111 Years of Deutsche Grammophon: The Collectors’ Edition 2

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

numbers of CD:
477 9142 CD Box Set
477 9143 CD 1
477 9144 CD 2
477 9145 CD 3
477 9146 CD 4
477 9147 CD 5
477 9148 CD 6
477 9149 CD 7
477 9150 CD 8
477 9151 CD 9
477 9152 CD 10
477 9153 CD 11
477 9154 CD 12
477 9155 CD 13
477 9156 CD 14
477 9157 CD 15
477 9158 CD 16
477 9159 CD 17
477 9160 CD 18
477 9161 CD 19
477 9162 CD 20
477 9163 CD 21
477 9164 CD 22
477 9165 CD 23
477 9166 CD 24
477 9167 CD 25
477 9168 CD 26
477 9169 CD 27
477 9170 CD 28
477 9171 CD 29
477 9172 CD 30
477 9173 CD 31
477 9174 CD 32
477 9175 CD 33
477 9176 CD 34
477 9177 CD 35
477 9178 CD 36
477 9179 CD 37
477 9180 CD 38
477 9181 CD 39
477 9182 CD 40
477 9183 CD 41
477 9184 CD 42
477 9185 CD 43
477 9186 CD 44
477 9187 CD 45
477 9188 CD 46
477 9189 CD 47
477 9190 CD 48
477 9191 CD 49
477 9192 CD 50
477 9193 CD 51
477 9194 CD 52
477 9195 CD 53
477 9196 CD 54
477 9197 CD 55
477 9198 CD 56

Annotation last modified on 2018-12-05 00:25 UTC.

Tracklist

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1▼CD: Bizet: Carmen: Acts 1 & 2 (beginning)
#TitleArtistRatingLength
1Carmen: Prélude
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Prélude (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
recording of:
Carmen : Prélude (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen (Italian lyrics)
part of:
Carmen (German translation, Julius Hopp)
part of:
Carmen (english lyrics, David Parry)
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet3:31
2Carmen: Acte I. no. 1 Introduction “Sur la place chacun passe” (les Soldats, Moralès)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Moralès, un brigadier]:
Stuart Harling (English baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 2 « Sur la place, chacun passe » (Les Soldats, Moralès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:10
3Carmen: Acte I. “Regardez donc cette petite” (Moralès, les Soldats, Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Moralès, un brigadier]:
Stuart Harling (English baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Regardez donc cette petite » (Moralès, les Soldats, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:09
4Carmen: Acte I. no. 2 Marche et Chœur des gamins “Avec la garde montante” (les gamins)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:34
5Carmen: Acte I. “Repos!” (Zuniga, Moralès, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
spoken vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
spoken vocals [Moralès, un brigadier]:
Stuart Harling (English baritone) (from 1977-08 until 1977-09)
spoken vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet0:45
6Carmen: Acte I. “Allons! allons!” (Zuniga, les gamins)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet1:38
7Carmen: Acte I. “Dites‐moi, brigadier?” (Zuniga, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Dialogue « Dites-moi, brigadier ? » (Zuniga, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet1:07
8Carmen: Acte I. no. 3 Chœur et Scène “La cloche a sonné” (les Jeunes Gens, les Soldats, les Cigarières)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur des cigarières « La cloche a sonné » (Les Jeunes Gens, les Soldats, les Cigarières) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet5:12
9Carmen: Acte I. “Mais nous ne voyons pas la Carmencita” (les Soldats, les Jeunes Gens)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 4 Chœur et scène « Mais nous ne voyons pas la Carmencita ! » (Les Soldats, les Jeunes Gens) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
Georges Bizet0:45
10Carmen: Acte I. “Quand je vous aimerai?” (Carmen) – no. 4 Havanaise “L’amour est un oiseau rebelle” (Carmen, chœur)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:50
11Carmen: Acte I. no. 5 Scène “Carmen, sur tes pas nous nous pressons tous” (les Jeunes Gens, le Cigarières, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 6 Scène « Carmen ! Sur tes pas, nous nous pressons tous ! » (Les Jeunes Gens, les Cigarières, Don José, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:24
12Carmen: Acte I. “Monsieur le brigadier?” (Micaëla, Don José) – no. 6 Duo “Parle‐moi de ma mère” (Don José, Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet1:42
13Carmen: Acte I. “Votre mère avec moi sortait de la chapelle” (Micaëla, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:19
14Carmen: Acte I. “Ma mère, je la vois…” (Don José, Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I. No. 7 Duo « Parle-moi de ma mère ! » (Don José, Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet2:25
15Carmen: Acte I. “Que son fils l’aime et la vénère” (Don José, Micaëla) – “Eh bien, eh bien!” (Zuniga)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet4:04
16Carmen: Acte I. no. 7 Chœur “Au secours!” (les Cigarières, Zuniga, les Soldats)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 « Que se passe‐t‐il donc là‐bas ? » … « Au secours » (Les Cigarières, les Soldats, Zuniga) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet3:19
17Carmen: Acte I. “Voyons, brigadier…” (Zuniga, Don José) – no. 8 Chanson et Mélodrame “Tra la la la…” (Carmen, Zuniga, les Cigarières, un Soldat, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Un soldat]:
Richard Amner (pianist) (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 8 Chœur « Voyons brigadier » (Zuniga, les Cigarières, un Soldat, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte I
recording of:
