Essential Acoustic Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Home
recording engineer und Mix:
Humberto Gatica
Programmierung:
Neil Devor und Jochem van der Saag
zusätzliche(r) Techniker(in):
Neil Devor und Alejandro Rodríguez (engineer based in Los Angeles)
Audio-Engineering:
Neil Devor, Christian Robles, Alejandro Rodríguez (engineer based in Los Angeles), Jorge Vivo (engineer) und Joe Wohlmuth
Produzent(in):
David Foster (Canadian music producer, arranger and composer) und Humberto Gatica
assistierende(r) Mix:
Courtney Blooding und Christian Robles
Bassgitarre:
Brian Bromberg
Gitarre:
Dean Parks (American session guitarist)
Klavier:
David Foster (Canadian music producer, arranger and composer)
Perkussion:
Rafael Padilla
Schlagzeug:
Vinnie Colaiuta (drummer)
Solo-Gitarre:
Brian Green (producer)
Hintergrundgesang:
Debbie Timuss
arranger:
David Foster (Canadian music producer, arranger and composer) und William Ross (composer, orchestrator, arranger, conductor)
phonographisches Urheberrecht (℗) von:
Reprise Records (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei und mixed at:
Chartmaker Studios in Malibu, California (Kalifornien), Vereinigte Staaten
recording of:
Home
Verfasser(in):
Michael Bublé, Alan Chang und Amy Foster‐Gillies
Michael Bublé2.53:47
2Same Mistake
recording of:
Same Mistake
Texter und Komponist(in):
James Blunt
James Blunt4:16
3Heal Over
recording of:
Heal Over
Texter und Komponist(in):
KT Tunstall
publisher:
Sony/ATV Music Publishing (UK) Ltd.
KT Tunstall4:27
4Loving You
recording of:
Loving You
Verfasser(in):
Jim Duguid, Chris Leonard (Son of Dork) und Paolo Nutini
Paolo Nutini3:39
5Closest Thing to Crazy
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Sologesang:
Katie Melua
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
Dramatico Entertainment Ltd. (not release label) (in 2003) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 2023)
recording of:
The Closest Thing to Crazy
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico, Dramatico Music Publishing, Sony Music Publishing (1995–2020) und Sony/ATV Music Publishing (UK) Ltd.
Katie Melua3.54:13
6Three More Days
Ray LaMontagne3:35
7Dogs
Damien Rice4:09
8Overpowered
Róisín Murphy?:??
9Always a Use
Madeleine Peyroux2:41
10Sand and Water
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1997)
recording of:
Sand and Water
Texter und Komponist(in):
Beth Nielsen Chapman (American singer and songwriter)
publisher:
BNC Songs Inc.
Beth Nielsen Chapman54:08
11Emily
recording of:
Emily
Texter und Komponist(in):
Stephen Fretwell
Stephen Fretwell3:36
12Losing the Will to Survive
Findlay Brown4:15
13Nature's Law
recording of:
Nature’s Law
Embrace4:08
14Something Hilarious
Ghosts3:43
15Goodbye Philadelphia
Peter Cincotti4:30
16Machines
recording engineer:
Mike Fraser (Canadian record producer, engineer and mixer)
Produzent(in):
Biffy Clyro und GGGarth (Canadian music producer and engineer)
Mix:
Andy Wallace (engineer)
recording of:
Machines
Texter und Komponist(in):
Simon Neil
publisher:
Good Soldier Songs
Biffy Clyro3.33:56
17Flowers in the Window
recording of:
Flowers in the Window
Texter und Komponist(in):
Fran Healy
Travis3:27
18Hard to Beat
recording of:
Hard to Beat
Verfasser(in):
Richard Archer
Hard‐Fi3:52
19Bad Day
recording engineer:
David Boucher und Jeff Dawson
Programmierung:
Jeff Dawson
Produzent(in):
Jeff Dawson und Mitchell Froom
Mix:
David Boucher
Bass:
Davey Faragher und Darren Parris
Gitarre [guitars]:
Jeff Dawson und Val McCallum (guitarist & singer-songwriter)
Keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
