| # | Title | Artist | Rating | Length |
|---|
| 1 | All Right Now- engineer:
- Roy Thomas Baker
- additional producer:
- John Kelly
- producer:
- Free
- bass:
- Andy Fraser (in 1970)
- drums (drum set):
- Simon Kirke (in 1970)
- electric bass guitar and piano:
- Andy Fraser
- guitar:
- Paul Kossoff (in 1970)
- lead vocals:
- Paul Rodgers (in 1970)
- vocals:
- Paul Rodgers
- phonographic copyright (℗) by:
- Free (in 1970)
- phonographic copyright (℗) by:
- Island Records (in 1970) and Island Records Ltd. (in 1970)
- recorded at:
- Island Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom (in 1970) and Trident Studios in Soho, Westminster, London , England, United Kingdom (in 1970)
- music videos:
- All Right Now by Free
- part of:
- Billboard Year-End Hot 100 singles of 1970 (number: 27)
- recording of:
- All Right Now (in 1970)
- writer:
- Andy Fraser and Paul Rodgers
- publisher:
- Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control , Irving Music, Inc., Kobalt Music Publishing Ltd. , Polygram Music, Songs of Kobalt Music Publishing and Universal Music Publishing
| Free | 4.15 | 5:33 |
| 2 | Dreadlock Holiday (“Greatest Hits 1972–1978” long version)- producer:
- Graham Gouldman and Eric Stewart
- bass guitar and guitar and background vocals and lead vocals:
- Graham Gouldman
- congas, cowbell, marimba, timbales and triangle:
- Paul Burgess
- drums (drum set) and tambourine:
- Stuart Tosh
- electric piano, maracas and organ:
- Eric Stewart
- guitar and organ:
- Rick Fenn
- synthesizer:
- Duncan Mackay
- background vocals:
- Rick Fenn, Eric Stewart and Stuart Tosh
- recorded by:
- Phonogram Ltd. (London)
- recorded at:
- Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1977)
- recording of:
- Dreadlock Holiday (in 1977)
- writer:
- Graham Gouldman and Eric Stewart
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. , Man-Ken Music Ltd. and St. Anne’s Music Ltd.
| 10cc | 4 | 5:01 |
| 3 | Black Betty (edit) | Spiderbait | 4.25 | 3:26 |
| 4 | Higher Love | Steve Winwood | 4.5 | 5:49 |
| 5 | Ebony Eyes | Bob Welch | | 3:33 |
| 6 | The Stroke | Billy Squier | 3.75 | 3:38 |
| 7 | Rock and Roll All Nite- assistant engineer:
- George Lopez
- engineer:
- Dave Wittman
- producer:
- Neil Bogart and KISS
- drums (drum set):
- Peter Criss
- electric bass guitar and lead vocals:
- Gene Simmons
- electric guitar:
- Ace Frehley and Paul Stanley
- background vocals:
- Mick Campise, Lydia Criss, Mike McGurl, Rick Munroe, Peter “Moose” Oreckinto and JR Smalling
- phonographic copyright (℗) by:
- The Island Def Jam Music Group (in 1975)
- recorded at:
- Larrabee Sound Studios in West Hollywood, California, United States (from 1975-01-24 until 1975-01-25) and Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1975-02-06 until 1975-02-25)
- part of:
- VH1: 100 Greatest Hard Rock Songs (number: 16), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 404)
- recording of:
- Rock and Roll All Nite
- writer:
- Gene Simmons and Paul Stanley
- publisher:
- KISS Songs Inc. (ended), Café Americana Inc., Hori Productions America Inc. and Universal Music Publishing Pty Ltd.
- sub-publisher:
- 大洋音楽
- written at:
- Continental Hyatt House in West Hollywood, California, United States
| KISS | 3.8 | 2:46 |
| 8 | Errol | Australian Crawl | 3 | 3:30 |
| 9 | Ain’t No Mountain High Enough (stereo version) | Marvin Gaye & Tammi Terrell | 4.7 | 2:27 |
| 10 | White Room- recording engineer:
- Adrian Barber (from 1967-07 until 1968-06) and Tom Dowd (from 1967-07 until 1968-06)
- engineer:
- Adrian Barber and Tom Dowd
- producer:
- Felix Pappalardi
- bass:
- Jack Bruce (from 1967-07 until 1968-06)
- drums (drum set) and percussion and timpani:
- Ginger Baker (from 1967-07 until 1968-06)
- guitar:
- Eric Clapton (from 1967-07 until 1968-06)
- viola:
- Felix Pappalardi (from 1967-07 until 1968-06)
- vocals:
- Jack Bruce (from 1967-07 until 1968-06)
- phonographic copyright (℗) by:
- Robert Stigwood Group Ltd. (in 1968), Universal International Music B.V. (in 1968) and Robert Stigwood Organisation Ltd. (in 1969)
- recorded at:
- IBC Studios in London , England, United Kingdom (from 1967-07 until 1967-08) and Atlantic Studios in Midtown Manhattan, New York, New York, United States (from 1967-09 until 1967-10, from 1968-02 until 1968-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 368)
- recording of:
- White Room (from 1967-07 until 1968-06)
- writer:
- Pete Brown and Jack Bruce
- publisher:
- BG Publishing, Casserole Music Corp., Copyright Control , Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music and Warner Chappell Music, Inc.
