Raised on Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Issued under the Columbia trademark

Annotation last modified on 2016-05-02 11:41 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1The Final Countdown
recording engineer and mixer:
Wally Buck and Kevin Elson
producer:
Kevin Elson
bass guitar [bass]:
John Levén
drums (drum set) [drums]:
Ian Haugland
guitar:
John Norum
keyboard:
Mic Michaeli
background vocals:
Ian Haugland, Mic Michaeli and John Norum
lead vocals:
Joey Tempest (Swedish singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
recorded at and mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Powerplay Studios in Maur, Zürich (Canton of Zürich), Switzerland and Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Sweden
music video for:
The Final Countdown by Europe (Swedish band)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 66) and Cachitos Nochevieja 2022 (number: 155)
recording of:
The Final Countdown
lyricist and composer:
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Seven Doors Music
Europe4.055:12
2Breaking the Law
engineer:
Lou Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (from 1980-01 until 1980-02)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1980-01 until 1980-02)
electric guitar:
Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
lead vocals:
Rob Halford (from 1980-01 until 1980-02)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2026)
recorded at:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
music videos:
Breaking the Law (music video) by Judas Priest
part of:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 4), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 12) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Breaking the Law (from 1980-01 until 1980-02)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
Crewglen Ltd., Ebonytree Ltd, EMI April Music Inc., EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Geargate Ltd. (publishing for K. K. Downing), Reach Global (UK) Limited, Reach Music Publishing, Inc., Round Hill Songs II and Warner Chappell Music France
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Judas Priest4.152:38
3The One to Sing the Blues
engineer:
Casey McMackin (in 1990)
producer and mixer:
Peter Solley (English pianist, songwriter and producer) (in 1990)
drums (drum set):
Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1990)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1990)
electric guitar:
Wizzö (Welsh metal guitarist for Motörhead & Persian Risk) (in 1990) and Würzel (Motörhead guitarist) (in 1990)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1990)
recording of:
The One to Sing the Blues (in 1990)
writer:
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk), Ian Fraser Kilmister (“Lemmy” from Motörhead), Michael Burston (Motörhead guitarist) and Phil Taylor (former Motörhead drummer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Motörhead33:11
4Bed of Nails
recording engineer:
Sir Arthur Payson
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional guitar:
Kane Roberts
additional keyboard:
Paul Chiten (songwriter and producer) and Gregg Mangiafico
additional other instruments [special effects]:
Gregg Mangiafico
bass guitar:
Hugh McDonald (bassist)
drums (drum set):
Bobby Chouinard
guitar:
John McCurry
keyboard:
Alan St. John
background vocals:
Alan St. John, Michael Anthony (US bassist, formerly of Van Halen), Desmond Child, Diana Grasselli, Jango (backing vocalist on “Trash” by Alice Cooper), Louie Merlino, Hugh McDonald (bassist), Jamie Sever, Bernie Shanahan, Stiv Bator, Tom Teeley, Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz), Myriam Valle and Maria Vidal (American singer-songwriter)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States, Blue Jay Recording Studios in Carlisle, Massachusetts, United States, Grog Kill Studio in Woodstock, New York, United States, Mediasound Studios in New York, New York, United States, Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States, Right Track Recording in Manhattan, New York, New York, United States, Sigma Sound Studios (New York) in New York, New York, United States, The Complex Studios in Los Angeles, California, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Bed of Nails
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present), Kane Roberts and Diane Warren (US songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Ezra Music, Realsongs (, from 1989 to present), SBK April Music Inc. (, from 1989 to ????), Sony/ATV Music Publishing Scandinavia, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Desmobile Music Co., Inc. (from 1989 to present) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Alice Cooper3.954:23
5Easy Livin’
producer:
Eddie Kramer (engineer)
recording of:
Easy Livin’
lyricist:
Eddie Clarke (Motörhead guitarist), Dave King (Dublin-born singer/guitarist/songwriter of Flogging Molly) and Jerry Shirley
writer:
