The Atlantic Collection

~ Release by Aretha Franklin (see all versions of this release, 1 available)

Annotation

hi‐res lossless available on Apple Music

Annotation last modified on 2021-08-19 04:52 UTC.

Tracklist

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1▼Digital Media
#TitleRatingLength
1Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
3.92:28
2Drown in My Own Tears
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14), Erma Franklin (on 1967-02-14) and Cissy Houston (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
cover recording of:
Drown in My Own Tears (on 1967-02-14)
lyricist and composer:
Henry Glover
publisher:
Fort Knox Music Inc., Jay & Cee, Jay and Cee Music Corp., Jaycee Music and Trio Music Co., Inc.
54:07
3I Never Loved a Man (the Way I Love You)
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
42:46
4Soul Serenade
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15) and Spooner Oldham (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd
cover recording of:
Soul Serenade (on 1967-02-15)
writer:
Luther Dixon and Curtis Ousley
publisher:
Frederick Music Co. and Katrina Music Co.
42:39
5Don’t Let Me Lose This Dream
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
recording of:
Don’t Let Me Lose This Dream (on 1967-02-14)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
42:23
6Baby, Baby, Baby
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
recording of:
Baby, Baby, Baby (on 1967-02-14)
writer:
Aretha Franklin and Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. and Pronto Music (publisher)
42:58
7Dr. Feelgood (Love Is Serious Business)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
organ:
Spooner Oldham (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
trumpet:
Ernie Royal (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-15)
recording of:
Dr. Feelgood (Love Is a Serious Business) (on 1967-02-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
4.653:22
8Good Times
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-15)
bass guitar:
Tommy Cogbill (on 1967-02-15)
cornet:
Melvin Lastie (on 1967-02-15)
drums (drum set):
Gene Chrisman (on 1967-02-15)
piano:
Aretha Franklin (on 1967-02-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-15) and King Curtis (saxophonist) (on 1967-02-15)
vocals:
Aretha Franklin (on 1967-02-15)
conductor:
Tom Dowd (on 1967-02-15)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
cover recording of:
Good Times (on 1967-02-15)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd. and ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
3.652:09
9Do Right Woman, Do Right Man
recording engineer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24)
organ:
Spooner Oldham (on 1967-01-24)
piano:
Aretha Franklin (from 1967-01-24 until 1967-01)
background vocals:
Carolyn Franklin (on 1967-01-24), Erma Franklin (on 1967-01-24) and Cissy Houston (on 1967-01-24)
vocals:
Aretha Franklin (from 1967-01-24 until 1967-01)
conductor:
Tom Dowd (on 1967-01-24)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1967-01) and Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 473)
recording of:
Do Right Woman, Do Right Man (from 1967-01-24 until 1967-01)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
53:17
10Save Me
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-08)
bass guitar:
Tommy Cogbill (on 1967-02-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-08) and Chips Moman (on 1967-02-08)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-08) and King Curtis (saxophonist) (on 1967-02-08)
trumpet:
Melvin Lastie (on 1967-02-08)
vocals:
Aretha Franklin (on 1967-02-08)
conductor:
Tom Dowd (on 1967-02-08)
arranger:
Tom Dowd
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recording of:
Save Me (Aretha Franklin song) (on 1967-02-08)
writer:
Aretha Franklin, Carolyn Franklin and Curtis Ousley
publisher:
Kilynn Music and Pronto Music (publisher)
4.52:20
11A Change Is Gonna Come
recording engineer:
Tom Dowd and Arif Mardin
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
vibraphone:
Arif Mardin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd
cover recording of:
A Change Is Gonna Come (on 1967-02-14)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
54:20
2▼Digital Media
#TitleRatingLength
1Satisfaction
recording engineer:
Tom Dowd (on 1967-06-21) and Arif Mardin (on 1967-06-21)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-21)
bass:
Tommy Cogbill (on 1967-06-21)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-21)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-21) and Joe South (on 1967-06-21)
organ:
Truman Thomas (on 1967-06-21)
piano:
Spooner Oldham (on 1967-06-21)
lead vocals:
Aretha Franklin (on 1967-06-21)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-21)
cover recording of:
(I Can’t Get No) Satisfaction (on 1967-06-21)
writer:
Mick Jagger (The Rolling Stones) and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), BMG VM Music Ltd. and Essex Music International
2:39
2You Are My Sunshine
recording engineer:
Tom Dowd (on 1967-06-20) and Arif Mardin (on 1967-06-20)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-20)
bass:
Tommy Cogbill (on 1967-06-20)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-20)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-20) and Joe South (on 1967-06-20)
organ:
Spooner Oldham (on 1967-06-20)
piano and lead vocals:
Aretha Franklin (on 1967-06-20)
background vocals:
Aretha Franklin (on 1967-06-20), Carolyn Franklin (on 1967-06-20) and Erma Franklin (on 1967-06-20)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-20)
cover recording of:
You Are My Sunshine (on 1967-06-20)
anthem of:
Louisiana, United States
writer:
Jimmie Davis (American politician, singer and songwriter) and Charles Mitchell (1940s songwriter and steel guitarist)
publisher:
Peer International (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (on 1940-01-30)
4:24
3Never Let Me Go
recording engineer:
Tom Dowd (on 1967-06-21) and Arif Mardin (on 1967-06-21)
producer:
Jerry Wexler
acoustic guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-21)
bass:
Tommy Cogbill (on 1967-06-21)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-21)
organ:
Truman Thomas (on 1967-06-21)
piano and lead vocals:
Aretha Franklin (on 1967-06-21)
vibraphone:
Spooner Oldham (on 1967-06-21)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-21)
cover recording of:
Never Let Me Go (on 1967-06-21)
lyricist and composer:
Joseph Scott (Joseph Wade Scott)
publisher:
Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!) and Duchess Music Corporation (BMI-affiliated) (in 1954)
2:55
496 Tears
recording engineer:
Tom Dowd (on 1967-06-20) and Arif Mardin (on 1967-06-20)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-20)
bass:
Tommy Cogbill (on 1967-06-20)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-20)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-20) and Joe South (on 1967-06-20)
organ:
Spooner Oldham (on 1967-06-20)
piano and lead vocals:
Aretha Franklin (on 1967-06-20)
background vocals:
Aretha Franklin (on 1967-06-20), Carolyn Franklin (on 1967-06-20) and Erma Franklin (on 1967-06-20)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-20)
cover recording of:
96 Tears (on 1967-06-20)
lyricist and composer:
Rudy Martinez (frontman of ? and the Mysterians)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Ed Arguello Music, Mysterians Music, Ltd. and Westminster Music Ltd.
