- Justin Timberlake and Pharrell Williams
- recorded at:
- Master Sound Recording Studios in Virginia Beach, Virginia, United States and Windmark Recording in Virginia Beach, Virginia, United States
- mixed at:
- Windmark Recording in Virginia Beach, Virginia, United States
- music videos:
- Señorita by Justin Timberlake
- recording of:
- Señorita
- writer:
- Charles Edward Hugo, Justin Randall Timberlake and Pharrell Lanscilo Williams
- publisher:
- Chase Chad Music , EMI April Music, EMI Blackwood Music Inc., Tennman Tunes and Waters of Nazareth Publishing
| Justin Timberlake | 3.35 | 4:54 |
| 43 | Electric Feel | MGMT | 4.25 | 3:50 |
| 44 | Hey Ya! (club mix) | OutKast | 4 | 3:46 |
| 45 | Get the Party Started (radio mix) | P!nk | 4.4 | 3:12 |
| 46 | Born to Make You Happy | Britney Spears | 3.95 | 4:04 |
| 47 | Smooth | Santana feat. Rob Thomas | 3.05 | 4:58 |
| 48 | Dance (With U) (radio edit) | Lemar | 2 | 3:07 |
| 49 | Ain’t Got No, I Got Life (remix / radio edit) | Nina Simone | 2 | 3:21 |
| 50 | Best Friend | Foster the People | 4 | 4:27 |
| 51 | Everything at Once | Lenka | 4 | 2:37 |
| 52 | Thank You | Dido | 4.25 | 3:38 |
| 53 | Love Song | Sara Bareilles | 3.9 | 4:18 |
| 54 | I Don’t Want to Be | Gavin DeGraw | 3 | 3:38 |
| 55 | Barefoot Blue Jean Night | Jake Owen | 4 | 2:49 |
| 56 | Country Girl | Primal Scream | 3.5 | 4:31 |
| 57 | 1 Thing (radio edit) | Amerie | | 3:58 |
| 58 | Everybody (Backstreet’s Back) (radio edit)- miscellaneous support:
- Bonnie Brewster (task: girl crowd), Andrea M. Majied (task: girl crowd) and Susan McCall (task: girl crowd)
- assistant engineer:
- Tommie Hicks, Jr.
- engineer:
- Joe Smith
- executive producer:
- Louis J Pearlman
- producer:
- Max Martin and Denniz PoP
- editor:
- Chaz Harper
- performer:
- A.J. , Brian , Howie D. , Kevin and Nick
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1997)
- produced for:
- Cheiron Productions
- recorded at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden and Parc Studios in Orlando, Florida, United States
- mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Sweden
- edited at:
- Battery Recording Studios in New York, New York, United States
- recording of:
- Everybody (Backstreet’s Back)
- writer:
- Max Martin and Denniz PoP
- publisher:
- Maratone AB (ended), MXM Music AB (ended), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. , Zomba Enterprises, Inc., Zomba Music Publishers Limited and ヤマハミュージックEH(CM)
| Backstreet Boys | 3.15 | 3:45 |
| 59 | Steal My Sunshine | LEN | 5 | 3:59 |
| 60 | Fantasy- recording of:
- Fantasy
- lyricist:
- Mariah Carey, Chris Frantz and Tina Weymouth
- composer:
- Adrian Belew, Mariah Carey, Chris Frantz, Dave Hall , Steven Stanley and Tina Weymouth
- publisher:
- Metered Music, Inc., Ness Nitty and Capone Inc., Rye Songs, Sony Songs Inc., Sony/ATV Songs LLC, Stonejam Publishing Corp. and WB Music Corp.