Fastway (1980s UK hard rock band)
composer:
Eddie Clarke (Motörhead guitarist), Fastway (1980s UK hard rock band), Dave King (Dublin-born singer/guitarist/songwriter of Flogging Molly) and Jerry Shirley
Fastway2:51
6Don’t Bring Me Down
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass guitar:
Kelly Groucutt (from 1979-03 until 1979-04)
clarinet and electric piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (from 1979-03 until 1979-04)
electric guitar and lead vocals:
Jeff Lynne (from 1979-03 until 1979-04)
piano and synthesizer:
Jeff Lynne (from 1979-03 until 1979-04) and Richard Tandy (keyboardist for Electric Light Orchestra) (from 1979-03 until 1979-04)
choir vocals:
Kelly Groucutt (from 1979-03 until 1979-04) and Jeff Lynne (from 1979-03 until 1979-04)
conductor:
Louis Clark (from 1979-03 until 1979-04)
strings arranger and choir vocals arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1979), Jet Inc. (in 1979), Jet Records (in 1979), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2005)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1979-03 until 1979-04)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 215)
recording of:
Don’t Bring Me Down (from 1979-03 until 1979-04)
lyricist and composer:
Jeff Lynne
publisher:
April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Ltd., Jet Music Inc., Jet Music Ltd. (British branch) and Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.54:07
7Rockarama
engineer and producer:
Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1985-01-27 until 1985-02-04)
recording of:
Rockarama (from 1984-08-27 until 1985-01-26)
writer:
Trevor Bolder (British bassist), Mick Box, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Imagem London Ltd., Strawstar and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Uriah Heep4:35
8Rock and Roll, Hoochie Coo
recording of:
Rock and Roll, Hoochie Koo
lyricist and composer:
Rick Derringer
publisher:
Universal Music Careers
Johnny Winter53:34
9Frankenstein
producer:
Rick Derringer
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 97)
recording of:
Frankenstein
composer:
Edgar Winter
publisher:
Longitude Music (ended), EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), EMI Virgin Songs, Inc., Hierophant Music, Longitude Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Edgar Winter Group44:49
10Grinding Stone
recording of:
Grinding Stone
composer:
Gary Moore (Thin Lizzy, blues guitar)
The Gary Moore Band59:44
11Race With the Devil
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1968, in 1969) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1968)
recording of:
Race With the Devil
writer:
Adrian Gurvitz
publisher:
Campbell Connelly & Co. Ltd., Radio Music Britain and Universal/MCA Music Ltd. (not for release label use!)
The Gun4.253:37
12God Gave Rock ’n’ Roll To You
recording of:
God Gave Rock and Roll to You
lyricist and composer:
Russ Ballard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music and Verulam Music Co., Ltd.
Argent4:04
13Black Betty
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) and CBS Schallplatten GmbH (in 1990)
cover recording of:
Black Betty
lyricist and composer:
[traditional] (special purpose artist) and Huddie William Ledbetter
publisher:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (from 1977 to present) and TRO (publisher) (from 1977 to present)
Ram Jam3.654:00
14The Witch Queen of New Orleans
recording of:
The Witch Queen of New Orleans (1971 song)
writer:
Lolly Vegas and Pat Vegas
publisher:
EMI Songs Ltd.
Redbone2:59
15Black Magic Woman
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (percussionist) (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04)
membranophone:
Michael Shrieve (drummer) (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 28)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3.83:19
16Mr. Skin
recording of:
Mr. Skin
writer:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
Spirit4:02
2CD
#TitleArtistRatingLength
1Bat Out of Hell
recording engineer:
Jimmy Iovine, John Jansen (US recording engineer and producer), Ed Sprague and Mark Thomas (mix engineer)
engineer, producer and mixer:
Todd Rundgren
bass:
Kasim Sultan
drums (drum set):
Max Weinberg
guitar family, keyboard and percussion:
Todd Rundgren
keyboard and percussion:
Jim Steinman
keyboard and piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Ellen Foley, Kasim Sultan and Todd Rundgren
lead vocals:
Meat Loaf
remixer:
John Jansen (US recording engineer and producer)
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Bearsville Studios in Bearsville, New York, United States, House of Music in West Orange, New Jersey, United States, The Hit Factory in Manhattan, New York, New York, United States and Utopia Sound in Lake Hill, New York, United States
music videos:
Bat Out of Hell by Meat Loaf
recording of:
Bat out of Hell
lyricist and composer:
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music and Peg Music Co.