2:25
5Prove It
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
vibraphone:
Ted Somers (vibes) (on 1967-06-23)
background vocals:
The Sweet Inspirations (on 1967-06-23)
lead vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
cover recording of:
Prove It (on 1967-06-23)
writer:
Randy Evretts and Horace Ott
3:00
6Night Life
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
organ:
Spooner Oldham (on 1967-06-23)
piano and lead vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
cover recording of:
Night Life (Willie Nelson) (on 1967-06-23)
writer:
Walt Breeland (American songwriter), Paul Buskirk and Willie Nelson
publisher:
Glad Music Co., Pappy Daily Music, Sony/ATV Songs (SOCAN), Sony/ATV Tree Publishing and Glad Music Publishing (in 1962)
3:12
7That’s Life
recording engineer:
Tom Dowd (on 1967-06-21) and Arif Mardin (on 1967-06-21)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-21)
bass:
Tommy Cogbill (on 1967-06-21)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-21)
electric piano:
Spooner Oldham (on 1967-06-21)
vibraphone:
Ted Somers (vibes) (on 1967-06-21)
background vocals:
Aretha Franklin (on 1967-06-21), Carolyn Franklin (on 1967-06-21) and Erma Franklin (on 1967-06-21)
lead vocals:
Aretha Franklin (on 1967-06-21)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-21)
cover recording of:
That’s Life (on 1967-06-21)
lyricist:
Kelly Gordon and Dean Kay
composer:
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:30
8I Wonder
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
acoustic guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23)
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Joe South (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
piano and lead vocals:
Aretha Franklin (on 1967-06-23)
strings arranger:
Ralph Burns
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
cover recording of:
I Wonder (on 1967-06-23)
writer:
Cecil Gant and Raymond Leveen (Composer, songwriter and author)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP)
is based on:
I Wonder
4:27
9Ain’t Nobody (Gonna Turn Me Around)
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-23)
bass:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
organ:
Spooner Oldham (on 1967-06-23)
piano and lead vocals:
Aretha Franklin (on 1967-06-23)
background vocals:
The Sweet Inspirations (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
recording of:
Ain’t Nobody (Gonna Turn Me Around) (on 1967-06-23)
lyricist and composer:
Carolyn Franklin
publisher:
Fourteenth Hour Music, Inc. and Pronto Music (publisher)
2:38
10Going Down Slow
recording engineer:
Tom Dowd (on 1967-06-20) and Arif Mardin (on 1967-06-20)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-20)
bass:
Tommy Cogbill (on 1967-06-20)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-20)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-20) and Joe South (on 1967-06-20)
organ:
Spooner Oldham (on 1967-06-20)
piano and lead vocals:
Aretha Franklin (on 1967-06-20)
saxophone:
King Curtis (saxophonist) (on 1967-06-20)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-20)
cover recording of:
Goin’ Down Slow (on 1967-06-20)
lyricist and composer:
James Burke Oden (blues singer and songwriter)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Leeds Music, MCA Music Ltd. and Unichappell Music, Inc.
4:34
11Baby, I Love You
recording engineer:
Tom Dowd (on 1967-06-23) and Arif Mardin (on 1967-06-23)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-23)
bass guitar:
Tommy Cogbill (on 1967-06-23)
bass trombone:
Tony Studd (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
electric piano, organ and piano:
Spooner Oldham (on 1967-06-23) and Truman Thomas (on 1967-06-23)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-06-23) and King Kurtis (saxophonist) (on 1967-06-23)
trumpet:
Melvin Lastie (on 1967-06-23)
vibraphone:
Ted Somers (vibes) (on 1967-06-23)
choir vocals:
Aretha Franklin (on 1967-06-23), Carolyn Franklin (on 1967-06-23) and Irma Franklyn (on 1967-06-23)
lead vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
recording of:
Baby I Love You (on 1967-06-23)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, Fourteenth Hour Music, Inc. and Pronto Music (publisher)
32:36
3▼Digital Media
#TitleRatingLength
1Chain of Fools
recorded in:
New York, New York, United States
recording engineer and mixer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-06-23)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-23)
electric piano:
Spooner Oldham (on 1967-06-23)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-23) and Joe South (on 1967-06-23)
piano:
Aretha Franklin (on 1967-06-23)
choir vocals:
Carolyn Franklin (on 1967-06-23), Erma Franklin (on 1967-06-23), Ellie Greenwich (on 1967-06-23) and The Sweet Inspirations (on 1967-06-23)
vocals:
Aretha Franklin (on 1967-06-23)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-23)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 249) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 306)
recording of:
Chain of Fools (on 1967-06-23)
lyricist and composer:
Don Covay
publisher:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adaptations:
Verlga norih
4.252:48
2Money Won’t Change You
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
choir vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20), Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Money Won’t Change You (from 1967-12-19 until 1967-12-20)
writer:
James Brown (The Godfather of Soul) and Nat Jones (Saxophonist and organist, worked with James Brown)
publisher:
Dynatone Publishing
32:09
3People Get Ready
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
choir vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20), Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
cover recording of:
People Get Ready (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Curtis Mayfield
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
43:44
4Niki Hoeky
recorded in:
New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano and organ:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17), Joe South (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
piano:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-16 until 1967-12-17)
choir vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17), Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Niki Hoeky (from 1967-12-16 until 1967-12-17)
writer:
Jim Ford (Singer-songwriter), Lolly Vegas and Pat Vegas
publisher:
Novalene
32:33
5(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
4.22:44
6Sweet Sweet Baby (Since You’ve Been Gone)
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
choir vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17), Erma Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
horn arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
cover recording of:
(Sweet, Sweet Baby) Since You’ve Been Gone (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
4.352:27
7Good to Me as I Am to You
recorded in:
New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano and organ:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
guest guitar [guitar obbligato]:
Eric Clapton (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17), Joe South (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
piano:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17), Seldon Powell (from 1967-12-16 until 1967-12-17) and Frank Wess (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-16 until 1967-12-17)
choir vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17), Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recording of:
Good to Me as I Am to You (from 1967-12-16 until 1967-12-17)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music
4.653:59
8Come Back Baby
recorded in:
New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
electric piano and organ:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20), Joe South (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Come Back Baby
writer:
Ray Charles (soul musician, singer and songwriter) and Walter Davis (American blues singer and pianist)
publisher:
Progressive Music (publisher), Rightsong Music and Unichappell Music, Inc.