Carmen : Acte I. No. 9 Chanson et mélodrame « Tralalalala, coupe-moi, brûle-moi » … « Fais-nous grâce de tes chansons » (Carmen, Don José, Zuniga, chœur de femmes) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:14
18Carmen: Acte I. no. 9 Chanson (Séguedille) et Duo “Près des remparts de Séville” (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
Georges Bizet4:30
19Carmen: Acte I. no. 10 Finale “Le lieutenant!... Prenez garde!” (Don José, Zuniga, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte I (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:17
20Carmen: Entr’acte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte I. Entr’acte (intermission between Acts I & II) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte I
part of:
Carmen: Act I (english lyrics)
part of:
Carmen: Akt I (German translation, Julius Hopp)
part of:
Carmen: Atto I (italian lyrics)
Georges Bizet1:48
21Carmen: Acte II. no. 11 Chanson “Les tringles des sistres tintaient” (Carmen, Mercédès, Frasquita)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:06
22Carmen: Acte II. “Vous avez quelque chose à nous dire” (Zuniga, Pastia, Frasquita, Mercédès, Andrès, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Dialogue « Vous avez quelque chose à nous dire, maître Lillas Pastia ? » (Zuniga, Pastia, Andrès, Frasquita, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet1:16
23Carmen: Acte II. “Tout est bien alors” (Carmen, Zuniga) – no. 12 Chœur et Ensemble “Vivat! vivat le toréro!” (chœur, Zuniga, Mercédes, Andrès, Frasquita, Pastia)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 13 Chœur « Vivat ! Vivat le toréro ! » (Frasquita, Mercédès, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet1:31
24Carmen: Acte II. no. 13 Couplet (Air du Toréador) “Votre toast… je peux vous le rendre” (Escamillo, chœur, Frasquita, Mercédès, Carmen, Pastia, Zuniga) – no. 13 bis Chœur “Toréador, en garde” (chœur, Frasquita, Pastia, Dancaïre, Remendado)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
spoken vocals [Lillas Pastia, tenancier de taverne]:
George Main (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet8:01
25Carmen: Acte II. no. 14 Quintette “Nous avons en tête une affaire” (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 15 Quintette « Nous avons en tête une affaire ! » (Le Dancaïre, Le Remendado, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:49
26Carmen: Acte II. “Amoureuse… ce n’est pas une raison, cela” (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) – no. 15 Chanson “Halte‐là! Qui va là?” (Don José, Mercédès, Frasquita, Dancaïre, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 16 « Halte là ! Qui va là ? Dragon d'Alcala !» (Don José, Carmen, Mercédès, Frasquita, Le Dancaïre, Le Remendado) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet2:33
2▼CD: Bizet: Carmen: Acts 2 (continued) & 3
#TitleArtistRatingLength
1Carmen: Acte II. no. 16 Duo “Je vais danser en votre honneur” (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Tout doux, Monsieur » … « Je vais danser en votre honneur » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte II
Georges Bizet5:42
2Carmen: Acte II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)
producer:
Christopher Alder (editor/engineer/producer) and Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer) and Ulrich Vette (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet4:16
3Carmen: Acte II. “Non! Tu ne m’aimes pas!” (Carmen, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 17 Duo : « Non ! Tu ne m’aimes pas » (Carmen, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet4:01
4Carmen: Acte II. no. 17 Finale “Holà! Carmen! holà!” (Zuniga, Don José, Carmen, Dancaïre, Remendado, les Bohémiens)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
bass vocals [Zuniga, un lieutenant]:
Robert Lloyd (operatic bass) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. No. 18 Finale « Holà ! Carmen ! Holà ! Holà ! » (Zuniga, Don José, Carmen, Le Dancaïre, Le Remendado, les Bohémiens) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet3:32
5Carmen: Acte II. “Suis‐nous à travers la campagne” (Frasquita, Mercédès, Dancaïre, Remendado, les Bohémiens, les Bohémiennes)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte II (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen, WD 31 (opera by Georges Bizet)
Georges Bizet2:00
6Carmen: Entr’acte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte II. Entr’acte (intermission between Acts II & III) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
part of:
Carmen: Act II (english lyrics)
part of:
Carmen: Akt 2 (German translation, Julius Hopp)
part of:
Carmen: Atto II (italian lyrics)
Georges Bizet3:01
7Carmen: Acte III, Tableau I. no. 18 Introduction “Écoute, compagnon, écoute” (les Contrabandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:41
8Carmen: Acte III, Tableau I. “Halte! nous allons nous arrêter ici…” (Dancaïre, Remendado, Don José, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Introduction : « Halte ! Nous allons nous arrêter ici ! » (Dancaïre, Remendado, Don José, Carmen) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet1:29
9Carmen: Acte III, Tableau I. no. 19 Trio “Mêlons!” / “Mêlons!” / “Coupons!” (Frasquita, Mercédès)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III, No. 20. Trio des cartes « Mêlons ! Coupons ! » (Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:21
10Carmen: Acte III, Tableau I. Air des cartes “Carreau, pique… la mort!” (Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet3:20