Meat Loaf4.359:51
2Stark Raving Love
recording engineer:
Gray Russell
engineer:
John Jansen (US recording engineer and producer) and Todd Rundgren
bass:
Steve Buslowe
drums (drum set):
Joe Stefko
guitar:
Davey Johnstone and Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd, Todd Rundgren and Kasim Sulton
recorded at:
Bearsville Studios in Bearsville, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Stark Raving Love
lyricist and composer:
Jim Steinman
Jim Steinman7:25
3Don’t Look Back
assistant engineer:
Eric Carr (Engineer), Dennis Coscia and Rob Rosati
engineer and producer:
Tom Scholz
mixer:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
12 string guitar, acoustic guitar, bass, electric guitar, organ and piano:
Tom Scholz
bass and percussion:
Fran Sheehan
drums (drum set) and percussion:
Sib Hashian
guitar, percussion and slide guitar:
Barry Goudreau
vocals:
Brad Delp
arranger:
Tom Scholz
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at and mixed at:
Tom Scholz Hideaway Studio in Massachusetts, United States
recording of:
Don’t Look Back
lyricist and composer:
Tom Scholz
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Pure Songs (in 1978)
Boston36:04
4Hold the Line
recording engineer:
Dana Latham, Gabe Veltri and Tom Knox
assistant engineer:
Dana Latham (task: assistant) and Gabe Veltri (task: assistant)
engineer and mixer:
Tom Knox
producer:
Bruce Dickinson (engineer and producer) and Toto (US rock group)
bass:
David Hungate and Michael Porcaro
bass guitar:
David Hungate (in 1978-08)
drums (drum set):
Jeffrey Porcaro (in 1978-08)
electric guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
percussion:
Jeffrey Porcaro and Lenny Castro (in 1978-08)
piano:
David Paich (in 1978-08)
background vocals:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) and David Paich (in 1978-08)
lead vocals:
Jean-Michel Byron and Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
recorded at:
Studio 55 in Los Angeles, California, United States (in 1978-08)
part of:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
lyricist and composer:
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. and Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:59
5Don’t Stop Believin’
assistant engineer:
Wally Buck
engineer:
Kevin Elson
producer:
Kevin Elson and Mike Stone (producer and engineer, 1960s–80s)
bass guitar:
Ross Valory (from 1981-04 until 1981-06)
drums (drum set) and percussion:
Steve Smith (US drummer most associated with Journey) (from 1981-04 until 1981-06)
guitar:
Neal Schon (from 1981-04 until 1981-06)
keyboard and piano:
Jonathan Cain (from 1981-04 until 1981-06)
background vocals:
Jonathan Cain (from 1981-04 until 1981-06), Neal Schon (from 1981-04 until 1981-06) and Ross Valory (from 1981-04 until 1981-06)
lead vocals:
Steve Perry (former lead singer of Journey) (from 1981-04 until 1981-06)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1981-04 until 1981-06)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
part of:
SWR1 Hitparade 2022 (Baden-Württemberg) (number: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (number: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 51) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 133)
recording of:
Don’t Stop Believin’ (Journey song) (from 1981-04 until 1981-06)
writer:
Jonathan Cain, Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) and Weedhigh‐Nightmare Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Journey4.34:13
6Take It On the Run
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer (drummer)
producer:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) and Gary Richrath (guitarist and songwriter)
acoustic guitar and lead vocals:
Kevin Cronin (guitarist, singer and songwriter)
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer (drummer)
guitar:
Gary Richrath (guitarist and songwriter)
synthesizer:
Neal Doughty (keyboards)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
recording of:
Take It on the Run (on 1980-09-18)
lyricist and composer:
Gary Richrath (guitarist and songwriter)
publisher:
HoriPro Entertainment Group, Slam Dunk Music (work publisher) and 大洋音楽 (Taiyō Music)
REO Speedwagon3.754:04
7Carry On Wayward Son
assistant engineer:
Jeff Glixman
engineer:
Bill Evans (Louisiana‐based producer/engineer, aka Bleu Evans)
producer:
Jeff Glixman
acoustic guitar:
Rich Williams (guitarist of Kansas) (from 1975 until 1976)
bass guitar:
Dave Hope (from 1975 until 1976)
clavinet, Moog and synthesizer [Oberheim synthesizer]:
Kerry Livgren (from 1975 until 1976)
drums (drum set) and percussion:
Phil Ehart (from 1975 until 1976)
electric guitar:
Kerry Livgren (from 1975 until 1976) and Richard Williams (guitarist of Kansas) (from 1975 until 1976)
organ, synthesizer and lead vocals:
Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
piano:
Kerry Livgren (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
viola and violin:
Robby Steinhardt (from 1975 until 1976)
background vocals:
Robby Steinhardt (from 1975 until 1976) and Steve Walsh (original lead singer of Kansas) (from 1975 until 1976)
arranger:
Kansas (US prog rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 2001)
recorded at and mixed at:
Studio in the Country in Bogalusa, Louisiana, United States (from 1975 until 1976)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 96)
recording of:
Carry On Wayward Son (from 1975 until 1976)
lyricist and composer:
Kerry Livgren
publisher:
Kirshner CBS Music Publishing, Kirshner-Warner Bros Music Ltd., Don Kirshner Music Inc. (from 1976 to present) and EMI Blackwood Music Inc. (from 1976 to present)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas3.655:26
8Surrender
assistant engineer:
Mike Beiriger
engineer:
Gary Ladinsky (engineer)
producer:
Tom Werman
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 356) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 465)
recording of:
Surrender (from 1978-04-30 until 1978-05-03)
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (in 1978) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1978)
sub-publisher:
イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Cheap Trick3.854:17
9(Don’t Fear) The Reaper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976, in 1978)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 397) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 449)
recording of:
(Don’t Fear) The Reaper
lyricist and composer:
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.43:52
10Foolish Heart
recording of:
Foolish Heart
writer:
Randy Goodrum and Steve Perry (former lead singer of Journey)
publisher:
Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music and Street Talk Tunes
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Steve Perry3:40
11Cat Scratch Fever
engineer:
Tim Geelan and Wayne Tarnowski
producer:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman and Tom Werman
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
part of:
A.V. Club: 15 Songs That Make Diseases (Real and Imaginary) Rock (number: 12) and VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 32)
recording of:
Cat Scratch Fever
lyricist and composer:
Ted Nugent
publisher:
IQ Music Ltd., Magicland Music and Round Hill Works
Ted Nugent3.453:43
12Bounty Hunter
live recording of:
Bounty Hunter
writer:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek and Banner Thomas
Molly Hatchet3:00
13All Along the Watchtower
producer:
Frank Marino
arranger:
Frank Marino
recorded at:
Studio Tempo in Montréal (Montreal, city), Québec (Quebec), Canada
cover recording of:
All Along the Watchtower
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), Sony Music Publishing (worldwide except Japan, ended 1995) and Dwarf Music (from 1968 to present)
Frank Marino & Mahogany Rush4:37
14Wasted in America
recording of:
Wasted in America
lyricist and composer:
Skid Rose
Love/Hate3:46
15Cherry Pie
producer and mixer:
Beau Hill
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1990), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1990), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1990) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 56)
recording of:
Cherry Pie
lyricist:
Jani Lane
composer:
Joey Allen (glam metal guitarist), Jerry Dixon (rock/metal bass guitarist), Jani Lane, Steven Sweet (drummer, member of Warrant) and Erik Turner (guitarist for Warrant)
publisher:
Crab Salad Music, Dick Dragon Music, Dixonyou Music, EMI Virgin Music Australia Pty Ltd, EMI-Virgin Songs, Erik Turner Music, Great Lips Music, Laney Jane Music, Likite Split Music, Rich McBitch Music, Round Hill Works and Virgin Songs, Inc.