version of:
Come Back Baby
32:28
9Groovin’
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (on 1968-05-07)
bass guitar:
Tommy Cogbill (on 1968-05-07)
bass trombone:
Tony Studd (on 1968-05-07)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-05-07)
electric piano and organ:
Spooner Oldham (on 1968-05-07)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-05-07), Joe South (on 1968-05-07) and Bobby Womack (on 1968-05-07)
piano:
Aretha Franklin (on 1968-05-07)
tenor saxophone:
King Curtis (saxophonist) (on 1968-05-07), Seldon Powell (on 1968-05-07) and Frank Wess (on 1968-05-07)
trumpet:
Bernie Glow (on 1968-05-07), Melvin Lastie (on 1968-05-07) and Joe Newman (US jazz trumpeter) (on 1968-05-07)
vibraphone:
Warren Smith (jazz percussionist) (on 1968-05-07)
choir vocals:
Aretha Franklin (on 1968-05-07), Carolyn Franklin (on 1968-05-07) and The Sweet Inspirations (on 1968-05-07)
vocals:
Aretha Franklin (on 1968-05-07)
arranger:
Tom Dowd and Arif Mardin
cover recording of:
Groovin’ (on 1968-05-07)
writer:
Eddie Brigati and Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Slacsar
3.352:58
10Ain’t No Way
recorded in:
New York, New York, United States
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Henry Haywood (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute:
Frank Wess (from 1967-12-19 until 1967-12-20)
piano:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20), Seldon Powell (from 1967-12-19 until 1967-12-20) and Frank Wess (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
vibraphone:
Warren Smith (jazz percussionist) (from 1967-12-19 until 1967-12-20)
background vocals:
Cissy Houston (from 1967-12-19 until 1967-12-20)
choir vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
horn arranger and strings arranger:
Arif Mardin
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
recording of:
Ain’t No Way (from 1967-12-19 until 1967-12-20)
lyricist and composer:
Carolyn Franklin
publisher:
14th Hour Music, Cotillion Music Inc. (BMI), Fourteenth Hour Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
54:13
4▼Digital Media
#TitleRatingLength
1Think
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass guitar:
Jerry Jemmott (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
organ:
Spooner Oldham (on 1968-04-15)
piano and lead vocals:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 10)
recording of:
Think (on 1968-04-15)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
3.652:20
2I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.33:37
3See Saw
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
electric piano:
Spooner Oldham (on 1968-04-16)
guitar:
Tommy Cogbill (on 1968-04-16) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
See Saw (on 1968-04-16)
writer:
Don Covay and Steve Cropper
publisher:
Cotillion Music Inc. (BMI), Irving Music (BMI), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3.52:46
4Night Time Is the Right Time
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-17) and Floyd Newman (on 1968-04-17)
bass guitar:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-17) and Andrew Love (on 1968-04-17)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
cover recording of:
Night Time Is the Right Time (on 1968-04-17)
composer:
Lew Herman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Planemar Music, Screen Gems–EMI Music Ltd. and Tro-Essex Music
44:48
5You Send Me
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-16) and Floyd Newman (on 1968-04-16)
bass guitar:
Jerry Jemmott (on 1968-04-16)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-16)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-16)
organ:
Spooner Oldham (on 1968-04-16)
piano and lead vocals:
Aretha Franklin (on 1968-04-16)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-16) and Andrew Love (on 1968-04-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-16)
background vocals:
The Sweet Inspirations (on 1968-04-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-16)
cover recording of:
You Send Me (on 1968-04-16)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
additional writer:
L. C. Cooke
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
32:28
6You’re a Sweet Sweet Man
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-16 until 1967-12-17)
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
bass trombone:
Tony Studd (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
electric piano:
Spooner Oldham (from 1967-12-16 until 1967-12-17)
flute and tenor saxophone:
Frank Wess (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-16 until 1967-12-17) and Seldon Powell (from 1967-12-16 until 1967-12-17)
trumpet:
Bernie Glow (from 1967-12-16 until 1967-12-17), Melvin Lastie (from 1967-12-16 until 1967-12-17) and Joe Newman (US jazz trumpeter) (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
You’re a Sweet Sweet Man (from 1967-12-16 until 1967-12-17)
lyricist and composer:
Ronnie Shannon
42:18
7I Take What I Want
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
cover recording of:
I Take What I Want (on 1968-04-18)
writer:
Isaac Hayes, Mabon Hodges (“Teenie”, soul guitarist) and David Porter (US soul musician, producer & songwriter)
publisher:
Shapiro Bernstein & Co. Ltd.