11Carmen: Acte III, Tableau I. “Parlez encore, parlez, mes belles” (Frasquita, Mercédès, Carmen)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet0:50
12Carmen: Acte III, Tableau I. “Eh bien, j’avais raison” (Dancaïre, Carmen, Remandado, Frasquita, Mercédès, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
spoken vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
spoken vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
spoken vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
spoken vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
spoken vocals [Le Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
spoken vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. Trio des cartes : « Carreau ! Pique !… La mort ! » (Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
part of:
Carmen : Acte III
Georges Bizet0:30
13Carmen: Acte III, Tableau I. no. 20 Morceau d’Ensemble “Quant au douanier, c’est notre affaire” (Carmen, Mercédès, Frasquita, les Bohémiennes, les Bohémiens, Dancaïre, Remandado)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:08
14Carmen: Acte III, Tableau I. “Nous y sommes” (le Guide, Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
spoken vocals [le guide]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
spoken vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
partial recording of:
Carmen : Acte III. No. 21. « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, toutes les femmes, tout le monde) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet0:44
15Carmen: Acte III, Tableau I. no. 21 Air “Je dis que rien ne m’épouvante” (Micaëla)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
soprano vocals [Micaëla]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09, in 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09, in 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09, in 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (in 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet4:50
16Carmen: Acte III, Tableau I. “Mais… je ne me trompe pas…” (Micaëla, Escamillo, Don José) – no. 22 Duo “Je suis Escamillo, toréro de Grenade” (Escamillo, Don José)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 23. Duo « Quelques lignes plus bas » …« Je suis Escamillo, toréro de Grenade ! » (Escamillo, Don José) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
recording of:
Carmen : Acte III. Récitative « Je ne me trompe pas… » (Micaëla) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:42
17Carmen: Acte III, Tableau I. no. 23 Finale “Holà, José!” (Carmen, Escamillo, Dancaïre, Don José, les Contrebandiers, les Contrebandières)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. No. 24. Finale « Holà, holà, José ! » (Carmen, Escamillo, Micaëla, Frasquita, Mercédès, Le Dancaïre, Don José, Le Remendado, Chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet3:00
18Carmen: Acte III, Tableau I. “Halte!... Quelqu’un est là qui cherche à se cacher” (Remendado, Carmen, Dancaïre, Don José, Micaëla, chœur, Escamillo)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Dancaïre]:
Gordon Sandison (baritone) (from 1977-08 until 1977-09)
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Micaëla, jeune paysanne]:
Ileana Cotrubaș (Romanian soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
tenor vocals [Remendado]:
Geoffrey Pogson (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Final « Halte ! Quelqu'un est là » … « Moi, je viens te chercher ! » (Le Remendado, Carmen, le Dancaïre, Don José, Micaëla, Frasquita, Mercédès, Escamillo, contrebandiers, contrebandières) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
Georges Bizet5:16
19Carmen: Entr’acte
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:10
20Carmen: Acte III, Tableau II. no. 24 Chœur “A deux cuartos” (Marchandes, Marchands, un Soldat, Andrès, un Bohémien)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Moralès]:
Stuart Harling (English baritone)
baritone vocals [Un bohémien]:
Leslie Fyson (baritone) (from 1977-08 until 1977-09)
baritone vocals [Un soldat]:
Richard Amner (pianist) (from 1977-08 until 1977-09)
bass vocals [Zuniga]:
Robert Lloyd (operatic bass)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
contralto vocals [Une marchande]:
Shirley Minty (contralto) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano)
tenor vocals [Andrès, un lieutenant]:
Jean Lainé (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 25 « À deux cuartos ! » (Chœur, Zuniga, Moralès, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet2:23
21Carmen: Acte III, Tableau II. no. 25 Chœur et Scène “Les voici! Voici le quadrille” (chœur)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
John McCarthy (British choral conductor, scholar, composer and arranger) and Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:52
22Carmen: Acte III, Tableau II. “Si tu m’aimes, Carmen” (Escamillo, Carmen, Frasquita, Mercédès)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
baritone vocals [Escamillo, un toréro]:
Sherrill Milnes (baritone) (from 1977-08 until 1977-09)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
mezzo-soprano vocals [Mercédès]:
Alicia Nafé (mezzo-soprano) (from 1977-08 until 1977-09)
soprano vocals [Frasquita]:
Yvonne Kenny (Australian soprano) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. « Si tu m’aimes, Carmen » (Escamillo, Carmen, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet3:20
23Carmen: Acte III, Tableau II. no. 26 Duo final “C’est toi?” / “C’est moi!” (Carmen, Don José, chœur)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-08 until 1977-09) and George Watson’s College Boys’ Chorus (from 1977-08 until 1977-09)