- sub-publisher:
- Warner/Chappell Music Ltd. , ワーナー・チャペル音楽出版 Synch事業部 , ヤマハミュージックパブリッシング (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Cream | 4.2 | 4:58 |
| 11 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- Geffen Records (in 1989), The David Geffen Company (in 1989), Union Square Music Ltd. (in 2018) and Universal Music Operations Limited (in 2018)
- recorded at:
- Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 386)
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.75 | 4:00 |
| 12 | My Sharona- recording engineer:
- Pete Coleman
- producer:
- Mike Chapman
- bass guitar:
- Prescott Niles
- drums (drum set):
- Bruce Gary
- guitar:
- Berton Averre and Doug Fieger
- lead vocals:
- Doug Fieger
- vocals:
- Berton Averre
- remixer:
- Dave Jerden
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 1994, in 2013)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 18), TV Cream: Real 100 Best Singles Ever (number: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (number: 72) and Billboard: The 500 Best Pop Songs (number: 201)
- recording of:
- My Sharona
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 4.1 | 4:53 |
| 13 | I Touch Myself- assistant engineer:
- Chris Albert and Vince Caro
- producer:
- Divinyls , Howard Shore and David Tickle
- phonographic copyright (℗) by:
- Virgin Records America, Inc. (in 1989, in 1990) and Virgin Records (in 1990)
- recorded at:
- BMG Recording Studios in Theater District, New York, New York, United States
- remixed at:
- Power Station in Hell's Kitchen, New York, New York, United States
- part of:
- triple j’s Hottest 100 of Australian Songs (number: 54) and Billboard: The 500 Best Pop Songs (number: 326)
- recording of:
- I Touch Myself
- lyricist and composer:
- Christina Amphlett, Mark McEntee, Tom Kelly and William Steinberg
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. and Warner Chappell Music Publishing Ltd.
| Divinyls | 3.5 | 3:48 |
| 14 | Free Fallin’- engineer:
- Bill Bottrell, Mike Campbell and Don Smith
- producer:
- Mike Campbell , Jeff Lynne and Tom Petty
- 12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
- Tom Petty (from 1988 until 1989)
- bass, guitar and keyboard:
- Jeff Lynne (from 1988 until 1989)
- drums (drum set) and percussion:
- Phil Jones (from 1988 until 1989)
- guitar and keyboard:
- Mike Campbell (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- mandolin and slide guitar:
- Mike Campbell (from 1988 until 1989)
- background vocals:
- Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1989)
- recorded at:
- M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
- part of:
- NME: 50 Greatest Guitar Riffs of All Time (number: 27), Billboard: The 500 Best Pop Songs (number: 120), Rolling Stone: 500 Greatest Songs of All Time (number: 177) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 219)
- recording of:
- Free Fallin’ (from 1988 until 1989)
- writer:
- Jeff Lynne and Tom Petty
- publisher:
- EMI April Music Inc. and Gone Gator Music
| Tom Petty | 3.9 | 4:16 |
| 15 | Lay Down Sally | Eric Clapton | 3.9 | 3:48 |
| 16 | Every Breath You Take- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland (in 1983)
- electric bass guitar and lead vocals:
- Sting (in 1983)
- electric guitar:
- Andy Summers (in 1983)
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec , Canada (in 1983)
- music videos:
- Every Breath You Take by The Police
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (number: 46), Rolling Stone: 500 Greatest Songs of All Time (number: 84), Billboard: The 500 Best Pop Songs (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd , GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. and Virgin Music (Publishers) Ltd.
- sub-publisher:
- Universal Music Publishing France , シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 , EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
| The Police | 4.05 | 4:11 |
| 17 | Stuck in the Middle With You | Stealers Wheel | 4.1 | 3:29 |
| 18 | One of Us | Joan Osborne | 4 | 5:20 |
| 19 | You Ain’t Seen Nothing Yet | Bachman–Turner Overdrive | 4.65 | 3:55 |
| 20 | Caught Up in You- additional engineer:
- Gregory M. Quesnel
- engineer and producer:
- Rodney Mills
- co-producer:
- Don Barnes and Jeff Carlisi
- bass:
- Larry Junstrom
- drums (drum set):
- Jack Grondin and Steve Brookins
- guitar:
- Don Barnes and Jeff Carlisi
- background vocals:
- Don Barnes
- lead vocals:
- Don Barnes and Donnie Van Zant
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1982), UMG Recordings, Inc. (in 1982, in 1987), Universal Music Enterprises (in 2001) and Interscope Geffen (A&M) Records (in 2003)
- recorded at:
- Studio One in Doraville, Georgia, United States
- recording of:
- Caught Up in You
- additional writer:
- Frankie Sullivan
- writer:
- Don Barnes, Jeff Carlisi and Jim Peterik
- publisher:
- Easy Action Music, Rocknocker Music Co., Rude Music Inc, Sony/ATV Melody, Three Wise Boys Music LLC, Universal Music–MGB Songs and WB Music Corp.
