Alien Resurrection

~ Release by John Frizzell (see all versions of this release, 4 available)

Tracklist

1HDCD
#TitleRatingLength
1Main Title
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Main Title
composer:
John Frizzell (American score composer)
32:08
2Post-Op
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Post-Op
composer:
John Frizzell (American score composer)
31:21
3Docking the Betty
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Docking the Betty
composer:
John Frizzell (American score composer)
31:19
4Priva son d'ogni conforto35:28
5Face Huggers
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Face Huggers
composer:
John Frizzell (American score composer)
32:12
6Call Finds Ripley
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Call Finds Ripley
composer:
John Frizzell (American score composer)
33:03
7The Aliens Escape
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Aliens Escape
composer:
John Frizzell (American score composer)
44:13
8Ripley Meets Her Clones
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Ripley Meets Her Clones
composer:
John Frizzell (American score composer)
42:21
9What's Inside Purvis?
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
What’s Inside Purvis?
composer:
John Frizzell (American score composer)
32:29
10They Swim...
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
They Swim…
composer:
John Frizzell (American score composer)
46:29
11The Chapel
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Chapel
composer:
John Frizzell (American score composer)
32:35
12The Abduction
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Abduction
composer:
John Frizzell (American score composer)
33:34
13The Battle With the Newborn
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
The Battle With the Newborn
composer:
John Frizzell (American score composer)
46:04
14Ripley's Theme
recording engineer:
Sue McLean
assistant engineer:
Tom Hardisty (film score engineer)
engineer:
Patrick Weber
producer:
John Frizzell (American score composer)
mixer:
Dennis Sands (American sound engineer)
assistant editor:
Lisa Jaime
editor:
Abby Treloggen
conductor:
Artie Kane
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Ripley’s Theme
composer:
John Frizzell (American score composer)
32:14