| # | Title | Artist | Rating | Length |
|---|
| 1 | Father and Son (remastered 2020) | Cat Stevens | | 3:41 |
| 2 | Pennies From Heaven | Louis Prima | 5 | 2:22 |
| 3 | Monday, Monday | The Mamas & the Papas | | 3:24 |
| 4 | One Fine Day | The Chiffons | | 2:04 |
| 5 | What Becomes of the Brokenhearted (single version) | Jimmy Ruffin | 4.65 | 3:02 |
| 6 | Give Me Back My Love | Maywood | | 4:02 |
| 7 | Layla | Derek and the Dominos | | 7:02 |
| 8 | Sweet Home Alabama- miscellaneous support:
- Ronnie Van Zant
- engineer and producer:
- Al Kooper
- drums (drum set):
- Bob Burns (in 1973-07)
- electric bass guitar:
- Leon Wilkeson (in 1973-07)
- electric guitar:
- Allen Collins (in 1973-07), Ed King (in 1973-07) and Gary Rossington (in 1973-07)
- keyboard:
- Billy Powell (in 1973-07)
- background vocals:
- Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
- lead vocals:
- Ronnie Van Zant (in 1973-07)
- phonographic copyright (℗) by:
- Geffen Records (in 1974), MCA Records (in 1974), MCA Records Ltd. (in 1974), MCA Records, Inc. (in 1974), UMG Recordings, Inc. (in 1974), Universal Music (in 1974), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- produced for:
- Sounds of the South Productions
- recorded at:
- Studio One in Doraville, Georgia, United States (in 1973-07)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 398)
- recording of:
- Sweet Home Alabama (in 1973-07)
- miscellaneous support:
- Ronnie Van Zant
- writer:
- Ed King , Gary Rossington and Ronnie Van Zant
- publisher:
- Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. , Universal Music Corp. , Universal Music Publishing Ltd. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
| Lynyrd Skynyrd | 4.1 | 4:44 |
| 9 | If I Can’t Have You- producer:
- Freddie Perren
- bass:
- Scott Edwards
- drums (drum set):
- James Gadson
- guitar:
- Bob Bowles
- keyboard and synthesizer:
- Freddie Perren
- percussion:
- Bob Zimmitti, Paulinho da Costa and Freddie Perren
- piano:
- Sonny Burke
- background vocals [additional background vocals] and lead vocals:
- Yvonne Elliman
- background vocals [girl-group background vocals]:
- Marti McCall , Julia Waters and Maxine Waters
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 19) and Billboard: The 500 Best Pop Songs (number: 343)
- recording of:
- If I Can’t Have You
- written in:
- France
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Yvonne Elliman | 4.25 | 3:00 |
| 10 | Don’t Stand So Close to Me- engineer:
- Nigel Gray
- producer:
- Nigel Gray and The Police
- drums (drum set):
- Stewart Copeland (from 1980-07-07 until 1980-08-07)
- electric bass guitar, synthesizer and lead vocals:
- Sting (from 1980-07-07 until 1980-08-07)
- electric guitar:
- Andy Summers (from 1980-07-07 until 1980-08-07)
- background vocals:
- Stewart Copeland (from 1980-07-07 until 1980-08-07), Sting (from 1980-07-07 until 1980-08-07) and Andy Summers (from 1980-07-07 until 1980-08-07)
- phonographic copyright (℗) by:
- A&M Records Ltd. (in 1980, in 2003) and A&M Records, Inc. (in 1980, in 1997)
- recorded at:
- Wisseloord Studios in Hilversum, Noord-Holland , Netherlands, Kingdom of the Netherlands (from 1980-07-07 until 1980-08-07)
- recording of:
- Don’t Stand So Close to Me (from 1980-07-07 until 1980-08-07)
- lyricist and composer:
- Sting
- publisher:
- Warner Bros. (ended), EMI Blackwood Music (Canada) Ltd., EMI Blackwood Music Inc. (Sting), GM Sumner, Chappell Music (from 1980 to ????), Chappell Music Co. (from 1980 to ????), Virgin Music (Publishers) Ltd. (from 1980 to ????), Virgin Music, Inc. (from 1980 to ????), Virgin Publishing (from 1984 to ????), EMI Music Publishing, Ltd. (from 2003 to ????) and Songs of Universal, Inc. (from 2022-02 to present)
| The Police | 3.95 | 4:02 |
| 11 | You Give Love a Bad Name- assistant engineer:
- Tim Crich
- engineer and mixer:
- Bob Rock
- producer:
- Bruce Fairbairn
- acoustic guitar, electric guitar, guitar synthesizer [IVL Guitar Synths] and talkbox:
- Richie Sambora
- drums (drum set) and percussion:
- Tico Torres
- electric bass guitar [Bass] and background vocals:
- Alec John Such
- keyboard [Keyboards, Noises]:
- Dave Bryan
- background vocals [Backing Vocals]:
- Jon Bon Jovi, Dave Bryan , Richie Sambora and Alec John Such
- lead vocals:
- Jon Bon Jovi
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1986) and The Island Def Jam Music Group (in 2011)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 20) and BILLIONS CLUB
- recording of:
- You Give Love a Bad Name
- writer:
- Jon Bon Jovi, Desmond Child and Richie Sambora
- publisher:
- Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control , PolyGram Music Publishing, Sony/ATV Tunes LLC , Universal PolyGram International Publishing, Inc. , April Music Inc. (in 1986), Bon Jovi Publishing (in 1986), Desmobile Inc. (in 1986) and PolyGram International Publishing, Inc. (in 1986)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング A事業部 and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Bon Jovi | 4.3 | 3:42 |
| 12 | Alive and Kicking | Simple Minds | 3.5 | 4:46 |
| 13 | Is She Really Going Out With Him? | Joe Jackson | 4.4 | 3:34 |
| 14 | I Will Survive | Gloria Gaynor | | 4:56 |
| 15 | Bad to the Bone | George Thorogood & the Destroyers | 4.2 | 4:51 |
| 16 | Mississippi | Pussycat | | 4:36 |
| 17 | It’s My Party | Lesley Gore | | 2:21 |
| 18 | Rescue Me | Fontella Bass | | 2:52 |
| 19 | Please Mr. Postman (single version / mono) | The Marvelettes | | 2:29 |
| 20 | Centerfold | The J. Geils Band | | 3:34 |
| 21 | Stayin’ Alive- producer:
- Bee Gees, Albhy Galuten and Karl Richardson
- bass:
- Maurice Gibb (in 1977)
- drums (drum set):
- Dennis Bryon (in 1977)
- electric guitar:
- Alan Kendall (in 1977)
- guitar [rhythm guitar] and lead vocals:
- Barry Gibb (in 1977)
- keyboard, piano and synthesizer:
- Blue Weaver (in 1977)
- percussion:
- Dennis Bryon (in 1977) and Joe Lala (in 1977)
- background vocals and other vocals [harmony vocals]:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- performer:
- Bee Gees (in 1977)
- phonographic copyright (℗) by:
- Barry Gibb (in 1977), Maurice Gibb (in 1977) and Robin Gibb (in 1977)
- phonographic copyright (℗) by:
- PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (in 1977), PolyGram Records, Inc. (in 1977) and RSO Records, Inc. (in 1977)
- part of:
- Q50 – December 2005 (number: 3), Billboard Year-End Hot 100 singles of 1978 (number: 4), Billboard: The 500 Best Pop Songs (number: 32), Billboard: Greatest of All Time Hot 100 Songs (number: 66), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 99), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 189) and BILLIONS CLUB
- recording of:
- Stayin’ Alive (in 1977)
- writer:
- Barry Gibb, Maurice Gibb and Robin Gibb