mezzo-soprano vocals [Carmen, une bohémienne]:
Teresa Berganza (mezzo-soprano) (from 1977-08 until 1977-09)
tenor vocals [Don José, un brigadier]:
Plácido Domingo (tenor) (from 1977-08 until 1977-09)
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
chorus master:
Patrick Criswell (chorusmaster) (from 1977-08 until 1977-09) and John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte IV. No. 27 Duo final : « C’est toi ! – C’est moi ! » (Carmen, Don José, chœur) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte IV
Georges Bizet9:24
3▼CD: Prokofiev: Piano Concerto No.3 / Ravel: Concerto in G; Gaspard de la nuit
#TitleArtistRatingLength
1Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante - Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:01
2Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Thema: Andantino / Var. I: L’istesso tempo / Var. II: Allegro / Var. III: Allegro moderato / Var. IV: Andantino meditativo / Var. V: Allegro giusto / Thema: L’istesso tempo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: II. Tema con variazioni (Andantino) (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:03
3Concerto for Piano and Orchestra no. 3 in C major, op. 26: III. Allegro ma non troppo
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: III. Allegro ma non troppo (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Сергей Сергеевич Прокофьев9:09
4Concerto for Piano and Orchestra in G major: I. Allegramente
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: I. Allegramente (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel8:10
5Concerto for Piano and Orchestra in G major: II. Adagio assai
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:03
6Concerto for Piano and Orchestra in G major: III. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: III. Presto (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel4:03
7Gaspard de la nuit: I. Ondine. Lent
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:19
8Gaspard de la nuit: II. Le Gibet. Très lent
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): II. Le Gibet (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Le Gibet
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:41
9Gaspard de la nuit: III. Scarbo. Modéré
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): III. Scarbo (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Scarbo
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel9:21
4▼CD: Beethoven: Piano Sonatas No. 14 "Moonlight", No. 13 "Pathétique" & No. 23 "Appassionata"
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1Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:38
2Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven2:13
3Piano Sonata no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven7:48
4Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave – Allegro di molto e con brio (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven9:32
5Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:25
6Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:53
7Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-05)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1981-05)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai (in 1981-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven10:38
8Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-05)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1981-05)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto (in 1981-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven7:35
9Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo
engineer and balance engineer:
Klaus Scheibe (editor/engineer)
producer:
Werner Mayer (classical producer), Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon) and Klaus Scheibe (editor/engineer)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-05)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1981-05)
recording of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo (in 1981-05)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1806)
part of:
Sonata for Piano no. 23 in F minor, op. 57 “Appassionata”
Ludwig van Beethoven8:14
5▼CD: Bach, J.S.: Arias
#TitleArtistRatingLength
1Kantate no. 197 “Gott ist unser Zuversicht”, BWV 197, no. 8: Vergnügen und Lust, Gedeihen und Heil
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (in 1990-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:16
2Kantate no. 58 “Ach Gott, wie manches Herzeleid”, BWV 58, no. 3: Ich bin vergnügt in meinem Leiden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (catch-all for unknown versions) (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 58 "Ach Gott, wie manches Herzeleid" (catch-all for unknown versions)
Johann Sebastian Bach3:46
3Kantate no. 204 “Ich bin in mir vergnügt”, BWV 204, no. 4: Die Schätzbarkeit der weiten Erden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1989-08)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:06
4Kanatate no. 97 “In allen meinen Taten”, BWV 97, no. 4: Ich traue seiner Gnaden
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (in 1989-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach5:21
5Kantate no. 115 “Mache dich, mein Geist, bereit”, BWV 115, no. 4: Bete aber auch dabei
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
performer:
Itzhak Perlman (violinist and conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit": IV. Aria (Sopran) "Bete aber auch dabei" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 115 "Mache dich, mein Geist, bereit"