Warrant4.63:23
16Working For the Weekend
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Rob Porter
engineer:
Bob Rock and Keith Stein
producer:
Paul Dean (Canadian guitarist) and Bruce Fairbairn
bass guitar:
Scott Smith (Canadian bassist for Loverboy)
drums (drum set):
Matt Frenette
guitar and background vocals:
Paul Dean (Canadian guitarist)
keyboard:
Doug Johnson (Canadian keyboardist for Loverboy)
lead vocals:
Mike Reno
phonographic copyright (℗) by:
Sony Music Entertainment Canada Inc. (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
recorded at:
Mushroom Studios in Vancouver, British Columbia, Canada
mixed at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 100)
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy4.23:42
3CD
#TitleArtistRatingLength
1Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (songwriter and producer) (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975‐present) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975‐present) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:32
2Cum On Feel the Noize
engineer:
Duane Baron
producer:
Spencer Proffer
drums (drum set):
Frankie Banali (US drummer)
electric bass guitar:
Rudy Sarzo
electric guitar:
Carlos Cavazo
keyboard:
Pat Regan (American recording engineer)
lead vocals:
Kevin DuBrow
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983)
produced for:
Pasha
recorded at and mixed at:
Pasha Music House in Hollywood, Los Angeles, California, United States
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 41)
cover recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Chappell and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Quiet Riot4.24:54
3Up Around the Bend
cover recording of:
Up Around the Bend
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Jondora Music and Prestige Music ltd.
Hanoi Rocks3:10
4Hellraiser
engineer:
Tom Fletcher (engineer) (in 1992-07)
producer:
Billy Sherwood (in 1992-07)
drums (drum set):
Mikkey Dee (Motörhead/Scorpions drummer Micael Delaouglou) (in 1992-07)
electric bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1992-07)
electric guitar:
Phil Campbell (Welsh metal guitarist for Motörhead & Persian Risk) (in 1992-07) and Würzel (Motörhead guitarist) (in 1992-07)
recorded at:
Music Grinder Studios in Hollywood, Los Angeles, California, United States (in 1992-07)
mixed at:
Soundcastle (Interactive Studios) in Santa Monica, California, United States (in 1992-07)
recording of:
Hellraiser (in 1992-07)
lyricist:
Lemmy Kilmister (“Lemmy” from Motörhead)
composer:
Ozzy Osbourne and Zakk Wylde
publisher:
BMG Gold Songs, EMI-Virgin Songs, Virgin Music, Inc. (US arm of Virgin’s publishing company) and Virgin Music (Publishers) Ltd. (in 1991)
Motörhead34:37
5United
engineer:
Lou Austin (engineering)
producer:
Tom Allom
drums (drum set):
Dave Holland (British rock drummer) (from 1980-01 until 1980-02)
electric bass guitar:
Ian Hill (UK bassist for Judas Priest) (from 1980-01 until 1980-02)
electric guitar:
Kenneth Downing (from 1980-01 until 1980-02) and Glenn Tipton (from 1980-01 until 1980-02)
lead vocals:
Rob Halford (from 1980-01 until 1980-02)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1980)
recorded at:
Startling Studios (Tittenhurst Park) in Ascot, Windsor and Maidenhead, England, United Kingdom (from 1980-01 until 1980-02)
recording of:
United (from 1980-01 until 1980-02)
writer:
Kenneth Downing, Rob Halford and Glenn Tipton
publisher:
EMI Songs Ltd.
