| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Come Back and Stay | Paul Young | 4.65 | 4:24 |
| 2 | Shattered Dream | Johnny Hates Jazz | 4.5 | 3:29 |
| 3 | Cars and Girls | Prefab Sprout | 4 | 4:27 |
| 4 | Do What You Do | Jermaine Jackson | | 4:01 |
| 5 | Bette Davis Eyes- recording engineer:
- Val Garay (in 1981-01)
- Produzent(in):
- Val Garay
- E-Gitarre:
- Waddy Wachtel (in 1981-01)
- Sologesang:
- Kim Carnes (in 1981-01)
- phonographisches Urheberrecht (℗) von:
- Capitol Records (in 1981), Capitol Records, Inc. (in 1981), Chrysalis Records (in 1981), EMI America Records, Inc. (in 1981), EMI Records Ltd. (in 1981), EMI Records USA (in 1981), EMI USA (in 1981), EMI–Manhattan Records (in 1981) und Capitol Records, LLC (in 1997)
- aufgenommen bei:
- Record One in Sherman Oaks, Los Angeles, California , Vereinigte Staaten (in 1981-01)
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (Nummer: 425)
- cover recording of:
- Bette Davis Eyes (in 1981-01)
- Verfasser(in):
- Jackie DeShannon und Donna Weiss
- publisher:
- Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd.
| Kim Carnes | 3.95 | 3:41 |
| 6 | Classic | Adrian Gurvitz | | 4:00 |
| 7 | Fade to Grey- Techniker(in):
- John Hudson
- Produzent(in):
- Midge Ure und Visage
- Interpret(in):
- Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange und Midge Ure
- arranger:
- Visage
- phonographisches Urheberrecht (℗) von:
- PolyGram Records, Inc. (in 1980) und Universal Records (in 1980)
- aufgenommen bei:
- Genetic Studios in West Berkshire, England, Vereinigtes Königreich
- mixed at:
- Mayfair Sound in London , England, Vereinigtes Königreich
- recording of:
- Fade to Grey
- Verfasser(in):
- Billy Currie, Chris Payne und Midge Ure
- publisher:
- Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. und Performance Music Ltd
| Visage | 4.1 | 3:53 |
| 8 | Everybody’s Got to Learn Sometime | The Korgis | 4.05 | 4:07 |
| 9 | Lover Why | Century | | 4:00 |
| 10 | Running in the Family | Level 42 | 3.4 | 3:58 |
| 11 | Pacific State | 808 State | | 3:54 |
| 12 | Forest Fire | Lloyd Cole and the Commotions | | 4:33 |
| 13 | Never Ending | Limahl | 3.35 | 3:29 |
| 14 | Ma Keen Dawn | Five Letters | | 3:30 |
| 15 | On My Way to LA | Phil Carmen | | 3:56 |
| 16 | Tonight | Ken Laszlo | | 3:56 |
| 17 | Pray | Blossom Child | | 3:52 |
| 18 | Rock to the Beat | One O One | | 3:56 |
| 19 | Iko Iko- Techniker(in) und Produzent(in):
- Brian Tench
- alto saxophone:
- Miranda Joyce
- Bassgitarre:
- Lesley Shone
- Gitarre:
- Sarah‐Jane Owen
- Schlagzeug:
- Judy Parsons
- Sologesang:
- Jennie Matthias
- phonographisches Urheberrecht (℗) von:
- Stiff Records Ltd. (in 1982) und Stiff Records (in 1983)
- cover recording of:
- Iko Iko
- Texter:
- James Crawford, Jr. , Barbara Anne Hawkins, Rosa Lee Hawkins und Joan Marie Johnson
- Komponist(in):
- James Crawford, Jr. , Barbara Anne Hawkins und Rosa Lee Hawkins
- publisher:
- Arc Music Corp. , EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. und フジパシフィックミュージック BMG事業部
- Revision von:
- Jockomo
| The Belle Stars | 3 | 3:01 |
| 20 | Duel | Propaganda | 3.65 | 4:45 |