Ultimate Sports Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1We Are the Champions
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen2:59
2Running
recording of:
Running
Verfasser(in):
Dann Hume
publisher:
Second Pressing Pty Ltd
Evermore34:22
3Eye of the Tiger
assistierende(r) Techniker(in):
Hill Swimmer
Techniker(in):
Phil Bonnano und Mike Clink
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
Scotti Bros. Industries Inc (company credits only; do not use as release label!) (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 2016)
aufgenommen bei:
Rumbo Recorders in Canoga Park, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 28) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 63)
recording of:
Eye of the Tiger
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music (publisher; do NOT use as release label), Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (, bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1982 nominee)
Survivor4.43:58
4Higher Ground
Techniker(in):
Garth Richardson (Canadian music producer and engineer)
zusätzliche(r) Techniker(in):
Michael Beinhorn
Produzent(in):
Michael Beinhorn
Mix:
Dave Jerden und Garth Richardson (Canadian music producer and engineer)
Bass:
Flea (US bassist)
Gitarre:
John Frusciante
Schlagzeug:
Chad Smith (drummer from Red Hot Chili Peppers)
Hintergrundgesang:
Sir Babs, Vicki Calhoun, Aklia Chinn, Bruno Deron, Joel Virgel Viergel, Iris Parker, Julie Ritter, Randy Ruff, Gretchen Seager, Jack Sherman, Laura Spinosa, Kristen Vigard, WAG (Diverse Interpreten, add compilations to this artist) und Merrill Ward
Sologesang:
Anthony Kiedis
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1989), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1989) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
produced for:
Demolition Sound
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Higher Ground
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Music Publishing (do not use as a release label!), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stein & Van Stock, Inc.
Red Hot Chili Peppers43:22
5Do You Want To
Produzent(in):
Rich Costey und Franz Ferdinand (Scottish rock band)
Mix:
Rich Costey
phonographisches Urheberrecht (℗) von:
Domino Recording Co. Ltd. (not for release label use!) (in 2005)
recording of:
Do You Want To
Verfasser(in):
Bob Hardy (bassist for Franz Ferdinand), Alex Kapranos (lead singer and guitarist in Franz Ferdinand), Nick McCarthy und Paul Thomson (Scottish musician, was in Franz Ferdinand)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Franz Ferdinand3.43:36
6Feel Good Inc.
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz43:42
7Rock Star
recording of:
Rock Star
Verfasser(in):
Chad Hugo und Pharrell Williams
N*E*R*D3:49
8Firestarter
Techniker(in):
Neil McLellan
Produzent(in) und Mix:
Liam Howlett
vocals:
Keith Flint (vocalist in The Prodigy)
phonographisches Urheberrecht (℗) von:
XL Recordings (in 1996)
mixed at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
engineered at:
The Strongroom in Shoreditch, Hackney, London (Greater London), England, Vereinigtes Königreich
produced at:
Earthbound Studios in Bradwell, Essex, England, Vereinigtes Königreich
Samples:
Close (to the Edit) von Art of Noise und S.O.S. von The Breeders
Bearbeitung von:
Firestarter von Prodigy (UK electronic group, main member Liam Howlett)
recording of:
Firestarter
Verfasser(in):
Kim Deal, Anne Dudley (English score composer), Keith Flint (vocalist in The Prodigy), Trevor Horn, Liam Howlett, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI/Virgin Music Publishing Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Perfect Songs (UK publisher, affiliated with BMI), Unforgettable Songs Ltd. und Zomba Music
basiert auf:
S.O.S.