- is based on:
- Genius of Love
| Mariah Carey feat. O.D.B. | | 4:50 |
| 61 | Freedom! ’90 (remastered) | George Michael & Wham! | 3.6 | 6:29 |
| 62 | Canned Heat (7″ edit) | Jamiroquai | | 3:47 |
| 63 | Let’s Get Loud | Jennifer Lopez | 3.6 | 3:58 |
| 64 | A Little Less Conversation (JXL radio edit remix) | Elvis Presley | 3.4 | 3:32 |
| 65 | You & Me Song | The Wannadies | 4.35 | 2:50 |
| 66 | Dancing in the Moonlight | Toploader | 4.5 | 3:50 |
| 67 | Valerie | The Zutons | 3.65 | 3:55 |
| 68 | Mambo No. 5 (A Little Bit Of…) | Lou Bega | 3.75 | 3:39 |
| 69 | Macarena (Bayside Boys remix) | Los del Río | 3 | 3:53 |
| 70 | Bamboléo | Gipsy Kings | 4.5 | 3:23 |
| 71 | You Can Call Me Al | Paul Simon | 4.3 | 4:40 |
| 72 | I Can See Clearly Now | Jimmy Cliff | 4.5 | 3:14 |
| 73 | Summertime (single edit)- producer:
- Hula & K. Fingers
- phonographic copyright (℗) by:
- Zomba Recording Corporation (in 1991)
- recorded at:
- Battery Studios in London , England, United Kingdom
- mixed at:
- Soundtrack Studios in New York, New York, United States
- recording of:
- Summertime
- lyricist:
- Will Smith
- writer:
- Hula & K. Fingers
- composer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Lamar Hula Mahone, Robert Spike Mickens, Craig Simpkins, Claydes Smith, Will Smith , Alton Taylor, Dennis “D.T.” Thomas and Ricky West
- is based on:
- Summer Madness
| DJ Jazzy Jeff & the Fresh Prince | 3.5 | 3:56 |
| 74 | Can I Kick It? | A Tribe Called Quest | 4 | 4:12 |
| 75 | Perfect | Fairground Attraction | 4.25 | 3:36 |
| 76 | Wake Me Up Before You Go‐Go | Wham! | 3.85 | 3:51 |
| 77 | I Wanna Dance With Somebody (Who Loves Me)- recording engineer and mixer:
- David Frazer
- percussion programming:
- Preston Glass
- additional assistant engineer:
- Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda and Ross Williams
- additional engineer:
- Lincoln Clapp , Maureen Droney, Ken Kessie, Gordon Lyon and Jay Rifkin
- assistant engineer:
- Dana Jon Chappelle
- executive producer:
- Clive Davis
- producer:
- Narada Michael Walden
- alto saxophone:
- Marc Russo
- bass synthesizer [bass synth]:
- Randy Jackson
- drums (drum set):
- Narada Michael Walden
- electronic drum set [Simmons]:
- Greg “Gigi” Gonaway
- guitar synthesizer [Charvel GTM6 midi guitar synth]:
- Corrado Rustici
- synthesizer [synth horns]:
- Sterling Smith
- synthesizer [synths]:
- Walter Afanasieff
- background vocals:
- Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall and Myrna Matthews
- background vocals and lead vocals:
- Whitney Houston
- arranger:
- Narada Michael Walden
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1987) and RCA Records (in 1987)
- produced for:
- Perfection Light Productions
- recorded at:
- Clinton Recording Studios in New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Tarpan Studios in San Rafael, California, United States and The Plant Studios in Sausalito, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 1) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 231)
- recording of:
- I Wanna Dance With Somebody (Who Loves Me)
- writer:
- George Merrill and Shannon Rubicam
- publisher:
- Boy Meets Girl Music, Copyright Control , Irving Music , Irving Music, Inc. and Rondor Music (London) Ltd.
