101 Running Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Don’t Stop Me Now
additional engineer:
John Etchells
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer) and Queen (UK rock group)
bass guitar:
John Deacon (from 1978-07 until 1978-10)
electric guitar:
Brian May (Queen guitarist) (from 1978-07 until 1978-10)
percussion:
Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
piano:
Freddie Mercury (from 1978-07 until 1978-10)
vocals:
Brian May (Queen guitarist) (from 1978-07 until 1978-10), Freddie Mercury (from 1978-07 until 1978-10) and Roger Taylor (Queen drummer) (from 1978-07 until 1978-10)
arranger:
Queen (UK rock group)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1978) and Raincloud Productions Ltd. (in 1978, in 2011)
recorded at:
Mountain Studio (original Montreux location, 1975–2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1978-07 until 1978-10) and Super Bear Studios in Berre-les-Alpes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (from 1978-07 until 1978-10)
part of:
TV Cream: Real 100 Best Singles Ever (number: 74)
recording of:
Don’t Stop Me Now (from 1978-07 until 1978-10)
written in:
Montreux, Vaud (Canton of Vaud), Switzerland and Nice, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France
lyricist and composer:
Freddie Mercury (from 1978-07 until 1978-10)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., Sony/ATV, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
included in:
We Will Rock You (Queen musical)
Queen4.253:30
2The Rockafeller Skank
engineer and mixer:
Simon Thornton (Big beat mixing engineer)
producer:
Fatboy Slim
performer:
Just Brothers
phonographic copyright (℗) by:
Skint Records (in 1998)
samples:
Beat Girl (Main Title) by The John Barry Seven and Sliced Tomatoes by Just Brothers
music videos:
Rockafeller Skank by Fatboy Slim
recording of:
The Rockafeller Skank
writer:
John Barry (English score composer), Fatboy Slim and Winifred Terry
publisher:
Gold Forever Music Inc., MCA Music Ltd., Polygram Music Publishing Ltd. (GB), Robbins Music Corp. Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
is based on:
Beat Girl (main title)
is based on:
Sliced Tomatoes
Fatboy Slim43:56
3Hey Ya!
recording engineer:
John Frye (hip hop / R&B mix engineer), Robert Hannon and Pete Novak
programming and producer:
André 3000
mixer:
Neal Pogue (mix engineer)
acoustic guitar and keyboard and lead vocals:
André 3000
keyboard:
Kevin Kendrick (US soul/funk keyboardist/songwriter)
music videos:
Hey Ya! by OutKast
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 10), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 14), Triple J’s Hottest 100: Twenty Years (2013) (number: 18), VH1’s Big Song of 2003 (number: 24), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 180) and Indie 88: Top 500 Indie Rock Songs (number: 198)
recording of:
Hey Ya!
lyricist and composer:
André Benjamin
publisher:
Chrysalis Music, Inc. and Gnat Booty
OutKast43:52
4Wake Me Up Before You Go Go
assistant engineer:
Paul Gomersau
engineer:
Chris Porter (engineer and producer)
producer:
George Michael
keyboard:
Tommy Eyre
saxophone:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographic copyright (℗) by:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
music videos:
Wake Me Up Before You Go by Wham! (British pop-duo)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 28) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 269)
recording of:
Wake Me Up Before You Go‐Go
lyricist and composer:
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:52
5Rebel Yell
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
bass, guitar and keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
drums (drum set):
Thommy Price (in 1983)
keyboard:
Judi Dozier (in 1983)
lead vocals:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Rebel Yell by Billy Idol (English rock singer‐songwriter)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 79)
recording of:
Rebel Yell (in 1983)
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) and WC Music Corp.
