Renaissance Dance

~ Release by Early Music Consort of London, David Munrow (see all versions of this release, 1 available)

Annotation

From the booklet:

  • Tylman Susato's Third Music Book (often known simply as the "Danserye") is a collection of popular dance arrangements published in Antwerp in 1551.
  • In 1599 Thomas Morley published The first Booke of Consort Lessons, a purely instrumental collection comprising some of his own compositions alongside arrangements of works by his contemporaries.

Recording: All Saint's Church, Tooting, 27 & 29 January & 5 & 6 February 1971

Annotation last modified on 2007-07-27 12:56 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
112 Dances from Dansereye: La Mourisque
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
La Mourisque
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:15
212 Dances from Dansereye: Branle Quatre - Bransles
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken “Danseyre”: Quatre branles
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:40
312 Dances from Dansereye: Ronde & Salterelle
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken “Danseyre”: Ronde VI / Saltarelle
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:34
412 Dances from Dansereye: Ronde Mon Amy
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken "Danseyre": Ronde II "Mon amy"
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato2:30
512 Dances from Dansereye: Allemaigne & Recoupe
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken “Danseyre”: Allemaingne I / Recoupe I
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato2:40
612 Dances from Dansereye: Pavane "Mille regretz"
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Mille regretz
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato2:59
712 Dances from Dansereye: Basse danse Bergeret sans Roch & Reprise
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken "Danserye": Bergeret sans roch
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato2:34
812 Dances from Dansereye: Danse du Roy
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken "Danseyre": Danse du Roy
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:22
912 Dances from Dansereye: Ronde
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken “Danseyre”: Ronde V “Wo bistu”
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:02
1012 Dances from Dansereye: Passe et Medio
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
partial recording of:
Het derde musyck boexken “Danseyre”: Passe et medio / Reprise “Le pingne”
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:51
1112 Dances from Dansereye: Reprise "Le Pingue"
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
partial recording of:
Het derde musyck boexken “Danseyre”: Passe et medio / Reprise “Le pingne”
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato0:46
1212 Dances from Dansereye: Ronde
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Het derde musyck boexken “Danseyre”: Ronde IX / Reprise aliud (III)
composer:
Tielman Susato (Flemish Renaissance composer)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato1:59
1312 Dances from Dansereye: Pavane "La Bataille"
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
partial recording of:
Pavane et Gaillarde sur la Bataille
composer:
Tielman Susato (Flemish Renaissance composer) (in 1551)
part of:
Het derde musyck boexken "Danserye"
Tielman Susato2:59
14Dances for Broken Consort: Mounsier's Almaine (Byrd)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Consort Lessons, Book 1: Mounsier's Almaine (arrangement by Thomas Morley)
composer:
William Byrd (English composer)
arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
Monsieur's Almaine
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:33
15Dances for Broken Consort: Lachrimae Pavan (Dowland)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
The Fitzwilliam Virginal Book No. 153: Pavana Lachrymae (arr. Thomas Morley)
composer:
John Dowland (English Renaissance composer, lutenist, and singer) and Thomas Morley (English Renaissance composer)
arranger:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
part of:
Fitzwilliam Virginal Book
Thomas Morley4:36
16Dances for Broken Consort: Michill's Galliard (Anon.)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Consort Lessons, Book 1: Michill's Galliard
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:17
17Dances for Broken Consort: Lute duet: My Lord Chamberlain's Galliard (Dowland)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Dances for Broken Consort: Lute duet: My Lord Chamberlain's Galliard (arr. Thomas Morley)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
My Lord Chamberlain, His Galliard, P. 37
Thomas Morley2:33
18Dances for Broken Consort: The Jew's Dance (Richard Nicholson)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
The Jew's Dance (arr. Thomas Morley)
composer:
Richard Nicholson (English organist and composer)
arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
The Jew's Dance
Thomas Morley1:47
19Dances for Broken Consort: Captaine Piper's Pavan and Galliard (Dowland)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Consort Lessons, Book 1: Captaine Piper's Pavan and Galliard (arr. Morley)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
Captaine Digorie Piper his Pavan, P. 8
arrangement of:
Piper's Galliard, P. 88
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley7:21
20Dances for Broken Consort: My Lord of Oxenford's Maske (Byrd)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Consort Lessons, Book 1: My Lord of Oxenford's Maske (arr. Thomas Morley)
composer:
William Byrd (English composer)
arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
My Lord of Oxenfords Maske
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:53
21Dances for Broken Consort: Lavoito & La Coranta (Morley)
producer:
Christopher Bishop (conductor/producer)