Johann Sebastian Bach7:07
6Kantate no. 171 “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171, no. 4: Jesus soll mein erstes Wort
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1989-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:12
7Messe h‐moll, BWV 232 no. 23: Benedictus, Qui Venit In Nomine Domini
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1989-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:15
8Messe h‐moll, BWV 232, no. 5: Laudamus Te
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (in 1990-08)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:42
9Kantate no. 202 “Weichet nur, betrübte Schatten”, BWV 202, no. 5: Wenn die Fruhlingslüfte streichen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:38
10Kantate no. 36 “Schwingt freudig euch empor”, BWV 36, no. 7: Auch mit Gedämpften, schwachen Stimmen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-08)
soprano vocals:
Kathleen Battle (soprano) (in 1989-08)
orchestra:
Orchestra of St. Luke’s (in 1989-08)
conductor:
John Nelson (American conductor) (in 1989-08)
balance engineer:
Tom Lazarus (in 1989-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-08)
recording of:
Kantate, BWV 36 “Schwingt freudig euch empor”: VII. Aria (Soprano) “Auch mit gedämpften, schwachen Stimmen” (in 1989-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1736)
part of:
Kantate, BWV 36 “Schwingt freudig euch empor”
Johann Sebastian Bach6:46
11Kantate no. 187 “Es wartet alles auf dich, dass du ihnen Speise”, BWV 187, no. 5: Gott versorget alles Leben
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1989-12)
soprano vocals:
Kathleen Battle (soprano) (in 1989-12)
orchestra:
Orchestra of St. Luke’s (in 1989-12)
conductor:
John Nelson (American conductor) (in 1989-12)
balance engineer:
Tom Lazarus (in 1989-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1989-12)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" (in 1989-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach3:24
12Kantate no. 84 “Ich bin vergnügt mit meinem Glücke, das mir der liebe Gott beschert”, BWV 84, no. 3: Ich esse mit Freuden mein weniges Brot
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:59
13Kantate no. 105 “Herr, gehe nicht ins Gericht mit deinem Knecht”, BWV 105, no. 5: Kann ich nur Jesu mir zum Freunde machen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:30
6▼CD: Mahler: Symphony No. 1
#TitleArtistRatingLength
1Symphonie no. 1 D‐dur: I. Langsam. Schleppend. Wie ein Naturlaut - Im anfang sehr gemächlich
producer:
Hans Weber (producer/engineer)
orchestra:
Concertgebouworkest Amsterdam (Royal Concertgebouw Orchestra) (on 1987-10-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-10-10)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1987-10-10)
live recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (on 1987-10-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:28
2Symphonie no. 1 D‐dur: II. Kräftig bewegt
producer:
Hans Weber (producer/engineer)
orchestra:
Concertgebouworkest Amsterdam (Royal Concertgebouw Orchestra) (on 1987-10-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-10-10)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1987-10-10)
live recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1987-10-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler9:03
3Symphonie no. 1 D‐dur: III. Feierlich und gemessen, ohne zu schleppen
producer:
Hans Weber (producer/engineer)
orchestra:
Concertgebouworkest Amsterdam (Royal Concertgebouw Orchestra) (on 1987-10-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-10-10)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1987-10-10)
live recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (on 1987-10-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:25
4Symphonie no. 1 D‐dur: IV. Stürmisch bewegt
producer:
Hans Weber (producer/engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (on 1987-10-10)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1987-10-10)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1987-10)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1989)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 1987-10-10)
live recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (on 1987-10-10)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:09
7▼CD: Chopin: Piano Concertos Nos. 1 & 2
#TitleArtistRatingLength
1Concerto for piano and orchestra no. 1 in E minor, op. 11: I. Allegro maestoso
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin20:50
2Concerto for piano and orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin10:38
3Concerto for piano and orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Frédéric Chopin9:51
4Concerto for piano and orchestra no. 2 in F minor, op. 21: I. Maestoso
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: I. Maestoso (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin14:42
5Concerto for piano and orchestra no. 2 in F minor, op. 21: II. Larghetto
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: II. Larghetto (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin9:57
6Concerto for piano and orchestra no. 2 in F minor, op. 21: III. Allegro vivace
assistant recording engineer:
Joost Dellebarre
recording engineer:
Rainer Maillard
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2009-07)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (in 2009-07)
conductor:
Jerzy Semkow (conductor) (in 2009-07)
piano technician:
Michel Brandjes (piano tuner)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 2009-07)