| Whitney Houston | 4.25 | 4:51 |
| 78 | (I’ve Had) The Time of My Life (from “Dirty Dancing” soundtrack)- assistant engineer:
- Jeff DeMorris (task: 2nd assistant engineer) and Dan Nebenzal (task: 1st assistant engineer)
- engineer:
- Carmine Rubino
- producer:
- Michael Lloyd
- vocals:
- Bill Medley and Jennifer Warnes
- remixer:
- Jimmy Ienner , Michael Lloyd , Dan Nebenzal and Carmine Rubino
- additional arranger:
- John D’Andrea and Michael Lloyd
- arranger:
- Gene Page
- phonographic copyright (℗) by:
- RCA Records , BMG Music (in 1987) and Vestron Music Inc. (in 1987)
- produced for:
- Mike Curb Productions
- recorded at:
- The Village Recorder in Los Angeles, California, United States
- recording of:
- (I’ve Had) The Time of My Life
- lyricist:
- Franke Previte
- composer:
- John DeNicola and Donald Markowitz
- publisher:
- Calspen Music, Copyright Control , EMI April Music Inc., Marcu Music Company, Inc., R U Cyrius Publishing, Sony/ATV Tunes LLC , Donald Jay Music, Ltd. (in 1987), Jemava Music Corp. (in 1987), Knockout Music Inc. (in 1987) and R.U. Cyrius Publishing (in 1987)
- sub-publisher:
- ヤマハミュージックEH(CM) (ended), Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 and フジパシフィックミュージック
- part of:
- The 60th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1987 winner)
| Bill Medley & Jennifer Warnes | 3.75 | 4:47 |
| 79 | Girls Just Wanna Have Fun- additional engineer:
- John Jansen and Rod O’Brien
- assistant engineer:
- John Agnello
- engineer:
- William Wittman
- associate producer:
- William Wittman
- producer:
- Rick Chertoff
- bass:
- Eric Bazilian
- electric guitar:
- Rick DiFonzo
- electronic drum set:
- Anton Fig
- keyboard [keyboards] and synthesizer [synthesizers]:
- Rob Hyman
- background vocals:
- Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson
- lead vocals:
- Cyndi Lauper
- phonographic copyright (℗) by:
- CBS, Inc. (in 1983), Epic Records (in 1983), Sony BMG Music Entertainment (in 1983) and Sony Music Entertainment Inc. (in 1983, in 1994)
- produced for:
- Red Sox Music Productions, Inc.
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States
- music videos:
- Girls Just Want to Have Fun by Cyndi Lauper
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (number: 63)
- recording of:
- Girls Just Want to Have Fun
- lyricist and composer:
- Robert Hazard
- publisher:
- Copyright Control , EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC and Heroic Music (in 1983)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
| Cyndi Lauper | 4.1 | 3:50 |
| 80 | Never Gonna Give You Up (7” mix)- keyboard [Fairlight] programming:
- Ian Curnow (in 1986-10)
- additional engineer:
- Jamie Bromfield , Mike Duffy , Phil Harding and Karen Hewitt
- assistant engineer:
- Boky, Peter Day, Gordon Dennis , Jonathan King and Yoyo
- engineer:
- Mark McGuire
- producer:
- Aitken, Stock , Stock Aitken Waterman and Waterman
- mixer:
- Mixmasters Pete Hammond (on 1987-01-01)
- drums (drum set) [drums]:
- A Linn (in 1986-10)
- guitar [guitars]:
- Matt Aitken (in 1986-10)
- keyboard [keyboards]:
- Matt Aitken (in 1986-10) and Mike Stock (in 1986-10)
- background vocals [backing vocals]:
- Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (in 1986-10) and Suzanne Rhatigan (in 1986-10)
- lead vocals:
- Rick (in 1986-10)
- arranger:
- Gordon Jenkins
- phonographic copyright (℗) by:
- BMG Records (UK) Ltd. (from 1987 to present), BMG Rights Management (UK) Ltd. (in 1987), Pete Waterman Ltd. (in 1987) and PWL (in 1987)
- miscellaneous support:
- PWL (task: original sound recordings made by)
- recorded at:
- PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios in London , England, United Kingdom (in 1986-10)
- mixed at:
- PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
- music videos:
- Never Gonna Give You Up by Rick Astley
- part of:
- Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (number: 244)
- recording of:
- Never Gonna Give You Up (in 1986-10)
- writer:
- Matt Aitken, Mike Stock and Pete Waterman
- publisher:
- All Boys Music Ltd., BMG Music, Copyright Control , Hammer Music , Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. and Terrace Music (in 1987)
- sub-publisher:
- Sony Music Publishing (Japan) Inc. , Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Rick Astley | 4.4 | 3:32 |
| 81 | Uptown Girl | Billy Joel | 4.1 | 3:15 |
| 82 | Nothing’s Gonna Stop Us Now- performer:
- Starship (in 1987)
- phonographic copyright (℗) by:
- BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) and Sony Music Entertainment (in 1987)
- recording of:
- Nothing’s Gonna Stop Us Now (in 1987)
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
- cover recording of:
- Nothing’s Gonna Stop Us Now
- writer:
- Albert Hammond and Diane Warren
- arranger:
- Narada Michael Walden
- publisher:
- BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control , EMI Music Publishing Ltd. , Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. , WB Music Corp. and Windswept Pacific Music Ltd.