42:33
8Hello Sunshine
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (from 1967-12-19 until 1967-12-20)
bass guitar:
Tommy Cogbill (from 1967-12-19 until 1967-12-20)
bass trombone:
Tony Studd (from 1967-12-19 until 1967-12-20)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-19 until 1967-12-20)
flute and tenor saxophone:
Frank Wess (from 1967-12-19 until 1967-12-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-19 until 1967-12-20) and Bobby Womack (from 1967-12-19 until 1967-12-20)
piano:
Spooner Oldham (from 1967-12-19 until 1967-12-20)
tenor saxophone:
King Curtis (saxophonist) (from 1967-12-19 until 1967-12-20) and Seldon Powell (from 1967-12-19 until 1967-12-20)
trumpet:
Bernie Glow (from 1967-12-19 until 1967-12-20), Melvin Lastie (from 1967-12-19 until 1967-12-20) and Joe Newman (US jazz trumpeter) (from 1967-12-19 until 1967-12-20)
background vocals:
Carolyn Franklin (from 1967-12-19 until 1967-12-20) and The Sweet Inspirations (from 1967-12-19 until 1967-12-20)
lead vocals:
Aretha Franklin (from 1967-12-19 until 1967-12-20)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-19 until 1967-12-20)
cover recording of:
Hello Sunshine (from 1967-12-19 until 1967-12-20)
writer:
King Curtis (saxophonist) and Ron Miller (Motown songwriter Ronald Norman Miller)
43:03
9A Change
recording engineer:
Tom Dowd
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (from 1967-12-16 until 1967-12-17)
drums (drum set):
Roger Hawkins (drummer and producer) (from 1967-12-16 until 1967-12-17)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1967-12-16 until 1967-12-17) and Bobby Womack (from 1967-12-16 until 1967-12-17)
background vocals:
Carolyn Franklin (from 1967-12-16 until 1967-12-17) and The Sweet Inspirations (from 1967-12-16 until 1967-12-17)
lead vocals:
Aretha Franklin (from 1967-12-16 until 1967-12-17)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-12-16 until 1967-12-17)
recording of:
A Change (from 1967-12-16 until 1967-12-17)
writer:
Dorian Burton (New York-based singer, songwriter and producer) and Clyde Otis (American songwriter and record producer)
42:26
10I Can’t See Myself Leaving You
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-18) and Floyd Newman (on 1968-04-18)
bass guitar:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
electric piano:
Spooner Oldham (on 1968-04-18)
guitar:
Tommy Cogbill (on 1968-04-18) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-18)
piano and lead vocals:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-18) and Andrew Love (on 1968-04-18)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-18)
background vocals:
The Sweet Inspirations (on 1968-04-18)
arranger:
Tom Dowd and Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
recording of:
I Can’t See Myself Leaving You (on 1968-04-18)
lyricist and composer:
Ronnie Shannon
43:01
5▼Digital Media
#TitleRatingLength
1Ramblin’
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-24)
drums (drum set):
Bruno Carr (on 1968-09-24)
guitar:
Kenny Burrell (on 1968-09-24)
piano:
Junior Mance (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
recording of:
Ramblin’ (on 1968-09-24)
writer:
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:10
2Today I Sing the Blues
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-04-17) and Frank Wess (on 1968-04-17)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-04-17)
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar [lead guitar]:
Tommy Cogbill (on 1968-04-17)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-17)
organ:
Spooner Oldham (on 1968-04-17)
piano:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
King Curtis (saxophonist) (on 1968-04-17) and Seldon Powell (on 1968-04-17)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-04-17), Urbie Green (on 1968-04-17), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-04-17) and Benny Powell (jazz trombonist) (on 1968-04-17)
trumpet:
Bernie Glow (on 1968-04-17), Joe Newman (US jazz trumpeter) (on 1968-04-17), Ernie Royal (on 1968-04-17), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-04-17) and Snookie Young (on 1968-04-17)
vibraphone:
Jack Jennings (on 1968-04-17)
woodwind:
David Newman (American jazz saxophonist) (on 1968-04-17)
conductor:
Arif Mardin (on 1968-04-17)
arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
cover recording of:
Today I Sing the Blues (on 1968-04-17)
writer:
Curley Hamner
composer:
Curtis Lewis (US songwriter)
publisher:
Bess Music and BMG Music Publishing Ltd.
4:26
3River’s Invitation
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-27) and Frank Wess (on 1968-09-27)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-27)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-27)
drums (drum set):
Bruno Carr (on 1968-09-27)
guitar:
Kenny Burrell (on 1968-09-27)
piano:
Junior Mance (on 1968-09-27)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-27) and Seldon Powell (on 1968-09-27)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-27), Urbie Green (on 1968-09-27), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-27) and Benny Powell (jazz trombonist) (on 1968-09-27)
trumpet:
Bernie Glow (on 1968-09-27), Joe Newman (US jazz trumpeter) (on 1968-09-27), Ernie Royal (on 1968-09-27), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-27) and Snookie Young (on 1968-09-27)
vibraphone:
Jack Jennings (on 1968-09-27)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-27)
conductor:
Arif Mardin (on 1968-09-27)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-27)
cover recording of:
River’s Invitation (on 1968-09-27)
lyricist and composer:
Percy Mayfield
publisher:
Sony/ATV Songs LLC
2:40
4Pitiful
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
recording of:
Pitiful (on 1968-09-24)
writer:
Charlie Singleton (composer/lyricist) and Rose Marie McCoy
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
53:03
5Crazy He Calls Me
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-26) and Frank Wess (on 1968-09-26)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-26)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-26)
drums (drum set):
Bruno Carr (on 1968-09-26)
guitar:
Kenny Burrell (on 1968-09-26)
organ:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-26)
piano:
Junior Mance (on 1968-09-26)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-26) and Seldon Powell (on 1968-09-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-26), Urbie Green (on 1968-09-26), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-26) and Benny Powell (jazz trombonist) (on 1968-09-26)
trumpet:
Bernie Glow (on 1968-09-26), Joe Newman (US jazz trumpeter) (on 1968-09-26), Ernie Royal (on 1968-09-26), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-26) and Snookie Young (on 1968-09-26)
vibraphone:
Jack Jennings (on 1968-09-26)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-26)
conductor:
Arif Mardin (on 1968-09-26)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-26)
cover recording of:
Crazy He Calls Me (on 1968-09-26)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:28
6Bring It On Home to Me
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-25) and Frank Wess (on 1968-09-25)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-25)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-25)
drums (drum set):
Bruno Carr (on 1968-09-25)
electric piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-25)
guitar:
Kenny Burrell (on 1968-09-25)