recording of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21: III. Allegro vivace (in 2009-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Concerto for Piano and Orchestra no. 2 in F minor, op. 21
Frédéric Chopin8:52
8▼CD: Mozart, W.A.: Clarinet Concerto, K. 622; Flute Concerto, K. 313; Bassoon Concerto, K. 191
#TitleArtistRatingLength
1Concerto for Clarinet in A major, K. 622: I. Allegro
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: I. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart13:05
2Concerto for Clarinet in A major, K. 622: II. Adagio
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart8:09
3Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
recording engineer:
Gernot Westhäuser (Engineer) (in 1972-09)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
clarinet:
Alfred Prinz (clarinetist) (in 1972-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1972-09)
conductor:
Karl Böhm (Austrian conductor) (in 1972-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1972-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1972-09)
recording of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo. Allegro) (in 1972-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
arrangement of:
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro (catch-all for arrangements)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart9:36
4Concerto for Flute no. 1 in G major, K. 285c/313: I. Allegro maestoso
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
flute:
Werner Tripp (flute player) (in 1973-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart9:39
5Concerto for Flute no. 1 in G major, K. 285c/313: II. Adagio non troppo
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
flute:
Werner Tripp (flute player) (in 1973-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart9:43
6Concerto for Flute no. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
flute:
Werner Tripp (flute player) (in 1973-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05)
recording of:
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto (in 1973-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Concerto for Flute and Orchestra in G major, K. 313/285c
Wolfgang Amadeus Mozart7:55
7Concerto for Bassoon in B‐flat major, K. 186e/191: I. Allegro
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart7:11
8Concerto for Bassoon in B‐flat major, K. 186e/191: II. Andante ma adagio
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart7:39
9Concerto for Bassoon in B‐flat major, K. 186e/191: III. Rondeau. Tempo di menuetto
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart4:24
9▶CD: Debussy: La Mer; 3 Nocturnes; Jeux; Rhapsodie pour clarinette
10▶CD: Brahms: Symphony No. 4 / Strauss, R.: Tod und Verklärung, Op. 24
11▶CD: Pasión española
12▶CD: Fiesta
13▶CD: Bach, J.S.: Cantatas "Ich will den Kreuzstab gerne tragen", BWV 56; "Ich habe genug", BWV 82
14▶CD: Strauss, J.: Overture "Die Fledermaus"; Annen-Polka, Op. 117; Kaiser-Walzer, Op. 437; Tritsch-Tratsch-Polka, Op. 214; Radetzky-March, Op. 228; An der schönen, blauen Donau, Op. 314; Eljen a Magyar!, Op. 332; G'schichten aus dem Wienerwald, Op. 325
15▶CD: Schubert: Symphony No. 9; Rosamunde (Overture to "Die Zauberharfe", D.644
16▶CD: Aria Cantilena
17▶CD: Brahms: Piano Concerto No. 1
18▶CD: Fauré: Requiem, Op.48 / Ravel: Pavane
19▶CD: Golijov: Ayre for voice and chamber ensemble / Berio: Folksongs
20▶CD: Reflection
21▶CD: Schubert: String Quartet, D. 810 "Death and the Maiden" / Beethoven: String Quartet, Op. 135
22▶CD: Schoenberg: Violin Concerto, Op. 36 / Sibelius: Violin Concerto, Op. 47
23▶CD: Air. A Baroque Journey
24▶CD: Horowitz at Home
25▶CD: Bruckner: Symphony No. 4 "Romantic"
26▶CD: Brahms: Ein deutsches Requiem, Op. 45
27▶CD: Schumann: Fantasie, Op. 17 / Brahms: Variations and Fugue on a Theme by Handel, Op. 24
28▶CD: Verdi: La Traviata: Act 1 & 2, Scene 1
29▶CD: Verdi: La Traviata: Act 2, Scene 2 & Act 3
30▶CD: Mozart: Arias
31▶CD: Glass: Violin Concerto / Schnittke: Concerto Grosso No. 5
32▶CD: Memory
33▶CD: Gershwin: Rhapsody in Blue; An American in Paris; "Porgy and Bess" Suite; Cuban Overture
34▶CD: Mozart, W.A.: Great Mass, K. 427 / Haydn: Scena di Berenice, Hob XXIVa:10 / Beethoven: "Ah! perido", Op. 65
35▶CD: Tchaikovsky: Symphony No. 6 "Pathétique"
36▶CD: Music of the Gothic Era
37▶CD: Carmen Fantasy, Op.25
38▶CD: Duets
39▶CD: Liszt: 12 Études d'exécution transcendante
40▶CD: Weill: Speak Low & The Seven Deadly Sins, Songs
41▶CD: Bach, J.S.: Brandenburg Concertos Nos. 1 - 3
42▶CD: Mozart, W.A.: Piano Concertos Nos. 14, K. 449 & 26, K. 537 "Coronation"
43▶CD: Stravinsky: 3 Dances from Petrouchka / Prokofiev: Sonata for piano No. 7 / Boulez: Sonata for piano No. 2 / Webern: Piano Variations, Op. 27
44▶CD: Schubert: Die schöne Müllerin
45▶CD: Reich: Drumming, Parts 1 - 3
46▶CD: Reich: Drumming, Part 4; Six Pianos; Music for Mallet Instruments
47▶CD: Bach, C.P.E.: Symphonies Nos. 1 - 4
48▶CD: Schumann: Marsch No. 2, Op. 76; Waldszenen, Op. 82; Fantasiestücke, Op. 12
49▶CD: Tchaikovsky: Ballet Suites - Swan Lake, Op.20, The Sleeping Beauty, Op.66a & The Nutcracker, Op.71a
50▶CD: Paganini for Two
51▶CD: Opera Choruses
52▶CD: Rita Streich singt Opern-Arien
53▶CD: Bryn Terfel: Opera Arias
54▶CD: Sonatas & Etudes
55▶CD: Rodrigo: Concierto de Aranjuez
56▶CD: Chopin: Ballades; Barcarolle; Fantasie

Credits

Release

Discogs:https://www.discogs.com/release/2574659 [info]
https://www.discogs.com/release/2574745 [info]
https://www.discogs.com/release/2575366 [info]
