Gold

~ Release by Sublime (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Don’t Push
recording engineer:
Gary Greeth (in 1988)
engineer and mixer:
Steve McNeil (engineer) (in 1988)
producer:
Bradley Nowell (in 1988)
drums (drum set) [drums]:
Floyd I (in 1988)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1988)
electric guitar:
Brad Nowell (in 1988)
vocals:
Brad Nowell (in 1988)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1988)
recording of:
Don’t Push (in 1988)
composer:
Sublime (ska punk)
is based on:
Buffalo Soldier
is based on:
Comfortably Numb
is based on:
Could You Be Loved
is based on:
Lick a Shot
is based on:
She’s Crafty
is based on:
Up All Night (Boomtown Rats)
is based on:
Wake the Town (Tenor Saw)
is based on:
We Rule the Dancehall
13:54
2Slow Ride
recording engineer:
Gary Greeth (in 1989)
engineer and mixer:
Steve McNeil (engineer) (in 1989)
producer:
Sublime (ska punk)
drums (drum set) [drums]:
Floyd I (in 1989)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1989)
electric guitar:
Brad Nowell (in 1989)
vocals:
Brad Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Slow Ride (in 1989)
writer:
Sublime (ska punk)
14:22
3Had a DAT
engineer and mixer:
Michael "Miguel" Happoldt (in 1989)
producer:
Michael "Miguel" Happoldt
edit of:
Had a DAT by Sublime (ska punk)
recording of:
Had a DAT
writer:
Sublime (ska punk)
13:29
4D.J.’s
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
samples:
Just Don’t Bite It by N.W.A (US hip hop group)
recording of:
D.J.s
lyricist and composer:
Bradley Nowell
is based on:
A Message to You, Rudy
is based on:
Corner Stone
is based on:
Na Touch Da Just
is based on:
Ride Natty Ride
23:18
5Let’s Go Get Stoned
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
edit of:
Lets Go Get Stoned by Sublime (ska punk)
recording of:
Let’s Go Get Stoned
lyricist and composer:
Bradley Nowell
is based on:
#1 Hit Song
33:33
6Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
acoustic guitar and electric guitar:
Brad Nowell (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (Sublime) (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
2.63:04
7Waiting for My Ruca
samples:
[Lou dog barking] by Nowell’s King Louie (Bradley Nowell’s dalmatian) & Bradley Nowell, History Lesson – Part II by Minutemen (early 80s US hardcore punk band), The Style You Haven’t Done Yet by Boogie Down Productions and Tough by Kurtis Blow
recording of:
Waiting for My Ruca
lyricist and composer:
Bradley Nowell
22:21
840 oz. to Freedom
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
recording of:
40 oz. to Freedom
writer:
Marshall Goodman and Bradley Nowell
33:03
9Smoke Two Joints
samples:
Na Touch da Just (extended single version) by Just-Ice, No More ?’s (explicit) by Eazy‐E and Outside! by The Ziggens
cover recording of:
Smoke Two Joints
writer:
Chris Kay and Michael Kay
4.22:54
10We’re Only Gonna Die for Our Own Arrogance
edit of:
We’re Only Gonna Die for Our Arrogance (original) by Sublime (ska punk)
cover recording of:
We’re Only Gonna Die
lyricist and composer:
Greg Graffin
arranger:
Jay Bentley, Greg Graffin, Brett Gurewitz (guitarist and songwriter in Bad Religion) and Pete Fienstone (US drummer, Bad Religion)
3.83:07
115446 That’s My Number / Ball and Chain
medley including a cover recording of:
54‐46 (That’s My Number)
lyricist and composer:
Toots Hibbert
medley including a recording of:
Ball and Chain (Sublime)
lyricist and composer:
Bradley Nowell
medley including a partial cover recording of:
Boops
3.355:18
12Scarlet Begonias
samples:
Funky Drummer by James Brown (The Godfather of Soul)
cover recording of:
Scarlet Begonias
lyricist:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
composer:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc. and Universal Music Corp. (USA, affiliated with ASCAP)
33:32
13Chica Me Tipo
recording of:
Chica Mi Tipo
composer:
Marshall Goodman, Bradley Nowell and Eric Wilson (Sublime)
translator:
Bradley Nowell
arrangement of:
Chick on My Tip
42:16
14Right Back
recording of:
Right Back
lyricist and composer:
Bradley Nowell
is based on:
Mix Up, Mix Up
32:49
15Date Rape
edit of:
Date Rape / Rawhide by Sublime (ska punk)
recording of:
Date Rape
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
4.153:37
16KRS-One
samples:
Charlie Mack (1st Out of the Limo) by D.J. Jazzy Jeff & the Fresh Prince (American hip hop duo), The Four-Legged Zoo by Bob Dorough & Friends, The Style You Haven’t Done Yet by Boogie Down Productions and You Must Learn by Boogie Down Productions
