Young at Heart

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Young at Heart
Produzent(in):
Bob Andrews (keyboardist and producer) und Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
Verfasser(in):
Sara Dallin, Siobhan Fahey, Robert Hodgens und Keren Woodward
The Bluebells2.53:27
2Come On Eileen
Produzent(in):
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) und Alan Winstanley (English record producer)
künstlerische Leitung:
Clive Langer und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (not for release label use!) (in 1982)
recording of:
Come On Eileen
Verfasser(in):
Kevin Adams, James Mitchell Paterson und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
3Heart of Glass
assistierende(r) Techniker(in):
Grey Russell
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison
Gitarre:
Frank Infante und Chris Stein
Keyboard:
Jimmy Destri
Schlagzeug:
Clem Burke
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) und Chrysalis Records, Inc. (not for release label use!) (in 1979)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 2), Indie 88: Top 500 Indie Rock Songs (Nummer: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 138) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 255)
recording of:
Heart of Glass
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation und Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Version von:
Once I Had a Love
Blondie4.33:56
4Really Saying Something
cover recording of:
He Was Really Sayin’ Somethin’
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (appears also as: Jobete Msc.)
Bananarama2:40
5The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:31
6Smalltown Boy
recording engineer:
Pete Griffiths (UK studio technician, programmer & producer)
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
recording of:
Smalltown Boy
Verfasser(in):
Steve Bronski, Jimmy Somerville und Larry Steinbachek
publisher:
BMG Music Publishing Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bronski Music Ltd., Bucks Music Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
Gotcha! (1985 film soundtrack)
Bronski Beat3.754:59
7Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:38
8Video Killed the Radio Star
Produzent(in):
The Buggles
E-Gitarre und Sologesang:
Trevor Horn (in 1979)
Keyboard:
Geoff Downes (English keyboardist) (in 1979)
Chorgesang:
Debi Doss (photographer and singer, Kinks) (in 1979) und Linda Jardim (in 1979)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1979)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 40)
recording of:
Video Killed the Radio Star
Verfasser(in):
Geoff Downes (English keyboardist), Trevor Horn und Bruce Woolley
publisher:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Buggles3.953:29
9Einstein a Go‐Go
Produzent(in):
Landscape (80s British synthpop)
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (vom 1981 bis heute) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
recording of:
Einstein a Go-Go
Komponist(in):
Richard James Burgess, Landscape (80s British synthpop) und John L. Walters
publisher:
Landscape Music Ltd. und Sunbury Music Ltd.
Landscape3:03
10Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:56
11Reward
recording of:
Reward
Komponist(in):
Julian Cope und Alan Gill
The Teardrop Explodes2:56
12Wishing (If I Had a Photograph of You)
Techniker(in):
Dave Hutchins (UK engineer)
Produzent(in):
Mike Howlett
Bassgitarre:
Frank Maudsley
Gitarre:
Paul Reynolds (UK guitarist, in A Flock of Seagulls)
Keyboard und Sologesang:
Mike Score
Schlagzeug:
Ali Score
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1983) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Conny Plank's Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland
mixed at:
Union Studios (Established in 1963 as 'Studio Allach') in München, Bayern, Deutschland
recording of:
Wishing (If I Had a Photograph of You)
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Zomba Enterprises, Inc. und Zomba Management Ltd. (Don’t confuse with Zomba Management and Publishers Ltd.)
A Flock of Seagulls4.155:33
13Save a Prayer
recording of:
Save a Prayer (Duran Duran)
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran5:28
14I Second That Emotion
Produzent(in):
John Punter
phonographisches Urheberrecht (℗) von:
BMG Records (U.K.) Ltd. (1987–1996) (in 1981) und Hansa Productions Ltd. (in 1982)
cover recording of:
I Second That Emotion
Verfasser(in):
Al Cleveland (songwriter 1930-1996) und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Japan3.653:45
15Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.354:38
2▼CD
Nr.TitelKünstlerBewertungLänge
1My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.24:04
2Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:46
3Stray Cat Strut
Produzent(in):
Dave Edmunds
recording of:
Stray Cat Strut
Texter und Komponist(in):
Brian Setzer
publisher:
Zomba Enterprises, Inc.