| 38 Special | 4 | 4:38 |
| 21 | The Boys Are Back in Town | Thin Lizzy | 4.1 | 4:23 |
| 22 | Summer of ’69- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-22)
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-22)
- drums (drum set) [drums]:
- Pat (from 1984-03-27 until 1984-09-22)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-22)
- guitar [lead guitar]:
- Keith (from 1984-03-27 until 1984-09-22)
- guitar [rhythm guitar] and background vocals [harmony vocal]:
- BA (from 1984-03-27 until 1984-09-22)
- percussion:
- Jim (from 1984-03-27 until 1984-09-22)
- lead vocals:
- Bryan Adams (from 1984-03-27 until 1984-09-22)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (in 1999)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
- mixed at:
- Power Station in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
- part of:
- SWR1 Hitparade 2004 der Frauen (number: 1), SWR1 Hitparade 2005 der Badener (number: 3), SWR1 Hitparade 2005 der Württemberger (number: 3), SWR1 Hitparade 2007 (number: 5), SWR1 Hitparade 2008 (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (number: 9), SWR1 Hitparade 2004 der Männer (number: 10) and The Downloader’s Music Source Book (number: 179)
- recording of:
- Summer of ’69 (from 1984-03-27 until 1984-09-22)
- written in:
- Vancouver, British Columbia, Canada (on 1984-01-25)
- writer:
- Bryan Adams (on 1984-01-25) and Jim Vallance (on 1984-01-25)
- publisher:
- Adams Communications Inc. (in 1984), Almo Music Corp. (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
| Bryan Adams | 4.4 | 3:37 |
| 23 | One Way or Another- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1978, in 2001), Capitol Records, LLC (in 1978, in 2001), Chrysalis Records (in 1978), Chrysalis Records, Inc. (in 1978, in 2001), Capitol Records (in 2001), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 298)
- recording of:
- One Way or Another (from 1978-06 until 1978-07)
- writer:
- Nigel Harrison and Deborah Harry
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Chrysalis Songs, EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 4.15 | 3:33 |
| 24 | Only You Know and I Know | Dave Mason | | 4:07 |
| 25 | Born to Be Wild (single version)- producer:
- Gabriel Mekler
- phonographic copyright (℗) by:
- Geffen Records (in 1968), MCA Records, Inc. (in 1968) and UMG Recordings, Inc. (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time (number: 129)
- recording of:
- Born to Be Wild
- lyricist and composer:
- Mars Bonfire
- publisher:
- Duchess Music Corporation , Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. , Universal/MCA Music Ltd. , Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Steppenwolf | 4.15 | 3:33 |
| 26 | Up Around the Bend | Creedence Clearwater Revival | 4.5 | 2:41 |
| 27 | Reelin’ In the Years- assistant engineer:
- Tim Weston (in 1972-08)
- engineer:
- Roger Nichols (in 1972-08)
- producer:
- Gary Katz (in 1972-08)
- drums (drum set):
- Jim Hodder (in 1972-08)
- electric bass guitar:
- Walter Becker (in 1972-08)
- electric guitar:
- Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
- piano and lead vocals:
- Donald Fagen (in 1972-08)
- solo electric guitar:
- Elliott Randall (in 1972-08)
- background vocals:
- Donald Fagen (in 1972-08) and David Palmer (in 1972-08)
- phonographic copyright (℗) by:
- ABC Records, Inc (in 1972), ABC/Dunhill Records (in 1972), MCA Records, Inc. (in 1972) and UMG Recordings, Inc. (in 1972)
- engineered at:
- The Village Recorder in Los Angeles, California, United States (in 1972-08)
- recording of:
- Reelin’ In the Years (in 1972-08)
- writer:
- Walter Becker and Donald Fagen
- publisher:
- Ampar Music Corp., Anchor Music Ltd., MCA Music , MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. and Wingate Music Corp.
| Steely Dan | 4.55 | 4:35 |
| 28 | Is She Really Going Out With Him? | Joe Jackson | 4.4 | 3:37 |
| 29 | When You’re in Love With a Beautiful Woman | Dr. Hook | 4 | 2:55 |
| 30 | We Belong | Pat Benatar | 4.4 | 3:41 |
| 31 | The Boys of Summer | Don Henley | 3.9 | 4:48 |
| 32 | Red Red Wine | UB40 | 3.8 | 3:03 |
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