recording of:
KRS-One
writer:
Marshall Goodman and Bradley Nowell
42:24
17Rivers of Babylon
producer:
Michael "Miguel" Happoldt
guest guitar and guest vocals:
Jack Maness (in 1991)
guitar:
Bradley Nowell (in 1991)
xylophone:
Eric Wilson (Sublime) (in 1991)
vocals:
Bradley Nowell (in 1991)
cover recording of:
Rivers of Babylon (in 1991)
lyricist:
Brent Dowe
writer:
Brent Dowe and Trevor McNaughton
publisher:
Blue Mountain Music, BMG Music, Far Musikverlag GmbH and Polygram Music
version of:
Rivers of Babylon (Sinead O'Connor version with additional lyrics)
2.752:28
18Steady B Loop Dub
samples:
Badfish by Sublime (ska punk) and Bring the Beat Back by Steady B (Warren McGlone, 80’s rapper from Philadelphia, USA)
recording of:
Steady B Loop Dub
writer:
Sublime (ska punk)
11:26
19Pool Shark
partial recording of:
Pool Shark
writer:
Sublime (ska punk)
11:00
20Steppin’ Razor
cover recording of:
Stepping Razor
lyricist and composer:
Joe Higgs (songwriter, producer, singer and guitarist)
22:25
21Greatest Hits
recording of:
Greatest-Hits (Sublime)
lyricist and composer:
Bradley Nowell
is based on:
Mic Control
32:54
22Free Loop Dub
samples:
Chuckie by Geto Boys and Loaded (Weatherall mix) by Primal Scream (Scottish rock band)
recording of:
Free Loop Dub
writer:
Sublime (ska punk)
3:09
2▼CD
#TitleRatingLength
1Saw Red
engineer:
Donnell Cameron
producer:
Michael "Miguel" Happoldt
mixer:
Warren Fitzgerald and Michael "Miguel" Happoldt
vocals:
Gwen Stefani
recording of:
Saw Red (Sublime)
lyricist and composer:
Bradley Nowell
is based on:
She's Mine
21:58
2Work That We Do
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
recording of:
Work That We Do
lyricist and composer:
Bradley Nowell
22:32
3Cisco Kid
compilation of:
[Raleigh segue] by Raleigh Theodore Sakers and Cisco Kid by Sublime (ska punk)
recording of:
Cisco Kid
writer:
Sublime (ska punk)
is based on:
Lost Mi Love
24:38
4STP
edit of:
STP by Sublime (ska punk)
recording of:
STP
lyricist and composer:
Bradley Nowell
is based on:
I Second That Emotion
22:58
5Boss DJ
recording of:
Boss DJ
lyricist and composer:
Bradley Nowell
is based on:
Roots Rocking
is based on:
Uncle John’s Band
2.52:51
6I Don’t Care Too Much for Reggae Dub
recording of:
I Don’t Care Too Much for Reggae Dub
writer:
Sublime (ska punk)
15:20
7All You Need
producer:
Michael "Miguel" Happoldt and Sublime (ska punk)
recording of:
All You Need (Sublime)
lyricist and composer:
Bradley Nowell
22:46
8Garden Grove
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
effects [space echo]:
Michael "Miguel" Happoldt
sampler and turntable:
Marshall Goodman
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
samples:
[Lou dog barking] by Nowell’s King Louie (Bradley Nowell’s dalmatian) & Bradley Nowell, Five Nights of Bleeding (for Leroy Harris) by Poet and the Roots (Reggae band), Funky Worm by Ohio Players and Girls by Beastie Boys
recording of:
Garden Grove
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Ninja Mi Ninja
4.354:21
9What I Got
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
acoustic guitar [lead]:
Michael "Miguel" Happoldt
organ:
David Kahne
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Have Your Ass Home by 11:00 by Richard Pryor, It’s a New Day by Skull Snaps and Life Is… Too $hort by Too $hort
music videos:
What I Got (Official Video) by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 81)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
4.352:51
10Wrong Way
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
trombone:
Jon Blondell
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
music videos:
Wrong Way by Sublime (ska punk)
recording of:
Wrong Way
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Big Salty Tears
is based on:
It’s Up to You
4.452:16
11Same in the End
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Same in the End
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
42:37
12April 29, 1992 (Miami)
programming:
Dave Aron (mix engineer) and Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
other instruments:
Michael "Miguel" Happoldt
piano:
David Kahne
saxophone:
Todd Forman
turntable:
Marshall Goodman
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
Give Me My Share (live, 1982-02-10: Aces Disco, St. Thomas, Jamaica) by Jah Rubel, La Di‐Da‐Di by Doug E. Fresh and M.C. Ricky D (earlier name of hip hop MC Slick Rick), Shook Ones, Part I (original version) by Mobb Deep (QB hip hop duo Prodigy & Havoc) and The Original Gangster of Hip Hop by Just‐Ice