Stray Cats3:19
4London Calling
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Guy Stevens
Bassgitarre:
Paul Simonon (von 1979-01 bis 1979-03)
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
Schlagzeug und Perkussion:
Topper Headon (von 1979-01 bis 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) (von 1979-01 bis 1979-03) und Joe Strummer (von 1979-01 bis 1979-03)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1979) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (von 1979-01 bis 1979-03)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 15), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 42), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 63), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 143)
recording of:
London Calling (von 1979-01 bis 1979-03)
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd., Nineden Music (publisher) und Virgin Music (Publishers) Ltd.
The Clash4.13:22
5Eton Rifles
Produzent(in):
Vic Coppersmith‐Heaven und The Jam (late 70s/early 80s UK punk/mod revival band)
recording of:
The Eton Rifles
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd. und Stylist Music Ltd.
The Jam3:30
6I Want You to Want Me
Techniker(in):
Antonio Reale
Produzent(in):
Tom Werman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
aufgenommen bei:
Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1977)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 266)
recording of:
I Want You to Want Me (in 1977)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick4.153:08
7Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.43:05
8I Don’t Like Mondays
recording of:
I Don’t Like Mondays
Texter und Komponist(in):
Johnnie Fingers und Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. und Zomba Music Publishing Ltd.
The Boomtown Rats3:50
9Shout
recording of:
Shout
Verfasser(in):
Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Roland Orzabal Ltd. und Virgin Music (Publishers) Ltd.
Tears for Fears35:52
10I Got You
Techniker(in) und Produzent(in):
David Tickle
Bass:
Nigel Griggs
Gitarre:
Neil Finn
Keyboard:
Tim Finn und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
Perkussion:
Noel Crombie
Schlagzeug:
Malcolm Green (UK/Australian drummer)
vocals:
Neil Finn und Tim Finn
phonographisches Urheberrecht (℗) von:
Mushroom Records Pty Ltd (in 1980) und Mushroom Records (in 2006)
recording of:
I Got You
Texter und Komponist(in):
Neil Finn
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music (Mushroom label’s publishing company)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 11)
Split Enz3.53:30
11Ships in the Night
Produzent(in):
John Leckie und Bill Nelson (English experimental musician)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1975-10)
recording of:
Ships in the Night (in 1975-10)
Texter und Komponist(in):
Bill Nelson (English experimental musician)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) und Henrees Music co.
Be Bop Deluxe54:04
12Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:35
13Fields of Fire
recording of:
Fields of Fire
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., BMG VM Music Ltd. und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:26
14Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:28
1519
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
3▼CD
Nr.TitelKünstlerBewertungLänge
1Dr. Beat
Sologesang:
Gloria Estefan
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. und Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:19
2Annie I’m Not Your Daddy
recording of:
Annie, I’m Not Your Daddy
Texter und Komponist(in):
August Darnell (singer, songwriter)
Kid Creole and the Coconuts34:05
3Japanese Boy
Produzent(in):
Neil Ross (UK based Music Engineer)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 26)
recording of:
Japanese Boy
Texter und Komponist(in):
Bobby Heatlie (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1981)
Aneka3.353:58
4Happy Birthday
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
produced at:
Genetic Sound in West Berkshire, England, Vereinigtes Königreich
recording of:
Happy Birthday
Verfasser(in):
Tich Anderson, Clare Grogan, Tony McDaid und Johnny McElhone
publisher:
Beam Down Ltd. (publisher), Notting Hill Music (UK) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images33:00
5Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
699 Luftballons
Techniker(in):
Imre Sereg (in 1982)
Produzent(in):
Reinhold Heil (in 1982) und Manfred Praeker (in 1982)
Mix:
Udo Arndt (in 1982)
E-Bass:
Jürgen Dehmel (in 1982)
E-Gitarre:
Carlo Karges (in 1982)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
Schlagzeug:
Rolf Brendel (in 1982)
Sologesang:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1983)
aufgenommen bei:
Spliff in Berlin, Deutschland (in 1982)
mixed at:
Audio-Studio in Berlin, Deutschland (in 1982)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 73) und Cachitos Nochevieja 2022 (Nummer: 105)
recording of:
99 Luftballons (in 1982)
Texter:
Carlo Karges (in 1982)
Komponist(in):
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.13:54
7Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:42
8It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin3.53:50
9Stand and Deliver
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Sologesang:
Adam Ant (English new wave singer and actor)
Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”) und Terry Lee Miall