piano:
Junior Mance (on 1968-09-25)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-25) and Seldon Powell (on 1968-09-25)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-25), Urbie Green (on 1968-09-25), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-25) and Benny Powell (jazz trombonist) (on 1968-09-25)
trumpet:
Bernie Glow (on 1968-09-25), Joe Newman (US jazz trumpeter) (on 1968-09-25), Ernie Royal (on 1968-09-25), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-25) and Snookie Young (on 1968-09-25)
vibraphone:
Jack Jennings (on 1968-09-25)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-25)
conductor:
Arif Mardin (on 1968-09-25)
arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-25)
cover recording of:
Bring It On Home to Me (on 1968-09-25)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:46
7Tracks of My Tears
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-04-18) and Frank Wess (on 1968-04-18)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-04-18)
bass:
Jerry Jemmott (on 1968-04-18)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-18)
guitar [lead guitar]:
Tommy Cogbill (on 1968-04-18)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-18)
organ:
Spooner Oldham (on 1968-04-18)
piano:
Aretha Franklin (on 1968-04-18)
tenor saxophone:
King Curtis (saxophonist) (on 1968-04-18) and Seldon Powell (on 1968-04-18)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-04-18), Urbie Green (on 1968-04-18), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-04-18) and Benny Powell (jazz trombonist) (on 1968-04-18)
trumpet:
Bernie Glow (on 1968-04-18), Joe Newman (US jazz trumpeter) (on 1968-04-18), Ernie Royal (on 1968-04-18), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-04-18) and Snookie Young (on 1968-04-18)
vibraphone:
Jack Jennings (on 1968-04-18)
woodwind:
David Newman (American jazz saxophonist) (on 1968-04-18)
conductor:
Arif Mardin (on 1968-04-18)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-18)
cover recording of:
The Tracks of My Tears (on 1968-04-18)
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
2:56
8If You Gotta Make a Fool of Somebody
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-27) and Frank Wess (on 1968-09-27)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-27)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-27)
drums (drum set):
Bruno Carr (on 1968-09-27)
guitar:
Kenny Burrell (on 1968-09-27)
piano:
Junior Mance (on 1968-09-27)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-27) and Seldon Powell (on 1968-09-27)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-27), Urbie Green (on 1968-09-27), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-27) and Benny Powell (jazz trombonist) (on 1968-09-27)
trumpet:
Bernie Glow (on 1968-09-27), Joe Newman (US jazz trumpeter) (on 1968-09-27), Ernie Royal (on 1968-09-27), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-27) and Snookie Young (on 1968-09-27)
vibraphone:
Jack Jennings (on 1968-09-27)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-27)
conductor:
Arif Mardin (on 1968-09-27)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-27)
cover recording of:
If You Gotta Make a Fool of Somebody (on 1968-09-27)
lyricist and composer:
Rudy Clark (US songwriter)
publisher:
Carbert Music Inc. and Good Songs, Inc.
3:07
9Gentle on My Mind
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-24)
cover recording of:
Gentle on My Mind (on 1968-09-24)
lyricist and composer:
John Hartford
publisher:
Acuff Rose Publications Ltd. and Ensign Music Corp.
2:28
10So Long
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-23) and Frank Wess (on 1968-09-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-23)
drums (drum set):
Grady Tate (on 1968-09-23)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-23) and Seldon Powell (on 1968-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-23), Urbie Green (on 1968-09-23), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-23) and Benny Powell (jazz trombonist) (on 1968-09-23)
trumpet:
Bernie Glow (on 1968-09-23), Joe Newman (US jazz trumpeter) (on 1968-09-23), Ernie Royal (on 1968-09-23), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-23) and Snookie Young (on 1968-09-23)
vibraphone:
Jack Jennings (on 1968-09-23)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-23)
conductor:
Arif Mardin (on 1968-09-23)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-23)
cover recording of:
So Long (on 1968-09-23)
writer:
Remus Harris, Irving Melsher and Russ Morgan (Big Band orchestra leader)
4:35
11I’ll Never Be Free
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-23) and Frank Wess (on 1968-09-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-23)
drums (drum set):
Grady Tate (on 1968-09-23)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-23) and Seldon Powell (on 1968-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-23), Urbie Green (on 1968-09-23), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-23) and Benny Powell (jazz trombonist) (on 1968-09-23)
trumpet:
Bernie Glow (on 1968-09-23), Joe Newman (US jazz trumpeter) (on 1968-09-23), Ernie Royal (on 1968-09-23), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-23) and Snookie Young (on 1968-09-23)
vibraphone:
Jack Jennings (on 1968-09-23)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-23)
conductor:
Arif Mardin (on 1968-09-23)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-23)
cover recording of:
I’ll Never Be Free (on 1968-09-23)
writer:
Bennie Benjamin and George David Weiss
publisher:
Abilene Music Inc. (in 1950, in 1977) and Claude A. Music Co. (in 1950, in 1977)
4:14
12Elusive Butterfly
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-26) and Frank Wess (on 1968-09-26)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-26)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-26)
drums (drum set):
Bruno Carr (on 1968-09-26)
electric piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-26)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-26) and Seldon Powell (on 1968-09-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-26), Urbie Green (on 1968-09-26), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-26) and Benny Powell (jazz trombonist) (on 1968-09-26)
trumpet:
Bernie Glow (on 1968-09-26), Joe Newman (US jazz trumpeter) (on 1968-09-26), Ernie Royal (on 1968-09-26), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-26) and Snookie Young (on 1968-09-26)
vibraphone:
Jack Jennings (on 1968-09-26)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-26)
conductor:
Arif Mardin (on 1968-09-26)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-26)
cover recording of:
Elusive Butterfly (on 1968-09-26)
lyricist and composer:
Bob Lind
publisher:
Metric Music Ltd.
2:45
6▼Digital Media
#TitleRatingLength
1Son of a Preacher Man
engineer:
Tom Dowd and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
The Sweet Inspirations (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Son of a Preacher Man (on 1969-10-03)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
4.53:19
2Share Your Love With Me
recorded in:
New York, United States (on 1969-01-08)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
cover recording of:
Share Your Love With Me (on 1969-01-08)
writer:
Alfred Braggs and Deadric Malone
publisher:
Don Music Co., Leeds Music Ltd., Songs of Universal, Inc. (BMI) and Universal/MCA Music Ltd. (not for release label use!)