https://www.discogs.com/release/2576032 [info]
https://www.discogs.com/release/2576059 [info]
https://www.discogs.com/release/2576324 [info]
https://www.discogs.com/release/2576746 [info]
https://www.discogs.com/release/2577684 [info]
https://www.discogs.com/release/2577701 [info]
https://www.discogs.com/release/2577715 [info]
https://www.discogs.com/release/2577934 [info]
https://www.discogs.com/release/2577991 [info]
https://www.discogs.com/release/2579388 [info]
https://www.discogs.com/release/2579557 [info]
https://www.discogs.com/release/2580167 [info]
https://www.discogs.com/release/2581273 [info]
https://www.discogs.com/release/2581348 [info]
https://www.discogs.com/release/2581417 [info]
https://www.discogs.com/release/2581442 [info]
https://www.discogs.com/release/2581992 [info]
https://www.discogs.com/release/2582133 [info]
https://www.discogs.com/release/2583229 [info]
https://www.discogs.com/release/2583260 [info]
https://www.discogs.com/release/2583504 [info]
https://www.discogs.com/release/2583744 [info]
https://www.discogs.com/release/2585243 [info]
https://www.discogs.com/release/2585266 [info]
https://www.discogs.com/release/2585297 [info]
https://www.discogs.com/release/2586069 [info]
https://www.discogs.com/release/2586257 [info]
https://www.discogs.com/release/2586800 [info]
https://www.discogs.com/release/2588156 [info]
https://www.discogs.com/release/2589541 [info]
https://www.discogs.com/release/2589614 [info]
https://www.discogs.com/release/2589847 [info]
https://www.discogs.com/release/2590013 [info]
https://www.discogs.com/release/2590900 [info]
https://www.discogs.com/release/2592557 [info]
https://www.discogs.com/release/2592847 [info]
https://www.discogs.com/release/2592886 [info]
https://www.discogs.com/release/2592920 [info]
https://www.discogs.com/release/2592948 [info]
https://www.discogs.com/release/2593037 [info]
https://www.discogs.com/release/2593359 [info]
https://www.discogs.com/release/2593643 [info]
https://www.discogs.com/release/2594531 [info]
https://www.discogs.com/release/2594574 [info]
https://www.discogs.com/release/2594598 [info]
https://www.discogs.com/release/2594634 [info]
https://www.discogs.com/release/2594751 [info]
https://www.discogs.com/release/2595063 [info]
https://www.discogs.com/release/2595103 [info]
https://www.discogs.com/release/2595132 [info]
https://www.discogs.com/release/2595171 [info]
ASIN:UK: B003TJY0W8 [info]
other databases:https://www.musik-sammler.de/media/789406/ [info]
discography entry:http://www.deutschegrammophon.com/cat/4779386 [info]

Release group

includes:4 Balladen / Barcarolle / Fantasie by Chopin (Frédéric Chopin, composer); Krystian Zimerman (pianist)
12 Etudes d'exécution transcendante by Franz Liszt (Hungarian composer, pianist and conductor); Alice Sara Ott (pianist)
Air. A Baroque Journey by Daniel Hope (violinist)
Aria cantilena by Elīna Garanča (Latvian operatic lyric mezzo-soprano)
Arias by Johann Sebastian Bach (German Baroque period composer & musician); Kathleen Battle (soprano), Itzhak Perlman (violinist and conductor), Orchestra of St. Luke’s, John Nelson (American conductor)
Arias by Mozart (Wolfgang Amadeus Mozart, classical composer); Magdalena Kožená (Czech mezzo-soprano), Orchestra of the Age of Enlightenment, Simon Rattle (conductor)
Ayre by Osvaldo Golijov (Argentinean composer); The Andalucian Dogs, Dawn Upshaw (soprano)
Ballett‐Suiten: Dornröschen / Schwanensee / Nußknacker by Tschaicowsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Mstislav Rostropovich (cellist/conductor)
Brahms: Symphony no. 4 / Strauss: Tod Und Verklärungn by Johannes Brahms (German composer), Richard Strauss (German composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Victor de Sabata (conductor and composer)
Brandenburg Concertos nos. 1 - 3 by Johann Sebastian Bach (German Baroque period composer & musician); The English Concert, Trevor Pinnock (conductor / harpsichord)
Carmen (1977 studio cast) by Georges Bizet (French composer); Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Ileana Cotrubas (Romanian soprano), Sherrill Milnes (baritone), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
Carmen‐Fantasie by Anne‐Sophie Mutter (violinist), Wiener Philharmoniker (Vienna Philharmonic), James Levine (US conductor and pianist)
Clarinet Concerto / Flute Concerto no. 1 / Bassoon Concerto by Wolfgang Amadeus Mozart (classical composer); Alfred Prinz (clarinetist), Werner Tripp (flute player), Dietmar Zeman (bassoonist), Wiener Philharmoniker (Vienna Philharmonic), Karl Böhm (Austrian conductor)
Concierto de Aranjuez / Fantasía para un gentilhombre by Joaquín Rodrigo (Spanish composer and virtuoso pianist); Narciso Yepes (classical guitarist), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), English Chamber Orchestra, García Navarro (conductor)
Die schöne Müllerin by Schubert (Franz Schubert, composer); Thomas Quasthoff (bass-baritone), Justus Zeyen (pianist)
Drumming / Six Pianos / Music for Mallet Instruments, Voices and Organ by Steve Reich (American composer)
Duets by Anna Netrebko (soprano) & Rolando Villazón (tenor)
Ein deutsches Requiem by Johannes Brahms (German composer); Gundula Janowitz (soprano), Eberhard Waechter (baritone), Wiener Singverein, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
Fantasy in C major by Schumann (Robert Schumann, German classical composer); Wilhelm Kempff (pianist)
Faure: Requiem / Ravel: Pavane pour une infante défunte by Fauré (French composer), Ravel (Maurice Ravel, French composer); Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Carlo Maria Giulini (conductor), Kathleen Battle (soprano), Andreas Schmidt (bass-baritone & teacher)