Schlagzeug [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander und Pete Thomas (drummer)
zusätzlich Keyboard [keyboards]:
Mitchell Froom
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Area A. in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bad Day
Texter und Komponist(in):
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.153:55
2CD
Nr.TitelKünstlerBewertungLänge
1Songbird
Eva Cassidy3:44
2Cycling Trivialities
recording of:
Cycling Trivialities
Texter und Komponist(in):
José González (Swedish singer-songwriter and guitarist)
José González7:19
3Ordinary People
Produzent(in):
John Legend
Klavier:
John Legend
vocals:
John Legend
recording of:
Ordinary People
Verfasser(in):
John Roger Stephens und William James Adams, Jr. (American rapper and producer)
John Legend3.354:41
4Lost Without U
recording of:
Lost Without U
Verfasser(in):
Sean Hurley (American bassist and songwriter) und Robin Thicke
Robin Thicke4:15
5Lay Lady Lay
Interpret(in):
Gemma Hayes
cover recording of:
Lay, Lady, Lay
Texter und Komponist(in):
Bob Dylan (von 1968 bis 1969)
zusätzlicher Texter:
Bob Dylan (in 1976)
publisher:
Sony/ATV Music Publishing (UK) Ltd., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Big Sky Music (publisher for Bob Dylan) (vom 1969 bis heute)
sub-publisher:
Sonora Musikförlags AB
Magnet3:27
6In the Waiting Line
recording of:
In the Waiting Line
Verfasser(in):
Sophie Barker (UK electronic vocalist), Henry Binns und Sam Hardaker
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Zero 74:06
7Silver Lining
recording engineer und Mix:
Jason Lader
Produzent(in):
Jason Lader und Rilo Kiley
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Silver Lining (music video) von Rilo Kiley
recording of:
Silver Lining
Verfasser(in):
Jenny Lewis (US actress and musician)
Rilo Kiley53:36
8Half the World AwayOasis34:20
9Born Under a Bad Sign
Produzent(in) und Mix:
Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield)
Gitarre, Keyboard, Klavier, Perkussion und zusätzlich Schlagzeug:
Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield)
vocals:
Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield)
aufgenommen bei:
Yellow Arch Studios in Sheffield, South Yorkshire, England, Vereinigtes Königreich
recording of:
Born Under a Bad Sign
Texter und Komponist(in):
Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield)
Richard Hawley3:40
10Hallelujah
Techniker(in), Produzent(in) und Mix:
Andy Wallace (engineer)
Gitarre und Sologesang:
Jeff Buckley (American singer, guitarist and songwriter)
Teil von:
AUX: 10 Cover Songs Better Than The Orignials, New York Post: 100 Greatest Covers (2007) (Nummer: 40), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 259) und Indie 88: Top 500 Indie Rock Songs (Nummer: 380)
cover recording of:
Hallelujah
Texter und Komponist(in):
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Bad Monk Publishing, Leonard Cohen Stranger Music Inc., SM Publishing Argentina S.R.L., Sony/ATV Music LLC, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs (SOCAN), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
sub-publisher:
Sony/ATV Music Publishing (Hong Kong)
Jeff Buckley3.856:49
1174, 75
recording engineer und Mix:
Lou Giordano (Boston engineer)
Techniker(in):
David Cook (engineer, producer)
Produzent(in):
The Connells und Lou Giordano (Boston engineer)
phonographisches Urheberrecht (℗) von:
TVT Records (in 1993)
recording of:
’74–’75
Texter und Komponist(in):
Mike Connell
publisher:
EMI Music Publishing (do not use as a release label!)