- part of:
- The 60th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1987 nominee)
| Starship | 3.75 | 4:31 |
| 83 | Give It Up | KC and the Sunshine Band | 4.25 | 4:09 |
| 84 | Loco in Acapulco | Four Tops | 4.35 | 4:32 |
| 85 | Footloose (from “Footloose” soundtrack)- producer:
- Lee DeCarlo and Kenny Loggins
- bass guitar:
- Nathan East
- bass synthesizer:
- Michael Boddicker
- drums (drum set):
- Tris Imboden
- guitar:
- Buzz Feiten
- instruments:
- Michael Boddicker
- keyboard:
- Neil Larsen and Steven Wood
- percussion:
- Michael Boddicker and Paulinho da Costa
- background vocals:
- Marilyn Dorman, Richey Washington and Steven Wood
- lead vocals:
- Kenny Loggins
- remixer:
- Humberto Gatica
- phonographic copyright (℗) by:
- CBS, Inc. (in 1984), Columbia Records (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (in 1984)
- recording of:
- Footloose
- lyricist:
- Dean Pitchford
- composer:
- Kenny Loggins
- publisher:
- BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control , Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation , Island Music , Milk Money Music, Sony Music Publishing , Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
- part of:
- The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
| Kenny Loggins | 4.1 | 3:47 |
| 86 | Conga | Gloria Estefan | 3.85 | 4:12 |
| 87 | I’m So Excited (12″ remix)- recorded in:
- Los Angeles, California, United States (in 1983)
- synthesizer programming:
- Michael Boddicker
- engineer:
- Gabe Veltri
- associate producer:
- Trevor Lawrence
- producer:
- Richard Perry
- bass:
- Nathan Watts (in 1983)
- drums (drum set):
- John “JR” Robinson (in 1983)
- guitar:
- George Doering (in 1983) and Lee Ritenour (in 1983)
- organ:
- William D. “Smitty” Smith (in 1983)
- percussion:
- Paulinho da Costa (in 1983)
- piano:
- John Barnes (in 1983)
- reeds:
- Gary Herbig (in 1983) and Jim Horn (in 1983)
- synthesizer:
- Greg Phillinganes (in 1983)
- trombone:
- Dick Hyde (in 1983)
- trumpet:
- Chuck Findley (in 1983) and Gary Grant (in 1983)
- lead vocals:
- Anita Pointer (in 1983)
- horn arranger:
- Trevor Lawrence
- remix of:
- I’m So Excited by The Pointer Sisters
- recording of:
- I’m So Excited (in 1983)
- writer:
- Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence
- publisher:
- ’Til Dawn Music, Braintree Music, Copyright Control , EMI Blackwood Music Inc., EMI Music Publishing , EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc.