quotes music from:
Close (to the Edit)
The Prodigy4.253:47
9Superstylin’
recording of:
Superstylin’
Verfasser(in):
Andy Cato, Tom Findlay (UK electronic DJ/producer, Groove Armada), Keeling Lee, Michael Anthony Daniel (MC & vocalist Michael Anthony Daniel) und Jonathan White
Groove Armada3:44
10Rip It Up
Techniker(in):
Cameron Barton und Ryan Castle
Produzent(in) und Mix:
D. Sardy (American score composer)
Editing:
Andy Brohard
zusätzliches Editing:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter) und Greg Gordon (producer/engineer)
recording of:
Rip It Up
Verfasser(in):
Chris Cester, Nic Cester und Cameron Muncey
Jet33:20
11The Game
recording of:
The Game
Verfasser(in):
Dennis Herring
End of Fashion2:44
12Pure Massacre
Techniker(in) und Produzent(in):
Kevin Shirley (producer & mixer)
recording of:
Pure Massacre
Texter und Komponist(in):
Ben Gillies und Daniel Johns
publisher:
Control (not for release label use! this is only for copyrights and publishing relationships) (in 1995), Sony/ATV Music Publishing Australia Pty Ltd. (von 1997-10-14 bis 2020-12-15) und Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (vom 2020-12-15 bis heute)
Silverchair4.54:31
13All Fired Up
cover recording of:
All Fired Up
Texter und Komponist(in):
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar34:10
14We Can’t Be Beaten
phonographisches Urheberrecht (℗) von:
J. Albert & Son Pty. Ltd. (in 1982)
recording of:
We Can’t Be Beaten
Verfasser(in):
Angry Anderson und Robin Riley (Australian guitarist)
publisher:
Albert Productions, BMG AM Pty Limited und BMG Rights Management (Australia) Pty Ltd (not for release label use! use “BMG” (post 2008) instead.)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Rose Tattoo3:02
15The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:28
16Dreadlock Holiday
Produzent(in):
Graham Gouldman und Eric Stewart
Bassgitarre und Gitarre und Hintergrundgesang und Sologesang:
Graham Gouldman
Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Gitarre und Orgel:
Rick Fenn
Hybrid-Piano, Maracas / Rumba-Rasseln und Orgel:
Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1977)
recording of:
Dreadlock Holiday (in 1977)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc45:00
17Howzat
phonographisches Urheberrecht (℗) von:
Festival Records (Australian) (in 1976), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (in 1976) und Sherbet Record Productions (in 1976)
recording of:
Howzat
Verfasser(in):
Tony Mitchell (bass, songwriter, Australia) und Garth Porter
publisher:
Heath Levy Music Ltd. (publisher), Rondor Music und Rondor Music (Australia) Pty Ltd
Sherbet23:45
18What’s My Scene
Bass:
Clyde Bramley
Gitarre:
Dave Faulkner (David Faulkner) und Brad Shepherd
Keyboard:
Dave Faulkner (David Faulkner)
Mundharmonika:
Brad Shepherd
Schlagzeug:
Mark Kingsmill
vocals:
Dave Faulkner (David Faulkner)
phonographisches Urheberrecht (℗) von:
Hoodoo Gurus Pty Ltd (in 1987)
recording of:
What’s My Scene?
Verfasser(in):
Dave Faulkner (David Faulkner)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Mushroom Music (Mushroom label’s publishing company) und Sony/ATV Music Publishing
Hoodoo Gurus3.353:47
19Playing to Win
recording of:
Playing to Win (Little River Band song)
Verfasser(in):
John Farnham, Graeham Goble, David Hirschfelder (Australian score composer), Stephen Housden (guitarist), Wayne Nelson, Steve Prestwich und Spencer Proffer
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Steven Prestwich Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019) und Wheatley Music Pty Ltd. (, in 1984)
Little River Band2:58
20All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.63:20
2▼CD
Nr.TitelKünstlerBewertungLänge
1The Final Countdown
recording engineer und Mix:
Wally Buck und Kevin Elson
Produzent(in):
Kevin Elson
Bassgitarre [bass]:
John Levén
Gitarre:
John Norum
Keyboard:
Mic Michaeli
Schlagzeug [drums]:
Ian Haugland
Hintergrundgesang:
Ian Haugland, Mic Michaeli und John Norum
Sologesang:
Joey Tempest (Swedish singer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
produced for:
Elson Music Vision, Inc.