recording of:
April 29, 1992
composer:
Marshall Goodman, Michael "Miguel" Happoldt and Bradley Nowell
is based on:
Burn Hollywood Burn
is based on:
One Eight Seven
43:53
13Santeria
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
music videos:
Santeria by Sublime (ska punk)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 253)
recording of:
Santeria
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lincoln Highway Dub
4.553:03
14Seed
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Seed
composer:
Sublime (ska punk)
is based on:
Mr. Moto
4.352:10
15Jailhouse
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
cover recording of:
Jailhouse
writer:
Clement “Coxsone” Dodd, Neville Livingston and Bob Marley (Jamaican reggae artist)
44:53
16Pawn Shop
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
organ:
Michael "Miguel" Happoldt
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Pawn Shop
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
War Deh Round a John Shop
46:06
17Under My Voodoo
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Under My Voodoo
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
33:26
18Get Ready
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
percussion and turntable and sampler:
Marshall Goodman
slide guitar:
Paul Leary
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
Get Ready
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
34:51
19Caress Me Down
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made]:
Bradley Nowell (from 1996-02 until 1996-05)
organ:
David Kahne
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
recording of:
Caress Me Down
writer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
4.353:30
20What I Got (reprise)
engineer:
Stuart Sullivan (producer, recording engineer)
producer and mixer:
Paul Leary
acoustic guitar:
Bradley Nowell (from 1996-02 until 1996-05)
acoustic guitar [lead]:
Michael "Miguel" Happoldt
bass [synth]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
drums (drum set):
Bud Gaugh (from 1996-02 until 1996-05)
electric guitar [lead]:
Paul Leary
percussion:
Marshall Goodman
vocals:
Bradley Nowell (from 1996-02 until 1996-05)
recorded at:
Pedernales Studio in Spicewood, Texas, United States (from 1996-02 until 1996-05)
mixed at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (from 1996-02 until 1996-05)
recording of:
What I Got
lyricist:
Bradley Nowell
composer:
Bud Gaugh, Bradley Nowell and Eric Wilson (Sublime)
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
revision of:
What I Got (reprise)
recording of:
What I Got (reprise)
lyricist and composer:
Bradley Nowell
is based on:
Lady Madonna
is based on:
Life Is… Too Short
is based on:
Loving
is based on:
My Mom Smokes Pot
is based on:
Nappy Heads
43:02
21Doin’ Time
drum machine programming:
Marshall Goodman
programming:
Marshall Goodman
engineer:
Eddie Ashworth
producer and mixer:
David Kahne
bass [Green Dan MacDonald Custom-Made]:
Eric Wilson (Sublime) (from 1996-02 until 1996-05)
electric guitar [Brown Dan MacDonald Custom-Made] and lead vocals:
Bradley Nowell (from 1996-02 until 1996-05)
sampler and turntable:
Marshall Goodman
background vocals:
Michael "Miguel" Happoldt
recorded at:
Total Access Recording in Redondo Beach, California, United States (from 1996-02 until 1996-05)
mixed at:
Scream Studios in Studio City, Los Angeles, California, United States (from 1996-02 until 1996-05)
samples:
(You Gotta) Fight for Your Right (To Party) by Beastie Boys and Summertime (mono) by Herbie Mann
recording of:
Doin’ Time
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Bradley James Nowell, George Gershwin (composer), Ira Gershwin, Dorothy Heyward (playwright), DuBose Heyward, Marshall Raymond Goodman and Rick Rubin (US record producer, former co‐president of Columbia Records)
is based on:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
quotes lyrics from:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
44:12
22Trenchtown Rock
engineer and mixer:
Michael "Miguel" Happoldt (in 1991)
producer:
Michael "Miguel" Happoldt and Bradley Nowell
cover recording of:
Trenchtown Rock
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Cayman Music Inc
11:42

Credits

Release

part of:Gold (Universal Records) (order: 104)
Discogs:https://www.discogs.com/release/4353495 [info]
ASIN:DE: B000BISBE8 [info]