- sub-publisher:
- Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Pointer Sisters | 5 | 4:52 |
| 88 | You Make My Dreams (Come True) | Daryl Hall & John Oates | 4.05 | 3:10 |
| 89 | Lovely Day- producer:
- Clarence McDonald and Bill Withers
- bass guitar:
- Jerry Knight (in 1977)
- drums (drum set) and shakers:
- Russell Kunkel (in 1977)
- guitar:
- Ray Parker (in 1977)
- keyboard:
- Clarence McDonald (in 1977)
- percussion:
- Ralph MacDonald (in 1977)
- lead vocals:
- Bill Withers (in 1977)
- arranger:
- Clarence McDonald
- concertmaster:
- Charles Veal (in 1977)
- phonographic copyright (℗) by:
- CBS Records Ltd. (in 1977), CBS, Inc. (in 1977) and Columbia Records (in 1977)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 402)
- recording of:
- Lovely Day (in 1977)
- writer:
- Skip Scarborough and Bill Withers
- publisher:
- Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. , フジパシフィックミュージック , ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| Bill Withers | 4.45 | 4:11 |
| 90 | Enjoy Yourself | The Jacksons | | 3:21 |
| 91 | Love Train | The O’Jays | 4.15 | 2:57 |
| 92 | Copacabana (At the Copa) (long version) | Barry Manilow | 5 | 5:43 |
| 93 | I Can Help | Billy Swan | 4 | 3:57 |
| 94 | Mr. Blue Sky- engineer:
- Mack
- producer:
- Jeff Lynne
- bass:
- Kelly Groucutt (in 1977)
- drums (drum set), other instruments [fire extinguisher] and percussion:
- Bev Bevan (in 1977)
- guitar, synthesizer and lead vocals:
- Jeff Lynne (in 1977)
- keyboard:
- Richard Tandy (in 1977)
- background vocals:
- Bev Bevan (in 1977) and Kelly Groucutt (in 1977)
- conductor:
- Louis Clark (in 1977)
- arranger:
- Louis Clark, Jeff Lynne and Richard Tandy
- phonographic copyright (℗) by:
- Epic Records (in 1977), Jet Records (in 1977), Sony Music Entertainment (in 1977, in 2005), Sony Music Entertainment Inc. (in 1977) and United Artists Music and Records Group, Inc. (in 1977)
- recorded at:
- Musicland Studios in München , Bayern , Germany (in 1977)
- mixed at:
- Musicland Studios in München , Bayern , Germany
- part of:
- TV Cream: Real 100 Best Singles Ever (number: 17) and Q50 – December 2005 (number: 33)
- recording of:
- Mr. Blue Sky (in 1977)
- lyricist and composer:
- Jeff Lynne
- publisher:
- EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. , EMI Songs Ltd. and Polygon Publishing Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Concerto for a Rainy Day
| Electric Light Orchestra | 4.55 | 5:04 |
| 95 | Oh, Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:56 |
| 96 | Be My Baby- miscellaneous support:
- Phil Spector (task: under license of)
- engineer:
- Larry Levine
- producer:
- Phil Spector
- vocals:
- Ronnie Spector (in 1963-07)
- performer:
- The Ronettes
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Phil Spector Records (in 1963)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1963-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 19), Rolling Stone: 500 Greatest Songs of All Time (number: 22) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 22)
- recording of:
- Be My Baby (in 1963-07)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Ronettes | 4.15 | 2:40 |
| 97 | Up, Up and Away | The 5th Dimension | 2.5 | 2:36 |
| 98 | When You’re Smiling (The Whole World Smiles With You) | Frank Sinatra | | 2:28 |
| 99 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (on 1967-03-28)
- producer:
- Bert Russell Berns
- bass guitar:
- Eric Gale (on 1967-03-28)
- drums (drum set):
- Gary Chester (on 1967-03-28)
- guitar:
- Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
- organ:
- Garry Sherman (on 1967-03-28)
- background vocals:
- The Sweet Inspirations (on 1967-03-28)
- lead vocals:
- Van Morrison (on 1967-03-28)
- performer:
- Van Morrison (on 1967-03-28)
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (in 1973)
- recorded at:
- A&R Recording Studio A in New York, New York, United States (on 1967-03-28) and A&R Recording Studio in New York, New York, United States (on 1967-04-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (number: 109)
- recording of:
- Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
- lyricist and composer:
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
| Van Morrison | 3.5 | 3:03 |
| 100 | Oh Happy Day | The Edwin Hawkins Singers | 4 | 5:09 |
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