- publisher:
- BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music, R.S.O. Publishing Ltd., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
| Bee Gees | 3.85 | 4:44 |
| 22 | Missing You- engineer and mixer:
- David Thoener
- drums (drum set):
- Curly Smith
- electric bass guitar [bass]:
- Donnie Nossov
- guitar:
- Gary Myrick
- keyboard:
- Bruce Brody
- percussion:
- Steve Scales
- lead vocals:
- John Waite
- phonographic copyright (℗) by:
- EMI Records (in 1984), EMI Records Ltd. (in 1984) and EMI Records USA (in 1984)
- recording of:
- Missing You
- lyricist:
- John Waite
- composer:
- Mark Leonard, Chas Sandford and John Waite
- publisher:
- Alley Music Corp., Carlin Music Corporation, Copyright Control , Everpop Songs, Markmeem Music , Paperwaite Music (, in 1984), Quartet Music Inc., Sony Music Publishing , Warner Chappell Music Ltd. , WB Music Corp. (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (in 1984), The Hudson Bay Music Co. (in 1984) and WC Music Corp. (from 2019-05-28 to present)
| John Waite | 3.75 | 4:29 |
| 23 | Mad World | Tears for Fears | 3.7 | 3:35 |
| 24 | Reach Out I’ll Be There (single version / mono) | Four Tops | | 2:59 |
| 25 | Hot Stuff | Donna Summer | 4.4 | 5:14 |
| 26 | Make Your Own Kind of Music | Cass Elliot | 5 | 2:23 |
| 27 | Heaven Must Be Missing an Angel | Tavares | | 6:33 |
| 28 | Baby, I Love Your Way | Peter Frampton | 3.65 | 4:41 |
| 29 | You Can’t Hurry Love | The Supremes | | 2:48 |
| 30 | The Gambler | Kenny Rogers | 4.35 | 3:32 |
| 31 | Stuck on You | Lionel Richie | 4 | 3:10 |
| 32 | Never, Never Gonna Give Ya Up (long version) | Barry White | | 4:47 |
| 33 | A Man Without Love | Engelbert Humperdinck | 4 | 3:20 |
| 34 | Stuck in the Middle With You | Stealers Wheel | 4.1 | 3:24 |
| 35 | Alone | Heart | 3.65 | 3:38 |
| 36 | Have You Ever Seen the Rain? | Creedence Clearwater Revival | 4.4 | 2:40 |
| 37 | This Love | Maroon 5 | 4.15 | 3:26 |
| 38 | Hazard | Richard Marx | | 5:17 |
| 39 | Never Knew Love Like This Before | Stephanie Mills | | 5:27 |
| 40 | The Tide Is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001), Capitol Records, Inc. (in 2001) and Capitol Records, LLC (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:39 |
| 41 | Weather With You | Crowded House | | 3:41 |
| 42 | It’s Not Unusual | Tom Jones | | 1:58 |
| 43 | Son of a Preacher Man | Dusty Springfield | 4.45 | 2:30 |
| 44 | Give a Little Bit- recording engineer:
- Pete (J.B.) Henderson
- assistant engineer:
- Steve Smith , Tom (G.B.) Likes and Tom (T.A.) Anderson
- producer:
- Supertramp
- mixer:
- Geoff Emerick
- 12 string guitar, electric guitar and lead vocals:
- Roger Hodgson (from 1976-11 until 1977-01)
- bass:
- Dougie Thomson (from 1976-11 until 1977-01)
- clavinet, organ and piano:
- Rick Davies (from 1976-11 until 1977-01)
- drums (drum set) and percussion:
- Bob C. Benberg (from 1976-11 until 1977-01)
- instruments:
- John Helliwell (from 1976-11 until 1977-01)
- remixer:
- Tom (T.A.) Anderson
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1977)
- recorded at:
- The Caribou Ranch in Nederland, Colorado, United States (from 1976-11 until 1977-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1976-11 until 1977-01)
- recording of:
- Give a Little Bit (from 1976-11 until 1977-01)
- composer:
- Rick Davies and Roger Hodgson
