Opera Arias, Vol. 2

~ Release by Richard Tauber (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Die Entführung aus dem Serail, K. 384: „Konstanze, Konstanze“ … „O wie ängstlich“
tenor vocals:
Richard Tauber (tenor) (on 1938-03-03)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Die Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wieder zu sehen!" (Belmonte) / "O wie ängstlich, o wie feurig" (Belmonte) (on 1938-03-03)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt I
Wolfgang Amadeus Mozart4:18
2Die Zauberflöte, K. 620: Akt I. „Dies Bildnis ist bezaubernd schön“ (Tamino)
tenor vocals:
Richard Tauber (tenor) (on 1938-03-02)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (on 1938-03-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:50
3Die Zauberflöte, K. 620: Akt I. „Dies Bildnis ist bezaubernd schön“ (Tamino)
tenor vocals:
Richard Tauber (tenor) (on 1946-07-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (on 1946-07-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:54
4Don Giovanni, K. 527: „Dalla sua pace“
tenor vocals:
Richard Tauber (tenor) (on 1939-05-12)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (on 1939-05-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 540a)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:09
5Don Giovanni, K. 527: „Il mio tesoro“
tenor vocals:
Richard Tauber (tenor) (on 1939-05-12)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (on 1939-05-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:15
6Der Freischütz: „Nein, länger trag’ ich nicht“ … „Durch die Wälder“
tenor vocals [Max]:
Richard Tauber (tenor) (on 1946-07-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Der Freischütz: Akt I. Nr. 3. Walzer und Arie „Nein, länger trag' ich nicht die Qualen“, „Durch die Wälder, durch die Auen“ (Max) (on 1946-07-24)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt I
Carl Maria von Weber6:21
7Joseph: „Vaterland ich musst’ dich früh lassen“ (« Champs paternels »)
tenor vocals:
Richard Tauber (tenor) (on 1945-11-15)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Joseph: „Vaterland ich musst’ dich früh lassen“ (« Champs paternels ») (on 1945-11-15)
composer:
Étienne Nicolas Méhul (Étienne Méhul)
translated version of:
Joseph : “Champs paternels”
Étienne Nicolas Méhul4:39
8Martha: „Ach so fromm“ („M’appari tutt’amor“)
tenor vocals:
Richard Tauber (tenor) (on 1930-04-05)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel) (on 1930-04-05)
composer:
Friedrich von Flotow (composer)
librettist:
Friedrich Wilhelm Riese
part of:
Martha: Akt III
Friedrich von Flotow2:48
9Jocelyn, op. 109 : Berceuse « Cachés dans cet asile »
tenor vocals:
Richard Tauber (tenor) (on 1933-11-29)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”) (on 1933-11-29)
composer:
Benjamin Godard (French violinist and composer, 1849-1895) (on 1888-02-25)
librettist:
Victor Capoul and Paul-Armand Silvestre
part of:
Jocelyn, op. 100: Acte II
Benjamin Godard3:10
10Les Contes d’Hoffmann: „Es war einmal am Hofe“ (« Il était une fois à la cour d’Eisenach »)
tenor vocals:
Richard Tauber (tenor) (on 1928-06-19)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Hoffmanns Erzählungen: Vorspiel. No. 5 Lied & Szene “Es war einmal am Hofe von Eisenack” (Hoffmann, Chor) (on 1928-06-19)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Hoffmanns Erzählungen: Vorspiel (Prologue)
Jacques Offenbach4:13
11Les Contes d’Hoffmann: „Ha, wie in meiner Seele“ (« Ô Dieu, quelle ivresse »)
tenor vocals:
Richard Tauber (tenor) (on 1928-06-19)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Hoffmanns Erzählungen: Akt II. „Ach, wie in meiner Seele” (on 1928-06-19)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