Fiesta by Simón Bolívar Youth Orchesta of Venezuela (Simón Bolívar Symphony Orchestra), Gustavo Dudamel (conductor and violinist)
Glass: Violin Concerto / Schnittke: Concerto grosso no. 5 by Philip Glass (US composer & pianist), Alfred Schnittke (Russian composer and pianist); Wiener Philharmoniker (Vienna Philharmonic), Christoph von Dohnányi (German conductor), Gidon Kremer (violinist)
Great Mass in C minor, K. 427 by Wolfgang Amadeus Mozart (classical composer), Paul McCreesh (conductor), Camilla Tilling (soprano), Sarah Conolly (mezzo-soprano), Gabrieli Consort & Players (UK early music ensemble)
Horowitz at Home by Владимир Самойлович Горовиц (Vladimir Horowitz, Ukrainian‐American pianist and composer)
Ich Will Den Kreuzstab Gerne Tragen / Ich Habe Genug by Johann Sebastian Bach (German Baroque period composer & musician); Dietrich Fischer‐Dieskau (baritone), Hermann Töttcher (oboist), Kammerorchester Karl Ristenpart, Karl Ristenpart (conductor)
Kaiserwalzer by Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Ferenc Fricsay (conductor)
Klavierkonzerte no. 14 & 26 »Krönungskonzert« by Wolfgang Amadeus Mozart (classical composer); Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor), Maria João Pires (pianist)
Klaviersonaten no. 14 “Mondschein” / No. 8 “Pathétique” / No. 23 “Appassionata” (1984 recordings) by Beethoven (Ludwig van Beethoven, German composer); Daniel Barenboim (pianist and conductor)
La Mer / Nocturnes / Jeux / Rhapsodie pour clarinette et orchestre by Claude Debussy (French composer); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
La traviata (1976-77 studio cast) by Giuseppe Verdi (Italian opera composer); Ileana Cotrubas (Romanian soprano), Placido Domingo (tenor), Sherrill Milnes (baritone), Plácido Domingo (tenor), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
Marsch nr.2 G‐moll / Waldszenen / Sechs Stücke aus Fantasiestücke, op. 12 by Robert Schumann (German classical composer); Svjatoslav Richter (Sviatoslav Richter, pianist)
Memory by Lang Lang (Chinese pianist)
Music of the Gothic Era by Early Music Consort of London, David Munrow (UK early music historian & musician)
Opera Arias by Bryn Terfel (bass‐baritone opera singer), Metropolitan Opera Orchestra, James Levine (US conductor and pianist)
Opern‐Chöre by Chor (Chorus of the German Opera Berlin) und Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Giuseppe Sinopoli (conductor)
Paganini for Two by Niccolò Paganini (Italian composer and violinist); Gil Shaham (violinist), Göran Söllscher (classical guitarist)
Pasión española by Plácido Domingo (tenor)
Piano Concerto no. 1 by Johannes Brahms (German composer); Emil Gilels (pianist), Berlin Philharmonic Orchestra, Eugen Jochum (conductor)
Prokofiev: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur by Prokofiev (Sergei Prokofiev, Russian composer), Ravel (Maurice Ravel, French composer); Martha Argerich (Argentine pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
Réflexions by Hélène Grimaud (French pianist), Esa‐Pekka Salonen (conductor and composer), Staatskapelle Dresden (Dresden Symphonic Orchestra), Truls Mørk (Norwegian cellist), Anne Sofie von Otter (mezzo-soprano)
Rhapsody in Blue / An American in Paris / “Porgy and Bess” Suite (Catfish Row) / Cuban Overture by George Gershwin (composer); Chicago Symphony Orchestra, James Levine (US conductor and pianist)
Rita Streich singt Opern‐Arien by Rita Streich (soprano)
Schubert: Death & the Maiden / Beethoven: String Quartet Op. 135 by Schubert (Franz Schubert, composer), Beethoven (Ludwig van Beethoven, German composer); Hagen Quartett (Hagen Quartet, Austrian string quartet)
Sonatas & Études by Chopin (Frédéric Chopin, composer), Scriabin (Alexander Scriabin, pianist and composer), Liszt (Hungarian composer, pianist and conductor), Ligeti (Austrian-Hungarian composer); Yuja Wang (pianist)
Speak Low: Songs by Kurt Weill & The Seven Deadly Sins by Kurt Weill (composer); Anne Sofie von Otter (mezzo-soprano), John Eliot Gardiner
Stravinsky: Pétrouchka / Prokofiev: Sonate No. 7 / Webern: Variationen, op. 27 / Boulez: Sonate No. 2 by Stravinsky (Igor Stravinsky, Russian composer), Prokofiev (Sergei Prokofiev, Russian composer), Webern (composer), Boulez (composer and conductor); Maurizio Pollini (pianist)
Symphonie no. 1 by Mahler (composer); Concertgebouworkest Amsterdam (Royal Concertgebouw Orchestra), Leonard Bernstein (American conductor, composer, pianist)
Symphonie Nr. 4 »Romantische« by Anton Bruckner (Austrian composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Eugen Jochum (conductor)
Symphonie nr. 9 / Rosamunde‐Ouvertüre by Franz Schubert (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Wilhelm Furtwängler (conductor)
Symphony no. 6 by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Leningrad Philharmonic (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use), Yevgeny Mravinsky (conductor)
The Piano Concertos by Chopin (Frédéric Chopin, composer); Rafał Blechacz (Polish pianist), Jerzy Semkow (conductor), Royal Concertgebouw Orchestra
Vier Orchester‐Sinfonien, Wq 183 by Carl Philipp Emanuel Bach (German classical composer); Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
Violin Concertos by Schoenberg (Arnold Schoenberg, composer), Sibelius (Finnish composer); Hilary Hahn (violinist), Esa-Pekka Salonen (conductor and composer), Swedish Radio Symphony Orchestra
part of:111 Years of Deutsche Grammophon celebratory compilations (order: 3)