Billy Idol4.54:47
6Lust for Life
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977, in 1990) and Virgin Records America (used for copyrights) (in 1977)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 325)
recording of:
Lust for Life (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
David Bowie (English singer‐songwriter) and Iggy Pop
publisher:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (in 1988) and James Osterberg Music (in 1988)
Iggy Pop4.455:07
7One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:27
8Ain’t Talking ’Bout Dub
additional engineer:
Will O'Donovan
producer:
@440 (electronic rock band)
vocals:
Mary Mary (performance name of Ian Hoxley)
arranger:
Noko (Norman Fisher Jones)
recorded at:
Apollo Control in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Apollo Control in Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom
samples:
Ain’t Talkin’ ’Bout Love by Van Halen (American hard rock band)
cover recording of:
Ain’t Talkin’ ’Bout Love
lyricist and composer:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth and Alex Van Halen
publisher:
Iconic Roth Anthems, Mugambi Publishing, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Diamond Dave Music (in 1978), Van Halen Music (in 1978) and WC Music Corp. (from 2019-05-28 to present)
Apollo 44054:31
9Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
writer:
Tyran Carlo and Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:43
10Candyman
programming:
Marc Jameson
additional engineer:
Kristofer Kaufman and Chris Wonzer
engineer, producer and mixer:
Linda Perry (rock singer‐songwriter & producer)
audio engineer:
Andrew Chavez (engineer)
bass, mellotron and piano:
Linda Perry (rock singer‐songwriter & producer)
membranophone:
Nathan Wetherington
saxophone:
Glen Berger (saxophonist) and Ray Herrmann
trombone:
Jim McMillen (arranger & trombonist)
trumpet:
Chris Tedesco
horn arranger:
Linda Perry (rock singer‐songwriter & producer)
samples:
Tarzan and Jane Swingin' on a Vine by US Marines (United States Marine Corps)
music videos:
Candyman by Christina Aguilera
recording of:
Candyman
writer:
Christina Aguilera and Linda Perry (rock singer‐songwriter & producer)
Christina Aguilera3.53:15
11Mambo No. 5 (A Little Bit Of…)
co-producer:
Lou Bega and Zippy (Christian Königseder)
producer:
D. Fact and Frank Lio
instruments:
D. Fact and Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contains samples by:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographic copyright (℗) by:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) and Lautstark (in 1999)
produced for:
Syndicate
samples:
Mambo No. 5 by Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
lyricist:
Lou Bega and Zippy (Christian Königseder)
composer:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag and Peermusic (Germany) GmbH
is based on:
Mambo No. 5 (original, 1949)
Lou Bega3.753:39
12Footloose
producer:
Lee DeCarlo and Kenny Loggins
bass guitar:
Nathan East
bass synthesizer:
Michael Boddicker
drums (drum set):
Tris Imboden
guitar:
Buzz Feiten
instruments:
Michael Boddicker
keyboard:
Neil Larsen and Steven Wood (US soundtrack composer, member of Honk)
percussion:
Michael Boddicker and Paulinho da Costa (Brazilian percussionist)
background vocals:
Marilyn Dorman, Richey Washington and Steven Wood (US soundtrack composer, member of Honk)
lead vocals:
Kenny Loggins
remixer:
Humberto Gatica
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
lyricist:
Dean Pitchford
composer:
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. and Universal Music Publishers MGB Australia Pty Ltd
part of:
The 57th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1984 nominee)
Kenny Loggins4.13:47
13Modern Love
sound engineer, engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone and flute:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1982-12 until 1983-01)
bass:
Carmine Rojas (from 1982-12 until 1983-01)
drums (drum set):
Omar Hakim (from 1982-12 until 1983-01)
flute and tenor saxophone:
Robert Aaron (from 1982-12 until 1983-01) and Stan Harrison (American saxophonist) (from 1982-12 until 1983-01)
guitar:
Nile Rodgers (from 1982-12 until 1983-01) and Stevie Ray Vaughan (from 1982-12 until 1983-01)
keyboard:
Rob Sabino (from 1982-12 until 1983-01)
percussion:
Sammy Figueroa (from 1982-12 until 1983-01)
trumpet:
Mac Gollehon (from 1982-12 until 1983-01)
background vocals:
Frank Simms (from 1982-12 until 1983-01), George Simms (from 1982-12 until 1983-01) and David Spinner (from 1982-12 until 1983-01)
lead vocals:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1982-12 until 1983-01)
music videos:
Modern Love by David Bowie (English singer‐songwriter)
recording of:
Modern Love (from 1982-12 until 1983-01)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Jones Music America, RZO Music Ltd and Universal/MCA Music Publishing Pty Ltd
David Bowie3.93:58
14Black and White Town
piano:
Martin Rebelski
recording of:
Black and White Town
lyricist and composer:
Jimi Goodwin, Andy Williams (of Doves) and Jez Williams
Doves44:19
15Milk & Alcohol
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
writer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) and Gypie Mayo
publisher:
Plangent Visions Music Ltd. and Rock Music Co., Ltd.
