Mozart Masterpieces

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

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1▼CD: Symphonies
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1Symphony No. 40 in G minor with clarinets, K. 550: I. Allegro molto
orchestra:
Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 550), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 550) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 550)
revision of:
Symphony no. 40 for Orchestra without clarinets in G minor, K. 550 “Great” (first version)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
orchestrator:
Neal Desby and Edward Trybek
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
37:38
2Symphony No. 40 in G minor with clarinets, K. 550: II. Andante
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: II. Andante (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
12:12
3Symphony No. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
4:46
4Symphony No. 40 in G minor with clarinets, K. 550: IV. Allegro assai
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Salzburg Mozarteum Orchestra
conductor:
Hans Graf (conductor) and János Sándor
phonographic copyright (℗) by:
Delta Music GmbH (not for release label use! 1970–2007, succeeded in 2008 by Delta Music & Entertainment GmbH & Co. KG) (in 1988)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
6:32
5Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym), Salzburg Mozarteum Orchestra and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Libor Pešek (conductor), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
11:25
6Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
9:29
7Symphony No. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: III. Minuetto. Allegretto – Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
5:06
8Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
orchestra:
Berlin Symphony Orchestra (use only if the correct orchestra is unknown - see annotation), London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Philharmonia Slovanica Orchester (Alfred Scholz pseudonym), Philharmonic Orchestra London (Alfred Scholz pseudonym) and Salzburg Mozarteum Orchestra
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Carl-August Bünte (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), János Sándor, Alfred Scholz, Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 in C major, K. 551 “Jupiter”
8:50
2▼CD: Piano Concertos
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1Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": I. Allegro
piano:
Leonard Hokanson (pianist) and Sylvia van der Linden
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:42
2Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": II. Andantino
piano:
Leonard Hokanson (pianist) and Sylvia van der Linden
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra), Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Kurt Redel (German flautist and conductor) and Jan Zybnovsky (possibly an Alfred Scholtz pseudonym)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:45
3Concerto for Piano No. 9 in E-flat major, K. 271 "Jeunehomme": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo
piano:
Leonard Hokanson (pianist)
orchestra:
Camerata Academica (Alfred Scholz orchestra, not the same as Camerata Academia Salzburg), Camerata Labacensis (Slovenian chamber orchestra) and Mozart Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”: III. Rondeau. Presto – Adagio & Menuetto. Cantabile – Tempo primo
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Concerto for Piano no. 9 in E-flat major, K. 271 “Jenamy”
10:08
4Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
instruments:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Svetlana Stanceva (pianist, an Alfred Scholz pseudonym)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym), Hubert Kraus (conductor) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
35:40
5Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
11:43
6Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
9:20
7Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
piano:
Vilmos Fischer (pianist, an Alfred Scholz pseudonym) and Leonard Hokanson (pianist)
orchestra:
Camerata Labacensis (Slovenian chamber orchestra) and Vienna Mozart Ensemble (an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1784)
part of:
Concerto for Piano no. 17 in G major, K. 453 "Second Ployer"
7:46
3▼CD: Concertos for Violin, Horn, Flute, and Harp
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1Concerto No. 5 in A major for Violin, K. 219 "Turkish": I. Allegro aperto
violin:
Christian Altenburger (German violinist)
performer:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: I. Allegro aperto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:58
2Concerto No. 5 in A major for Violin, K. 219 "Turkish": II. Adagio
violin:
Christian Altenburger (German violinist)
orchestra:
German Bach Soloists
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
310:00
3Concerto No. 5 in A major for Violin, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro
violin:
Christian Altenburger (German violinist)
performer:
Deutsche Bachsolisten (German Bach Soloists)
recording of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”: III. Rondeau. Tempo di menuetto – Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 5 in A major, K. 219 “Turkish”
9:04
4Concerto for Horn No. 1 in D major, K. 386b/514: I. Allegro
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 412: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
25:10
5Horn Concerto No. 1 in D major, K. 412/514 (K. 386b): II. Rondo. Allegro
French horn:
Bernd Heiser (horn player, an Alfred Scholz pseudonym)
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro
composer:
Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion)
revision of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)
recording of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (unknown version)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
revision of:
Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)
35:27
6Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
310:49
7Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist), Peter Jancovic (flautist, an Alfred Scholz pseudonym) and Akiko Miyazashi (flautist)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym), Renata Mordon (harpenist) and Taki Ozawa (harpist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