43:22
3Dark End of the Street
engineer:
Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
The Dark End of the Street (on 1969-10-03)
writer:
Chips Moman and Dan Penn (songwriter, soul singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
4:44
4Let It Be
recording engineer:
Adrian Barber (producer/engineer) and Jerome Gasper
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
piano:
Aretha Franklin (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (in 1969-10)
cover recording of:
Let It Be (in 1969-10)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing (Germany) GmbH (1998–2002), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
3.253:32
5Eleanor Rigby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
Eleanor Rigby (on 1969-10-03)
written in:
London (Greater London), England, United Kingdom (in 1965) and Weybridge, Surrey, England, United Kingdom (from 1965 until 1966)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
written at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1966)
2:40
6This Girl’s in Love With You
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
This Guy’s in Love With You (on 1969-10-03)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), New Hidden Valley Music Co., PW Arrangements, Rondor Music (Australia) Pty Ltd, Universal Music Corp. (USA, affiliated with ASCAP), Universal/MCA Music Publishing Australia, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
4:01
7It Ain’t Fair
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
guitar:
Duane Allman (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
It Ain’t Fair (on 1969-01-08)
lyricist and composer:
Ron Miller (US songwriter Ronald Alonzo Miller)
3:24
8The Weight
engineer:
Tom Dowd, Jerome Gasper and Lew Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-08)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-08)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-08)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-08)
piano:
Aretha Franklin (on 1969-01-08)
slide guitar:
Duane Allman (on 1969-01-08)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-08)
vocals:
Aretha Franklin (on 1969-01-08)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-08)
cover recording of:
The Weight (on 1969-01-08)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
42:59
9Call Me
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
Brenda Bryant (on 1969-10-03), Cissy Houston (on 1969-10-03) and Pat Lewis (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Recording Studios in Miami, Florida, United States (on 1969-10-03)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 100)
recording of:
Call Me (on 1969-10-03)
lyricist and composer:
Aretha Franklin
publisher:
R.S.O. Publishing Ltd. and Springtime Music, Inc.
4.53:57
10Sit Down and Cry
recorded in:
New York, United States (on 1969-01-09)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass [electric bass]:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-09)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-09)
keyboard [electric piano, organ]:
Barry Beckett (on 1969-01-09)
piano:
Aretha Franklin (on 1969-01-09)
tenor saxophone:
King Curtis (saxophonist) (on 1969-01-09)
vocals:
Aretha Franklin (on 1969-01-09)
recording of:
Sit Down and Cry (on 1969-01-09)
writer:
Clyde Otis (American songwriter and record producer) and Lou Stallman (Songwriter and producer active since the 1950s)
3:52
7▼Digital Media
#TitleRatingLength
1Don’t Play That Song
recording engineer:
Ron Albert and Chuck Kirkpatrick
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
horn arranger:
Tom Dowd
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Don’t Play That Song (You Lied) (on 1970-03-10)
writer:
Ahmet Ertegun (US songwriter/producer) and Betty Nelson
publisher:
Carlin Music Corporation and Unichappell Music, Inc.
43:02
2The Thrill Is Gone (From Yesterday’s Kiss)
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
The Thrill Is Gone (1951 blues song) (on 1970-03-10)
writer:
Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc., Powerforce Music, Sounds Of Lucille, Inc. and Universal Music Careers
34:42
3Pullin’
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
electric piano and organ:
Barry Beckett (on 1969-10-03)
guitar:
Duane Allman (on 1969-10-03), Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-03)
recording of:
Pullin’ (on 1969-10-03)
writer:
Carolyn Franklin and Jimmy Radcliffe
publisher:
Springtime Music, Inc.
43:38
4You and Me
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
You and Me (on 1970-03-10)
lyricist and composer:
Aretha Franklin
43:34
5Honest I Do
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-27)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-27)
electric piano and organ:
Barry Beckett (on 1969-05-27)
guitar:
Duane Allman (on 1969-05-27), Eddie Hinton (on 1969-05-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-27)
piano:
Aretha Franklin (on 1969-05-27)
vocals:
Aretha Franklin (on 1969-05-27)
cover recording of:
Honest I Do (on 1969-05-27)
lyricist and composer:
Jimmy Reed (blues musician)
writer:
Ewart G. Abner, Jr. (record label executive and songwriter)
43:19
6Spirit in the Dark
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
recording of:
Spirit in the Dark (on 1970-03-10)
lyricist and composer:
Aretha Franklin
publisher:
Springtime Music, Inc.
3.54:02
7When the Battle Is Over
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-27)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-27)
electric piano:
Barry Beckett (on 1969-??-27)
guitar:
Eddie Hinton (on 1969-05-27) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-27)
organ:
Barry Beckett (on 1969-05-27)
piano:
Aretha Franklin (on 1969-05-27)
background vocals:
Margaret Branch (on 1969-05-27), Brenda Bryant (on 1969-05-27) and Almeda Lattimore (on 1969-05-27)
vocals:
Aretha Franklin (on 1969-05-27)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-05-27)
recording of:
When the Battle Is Over (on 1969-05-27)
writer:
Jessie Hill (US R&B/Louisiana blues singer) and Mac Rebennack (New Orleans blues pianist, singer and songwriter)
32:44
8One Way Ticket
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Harold Cowart (in 1970-03)
drums (drum set):
Ray Lucas (in 1970-03)
guitar:
Cornell Dupree (in 1970-03)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (in 1970-03)
piano:
Aretha Franklin (in 1970-03)
background vocals:
Margaret Branch (in 1970-03), Brenda Bryant (in 1970-03) and Almeda Lattimore (in 1970-03)
vocals:
Aretha Franklin (in 1970-03)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1970-03)
recording of:
One Way Ticket (in 1970-03)
lyricist and composer:
Aretha Franklin
42:51
9Try Matty’s