Dr. Feelgood4.152:47
16Goody Two Shoes
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Alan Douglas (Scottish born engineer)
producer:
Adam Ant (English new wave singer and actor), Chris Hughes (producer, aka “Merrick”) and Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1982)
recording of:
Goody Two Shoes
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited and EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:19
17Fascination
part of:
Pitchfork Presents: The 100 Best Tracks of 2008 (number: 47)
recording of:
Fascination
writer:
Anders Bønløkke, Stine Bramsen, Troels Møller Hansen, Rasmus Nikolaj Østergaard Nagel, Anders Stig Gehrt Nielsen and Anders Reinholdt
Alphabeat3.63:02
18Ooh La La
recording engineer and producer:
Goldfrapp
additional programming:
Nick Batt and Lee Groves (game/film music composer/producer/engineer)
assistant engineer:
Alex Dromgoole and David Emery
mixer:
Mark “Spike” Stent (producer, engineer)
bass:
Charlie Jones (UK bassist, songwriter & producer)
guitar:
Adrian Utley
synthesizer:
Nick Batt
lead vocals:
Alison Goldfrapp
arranger:
Goldfrapp
mixed at:
The Mix Suite in London (Greater London), England, United Kingdom
recording of:
Ooh La La
writer and arranger:
Alison Goldfrapp and Will Gregory (saxophonist and member of Goldfrapp)
composer:
Cliff Martinez (American musician and score composer)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Goldfrapp43:25
19Speed of Sound
edit of:
Speed of Sound by Coldplay
music videos:
Speed of Sound by Coldplay
recording of:
Speed of Sound
writer:
Guy Berryman, Will Champion, Jonny Buckland and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd., BMG Songs and Universal Music Publishing MGB Ltd.
Coldplay3.54:23
20How to Save a Life
assistant recording engineer:
Kevin Loyal and James Masterson
recording engineer and editor:
Paul Mahern
additional engineer:
Tim Hoagland and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
assistant engineer:
Alex Uychocde
producer:
Mike Flynn (A&R executive) and Aaron Johnson (producer/mixer/engineer, worked with The Fray)
mixer:
Mark Endert
additional editor:
Warren Huart
music video for:
How to Save a Life (first variant) by The Fray (US alternative rock band)
music videos:
How to Save a Life (third variant) by The Fray (US alternative rock band)
recording of:
How to Save a Life
writer:
Joe King (guitarist and vocalist in The Fray) and Isaac Slade
publisher:
Aaron Edwards Publishing, EMI April Music Inc. and EMI Music Publishing Ltd. (PRS‐affiliated)
The Fray4.24:24
2▼CD
#TitleArtistRatingLength
1Tubthumping
engineer:
Neil Ferguson (Chumbawamba)
producer:
Chumbawamba
phonographic copyright (℗) by:
Chumbawamba (in 1997)
phonographic copyright (℗) by:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
recorded at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, United Kingdom (in 1997-09)
edit of:
Tubthumping (album version) by Chumbawamba
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
writer:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) and Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Leosong (publisher) (in 1997)
Chumbawamba3.653:34
2Eye of the Tiger
assistant engineer:
Hill Swimmer
engineer:
Phil Bonnano and Mike Clink
producer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographic copyright (℗) by:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 63)
recording of:
Eye of the Tiger
writer:
Jim Peterik and Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Survivor4.44:01
3Ain’t No Stoppin’ Us Now
edit of:
Ain’t No Stoppin’ Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:35
4Birdland
assistant engineer:
Jerry Hudgins and Brian Risner
engineer:
Ron Malo
assistant producer:
Wayne Shorter (US jazz saxophonist and composer)
co-producer:
Jaco Pastorius
producer:
Jaco Pastorius, Wayne Shorter (US jazz saxophonist and composer) and Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Arp 2600]:
Joe Zawinul (jazz and fusion keyboard player)
analog synthesizer [Oberheim Polyphonic], grand piano [acoustic piano] and melodica:
Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
drums (drum set):
Alex Acuña (from 1976 until 1977)
electric bass guitar [bass] and mandocello:
Jaco Pastorius (from 1976 until 1977)
soprano saxophone and tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (from 1976 until 1977)
tambourine:
Manolo Badrena (from 1976 until 1977)
vocals:
Jaco Pastorius (from 1976 until 1977) and Joe Zawinul (jazz and fusion keyboard player) (from 1976 until 1977)
orchestrator:
Joe Zawinul (jazz and fusion keyboard player)
recorded at:
Devonshire Sound Studios in North Hollywood, Los Angeles, California, United States (from 1976 until 1977)
recording of:
Birdland (instrumental) (from 1976 until 1977)
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Mulatto Music, Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Weather Report55:57
5Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
Santana3.854:18
6Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:10
7Ready to Go
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1996)
recording of:
Ready to Go
writer:
Tim Dorney, Johnny Male, Saffron (singer of Republica) and Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica2.453:39
8Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor‐Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor‐Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.053:32
9I’m Gonna Be (500 Miles)
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
acoustic guitar:
Jerry Donahue and Charlie Reid
bass guitar:
Phil Cranham
drums (drum set):
Paul Robinson (UK drummer, also Turning Point member)
electric guitar:
Jerry Donahue
fiddle:
Steve Shaw (Steve Brennan)
keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
mandolin and tin whistle:
Stuart Nisbet
steel guitar:
Gerry Hogan
vocals:
Charlie Reid and Craig Reid
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) and Chrysalis Records, Inc. (not for release label use!) (in 1988)
recorded at and mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 21)
recording of:
I’m Gonna Be (500 Miles)
writer:
Charlie Reid and Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
10Jerk It Out
part of:
Anti-Hit List: January 23, 2003 (number: 3)
recording of:
Jerk It Out
lyricist and composer:
Joakim Åhlund
Caesars3.83:16
11Get Over It
additional engineer:
Mike Haglar and Ken Sluiter (audio engineer and musician)
engineer:
Howard Willing
additional producer:
Dave Trumfio
producer:
Damian Kulash, Jr. and Howard Willing
mixer:
Tom Lord‐Alge
recording of:
Get Over It
writer and composer:
Damian Kulash, Jr.