58:36
8Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione
flute:
Hans Friedrich (flautist, an Alfred Scholz pseudonym), Peter Janconvic (flutist) and Peter Jancovic (flautist, an Alfred Scholz pseudonym)
harp:
Angelika Bamber (harpist, an Alfred Scholz pseudonym), Angelica Berger (harpist, an Alfred Scholz pseudonym), Renata Modron (harpist, an Alfred Scholz pseudonym) and Renata Mordon (harpenist)
orchestra:
Mozart Festival Orchestra (an Alfred Scholz pseudonym), SWR Symphony Orchestra (SWR Baden-Baden and Freiburg Symphony Orchestra) and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Ernest Bour (conductor), Herbert Kraus (conductor, an Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Kurt Redel (German flautist and conductor)
recording of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778-04)
part of:
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299
110:51
4▼CD: Serenades and Divertimentos
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1Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
orchestra:
Salzburg Consort and Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2.55:42
2Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:44
3Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
2:05
4Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
4:01
5Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
4:05
6Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
3:56
7Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
2:47
8Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marica. Maestoso
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: I. Marcia. Maestoso
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
4:29
9Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": II. Minuetto & Trio
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: II. Menuetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
3:37
10Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro
orchestra:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
conductor:
Herbert Kraus (conductor, an Alfred Scholz pseudonym)
recording of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”: III. Rondeau. Allegretto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776-01)
part of:
Serenade no. 6 in D major, K. 239 “Serenata notturna”
5:09
11Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
3:46
12Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
4:02
13Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
recording of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3": III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony no. 3"
2:02
5▼CD: Operas
#TitleRatingLength
1Die Zauberflöte, K. 620: Ouverture
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
7:11
2Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
choir vocals:
Национален филхармоничен хор „Светослав Обретенов“ (National Philharmonic Choir “Svetoslav Obretenov”)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Georgi Robev (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:12
3Die Zauberflöte (The Magic Flute), opera, K. 620: Die Zauberflöte (The Magic Flute), opera, K. 620
baritone vocals:
Hermann Prey (baritone)
orchestra:
Bratislava Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Kurt Wöss (conductor)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:59
4Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
baritone vocals:
Hermann Prey (baritone) (in 1983-01)
choir vocals:
Chor der Philharmonie Bratislava (Slovak Philharmonic Choir) (in 1983-01)
orchestra:
Orchester der Philharmonie Bratislva (Slovak Philharmonic) (in 1983-01)
conductor:
Kurt Wöss (conductor) (in 1983-01)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:24
5Così fan tutte, K. 588: Ouverture
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Così fan tutte: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1790)
part of:
Così fan tutte ossia La scuola degli amanti, K. 588
4:45
6Così fan tutte, K. 588: Act I, Scene XII. No. 17 Aria "Un'aura amorosa" (Ferrando)
tenor vocals and tenor vocals [Ferrando]:
Josef Protschka (tenor)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:50
7Le nozze di Figaro, K. 492: Sinfonia
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
Le nozze di Figaro, K. 492: Sinfonia
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
4:15
8Song Reduction on Josef Mysliveček: Aria "Il mio caro bene attendo sospiro" for Voice & Piano in F major, K. 210a/152 (possibly spurious) "Ridente la calma"
piano:
Hartmut Höll (pianist)
mezzo-soprano vocals:
Mitsuko Shirai (mezzo-soprano)
recording of:
Ridente la calma, K. 210a/152 (for voice and piano, Mozart)
composer:
Josef Mysliveček (composer)
arranger:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 152) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 210a)
is based on:
Armida: "Il caro mio bene"
3:42
9Song for Voice & Piano in G major, K. 476 "Das Veilchen"
piano:
Hartmut Höll (pianist)
mezzo-soprano vocals and soprano vocals:
Mitsuko Shirai (mezzo-soprano)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand”
lyricist:
Johann Wolfgang von Goethe
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 476) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 476)
is based on:
Das Veilchen
2:38
10Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Don Giovanni: Ouvertura
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Il dissoluto punito, ossia il Don Giovanni, K. 527 (Don Giovanni)
6:11
11Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor)
tenor vocals:
Josef Protschka (tenor)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra)
conductor:
Kurt Eichhorn (conductor)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a]
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
4:40
12Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marcus Creed (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
3:30
13Lucio Silla, opera, K. 135
engineer:
Bernd Runge
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Hans Vonk (conductor)
balance engineer:
Claus Strüben (german sound engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany
recording of:
Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giovanni de Gamerra
part of:
Lucio Silla, K. 135
7:56

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