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Teil von:
The Downloader’s Music Source Book (Nummer: 145)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:10
10Boxer Beat
recording of:
Boxerbeat
Verfasser(in):
David Collard, Rob Marche und Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
JoBoxers32:56
11On My Radio
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter4.23:12
12O Superman
Techniker(in):
Leanne Ungar
assistierende(r) Produzent(in):
Perry Hoberman
Produzent(in):
Laurie Anderson (experimental/art rock musician) und Roma Baran
elektronische Instrumente [electronics] und Vocoder:
Laurie Anderson (experimental/art rock musician)
Farfisa-Orgel und Synthesizer [Casio]:
Roma Baran
flute und Saxophon [sax]:
Perry Hoberman
vocals:
Laurie Anderson (experimental/art rock musician)
aufgenommen bei:
The Lobby (Laurie Anderson's home studio) in New York, New York, Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
O Superman (in 1981)
Texter und Komponist(in):
Laurie Anderson (experimental/art rock musician)
publisher:
Difficult Music
basiert auf:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
Laurie Anderson4.158:26
13Da Da Da
Techniker(in):
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
Produzent(in):
Klaus Voormann (in 1982-01)
E-Bass:
Klaus Voormann (in 1982-01)
E-Gitarre:
Kralle Krawinkel (in 1982-01)
Kastagnetten:
Hans‐Joachim Behrendt (in 1982-01)
Keyboard:
Stephan Remmler (in 1982-01)
Schlagzeug:
Peter Behrens (in 1982-01)
Hintergrundgesang:
Annette Humpe (in 1982-01)
Sologesang:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Deutschland (in 1982-01) und Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz (in 1982-01)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
Musikvideos:
Da Da Da (I Don't Love You) von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:23
14Can Can
recording of:
Can Can (“Bad Manners” version)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Version von:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Bad Manners22:56
15Happy Talk
cover recording of:
Happy Talk (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:33
4▼CD
Nr.TitelKünstlerBewertungLänge
1Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:28
2One Night in Bangkok
phonographisches Urheberrecht (℗) von:
Three Knights, Ltd. (in 1984)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 76)
recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
cover recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
Murray Head44:01
3Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some3:08
4Hold Me Now
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) und Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
Musikvideos:
Hold Me Now von Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
Verfasser(in):
Alannah Joy Currie, Joseph Martin Leeway und Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) und Point Music Ltd.
Thompson Twins4.54:44
5Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
recording of:
Glow
Texter und Komponist(in):
Gary Kemp
Spandau Ballet3.53:54
6It Doesn’t Have to Be This Way
Produzent(in):
Michael Baker (producer)
phonographisches Urheberrecht (℗) von:
RCA/Ariola Ltd. (in 1987)
produced for:
Simple Simon Inc.
recording of:
It Doesn’t Have to Be This Way
Texter und Komponist(in):
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher)
The Blow Monkeys3.354:05
7We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:47
8Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.653:52
9I Won’t Let You Down
recording of:
I Won’t Let You Down
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Tony Hymas
Ph.D.44:07
10What Is Love
Techniker(in):
Stephen W. Tayler (UK engineer)
Produzent(in):
Rupert Hine
Sologesang:
Howard Jones (English singer, songwriter)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
What Is Love?
Texter:
William Bryant (UK lyricist, writer and speaker) und Howard Jones (English singer, songwriter)
Komponist(in):
Howard Jones (English singer, songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Howard Jones Music Ltd., Kobalt Music Group und Warner Chappell Publishing
Howard Jones4.53:41
11If I Was
Produzent(in):
Midge Ure
Gast-Interpret(in):
Mark King (bass guitarist and vocalist)
arranger:
Midge Ure
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1985)
recording of:
If I Was
Verfasser(in):
Danny Mitchell (Scottish songwriter and member of Messengers) und Midge Ure
Midge Ure45:21
12I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:19
13Bang Bang
recording of:
Bang Bang
Verfasser(in):
Terry Britten und B.A. Robertson
publisher:
Kongride Music Ltd., Mews Music Ltd., My Axe Music Ltd. und United Artists Music Ltd.
B. A. Robertson3:24
14Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:18
15I’m in Love With a German Film Star
Produzent(in):
Peter Wilson (UK Producer)
Bass:
David Agar
Gitarre:
Barbara Gogan und Clive Timperley
Schlagzeug:
Richard Williams (UK drummer for The Passions)
vocals:
Barbara Gogan und Clive Timperley
recording of:
I’m in Love With a German Film Star
Texter:
Barbara Gogan
Komponist(in):
David Agar, Clive Timperley, David Wardill und Richard Williams (UK drummer for The Passions)
publisher:
America Eaton
The Passions43:59

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Discogs:https://www.discogs.com/master/698243 [Info]