OK Go4.353:16
1220th Century Boy
performer:
Marc Bolan
phonographic copyright (℗) by:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (in 1973)
recording of:
20th Century Boy (in 1972-12)
lyricist and composer:
Marc Bolan
publisher:
Fintage Publishing, Spirit Catalogue Holdings and Wizard (Bahamas) Ltd.
sub-publisher:
Shinko Music Entertainment Co., Ltd. (ended) and フジパシフィックミュージック (Fujipacific Music, Inc.)
T. Rex4.83:37
13Keep On Running
producer:
Chris Blackwell (Island Records)
vocals and performer:
Steve Winwood
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1965)
cover recording of:
Keep On Running
lyricist and composer:
Jackie Edwards
publisher:
Island Music Ltd. and Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Spencer Davis Group3.652:46
14We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:52
15Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-01 until 1994-07)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar:
Mick Quinn (from 1994-02 until 1994-08)
piano and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:01
16My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia and Wise Brothers Music LLC
The Knack4.24:00
17Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (guitarist, composer, arranger, and producer) (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.53:00
18Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.752:50
19Because the Night
producer:
Jimmy Iovine
mixer:
Jimmy Iovine and Shelly Yakus
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1978, in 1988) and Arista Records, LLC (holding company - file NO releases here!) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 72)
recording of:
Because the Night
publisher:
Bruce Springsteen and Bruce Springsteen (in 1975)
lyricist:
Patti Smith (in 1977) and Bruce Springsteen (in 1977)
composer:
Bruce Springsteen (in 1977)
publisher:
Bruce Springsteen Music, Rondor Music, Rondor Music (Australia) Pty Ltd, Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Patti Smith Group4.63:21
20Valerie
assistant engineer:
Tom Stanley
engineer:
Cenzo Townshend (engineer)
producer:
Stephen Street (famous producer, songwriter)
recording of:
Valerie (in 2006)
writer:
Boyan Chowdhury, Dave McCabe (English singer, songwriter and guitarist), Abi Harding, Sean Payne (member of The Big Kids, The Isrites, The Zutons) and Russ Pritchard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
The Zutons3.653:57
21Rockstar
producer:
Joey Moi and Nickelback
recording of:
Rockstar
lyricist:
Chad Kroeger
composer:
Daniel Adair, Chad Kroeger, Mike Kroeger and Ryan Peake
Nickelback3.84:17
3▼CD
#TitleArtistRatingLength
1Can’t Stop Moving (Mirwais remix)
remixer:
Mirwais
Sonny J2:56
2Not Fair
recording engineer, programming, audio engineer, producer and mixer:
Greg Kurstin
bass, guitar and keyboard:
Greg Kurstin
lead vocals:
Lily Allen
mixed for:
SK1 Productions
recorded at:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States, Lypiatt Park in Gloucestershire, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Premises Studios in Hoxton, Hackney, London (Greater London), England, United Kingdom
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Not Fair (promo video) by Lily Allen
recording of:
Not Fair
lyricist and composer:
Lily Allen and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen43:22
3So What
recording engineer:
Max Martin (Swedish record producer) (in 2008)
assistant engineer:
Tim Roberts (engineer)
engineer:
John Hanes (audio engineer, mixer)
producer:
Max Martin (Swedish record producer)
mixer:
Serban Ghenea
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2008)
recorded at:
House of Blues Studios in Encino, California, United States (in 2008) and Maratone Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 2008)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
music videos:
So What (clean) by P!nk (American singer/songwriter)
recording of:
So What (in 2008)
writer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin (Swedish record producer)
publisher:
EMI Blackwood Music Inc., Kobalt Music, Maratone AB and P!nk Inside Publishing
P!nk43:35
4Rockstar (Jason Nevins remix)
remixer:
Jason Nevins
recording of:
Rock Star
writer:
Chad Hugo and Pharrell Williams
N*E*R*D3:49
5I Know You Want Me (Calle Ocho)
partial recording of:
I Know You Want Me
writer:
Fasano, Perez (American rapper), Seraphine and Wolinsky