Judas Priest3.253:34
6Poor Little Rich Girl
engineer and producer:
Tony Platt (UK engineer and producer)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom (from 1985-01-27 until 1985-02-04)
recording of:
Poor Little Rich Girl (from 1984-08-27 until 1985-01-26)
writer:
Trevor Bolder (British bassist), Mick Box, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Imagem London Ltd., Strawstar and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Uriah Heep6:35
7Two Out of Three Ain’t Bad
engineer, producer and mixer:
Todd Rundgren
bass guitar:
Kasim Sultan
drums (drum set):
John Wilcox
guitar:
Todd Rundgren
piano:
Roy Bittan
synthesizer:
Roger Powell (US musician, programmer, and columnist, band "Utopia")
background vocals:
Rory Dodd and Todd Rundgren
lead vocals:
Meat Loaf
strings arranger:
Kenny Ascher
arranger:
Todd Rundgren and Jim Steinman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Two Out of Three Ain’t Bad
lyricist and composer:
Jim Steinman
publisher:
Carlin Music Corporation and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Meat Loaf45:30
8Runaway Train
assistant engineer:
David Michael Dill (engineer) and Dan Gellert (sound engineer)
producer:
Michael Beinhorn
assistant mixer:
Craig Doubet (recording engineer) and Steve Sisco
mixer:
Andy Wallace (engineer)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1992) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1992)
recording of:
Runaway Train
lyricist and composer:
Dave Pirner
publisher:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
Soul Asylum4.44:29
9Two Princes
engineer:
Frank Aversa and Spin Doctors
producer:
Frank Aversa, Peter Denenberg, Frankie LaRocka and Spin Doctors
mixer:
Peter Denenberg, Frankie LaRocka and Spin Doctors
bass guitar:
Mark White (Spin Doctors)
guitar:
Eric Schenkman
Hammond organ, drums (drum set) and percussion:
Aaron Comess
guest background vocals:
John Popper
vocals:
Chris Barron
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1991) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Two Princes (original version)
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Mow B'jow Music, Sony Songs Inc. and Sony/ATV Music Publishing Ltd.
Spin Doctors4.24:21
10The Crying Machine
recording of:
The Crying Machine
writer:
Steve Vai
Steve Vai4:55
11Surfing With the AlienJoe Satriani4.754:27
12Couldn’t Stand the Weather
assistant engineer:
Rob Eaton
engineer:
Richard Mullen
executive producer:
John Hammond (producer)
producer:
Jim Capfer, Chris Layton, Richard Mullen, Tommy Shannon and Stevie Ray Vaughan
bass guitar:
Tommy Shannon (on 1984-01-18)
drums (drum set):
Chris Layton (on 1984-01-18)
guitar:
Jimmie Vaughan (blues guitarist and singer) (on 1984-01-18) and Stevie Ray Vaughan (on 1984-01-18)
vocals:
Stevie Ray Vaughan (on 1984-01-18)
recorded at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
recording of:
Couldn’t Stand the Weather (on 1984-01-18)
lyricist and composer:
Stevie Ray Vaughan
Stevie Ray Vaughan and Double Trouble44:44
13Ambitious
producer:
Nile Rodgers
vocals:
Jimmy Hall (American singer/songwriter, member of Wet Willie)
recording of:
Ambitious
lyricist and composer:
Nile Rodgers
Jeff Beck4:40
14Superstition
bass:
Tim Bogert
drums (drum set) [drums]:
Carmine Appice
guitar [guitars]:
Jeff Beck (English rock guitarist)
recording of:
Superstition
lyricist and composer:
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) and Stein & Van Stock, Inc. (in 1972)
Beck, Bogert & Appice4:21
15People, People
recording engineer and producer:
Dennis MacKay (70s–present UK producer/engineer)
assistant engineer:
Michael Bronstein (engineer)
engineer:
Lee Kiefer and Dave Moore (engineer)
associate producer:
Lee Kiefer
bass guitar:
Stanley Sheldon (bass player)
drums (drum set):
Jan Hammer and Jeff Porcaro
electronic organ, piano and synthesizer:
Jan Hammer
guitar:
Tommy Bolin (guitarist, and songwriter)
percussion:
Raphael Cruz (percussionist) and Sammy Figueroa
saxophone:
David Sanborn
vocals:
Tommy Bolin (guitarist, and songwriter)
remixer:
Dennis MacKay (70s–present UK producer/engineer)
additionally recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
People, People
writer:
Tommy Bolin (guitarist, and songwriter)
Tommy Bolin4:58
16Talk to Me
recording of:
Talk to Me
lyricist and composer:
Bruce Springsteen (in 1977)
Southside Johnny & The Asbury Jukes4:21