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Harold Cowart (in 1969-10)
drums (drum set):
Ray Lucas (in 1969-10)
guitar:
Jim O’Rourke (US musician & producer, b. 1969) (in 1969-10)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (in 1969-10)
piano:
Aretha Franklin (in 1969-10)
background vocals:
Evelyn Green (in 1969-10), Wylene Ivy (in 1969-10), Almeda Lattimore (in 1969-10) and Pat Lewis (in 1969-10)
vocals:
Aretha Franklin (in 1969-10)
recorded at:
Criteria Studios in Miami, Florida, United States (in 1969-10)
recording of:
Try Matty’s (in 1969-10)
lyricist and composer:
Aretha Franklin
32:31
10That’s All I Want From You
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
That’s All I Want From You (on 1970-03-10)
lyricist and composer:
M. Rotha (Austrian composer and lyricist)
32:42
11Oh No Not My Baby
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-26)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-26)
electric piano and organ:
Barry Beckett (on 1969-05-26)
guitar:
Duane Allman (on 1969-05-26), Cornell Dupree (on 1969-05-26), Eddie Hinton (on 1969-05-26) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-26)
piano:
Aretha Franklin (on 1969-05-26)
vocals:
Aretha Franklin (on 1969-05-26)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
cover recording of:
Oh No Not My Baby (on 1969-05-26)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
42:55
12Why I Sing the Blues
engineer:
Ron Albert, Chuck Kirkpatrick and Lewis Hahn
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Tom Dowd
bass:
Harold Cowart (on 1970-03-10)
drums (drum set):
Ray Lucas (on 1970-03-10)
guitar:
Cornell Dupree (on 1970-03-10)
organ:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10) and Almeda Lattimore (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
Why I Sing the Blues (on 1970-03-10)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
ABC/Dunhill Music, Inc., Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
43:04
8▼Digital Media
#TitleRatingLength
1Oh Me Oh My (I’m a Fool for You Baby)
recording engineer:
Gene Paul (on 1970-11-02)
engineer:
Gene Paul
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass guitar:
Eric Gale (on 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1970-11-02)
guitar:
Hugh McCracken (on 1970-11-02)
organ:
Donny Hathaway (on 1970-11-02)
piano and lead vocals:
Aretha Franklin (on 1970-11-02)
background vocals:
The Sweet Inspirations (on 1970-11-02)
horn, strings and woodwind arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-11-02)
cover recording of:
Oh Me Oh My (I’m a Fool for You Baby) (on 1970-11-02)
lyricist and composer:
Jim Doris (in 1969)
publisher:
Abesongs Ltd (PRS), Noo Trac Ltd. and Origin Network Pty Ltd
3:43
2Day Dreaming
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
acoustic guitar:
Don Arnone (on 1971-02-16)
alto flute:
Hubert Laws (on 1971-02-16)
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
electric piano:
Donny Hathaway (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Day Dreaming (Aretha Franklin song) (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation and Pundit Music, Inc
4.54:03
3Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
3.753:15
4Young, Gifted and Black
recording engineer:
Gene Paul (on 1970-08-12)
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1970-08-12)
drums (drum set):
Ray Lucas (on 1970-08-12)
guitar:
Cornell Dupree (on 1970-08-12)
organ:
Billy Preston (on 1970-08-12)
piano and lead vocals:
Aretha Franklin (on 1970-08-12)
background vocals:
The Sweet Inspirations (on 1970-08-12)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-12)
cover recording of:
To Be Young, Gifted and Black (on 1970-08-12)
lyricist:
Weldon Irvine
composer:
Nina Simone
3:35
5All the King’s Horses
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
celesta, piano and lead vocals:
Aretha Franklin (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
vibraphone:
Neil Rosengarden
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
All the King's Horses (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
quotes lyrics from:
Humpty Dumpty (English nursery rhyme)
3:56
6A Brand New Me
recording engineer:
Gene Paul (on 1970-11-02)
engineer:
Gene Paul
producer:
Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Eric Gale (on 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (on 1970-11-02)
guitar:
Hugh McCracken (on 1970-11-02)
organ:
Donny Hathaway (on 1970-11-02)
piano and lead vocals:
Aretha Franklin (on 1970-11-02)
background vocals:
The Sweet Inspirations (on 1970-11-02)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-11-02)
cover recording of:
Brand New Me (on 1970-11-02)
writer:
Theresa Bell, Jerry Butler (soul singer), Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
34:27
7April Fools
recording engineer:
Gene Paul (from 1971-02-18 until 1971-02-19)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (from 1971-02-18 until 1971-02-19)
drums (drum set):
Bernard “Pretty” Purdie (from 1971-02-18 until 1971-02-19)
electric piano, piano and lead vocals:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
flute:
Hubert Laws (from 1971-02-18 until 1971-02-19)
guitar:
Cornell Dupree (from 1971-02-18 until 1971-02-19)
background vocals:
Margaret Branch (from 1971-02-18 until 1971-02-19), Ann S. Clark (from 1971-02-18 until 1971-02-19) and Pat Smith (soul vocalist) (from 1971-02-18 until 1971-02-19)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-02-18 until 1971-02-19)
cover recording of:
The April Fools (from 1971-02-18 until 1971-02-19)
lyricist:
Hal David (in 1969)
composer:
Burt Bacharach (in 1969)
publisher:
Aspenfair Music Inc., Casa David LP and New Hidden Valley Music Co.
3:30
8I’ve Been Loving You Too Long
recording engineer:
Ron Albert (on 1971-01-27)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Robert Popwell (on 1971-01-27)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-01-27)
guitar:
Cornell Dupree (on 1971-01-27)
organ:
Donny Hathaway (on 1971-01-27)
piano and lead vocals:
Aretha Franklin (on 1971-01-27)
tenor saxophone:
Andrew Love (on 1971-01-27)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-01-27)
background vocals:
Margaret Branch (on 1971-01-27), Ann S. Clark (on 1971-01-27), Carolyn Franklin (on 1971-01-27), Erma Franklin (on 1971-01-27) and Pat Smith (soul vocalist) (on 1971-01-27)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic (Warner Music imprint) (in 1972)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-01-27)
cover recording of:
I’ve Been Loving You Too Long (on 1971-01-27)
writer:
Jerry Butler (soul singer) (in 1965) and Otis Redding (in 1965)
publisher:
East (US publishing company affiliated with BMI), Time (US publishing entity affiliated with BMI) and Wildwood Music Ltd.