- publisher:
- Rondor Music, Rondor Music (London) Ltd., Almo Music Corp. (in 1977) and Delicate Music (in 1977)
| Supertramp | 3.95 | 4:06 |
| 45 | Gentle on My Mind | Glen Campbell | 4 | 2:56 |
| 46 | River Deep – Mountain High- engineer:
- Larry Levine
- producer:
- Phil Spector and Ike Turner
- lead vocals:
- Tina Turner
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 2004)
- recorded at:
- Gold Star Studios in Hollywood, Los Angeles, California, United States (in 1966-03)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 33) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 221)
- recording of:
- River Deep – Mountain High (in 1966-03)
- writer:
- Jeff Barry (in 1966), Ellie Greenwich (in 1966) and Phil Spector (in 1966)
- publisher:
- ABKCO Music, ABKCO Music, Inc. , Belinda Music, Bug Music (Windswept Account), Chrysalis Music Ltd. , EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Leiber Stoller Songs Ltd., Mecolico Music, Mother Bertha Music Inc., Trio Music , Trio Music Co., Inc., Trio Music Company, Universal Music Publishing , Universal–Songs of PolyGram International, Inc., Universal/Polygram Music Publishing, Warner Chappell, シンコーミュージック・エンタテイメント , ソニー・ミュージックパブリッシング EMI外国事業部 , フジパシフィックミュージック BMG事業部 , ユニバーサル・ミュージック・パブリッシング Synch事業部 and 日本アブコ音楽出版
| Ike & Tina Turner | 3.5 | 3:36 |
| 47 | The Sun Ain’t Gonna Shine Anymore | The Walker Brothers | | 3:10 |
| 48 | Surf City | Jan & Dean | | 2:26 |
| 49 | Joy to the World | Three Dog Night | 4.75 | 3:45 |
| 50 | Dancing in the Street- recording of:
- Dancing in the Street
- writer:
- I. Hunter, M. Gaye and W. Stevenson
- publisher:
- EMI Music , EMI Music Publishing , FCG Music, Jobete Music , Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
| Martha Reeves and the Vandellas | | 2:38 |
| 51 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002), Capitol Records, LLC (in 1979), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.2 | 4:00 |
| 52 | What’s Up- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC , Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat and Stuck in the Throat Music
| 4 Non Blondes | 3.85 | 4:55 |
| 53 | Escape (The Pina Colada Song) | Rupert Holmes | | 4:34 |
| 54 | Celebration- part of:
- Cachitos Nochevieja 2022 (number: 169)
- recording of:
- Celebration
- writer:
- Robert “Kool” Bell, Ronald Bell, George Brown , Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor , Dennis “D.T.” Thomas and Earl Toon, Jr.
- publisher:
- Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. , Warner–Tamerlane Publishing Corp. (in 1980) and WB Music Corp. (in 1980)
| Kool & the Gang | | 4:58 |
| 55 | Love Will Keep Us Together | Captain & Tennille | | 3:24 |
| 56 | Some Kind of Wonderful | Grand Funk Railroad | | 3:16 |
| 57 | Mustang Sally | The Commitments | 4.5 | 4:00 |
| 58 | Dark Lady | Cher | 3 | 3:27 |
| 59 | My Cherie Amour | Stevie Wonder | 4.3 | 2:55 |
| 60 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing
| Free | 4.15 | 5:32 |
| 61 | Super Freak- recording engineer and mixer:
- Tom "Super" Flye
- assistant engineer:
- Rick "Port Hole" Sanchez
- engineer:
- Bobby Brooks , Rick "Port Hole" Sanchez and Tom "Super" Flye
- executive producer:
- Alonzo Miller
- producer:
- Rick James
- bass:
- Oscar Alston
- drums (drum set):
- Lanise Hughes
- electric piano and synthesizer [Crumar]:
- Levi Ruffin, Jr.