aufgenommen bei und mixed at:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz und Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Schweden
Musikvideo für:
The Final Countdown von Europe (Swedish band)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 66) und Cachitos Nochevieja 2022 (Nummer: 155)
recording of:
The Final Countdown
Texter und Komponist(in):
Joey Tempest (Swedish singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Seven Doors Music
Europe4.055:08
2Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work4.053:39
3Tubthumping
Techniker(in):
Neil Ferguson (Chumbawamba)
Produzent(in):
Chumbawamba
phonographisches Urheberrecht (℗) von:
Chumbawamba (in 1997)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1997)
aufgenommen bei:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
mixed at:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
Bearbeitung von:
Tubthumping (album version) von Chumbawamba
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
recording of:
Tubthumping (in 1997-02)
publisher:
Chumbawamba (in 1997)
Verfasser(in):
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) und Boff Whalley
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Leosong (publisher) (in 1997)
Chumbawamba3.653:27
4Bad to the Bone
Techniker(in):
Paul Mufson und John Nagy
assistierende(r) Produzent(in):
Ken Irwin und John Nagy
Produzent(in):
Terry Manning (US recording engineer) und The Delaware Destroyers (George Thorogood & the Destroyers)
Mix:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood (blues, rock, and blues/rock guitarist and vocalist) und Terry Manning (US recording engineer) (in 1992)
Bass:
Bill Blough (von 1981 bis 1982)
Gitarre und Sologesang:
George Thorogood (blues, rock, and blues/rock guitarist and vocalist) (von 1981 bis 1982)
Keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (von 1981 bis 1982)
Klavier:
Ian Stewart (piano/keyboard, Rolling Stones member)
Saxophon:
Hank Carter (Hank "Hurricane" Carter) (von 1981 bis 1982)
Schlagzeug:
Jeff Simon (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
aufgenommen bei:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, Vereinigte Staaten (von 1981 bis 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, Vereinigte Staaten
recording of:
Bad to the Bone (von 1981 bis 1982)
Texter und Komponist(in):
George Thorogood (blues, rock, and blues/rock guitarist and vocalist)
publisher:
Del Sound Music
George Thorogood & the Destroyers4.24:49
5Get Free
recording engineer:
Doug Boehm (von 2001-07 bis 2002-02)
Produzent(in):
Rob Schnapf (producer and audio engineer)
assistierende(r) Mix:
Brian Douglass
Mix:
Andy Wallace (engineer) (in 2001)
Bass:
Patrick Matthews (von 2001-07 bis 2002-02)
E-Gitarre, Tamburin, Hintergrundgesang und Sologesang:
Craig Nicholls (von 2001-07 bis 2002-02)
Schlagzeug:
Joey Waronker (von 2001-07 bis 2002-02)
zusätzlich Perkussion:
Ethan Johns und Steven Rhodes (Engineer)
vocals:
Craig Nicholls
phonographisches Urheberrecht (℗) von:
Engine Room Music Pty Limited (in 2002)
aufgenommen bei:
The Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-07 bis 2002-02)
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California (Kalifornien), Vereinigte Staaten (in 2001)
recording of:
Get Free (Vines song) (von 2001-07 bis 2002-02)
Texter und Komponist(in):
Craig Nicholls
publisher:
Mushroom Music Pty. Ltd.
The Vines42:05
6Rebel Yell
Techniker(in):
Michael Frondelli
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass, Gitarre und Keyboard:
Steve Stevens (US guitarist and songwriter) (in 1983)
Bassgitarre:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator) (in 1983)
Keyboard:
Judi Dozier (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
arranger:
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1983), Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1999) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1986)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1983)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Rebel Yell von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 79)
recording of:
Rebel Yell (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
BMG Monarch, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Rare Blue Music, Rare Blue Music Inc, Rock Steady Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Canada Ltd., WB Music Corp. (1929–2019) und WC Music Corp.