The Connells2.84:37
12More Than Words
assistierende(r) Techniker(in):
Craig Doubet (recording engineer)
Techniker(in):
Bob St. John
Produzent(in) und Mix:
Michael Wagener
Bassgitarre:
Pat Badger
Gitarre, Keyboard, Perkussion und Klavier und Hintergrundgesang:
Nuno Bettencourt
Schlagzeug und Perkussion:
Paul Geary
Hintergrundgesang und Sologesang:
Gary Cherone
phonographisches Urheberrecht (℗) von:
A&M Records (in 1990)
recording of:
More Than Words
Verfasser(in):
Nuno Bettencourt und Gary Cherone
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und Funky Metal Publishing
Extreme3.755:39
13Love Is Strange
assistierende(r) Techniker(in):
Cameron Jenkins (UK engineer) (in 1991-11)
Techniker(in):
Jerry Boys (in 1991-11)
Produzent(in):
Everything but the Girl
Akustikgitarre und Klavier:
Ben Watt
Bassgitarre:
Steve Pearce (UK bassist) (in 1991-11)
vocals:
Ben Watt
Saiteninstrumente arranger:
Nick Ingman und Ben Watt
cover recording of:
Love Is Strange (von 1991-11 bis 1992-03)
Texter:
Mickey Baker, Ethel Smith (American singer, guitarist, songwriter and music producer) und Sylvia Robinson
Verfasser(in):
Ethel Smith
Komponist(in):
Ethel Smith (American singer, guitarist, songwriter and music producer)
publisher:
Cromwell Music Ltd. und Ben Ghazi Music, Inc. (publisher) (in 1956)
Everything but the Girl43:21
14Kiss Me
Techniker(in):
Russ Long (engineer) und Robert Vosgien
Produzent(in):
Steve Taylor (US CCM singer–songwriter/record producer)
Mix:
Ben Grosse (American producer and engineer)
Bass:
Justin Cary (bassist) und J.J. Plasencio
Gast-accordion:
John Mark Painter
Gast-Orgel:
Phil Madeira
Gitarre:
Sean Kelly (Sixpence guitarist)
Schlagzeug:
Dale Baker (Drummer; The Maudlin Fee)
vocals:
Leigh Nash (vocalist of Sixpence None the Richer)
phonographisches Urheberrecht (℗) von:
Squint Entertainment (in 1999)
recording of:
Kiss Me
Texter und Komponist(in):
Matt Slocum (lead guitarist for Sixpence None the Richer)
publisher:
My So-Called Music, Songs of Evergreen Copyrights, Squint Songs und Le Tigre Sur un Ballon Publishing (in 1999)
Sixpence None the Richer3.63:13
15Constant Craving
Produzent(in):
k.d. lang, Ben Mink und Greg Penny
accordion und Klavier:
Teddy Borowiecki
E-Bass:
David Piltch
guitar family und Geige / Violine:
Ben Mink
Perkussion:
Graham Boyle (drummer)
Schlagzeug:
Randall Stoll (drummer)
Vibraphon:
Gary Burton (jazz vibraphonist and composer)
vocals:
k.d. lang
zusätzlich vocals:
Sue Leonard
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992) und Warner Music H.K. Ltd. (in 1997)
aufgenommen bei:
Vancouver Studios in Vancouver, British Columbia, Kanada
mixed at:
Saylor Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Constant Craving (music video) von k.d. lang
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 14)
recording of:
Constant Craving
Texter und Komponist(in):
k.d. lang und Ben Mink
publisher:
Bumstead Publishing und Zavion Music
k.d. lang3.84:29
16She's Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates3.655:16
17Just Like a Woman
cover recording of:
Just Like a Woman
Texter und Komponist(in):
Bob Dylan (am 1965-11-25)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), M. Witmark & Sons und Dwarf Music (vom 1966 bis heute)
Richie Havens5:17
3CD
Nr.TitelKünstlerBewertungLänge
1Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
2Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.43:59
3Mrs. Robinson
recording engineer:
Roy Halee (am 1968-02-02)
assistierende(r) Produzent(in):
Bob Johnston (US record producer and early rockebilly singer)
Produzent(in):
Art Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Gitarre:
Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1968-02-02)
vocals:
Art Garfunkel (am 1968-02-02) und Paul Simon (of Simon & Garfunkel) (am 1968-02-02)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1968) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1968)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 270)
recording of:
Mrs. Robinson (am 1968-02-02)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!) und Universal/MCA Music Publishing Pty Ltd
Simon & Garfunkel4.254:02
4Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:01
5I Don't Wanna Talk About It
Crazy Horse5:18
6One of These Days
recording of:
One of These Days
Texter und Komponist(in):
Earl Montgomery (Songwriter and musicians)
Emmylou Harris3:03
7Desperado
cover recording of:
Desperado
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Don Henley
publisher:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Warner Bros. Music GmbH (publisher) (in 1981)
Judy Collins3:32
8Who Knows Where the Time Goes
Nanci Griffith5:34
9Chuck E's In Love
Techniker(in):
Loyd Clifft und Lee Herschberg
zusätzliche(r) Techniker(in):
Tom Knox und Roger Nichols (US mastering, recording engineer and producer)
Produzent(in):
Russ Titelman und Lenny Waronker
Mix:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Chuck E.’s in Love
Texter und Komponist(in):
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:29
10Mr. Bojangles
recording of:
Mr. Bojangles
Texter und Komponist(in):
Jerry Jeff Walker
publisher:
Gotillion Music (BMI), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Australia Pty. Ltd.