- guitar:
- Tom McDermott
- handclaps and percussion:
- Oscar Alston, Rick James and Tom McDermott
- other instruments [flexatone] and vibraslap:
- Rick James
- tenor saxophone:
- Daniel LeMelle
- background vocals:
- Dennis Edwards , Melvin Franklin, Taborah Johnson, Glenn Leonard, Richard Street and Otis Williams
- horn arranger:
- Daniel LeMelle and Rick James
- arranger:
- Rick James
- recorded at:
- Motown Studios - Hitsville West in West Hollywood, California, United States (background vocals) and The Plant Studios in Sausalito, California, United States
- mixed at:
- Westlake Studios in West Hollywood, California, United States
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 71), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 153) and Rolling Stone: 500 Greatest Songs of All Time (number: 477)
- recording of:
- Super Freak
- lyricist and composer:
- Alonzo Miller and Rick James
- publisher:
- Jobete Music Co., Inc. and Stone Diamond Music Corporation
| Rick James | 4.15 | 3:25 |
| 62 | Blueberry Hill | Fats Domino | | 2:19 |
| 63 | When Will I Be Loved | Linda Ronstadt | | 2:04 |
| 64 | The Night They Drove Old Dixie Down | Joan Baez | | 3:25 |
| 65 | God Only Knows (Remastered 1996) | The Beach Boys | 1 | 2:53 |
| 66 | Forever and Ever | Demis Roussos | 5 | 3:40 |
| 67 | War | Edwin Starr | 4.2 | 3:22 |
| 68 | We Belong | Pat Benatar | 4.4 | 3:39 |
| 69 | You’re the One That I Want- engineer and mixer:
- David J. Holman
- producer:
- John Farrar
- electric bass guitar:
- David Hungate
- arranger:
- John Farrar, Michael Gibson and Louis St. Louis
- phonographic copyright (℗) by:
- Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (in 1978)
- karaoke version of:
- You’re the One That I Want (sing‐a‐long version) by John Farrar
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (number: 250)
- recording of:
- You’re the One That I Want
- lyricist and composer:
- John Farrar
- publisher:
- Famous Music Publishing Limited , Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- sub-publisher:
- ソニー・ミュージックパブリッシング A事業部
- part of:
- Grease
| John Travolta & Olivia Newton‐John | 4 | 2:47 |
| 70 | I’m Not in Love- recording engineer:
- 10cc (in 1974)
- engineer and mixer:
- Eric Stewart
- producer:
- 10cc
- bass and guitar:
- Graham Gouldman (in 1974)
- effects [musical effects], electric piano and lead vocals:
- Eric Stewart (in 1974)
- Moog:
- Kevin (in 1974)
- piano:
- Lol (in 1974)
- synclavier [control desk]:
- Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
- background vocals:
- Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
- other vocals [whisper vocals]:
- Kathy Redfern (in 1974)
- phonographic copyright (℗) by:
- Mercury Records Limited (in 1975), Mercury Records Ltd. (London) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (in 1979) and Mercury Records Ltd. (in 1996)
- recorded by:
- Phonogram Ltd. (London)
- recorded at:
- Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
- music videos:
- I’m Not in Love by 10cc
- part of:
- Billboard: The 500 Best Pop Songs (number: 319)
- recording of:
- I’m Not in Love (in 1974)
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing , EMI Music Publishing Ltd. , Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
- sub-publisher:
- イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| 10cc | 3.85 | 6:04 |
| 71 | Sixteen Tons | Tennessee Ernie Ford | | 2:35 |
| 72 | The Girl From Ipanema (single version) | Stan Getz | | 2:46 |
| 73 | Pearl’s a Singer | Elkie Brooks | | 3:39 |
| 74 | Indigo Girl | Watershed | | 3:00 |
| 75 | Smile | Nat King Cole | | 2:50 |
| 76 | Chiquitita | ABBA | 3.45 | 5:26 |
| 77 | Come On Eileen | Dexys Midnight Runners | | 4:38 |
| 78 | At Last | Etta James | 4.5 | 3:00 |
| 79 | I Don’t Like Mondays | The Boomtown Rats | 4 | 4:16 |
| 80 | Smoke Gets in Your Eyes- cover recording of:
- Smoke Gets in Your Eyes
- lyricist:
- Otto Harbach
- composer:
- Jerome Kern
- publisher:
- Chappell & Co Ltd., Chappell & Co., Chappell Music , Chappell Music Ltd., PolyGram International Publishing, Inc. , PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. and Universal PolyGram International Publishing, Inc.