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
75, Brazil Street
recording of:
I Know You Want Me
writer:
Fasano, Perez (American rapper), Seraphine and Wolinsky
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
is based on:
75, Brazil Street
Pitbull2.53:04
6I See You Baby
engineer:
Simon Thornton (Big beat mixing engineer)
guest vocals:
Gram’ma Funk
remixer:
Fatboy Slim
arranger:
Fatboy Slim
recording of:
I See You Baby
lyricist and composer:
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada) and Toi Wooten
Groove Armada3.454:05
7Ready for the Floor
recording of:
Ready for the Floor
writer:
Owen Clarke (Member of Hot Chip; visual artist), Al Doyle, Joe Goddard (British synth-pop musician, songwriter & DJ), Felix Martin (Hot Chip DJ) and Alexis Taylor (Hot Chip front man)
Hot Chip43:23
8Doctor Pressure
recording of:
Doctor Pressure
writer:
Enrique Garcia (Miami Sound Machine) and Myles MacInnes (Scottish electronic musician & producer Myles MacInnes)
is based on:
Dr. Beat
is based on:
Drop the Pressure
Mylo vs. Miami Sound Machine3.853:26
9When Love Takes Over
guest lead vocals:
Kelly Rowland
recording of:
When Love Takes Over
lyricist:
Miriam Nervo, Olivia Nervo and Kelly Rowland
composer:
David Guetta and Frédéric Riesterer
publisher:
K-Gal Publishing, Razor Boy Music Publishing Sweden, Rister Editions and What A Publishing
David Guetta feat. Kelly Rowland3.53:24
10Beggin’
producer:
3Elementz
phonographic copyright (℗) by:
Bonnier Amigo Music Norway AS (do not use as a release label! NO division of Bonnier Amigo Music Group AB) (in 2008)
cover recording of:
Beggin’ (in 2008)
writer:
Peggy Farina and Bob Gaudio
publisher:
EMI Longitude Music, Saturday Music, Inc. and Seasons Four Music Corp.
Madcon4.23:36
11I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
miscellaneous support:
Gary "G" Silver (task: production coordinated)
programming:
benny blanco (producer Benjamin Levin) and Dr. Luke
engineer:
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy and Emily Wright
additional producer:
benny blanco (producer Benjamin Levin) and Mike Caffrey (drum machine [drum])
producer:
Dr. Luke
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
bass guitar [bass] and guitar [guitars]:
Dr. Luke
drums (drum set) [drums]:
benny blanco (producer Benjamin Levin) and Dr. Luke
drums (drum set) [live drums]:
Steven Wolf (drummer from USA)
background vocals:
Cathy Dennis
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
recorded at:
Conway Recording Studio in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States and Monster Island in New York, New York, United States (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 14) and BILLIONS CLUB
recording of:
I Kissed a Girl
writer:
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) and Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) and When I’m Rich You’ll Be My Bitch
Katy Perry3.953:01
12Toxic
recording engineer, programming, producer and editor:
Bloodshy and Avant
assistant engineer:
J. D. Andrew and Jonas Östman
mixer:
Niklas Flyckt
bass:
Tomas Lindberg (Swedish bass player)
guitar:
Henrik Jonback (Swedish producer, engineer, songwriter, guitarist)
other instruments:
Bloodshy and Avant
strings:
Stockholm Session Strings
background vocals:
Blackcell (Mathias Johansson, songwriter and producer), Cathy Dennis and Emma Holmgren
background vocals and lead vocals:
Britney Spears
conductor:
Janson+Janson
strings arranger:
Janson+Janson
arranger:
Bloodshy and Avant and Steve Lunt (British musician, songwriter, music executive also credited as Stephen Broughton)
phonographic copyright (℗) by:
Zomba Recording LLC (in 2003)
recorded at:
Murlyn Studios in Stockholm, Stockholms län (Stockholm county), Sweden and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
KhaBang Studio in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
Toxic by Britney Spears and Toxic (karaoke) by Britney Spears
a cappella versions:
Toxic (L∆VINCi Remix) by L∆VINCi (LAVINCi) feat. Britney Spears
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 1), Grammy Award: Best Dance/Electronic Recording nominees (number: 2005 winner), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 53), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 114) and BILLIONS CLUB
recording of:
Toxic
writer:
Cathy Dennis, Henrik Jonback (Swedish producer, engineer, songwriter, guitarist), Christian Karlsson (Swedish producer, remixer, songwriter, DJ, piano, guitar) and Pontus Winnberg (Swedish composer, lyricist, producer, engineer, multi-instrumentalist)
publisher:
Colgems-EMI Music Inc., Murlyn Songs AB and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Britney Spears4.153:20
13Feel Good Inc
programming:
James Dring
engineer:
Jason Cox (UK production/engineer)
producer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring and Gorillaz (virtual band)
mixer:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) and Gorillaz (virtual band)
additional guitar:
Simon Tong (The Verve)
lead vocals:
De La Soul
music videos:
Feel Good Inc. by Gorillaz (virtual band)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 40) and BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
writer:
Damon Albarn, Brian Burton, Jamie Hewlett and Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. and Underground Animals
Gorillaz43:42
14That’s Not My Name
recording of:
That’s Not My Name
writer:
Jules De Martino and Katie White
The Ting Tings43:47
15My Life Would Suck Without You
programming:
Dr. Luke
assistant engineer:
Aniela Gottwald and Kooolkojak
engineer:
Sam Holland (sound engineer) and Emily Wright
additional producer:
Claude Kelly
producer:
Dr. Luke and Max Martin (Swedish record producer)
mixer:
Serban Ghenea
editor:
Emily Wright
bass guitar [bass] and drums (drum set) [drums]:
Dr. Luke
guitar [guitars] and synthesizer [synths]:
Dr. Luke and Max Martin (Swedish record producer)
vocals:
Kelly Clarkson
phonographic copyright (℗) by:
19 Recordings Ltd. (not for release label use! record company founded by Simon Fuller) (from 2009 to present)
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
music videos:
My Life Would Suck Without You by Kelly Clarkson
part of:
Billboard Year-End Hot 100 singles of 2009 (number: 23)
recording of:
My Life Would Suck Without You
lyricist:
Łukasz Gottwald, Claude Kelly and Max Martin (Swedish record producer)
composer:
Łukasz Gottwald and Max Martin (Swedish record producer)
Kelly Clarkson3.953:32
16Sk8er Boi
recording engineer:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based) (drums (drum set)) and The Matrix (songwriters/producers collective)
executive producer:
Antonio M. Reid
producer:
The Matrix (songwriters/producers collective)
assistant mixer:
Femio Hernandez
mixer:
Tom Lord‐Alge
drums (drum set):
Victor Indrizzo
guitar:
Corky James
additional vocals:
The Matrix (songwriters/producers collective)
arranger:
The Matrix (songwriters/producers collective)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2022)
recorded at:
Decoy Studios in Studio City, Los Angeles, California, United States and Real Music Studios in Los Angeles, California, United States (drums (drum set))
mixed at:
South Beach Studios in Miami Beach, Florida, United States
music videos:
Sk8er Boi by Avril Lavigne
part of:
Billboard Year-End Hot 100 singles of 2002 (number: 96) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 225)
recording of:
Sk8er Boi
writer:
Avril Lavigne and The Matrix (songwriters/producers collective)
publisher:
Avril Lavigne Publishing LLC, Ferry Hill Songs, Hollylodge Music, Mr. Spock Music, Rainbow Fish, Tix Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
Avril Lavigne4.253:22
17Shake It
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 2007)
music videos:
Shake It by Metro Station
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 13) and Billboard Year-End Hot 100 singles of 2008 (number: 32)
recording of:
Shake It
writer:
Trace Cyrus, Anthony Improgo, Mason Musso and Timothy Blake Healy
Metro Station3.73:01
18Milkshake
producer:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
vocals:
Kelis
recording of:
Milkshake
writer:
Chad Hugo and Pharrell Williams
Kelis3.83:03
19Suddenly I See
assistant engineer:
Graham Deas
engineer:
Bruno Ellingham
producer:
Steve Osborne (producer)
mixer:
Ren Swan
baritone guitar and bass:
Arnulf Lindner
cajón, drums (drum set) and percussion:
Luke Bullen
guitar:
KT Tunstall
vocals:
KT Tunstall
phonographic copyright (℗) by:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, United Kingdom
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, United Kingdom
recording of:
Suddenly I See
lyricist and composer:
KT Tunstall
publisher:
Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:20
20No One
drums (drum set) programming:
Kerry Brothers
additional engineer:
Brendan Dekora, Zach Hancock and Stuart White
engineer:
Ann Mincieli
mixer:
Manny Marroquin
bass:
Steve Mostyn
piano:
Alicia Keys
part of:
Billboard Year-End Hot 100 singles of 2008 (number: 3) and BILLIONS CLUB
recording of:
No One
writer:
Kerry Brothers, George M. Harry and Alicia Keys
Alicia Keys3.554:16
4▼CD
#TitleArtistRatingLength
1Groovejet (If This Ain’t Love)
engineer:
Gabriel Covacich
co-producer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Boris Dlugosch
background vocals:
Sharon Scott (UK acid jazz singer)
guest lead vocals:
Sophie Ellis‐Bextor
phonographic copyright (℗) by:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (from 2000 to present) and Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (in 2000)
co-produced for:
F&G Management UK
samples:
Love Is You by Carol Williams (US disco musician) and Love Is You (original mix) by Carol Williams (US disco musician)
recording of:
Groovejet (If This Ain’t Love)
lyricist:
Sophie Ellis‐Bextor
composer:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") and Rob Davis (songwriter/producer was in Mud)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music and Universal Music (plain logo: “Universal Music”)
is based on:
Love Is You
version of:
Groovejet
Spiller feat. Sophie Ellis‐Bextor33:48
2Rhythm Is a Dancer
producer:
Benito Benites, John “Virgo” Garrett III and Snap! (Eurodance)
phonographic copyright (℗) by:
Ariola (German label, used worldwide in the past) (in 1992) and Logic Records (Germany) (in 1992)
recording of:
Rhythm Is a Dancer
writer:
Thea Austin, Benito Benites, Butler and John “Virgo” Garrett III
is based on:
Automan
Snap!3.853:41
3Don’t Call Me Baby
engineer and mixer:
Mark Rachelle
producer:
Madison Avenue (Australian electronic music duo)
lead vocals:
Cheyne Coates
phonographic copyright (℗) by:
Vicious Grooves (in 1999)
engineered at:
Backbeach Recording Co. in Rye, Shire of Mornington Peninsula, Victoria, Australia
samples:
Ma quale idea by Pino D’Angiò (Italo disco artist)
edit of:
Don’t Call Me Baby (original 12” mix) by Madison Avenue (Australian electronic music duo)
recording of:
Don’t Call Me Baby
writer:
Andrew Van Dorsselaer, Giuseppe Chierchia, Cheyne Coates, Jerry Cohen, Gene McFadden, Duane Morrison and John Whitehead
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Crisler, Universal Music (plain logo: “Universal Music”) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
is based on:
Ma quale idea
Madison Avenue2.83:48
4Call on Me
producer:
Eric Prydz
DJ-mixer:
Dipesh Parmar
samples:
Valerie by Steve Winwood
edit of:
Call on Me by Eric Prydz
recording of:
Call On Me
writer:
Will Jennings, Eric Prydz and Steve Winwood
publisher:
Blue Sky Rider Songs, EMI Blackwood Music Inc., Irving Music (BMI), O/B/O Music Pub. Ltd. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
is based on:
Valerie
Eric Prydz4.12:48
5Lola’s Theme
producer:
The Shapeshifters (UK electronic group, aka Shape:UK, and Shapeshifters)
bass:
Simon Marlin
keyboard:
Simon Marlin and Max Reich
background vocals:
Nate James and Karen Poole
lead vocals:
Cookie (featured vocalist with Shapeshifters)
phonographic copyright (℗) by:
Nocturnal Groove Ltd. (in 2004)
recording of:
Lola’s Theme
lyricist:
Karen Poole
writer:
Gianni Bini, Sylvia Macura, Simon Marlin, Patrick Moten (producer, arranger, writer, pianist, keyboardist and synthesizer player), Fulvio Perniola, Karen Poole and Max Reich
publisher:
AFP-Sony ATV, BMG Platinum Songs (Rosetta), Brightsail, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Virgin Songs, Inc., Kassner Associated Publishers, Nocturnal Groove, Pay Back Publishing Company, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing France, Spaced Hands Music, Supreme Songs Ltd, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
What About My Love
quotes lyrics from:
Love Me Tonight
The Shapeshifters3.53:26
6Infinity 08
remixer:
Klaas (German DJ)
recording of:
Infinity 2008
lyricist and composer:
Paul Walden (UK electronic artist, died 2015)
publisher:
EMI-Virgin Songs
version of:
Infinity
Guru Josh Project43:12
7Insomnia
producer:
Rollo (Rollo Armstrong of Faithless) and Sister Bliss
lead vocals [rap]:
Maxi Jazz
edit of:
Insomnia (original Reverence album mix) by Faithless
recording of:
Insomnia
lyricist:
Maxi Jazz
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless33:34