Jerry Jeff Walker3:56
11Full Circle
recording of:
Full Circle
Texter und Komponist(in):
Gene Clark (US singer-songwriter; founder of The Byrds)
The Byrds2:42
12The Last Thing on My Mind
Produzent(in):
Paul Rothchild
Banjo, Gitarre [2nd guitar] und Mundharmonika:
Barry Kornfeld (in 1964)
Gitarre:
Tom Paxton (US folk singer-songwriter) (in 1964)
Mexikanische Guitarrón [guitarron]:
Felix Pappalardi (in 1964)
vocals:
Tom Paxton (US folk singer-songwriter) (in 1964)
recording of:
The Last Thing on My Mind (in 1964)
Texter und Komponist(in):
Tom Paxton (US folk singer-songwriter)
publisher:
Deep Fork Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Essex Music, Inc., Harmony Music Ltd., United Artists Music Co., Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Tom Paxton3:06
13W.O.L.D.
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
W·O·L·D
Texter und Komponist(in):
Harry Chapin
publisher:
Story Songs, Ltd
Harry Chapin5:08
14I Think It's Going to Rain Today
recording of:
I Think It’s Going to Rain Today
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), January Music Corp., Warner/Chappell North America und Unichappell Music, Inc. (in 1966)
übersetzte Version von:
Ik denk dat niemand mij morgen mist
Randy Newman2:57
15The Weakness In Me
assistierende(r) Techniker(in):
George Chambers (engineer a/k/a George “Chappie” Chambers)
Techniker(in):
Steve Brown (engineer/music producer)
Produzent(in):
Steve Lillywhite
Akustikgitarre:
Hugh Burns (in 1981-07) und Andy Partridge (in 1981-07)
Bass:
Tony Levin (US rock bassist/Chapman stick player) (in 1981-07)
Klavier:
Nick Plytas (in 1981-07)
Perkussion:
Ray Cooper (percussionist) (in 1981-07)
Schlagzeug:
Jerry Marotta (drummer and composer) (in 1981-07)
Synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1981-07)
recording of:
The Weakness in Me (in 1981-07)
Texter und Komponist(in):
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
Teil von:
10 Things I Hate About You
Joan Armatrading53:32
16Alone Again Or
Techniker(in):
Bruce Botnick
Produzent(in):
Bruce Botnick und Arthur Lee
Akustikgitarre und Sologesang:
Bryan MacLean (am 1967-09-10)
E-Bass:
Ken Forssi (am 1967-09-10)
Schlagzeug:
Michael Stuart-Ware (US drummer for Love) (am 1967-09-10)
zusätzlich Sologesang:
Arthur Lee (in 1967-09)
Horn arranger und Saiteninstrumente arranger:
David Angel (composer and arranger) (am 1967-09-10)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-09-10)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 436)
recording of:
Alone Again Or (am 1967-09-10)
Texter und Komponist(in):
Bryan MacLean
Love4.23:14
17Walk on the Wild Side
Produzent(in):
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
E-Bass und Kontrabass:
Herbie Flowers (in 1972-08)
Schlagzeug:
John Halsey (in 1972-08)
Hintergrundgesang:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
Sologesang:
Lou Reed (in 1972-08)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Samples von:
Lexicon Valley #150, “Why Language Can’t Be Tamed” von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 180) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 221)
recording of:
Walk on the Wild Side (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Six Continents Music Publishing Inc.
Lou Reed4.254:12
18Tom Traubert's Blues
Tom Waits6:25

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