- part of:
- Roberta
| The Platters | | 2:40 |
| 81 | Unchained Melody | The Righteous Brothers | | 3:34 |
| 82 | That’s Amore | Dean Martin | | 3:07 |
| 83 | Born Free (from “Born Free”) | Matt Monro | | 2:48 |
| 84 | Weeping | Bright Blue | | 4:51 |
| 85 | Fooled Around and Fell in Love | Elvin Bishop | 3.65 | 4:35 |
| 86 | Tainted Love- engineer:
- Paul Hardiman
- producer:
- Mike Thorne
- mixer:
- Harvey Goldberg
- electronic instruments and other instruments:
- Dave Ball
- saxophone:
- David Tofani
- background vocals:
- Vicious Pink
- vocals:
- Marc Almond
- phonographic copyright (℗) by:
- Mercury Records Ltd. (London) (in 1981)
- recorded at:
- Advision Studios in Fitzrovia, Camden , Westminster, London , England, United Kingdom
- music videos:
- Tainted Love by Soft Cell
- part of:
- VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (number: 33) and Billboard: The 500 Best Pop Songs (number: 46)
- cover recording of:
- Tainted Love
- lyricist and composer:
- Ed Cobb
- publisher:
- Burlington Music Co., Ltd. and Embassy Music Corporation
- sub-publisher:
- ミュージック・セールス
| Soft Cell | 3.95 | 2:40 |
| 87 | Easy | Commodores | 3.75 | 4:16 |
| 88 | Hopelessly Devoted to You | Olivia Newton‐John | 4 | 3:05 |
| 89 | Only You (and You Alone) (single version) | The Platters | | 2:42 |
| 90 | Baby Come Back- engineer:
- Matt Hyde , Jay Lewis and Joe Sidore
- producer:
- Dennis Lambert and Brian Potter
- bass guitar:
- Ronn Moss
- clavinet, electric piano and synthesizer:
- Wayne Cook
- congas, drums (drum set) and maracas:
- John Friesen
- guitar:
- Peter Beckett
- background vocals and lead vocals:
- J.C. Crowley
- vocals:
- Peter Beckett and Ronn Moss
- phonographic copyright (℗) by:
- PolyGram International Music B.V. (in 1977) and Universal International Music B.V. (in 1977)
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 7) and Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 24)
- recording of:
- Baby Come Back
- writer:
- Peter Beckett and John Charles Crowley II
- publisher:
- BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music , R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. , シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 , ワーナー・チャペル音楽出版 Synch事業部 and 大洋音楽
| Player | 4.35 | 4:12 |
| 91 | Drift Away | Dobie Gray | | 3:56 |
| 92 | I’ve Never Been to Me | Charlene | | 3:49 |
| 93 | You Needed Me | Anne Murray | 4.65 | 3:33 |
| 94 | Vincent | Don McLean | 4.4 | 4:00 |
| 95 | Maggie May- producer:
- Rod Stewart
- acoustic guitar:
- Martell Brandy (in 1971-01), Martin Quittenton (in 1971-01) and Rod Stewart (in 1971-01)
- bass:
- Andy Pyle (in 1971-01)
- bass guitar, guitar and pedal steel guitar:
- Ronnie Wood (in 1971-01)
- double bass:
- Danny Thompson (in 1971-01)
- drums (drum set):
- Micky Waller (in 1971-01)
- organ:
- Ian McLagan (in 1971-01)
- piano:
- Pete Sears (in 1971-01)
- slide guitar:
- Sam Mitchell (in 1971-01)
- violin:
- Dick Powell (in 1971-01)
- lead vocals:
- Rod Stewart (in 1971-01)
- vocals:
- Madeline Bell (in 1971-01)
- compilation of:
- Henry by Rod Stewart and Maggie May by Rod Stewart
- music videos:
- Maggie May by Rod Stewart
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
- recording of:
- Henry (in 1971-01)
- composer:
- Martin Quittenton
- recording of:
- Maggie May (in 1971-01)
- publisher:
- Rod Stewart
- writer:
- Mike Peters, Martin Quittenton and Rod Stewart
- publisher:
- Chappell Music Ltd., Copyright Control , EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing , EMI Music Publishing Ltd. , H. G. Music Inc, Mushroom Music , Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music
| Rod Stewart | 4.15 | 5:46 |
| 96 | Feeling Good | Nina Simone | 4.1 | 2:54 |
| 97 | Born to Be Wild- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:28 |
| 98 | Everyday | Buddy Holly | | 2:06 |
| 99 | Lovin’ You | Minnie Riperton | 3.65 | 3:23 |
| 100 | Je t’aime moi non plus | Serge Gainsbourg en duo avec Jane Birkin | 4 | 4:25 |
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