translated version of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto)
part of:
Hoffmanns Erzählungen: Akt II (Giulietta)
Jacques Offenbach2:44
12Carmen : Acte II: « La fleur que tu m’avais jetée »
tenor vocals:
Richard Tauber (tenor) (on 1946-02-05)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (on 1946-02-05)
composer:
Georges Bizet (French composer) (in 1875)
librettist:
Ludovic Halévy (French librettist) (in 1875) and Henri Meilhac (in 1875)
part of:
Carmen : Acte II
Georges Bizet3:33
13Sadko: Hindulied
piano:
Mischa Spoliansky (composer) (on 1926-11-05)
violin:
Dajos Béla (on 1926-11-05)
tenor vocals:
Richard Tauber (tenor) (on 1926-11-05)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Sadko: Hindulied (German lyrics) (on 1926-11-05)
composer:
Nikolai Rimsky-Korsakoff (Nikolai Rimsky‐Korsakov, Russian composer)
translated version of:
Sadko: Scene IV. Song of the Indian Guest
Nikolai Rimsky-Korsakoff3:13
14Die Meistersinger von Nürnberg: Am stillen Herd
tenor vocals:
Richard Tauber (tenor) (on 1927-05-23)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt I, Scene III: "Am stillen Herd" (on 1927-05-23)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt I, Scene III. "Seid meiner Treue wohl versehen"
Richard Wagner3:38
15Die Meistersinger von Nürnberg: Morgenlich leuchtend (Preislied)
tenor vocals:
Richard Tauber (tenor) (on 1927-05-23)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Excerpt from Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Morgenlich leuchtend" (Preislied) (on 1927-05-23)
composer:
Richard Wagner (composer)
part of:
Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!"
Richard Wagner3:34
16Trompeter von Säkkingen: „Behüt dich Gott“
tenor vocals:
Richard Tauber (tenor) (on 1928-01-30)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Der Trompeter von Säckingen: „Behüt' dich Gott, es wär' so schön gewesen” (on 1928-01-30)
composer:
Viktor Ernst Nessler
part of:
Der Trompeter von Säckingen
Viktor Ernst Nessler3:39
17Der Evangelimann, op. 45: „Selig sind die Verfolgung leiden“
tenor vocals:
Richard Tauber (tenor) (on 1931-09-16)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Der Evangelimann: Zweiter Aufzug, I. Teil. „Selig sind, die Verfolgung leiden“ (Mathias) (on 1903-09-16)
composer:
Wilhelm Kienzl (Austrian composer) (in 1894)
part of:
Der Evangelimann: Zweiter Aufzug
Wilhelm Kienzl2:49
18Tiefland: „Wie ich nun gestern Abend“ (Traumerzählung)
tenor vocals:
Richard Tauber (tenor) (on 1928-05-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Tiefland: Vorspiel. Traumerzählung „Wie ich nun gestern Abend in der Hütte liege” (Pedro) (on 1928-05-24)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert3:51
19Tiefland: „Mein Leben wagt’ ich drum“ (Wolfserzählung)
tenor vocals:
Richard Tauber (tenor) (on 1928-05-24)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Tiefland: Aufzug I. Wolfserzählung „Mein Leben wagt' ich drum” … „Es kam in jeder Nacht ein Wolf…” (Pedro) (on 1928-05-24)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert3:21
20Turandot: „O weine nicht, Liù“ („Non piangere, Liù“)
tenor vocals:
Richard Tauber (tenor) (on 1927-05-11)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Turandot: Akt I. „O weine nicht, Liù“ (Calaf, Liù, Timur) (on 1927-05-11)
composer:
Giacomo Puccini (Italian composer)
translated version of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Giacomo Puccini2:46
21Turandot: „Keiner schlafe“ („Nessun dorma“)
tenor vocals:
Richard Tauber (tenor) (on 1927-05-11)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Turandot: Akt III. „Keiner schlafe“ (Calaf) (on 1927-05-11)
composer:
Giacomo Puccini (Italian composer)
translated version of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
Giacomo Puccini3:00