3:36
9First Snow in Kokomo
recording engineer:
Ron Albert (on 1971-01-27)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1971-01-27)
guitar:
Cornell Dupree (on 1971-01-27)
organ:
Donny Hathaway (on 1971-01-27)
piano and lead vocals:
Aretha Franklin (on 1971-01-27)
solo trumpet:
Neil Rosengarden
background vocals:
Margaret Branch (on 1971-01-27), Ann S. Clark (on 1971-01-27), Carolyn Franklin (on 1971-01-27), Erma Franklin (on 1971-01-27) and Pat Smith (soul vocalist) (on 1971-01-27)
horn arranger:
Arif Mardin
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-01-27)
recording of:
First Snow in Kokomo (on 1971-01-27)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
4:04
10The Long and Winding Road
recording engineer:
Gene Paul (on 1970-08-12)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1970-08-12)
drums (drum set):
Ray Lucas (on 1970-08-12)
guitar:
Cornell Dupree (on 1970-08-12)
organ:
Billy Preston (on 1970-08-12)
piano and lead vocals:
Aretha Franklin (on 1970-08-12)
background vocals:
Margaret Branch (on 1970-08-12), Carolyn Franklin (on 1970-08-12) and Erma Franklin (on 1970-08-12)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-12)
cover recording of:
The Long and Winding Road (on 1970-08-12)
written in:
Scotland, United Kingdom (in 1968)
writer:
John Lennon (The Beatles) (in 1968) and Paul McCartney (The Beatles) (in 1968)
publisher:
EMI Music Publishing (do not use as a release label!), Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC, Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3:39
11Didn’t I (Blow Your Mind This Time)
recording engineer:
Gene Paul (from 1971-02-18 until 1971-02-19)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (from 1971-02-18 until 1971-02-19)
drums (drum set):
Bernard “Pretty” Purdie (from 1971-02-18 until 1971-02-19)
flute:
Hubert Laws (from 1971-02-18 until 1971-02-19)
guitar:
Cornell Dupree (from 1971-02-18 until 1971-02-19)
piano and lead vocals:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
background vocals:
Margaret Branch (from 1971-02-18 until 1971-02-19), Ann S. Clark (from 1971-02-18 until 1971-02-19) and Pat Smith (soul vocalist) (from 1971-02-18 until 1971-02-19)
horn arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-02-18 until 1971-02-19)
cover recording of:
Didn’t I (Blow Your Mind This Time) (from 1971-02-18 until 1971-02-19)
writer:
Thom Bell (keyboards, songwriter, producer) (in 1969) and William Hart (of The Delfonics) (in 1969)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
3:43
12Border Song (Holy Moses)
recording engineer:
Gene Paul (on 1970-08-19)
engineer:
Gene Paul
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass guitar:
Chuck Rainey (American bassist) (on 1970-08-19)
drums (drum set):
Ray Lucas (on 1970-08-19)
guitar:
Cornell Dupree (on 1970-08-19)
organ:
Billy Preston (on 1970-08-19)
piano and lead vocals:
Aretha Franklin (on 1970-08-19)
background vocals:
Ronnie Bright (on 1970-08-19), J.R. Bailey (singer and songwriter) (on 1970-08-19), The Sweet Inspirations (on 1970-08-19) and Sammy Turner (on 1970-08-19)
horn arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1970)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-19)
cover recording of:
Border Song (on 1970-08-19)
lyricist:
Elton John (English singer, songwriter, pianist, and composer) and Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
3:20
9▼Digital Media
#TitleRatingLength
1Hey Now Hey (The Other Side of the Sky)
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
remixer:
Gene Paul
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Hey Now Hey (The Other Side of the Sky) (in 1972-04)
writer:
Aretha Franklin
54:44
2Somewhere
recording engineer:
Phil Schier (in 1972-04)
engineer:
Phil Schier
producer:
Aretha Franklin and Quincy Jones
mixer:
Quincy Jones and Phil Schier
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1972-04)
piano:
Aretha Franklin (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1972-04)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
6:19
3So Swell When You’re Well
recording engineer:
Phil Schier (in 1972-04)
engineer:
Phil Schier
producer:
Aretha Franklin and Quincy Jones
mixer:
Quincy Jones and Phil Schier
piano:
Aretha Franklin (in 1972-04)
vocals:
Aretha Franklin (in 1972-04)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
So Swell When You’re Well (in 1972-04)
writer:
Aretha Franklin
4:19
4Angel
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
mixer:
Phil Schier
tenor saxophone:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Angel (in 1972-04)
writer:
Carolyn Franklin and Sonny Sanders
publisher:
Carlin Music Corporation and Springtime Music, Inc.
44:32
5Sister From Texas
recording engineer:
Phil Schier (in 1972-08)
producer:
Aretha Franklin and Quincy Jones
remixer:
Quincy Jones and Phil Schier
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-08)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Sister From Texas (in 1972-08)
writer:
Aretha Franklin
3:14
6Mister Spain
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
flute:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones and Phil Schier
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Mister Spain (in 1972-04)
writer:
Carolyn Plummer
6:46
7That’s the Way I Feel About Cha
recording engineer:
Phil Schier (in 1972-08)
producer:
Aretha Franklin and Quincy Jones
remixer:
Quincy Jones and Phil Schier
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-08)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
cover recording of:
That’s the Way I Feel About Cha (in 1972-08)
writer:
John Grisby, Joe Hicks and Bobby Womack
7:09
8Moody’s Mood
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
cover recording of:
I’m in the Mood for Love (in 1972-04)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:00
9Just Right Tonight
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
piano:
Billy Preston (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
recording of:
Just Right Tonight (in 1972-04)
writer:
Robert Bruce (US jazz composer/publisher of the 40s/50s), Buddy Feyne, Aretha Franklin, Quincy Jones and Avery Parrish
publisher:
Intersong Music, Popular Music Co. and Rightsong Music
is based on:
Blues After Hours
7:46
10▶Digital Media
11▶Digital Media

Credits

Release

phonographic copyright (℗) by:Atlantic Records (do not use as release label, use “Atlantic” instead) (in 2014)
marketed by:Rhino Entertainment Company (not for release label use!)
part of:Apple Digital Masters (ex‐“Mastered for iTunes”) (order: 555)
purchase for download:https://itunes.apple.com/us/album/id933028915 [info]
streaming page:https://music.apple.com/us/album/933028915 [info]