Falstaff

~ Release by Giuseppe Verdi; Giuseppe Taddei, Rolando Panerai, Francisco Araiza, Raina Kabaivanska, Janet Perry, Christa Ludwig, Trudeliese Schmidt, Wiener Staatsoperchor, Wiener Philharmoniker, Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Falstaff: Atto primo, parte prima: “Falstaff! Olà!”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 1. “Falstaff!“ - “Olà!“ (Dr Cajus, Falstaff, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi5:05
2Falstaff: Atto primo, parte prima: “6 polli: 6 scellini” / “So che se andiam, la notte”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 1. “Sei polli: Sei scellini” (Falstaff, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
recording of:
Falstaff: Atto I, scena 1. “So che se andiam, la notte” (Falstaff, Pistola, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:52
3Falstaff: Atto primo, parte prima: “Ma è tempo d’assottigliar l’ingegno”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 1. “Ma è tempo d'assottigliar l'ingegno” (Falstaff, Pistola, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi3:50
4Falstaff: Atto primo, parte prima: “Ehi! paggio! / "L’Onore! Ladri!”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 1. “Ehi! Paggio!” - “L’onore! Ladri!” - “Io stesso, sì, io, io” (Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer) and Francesco Maria Piave
part of:
Falstaff: Atto I
Giuseppe Verdi4:41
5Falstaff: Atto primo, parte seconda: “Alice. Meg. Nannetta”
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
soprano vocals [Nannetta]:
Janet Perry (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 2. “Alice!” - “Meg!“ - “Nannetta!“ (Meg, Alice, Quickly, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:22
6Falstaff: Atto primo, parte seconda: “Fulgida Alice! amor t’offro…” / “Quell’ortre! quel tino!”
baritone vocals [Ford]:
Rolando Panerai (baritone)
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 1. “Fulgida Alice! amor t'offro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi4:19
7Falstaff: Atto primo, parte seconda: “In due parole: l’enorme Falstaff…”
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 2. “Ripeti” - “In due parole” – “È un ribaldo, un furbo, un ladro” (Meg, Alice, Quickly, Nannetta, Cajus, Bardolfo, Fenton, Pistola, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi1:35
8Falstaff: Atto primo, parte seconda: “Pst, pst, Nannetta” / “Labbra di foco!” / “Falstaff m’ha canzonata” / “Torno all’assalto”
soprano vocals [Nannetta]:
Janet Perry (soprano)
tenor vocals [Fenton]:
Francisco Araiza (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 2. “Falstaff m'ha canzonata” (Alice, Meg, Nannetta, Quickly)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
recording of:
Falstaff: Atto I, scena 2. “Pst, pst, Nannetta!” - “Vien qua” - “Labbra di foco!” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
recording of:
Falstaff: Atto I, scena 2. “Torno all'assalto” - “Torna alla gara” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto I
Giuseppe Verdi7:01
9Falstaff: Atto primo, parte seconda: “Del tuo barbaro diagnostico”
mezzo-soprano vocals [Mrs. Quickly]:
Christa Ludwig (mezzo-soprano)
tenor vocals [Dr. Caius]:
Piero de Palma (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto I, scena 2. “Del tuo barbaro diagnostico” (Cajus, Pistola, Bardolfo, Alice, Meg, Nannetta, Quickly, Fenton, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto I
Giuseppe Verdi2:19
10Falstaff: Atto secondo, parte prima: “Siam pentiti e contriti”
mezzo-soprano vocals [Mrs. Quickly]:
Christa Ludwig (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 1. “Siam pentiti e contriti” (Bardolfo, Pistola, Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:36
11Falstaff: Atto secondo, parte prima: “Alice è mia!” / “Va, vecchio John”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 1. “Alice è mia!” – “Va, vecchio John” (Falstaff, Bardolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi2:14
12Falstaff: Atto secondo, parte prima: “Signore, v’assista il cielo!”