Billy Idol4.54:46
7Alive and Kicking
assistierende(r) Techniker(in):
Martin White (engineer)
Techniker(in):
Moira Marquis und Mark McKenna (engineer)
Produzent(in):
Bob Clearmountain, Jimmy Iovine und Steve Lillywhite
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
Musikvideos:
Alive & Kicking von Simple Minds (Scottish rock band)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds4.755:21
8Who’s Gonna Save Us?
recording engineer, Produzent(in) und Mix:
Major Mark Trombino
assistierende(r) Techniker(in):
Sergeant Dean Nelson und Sergeant Jason Cupp
assistierende(r) Mix:
Justin Smith (mix/recording engineer)
aufgenommen bei:
Ocean Studios (Burbank) in Burbank, California (Kalifornien), Vereinigte Staaten
mixed at:
Extasy South in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Who’s Gonna Save Us?
Texter und Komponist(in):
Chris Cheney (The Living End frontman)
publisher:
EMI Music Publishing Ltd (PRS‐affiliated)
The Living End3.353:22
9The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:23
10You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:34
11Shadow Boxer
Techniker(in):
Mark Opitz
Produzent(in):
The Angels (Australian rock band, known internationally as Angel City) und Mark Opitz
aufgenommen bei:
Albert Studios (Australian studio, original King Street location, until 1985) in Sydney, New South Wales, Australien
recording of:
Shadow Boxer
Verfasser(in):
John Brewster, Rick Brewster und Doc Neeson
publisher:
BMG AM Pty Limited und J. Albert & Son Pty. Ltd.
The Angels2:41
12Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:27
13War
Interpret(in):
Edwin Starr
cover recording of:
War (am 1970-05-15)
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Jobete Music Co., Inc.
Edwin Starr4.23:26
14Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.653:30
15Ready to Go
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1996) und BMG UK & Ireland (in 1996)
recording of:
Ready to Go
Verfasser(in):
Tim Dorney, Johnny Male, Saffron (singer of Republica) und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (publisher), Notting Hill Music (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
recording of:
Ready to Go
Verfasser(in):
Martin Picandet und Kele Okereke
publisher:
BMG Music Publishing Ltd., Momentum Music (publisher), Notting Hill Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Republica44:05
16World in Motion
Techniker(in):
Mike “Spike” Drake
Produzent(in):
Stephen Hague und New Order (UK synth pop band)
Hintergrundgesang:
Keith Allen (Welsh actor), Peter Beardsley, England National Football Team, Paul Gascoigne, Steve McMahon, Chris Waddle und Des Walker
Sprecher:
Nigel Patrick (actor) und Kenneth Wolstenholme (football commentator) (in 1990)
Sprecher [rap]:
John Barnes (English footballer, vocals on “World in Motion”)
vocals:
Keith Allen (Welsh actor)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1990)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 69)
recording of:
World in Motion
Verfasser(in):
Keith Allen (Welsh actor), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
basiert auf:
The B-Side
New Order34:29
17Faster Kill Pussycat
zusätzliche Programmierung und zusätzliche(r) Produzent(in):
Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division)
Produzent(in):
Paul Oakenfold
Sologesang:
Brittany Murphy
Musikvideos:
Faster Kill Pussycat von Paul Oakenfold ft. Brittany Murphy
recording of:
Faster Kill Pussycat
Komponist(in):
Kelli Ali, Anthony Crawford (Paul Oakenfold's producer), Ian Copeland Green (singer, songwriter, producer, and musician; of Auerbach & Green/A & G Division), Paul Oakenfold und TC (drum and bass artist, Tom Casswell)
Paul Oakenfold43:13
18I’m So Crazy
recording of:
I’m So Crazy
Verfasser(in):
Garry Gary Beers, Henri Belolo, Andrew Farriss (in band INXS), Jon Farriss, Tim Farriss, Steven Gaines, Michael Hutchence, Jacques Morali, Dennis Parker (actor, album "Like an Eagle") und Kirk Pengilly
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Par-T-One vs. INXS23:08
19Back to the Wall
recording of:
Back to the Wall
Verfasser(in):
Christina Amphlett, Richard Feldman und Mark McEntee
Divinyls34:35
20You’ll Never Walk Alone
cover recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:39

Nennungen

Veröffentlichung

ASIN:US: B000UNXZM2 [Info]