8Uninvited
guest vocals:
Bailey Tzuke
performer:
Bailey Tzuke
cover recording of:
Uninvited
lyricist and composer:
Alanis Morissette
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) and Vanhurst Place Music
part of:
Jagged Little Pill (the musical)
Freemasons feat. Bailey Tzuke3.53:02
9Acceptable in the 80s
recording of:
Acceptable in the 80s
composer:
Adam Wiles
Calvin Harris2.653:34
10I Luv U Baby
recording of:
I Luv U Baby
writer:
Giuseppe Nuzzo and Walter Taieb
The Original2.653:33
11Canned Heat
producer and mixer:
Al Stone (UK engineer)
strings arranger:
Simon Hale and Jay Kay (English singer, Jamiroquai)
recording of:
Canned Heat
lyricist, composer and arranger:
Jay Kay (English singer, Jamiroquai)
strings arranger:
Simon Hale
Jamiroquai3.353:20
12Lazy
recording engineer:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle)
producer:
X‐Press 2
mixer:
James Brown (UK electronic sound/mix engineer, collaborator of Ashley Beedle) and Adam Wren
editor:
Simon Thornton (Big beat mixing engineer)
keyboard:
Pete Z
guest vocals:
David Byrne (Talking Heads)
vocals and performer:
David Byrne (Talking Heads)
recorded at:
Rocksteady Studio in London (Greater London), England, United Kingdom
mixed at:
Rollover Studios in London (Greater London), England, United Kingdom
recording of:
Lazy
writer and arranger:
Ashley Beedle, David Byrne (Talking Heads), Darren Rock (UK techno producer Darren Rock) and Darren House
X‐Press 2 feat. David Byrne44:16
13For an Angel 2009
recording of:
For an Angel
composer:
Paul van Dyk (German DJ, record producer and musician)
publisher:
Paul van Dyk GmbH
Paul van Dyk43:01
14Children
producer:
Robert Miles (Swiss‐Italian producer, composer, musician and DJ) and Roberto Milani DJ
mixer:
Roberto Milani DJ
performer:
Maria Nayler
arranger:
Roberto Milani DJ
phonographic copyright (℗) by:
Deconstruction Ltd. (in 1996)
recording of:
Children
composer:
Roberto Concina
publisher:
Jeity Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Robert Miles3.654:04
15Toca’s Miracle
drum machine [Roland TR-909] programming:
Ramon Zenker
co-producer:
Dirk Duderstadt and Marco Duderstadt
producer and mixer:
Ramon Zenker
lead vocals:
Coco Star (trance vocalist Sue Brice, aka Coco)
phonographic copyright (℗) by:
Orbit Records Gmbh (from 2000 to present)
produced for:
Gang Go Music Productions GmbH, Cologne
edit of:
Toca’s Miracle (album version) by Fragma
recording of:
Toca’s Miracle
lyricist:
Rob Davis (songwriter/producer was in Mud) and Victor Imbres
composer:
Dirk Duderstadt, Marco Duderstadt and Ramon Zenker
publisher:
PLG MV - BMG Ufa, Universal/MCA Music (music publisher; do not use as release label!) and Upright Songs GmbH
is based on:
I Need a Miracle
version of:
Toca Me
Fragma43:22
16Bellissima
producer:
Tommaso De Donatis and Orhan Terzi
phonographic copyright (℗) by:
Lina Music (in 1996), Underdog (German trance) (in 1996) and Dos or Die Recordings (in 1997)
recording of:
Bellissima
writer:
Tommaso De Donatis and Orhan Terzi
publisher:
Lina Music and Musikverlag David Haid
DJ Quicksilver33:44
17Seven Days and One Week
producer:
Emmanuel Top
recording of:
Seven Days and One Week
composer:
Bruno Quartier and Bruno Sanchioni (Italo-Franco-Belgian producer)
publisher:
Emmanuel Top Éditions S.a.r.l.
B.B.E.3.254:13
18We Are the People (Wawa remix) (UK edit)
remixer:
Wawa (Polish house duo)
recording of:
We Are the People
writer:
Nick Littlemore, Jonathan Sloan and Luke Steele
Empire of the Sun4:22
19I Remember
programming and producer:
deadmau5 and Kaskade (American DJ and record producer)
phonographic copyright (℗) by:
EpicWin Ltd (in 2009)
recording of:
I Remember
lyricist and composer:
Finn Bjarnson, Ryan Raddon (performs as Kaskade) and Joel Zimmerman (performs as deadmau5)
publisher:
Arkade Made LLC, Big City Dynasty, EMI Blackwood Music Inc., EpicPublishing, Kobalt Music Publishing (UK), Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Ultra Empire Music, Ultra Tunes, Welcome Gypsy Sally and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (from 2023 to present)
Kaskade & deadmau53.253:21
20You Got the Love (Now Voyager mix)
recording of:
You Got the Love
writer:
John Bellamy, Arnecia Michelle Harris, Rush (written‐by credit) and Anthony B. Stephens
publisher:
Polygram Music Publ. and Warner Chappell (Warner/Chappell Music, Inc.)
is based on:
Your Love
The Source feat. Candi Staton4:03
5▶CD