baritone vocals [Ford]:
Rolando Panerai (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 1. “Signore, v'assista il cielo!” (Ford, Falstaff, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi2:57
13Falstaff: Atto secondo, parte prima: “C’è a Windsor una dama”
baritone vocals [Ford]:
Rolando Panerai (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 1. “Ve lo dirò - C'è a Windsor una dama” (Ford, Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi7:36
14Falstaff: Atto secondo, parte prima: “È Sogno? o realtà” / “Eccomi qua. Son pronto.”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
recording of:
Falstaff: Atto II, scena 1. “Eccomi qua. Son pronto” (Falstaff, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi6:48
15Falstaff: Atto secondo, parte seconda: “Presenteremo un bill” / “Giunta all’Albero della Giarrettiera”
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” (Quickly, Alice, Meg, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
recording of:
Falstaff: Atto II, scena 2. “Presenteremo un “bill” per una tassa al parlamento” (Alice, Quickly, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:17
2▼CD
#TitleArtistRatingLength
1Falstaff: Atto secondo, parte seconda: “Fra poco s’incomincia la commedia” / “A noi! Tu la parte farai che ti spetta”
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
mezzo-soprano vocals [Mrs. Quickly]:
Christa Ludwig (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:57
2Falstaff: Atto secondo, parte seconda: “Alfin t’ho colto, raggiante fior.”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi3:54
3Falstaff: Atto secondo, parte seconda: “Quand’ero paggio del Duca di Norfolk” / “Voi mi celiate”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi1:07
4Falstaff: Atto secondo, parte seconda: “Mia signora!” / “Vien qua. Che chiasso!” / “Al ladro!”
baritone vocals [Ford]:
Rolando Panerai (baritone)
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
recording of:
Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:42
5Falstaff: Atto secondo, parte seconda: “C’è. C’è”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
choir vocals:
Wiener Staatsoper Choir
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi5:46
6Falstaff: Atto Terzo, parte prima: “Eh! Taverniere!”
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:38
7Falstaff: Atto Terzo, parte prima: “Reverenza. La bella Alice” / “Quando il rintocco della mezzanotte”
baritone vocals [Ford]:
Rolando Panerai (baritone)
mezzo-soprano vocals [Mrs. Quickly]:
Christa Ludwig (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:22
8Falstaff: Atto Terzo, parte prima: “Sarai la fata Regina delle Fate”
baritone vocals [Ford]:
Rolando Panerai (baritone)
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
soprano vocals [Nannetta]:
Janet Perry (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 1. “Legge!” … “T'aspetterò nel Parco Real” (Falstaff, Quickly, Ford, Alice, Nannetta, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi4:13
9Falstaff: Atto Terzo, parte seconda: “Dal labbro il canto estasiato vola” / "Nossignore! Tu indossa questa cappa."j
tenor vocals [Fenton]:
Francisco Araiza (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
recording of:
Falstaff: Atto III, scena 2. “Nossignore! Tu indossa questa cappa” (Alice, Fenton, Nannetta, Quickly, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi5:25
10Falstaff: Atto Terzo, parte seconda: “Une, due, tre, quattro…” / “Odo un soave passo!”
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:59
11Falstaff: Atto Terzo, parte seconda: “Ninfe! Elfi! Silfi!” / “Sul fil d’un soffio etesio”
choir vocals:
Wiener Staatsoper Choir
soprano vocals [Nannetta]:
Janet Perry (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!” (Nannetta, Fate, Falstaff, Alice)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
recording of:
Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:42
12Falstaff: Atto Terzo, parte seconda: “Alto là” / “Pizzica, pizzica”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
choir vocals:
Wiener Staatsoper Choir
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
tenor vocals [Dr. Caius]:
Piero de Palma (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Ahimè! tu puzzi come una puzzola” … “Ruzzola, ruzzola” (Falstaff, Coro, Alice, Quickly, Meg, Cajus, Ford, Bardolfo, Pistola)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi6:45
13Falstaff: Atto Terzo, parte seconda: “Ogni sorta di gente dozzinale”
baritone vocals [Ford]:
Rolando Panerai (baritone)
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
choir vocals:
Wiener Staatsoper Choir
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
tenor vocals [Dr. Caius]:
Piero de Palma (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:56
14Falstaff: Atto Terzo, parte seconda: “Facciamo il parentado” / “Tutto nel mondo è burla”
baritone vocals [Ford]:
Rolando Panerai (baritone)
baritone vocals [Sir John Falstaff]:
Giuseppe Taddei (baritone)
bass vocals [Pistola]:
Federico Davià (Italian operatic bass)
choir vocals:
Wiener Staatsoper Choir
mezzo-soprano vocals [Mrs. Meg Page]:
Trudeliese Schmidt (mezzo-soprano)
mezzo-soprano vocals [Mrs. Quickly]:
Christa Ludwig (mezzo-soprano)
soprano vocals [Mrs. Alice Ford]:
Raina Kabaivanska (soprano)
soprano vocals [Nannetta]:
Janet Perry (soprano)
tenor vocals [Bardolfo]:
Heinz Zednik (tenor)
tenor vocals [Dr. Caius]:
Piero de Palma (tenor)
tenor vocals [Fenton]:
Francisco Araiza (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:34