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
All Saint's Church, Tooting (Tooting, London) in London (Greater London), England, United Kingdom (from 1971-01-27 until 1971-02-06)
recording of:
Consort Lessons, Book 1: La coranto
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
recording of:
Consort Lessons, Book 1: Lavolto
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley3:18
2▼CD
#TitleArtistRatingLength
1Dances from Terpsichore: Passameze
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, no. 286: Passameze à 6
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius1:35
2Dances from Terpsichore: Spagnoletta
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, No. 27: Spagnoletta à 4
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius1:24
3Dances from Terpsichore: La Bourrée
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, No. 32: La Bourrée à 4
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:18
4Dances from Terpsichore: Pavane de Spaigne
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, No. 30: Pavane de Spaigne à 4
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:26
5Dances from Terpsichore: Courante M.M. Wüstrow
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
partial recording of:
Terpsichore, No. 150: Courante M. M. Wüstrow à 4 / No. 179: Courante à 4 / No. 48: Courrant de Bataglia à 5
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:34
6Dances from Terpsichore: Suite de ballets: Ballet des Bacannales / Ballet des matelotz / Ballet des coqs
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
partial recording of:
Terpsichore, No. 274: Ballet à 4 / No. 278: Ballet des Baccanales à 4 / No. 280: Ballet des Matelotz à 4 / No. 254: Ballet des coqs à 4
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:48
7Dances from Terpsichore: [Galliard] Reprinse secundam inferiorum
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, No. 310: Reprinse secundam inferiorem à 4
composer:
[anonymous] (special purpose artist)
arranger:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:41
8Dances from Terpsichore: La Sarbande
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
recording of:
Terpsichore, No. 34: La Sarabande à 4 (TMA 34)
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius2:18
9Dances from Terpsichore: Suite de Voltes: Volte I / Volte II / Volte III / Volte IV
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-12-06 until 1973-12-07)
partial recording of:
Terpsichore, No. 199: Volte du tambour à 5 / No. 243: Volte à 4 / No. 242: Volte à 4 / No. 223: Volte à 5
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
recording of:
Terpsichore, No. 210: Volte à 5 (TMA 210)
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
part of:
Terpsichore, Musarum Aoniarum
recording of:
Terpsichore, No. 211: Volte à 5
composer:
Michael Praetorius (composer and organist)
part of:
Terpsichore, Musarum Aoniarum
Michael Praetorius4:01
10Five Dances: Pass'e mezzo della Paganina / Ballo francese / La Lavandara / L'Arboscello Ballo Furiano / La Zanetta
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11-06 until 1975-11-07)
recording of:
Il Primo libro de balli, No. 3: Pass é mezzo della paganina
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il Primo libro de balli, No. 7: La Zanetta Padoana
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il Primo libro de balli, No. 10: La lavandara gagliarda
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il primo libro de balli, No. 15: L'Arboscello Ballo Furlano
publisher:
Pierre Phalèse the Elder (Flemish music publisher in the 16th century)
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il Primo libro de balli, No. 18: Ballo francese
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
Giorgio Mainerio6:41
11Canzone a 8
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11-06 until 1975-11-07)
recording of:
Canzon XXIV à 8 (Canzoni per sonare)
composer:
Gioseffo Guami (Italian composer, organist, violinist & singer, c. 1542-1611)
part of:
Canzoni per sonare (1608)
Gioseffo Guami2:52
12La Negrona
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11-06 until 1975-11-07)
recording of:
Canzon "La Negrona"
composer:
Pietro Lappi
Pietro Lappi3:12
13Canzona prima a 12
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11-06 until 1975-11-07)
recording of:
Canzona prima a 12
composer:
Giovanni Priuli
Giovanni Priuli4:48
14Five Dances: Pass'e mezzo moderno / Ballo Anglese / Schiarazula Marazula / Ongarescha / Tedescha
orchestra:
The Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
balance engineer:
Stuart Eltham (engineer)
recorded at:
No. 1 Studio, Abbey Road, London in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1975-11-06 until 1975-11-07)
recording of:
Il primo libro de balli, No. 9: Tedesca No. 1 / Saltarello
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il Primo libro de balli, No. 11: Pass é mezzo moderno
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il primo libro de balli, No. 12: Schiarazula marazula
publisher:
Pierre Phalèse the Elder (Flemish music publisher in the 16th century)
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
is based on:
Schiarazula Marazula
part of:
Il primo libro de balli
recording of:
Il primo libro de balli, No. 14: Ungaresca / Saltarello
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
recording of:
Il Primo libro de balli, No. 19: Ballo anglese
composer:
Giorgio Mainerio (Italian composer & occultist, c. 1535-1582)
part of:
Il primo libro de balli
Giorgio Mainerio11:21

Credits

Release

liner notes:Mark Audus
Adélaïde de Place
liner notes translator:Gudrun Meier (linernotes, Übersetzung)
Discogs:https://www.discogs.com/release/10593349 [info]
ASIN:UK: B000CEBOQ8 [info]

Release group

includes:Two Renaissance Dance Bands by Early Music Consort of London, The Morley Consort (UK early music ensemble), David Munrow (UK early music historian & musician)