Romancing the 70s, Volume 9: So Into You

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Catalog # from case spine for both discs is 24462-D B0012466-02.

Catalog # from case spine for both discs is 24462-D B0012466-02.

Anmerkung zuletzt geändert am 2009-08-29 07:57 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1So Into You
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1976), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1976)
recording of:
So in to You
Verfasser(in):
Buddy Buie, Dean Daughtry und Robert Nix (drummer)
publisher:
Low-Sal, Inc.
Atlanta Rhythm Section54:23
2Sunshine
recording of:
Sunshine
Texter und Komponist(in):
Jonathan Edwards (American singer-songwriter/musician)
Jonathan Edwards2:16
3Baby Come Back
Techniker(in):
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) und Joe Sidore
Produzent(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
Bassgitarre:
Ronn Moss
Clavinet, Hybrid-Piano und Synthesizer:
Wayne Cook
Conga, Maracas / Rumba-Rasseln und Schlagzeug:
John Friesen (drummer)
Gitarre:
Peter Beckett (lead singer of Player)
Hintergrundgesang und Sologesang:
J.C. Crowley
vocals:
Peter Beckett (lead singer of Player) und Ronn Moss
phonographisches Urheberrecht (℗) von:
PolyGram International Music B.V. (not for release label use!) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 7) und Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 24)
recording of:
Baby Come Back (Player song)
Verfasser(in):
Peter Beckett (lead singer of Player) und John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 大洋音楽 (Taiyō Music)
Player4.354:13
4I Just Wanna Stop
recording engineer und Mix:
Norm Kinney
assistierende(r) Techniker(in):
Chris Desmond
Produzent(in):
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
assistierende(r) Mix:
Paul Aronoff und Betsy Banghart (engineer)
Bass-Synthesizer [synthesized electric bass]:
Leon Gaer
Gitarre:
Carlos Rios (producer/guitarist)
Hybrid-Piano und Synthesizer:
Joe Vannelli (Canadian musician, composer and record producer)
Perkussion:
Manuel Badrena
Schlagzeug:
Mark Craney
Tenorsaxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
Hintergrundgesang:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) und Ross Vannelli
Sologesang:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) und Ross Vannelli
phonographisches Urheberrecht (℗) von:
A&M Records und A&M Records, Inc. (in 1978)
aufgenommen bei:
Davlen Sound Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Group IV Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Just Wanna Stop
Texter und Komponist(in):
Ross Vannelli
publisher:
Ross Vannelli Publishing und 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:37
5Last Time I Saw Him
Produzent(in):
Michael Masser
arranger:
Michael Omartian und Gene Page (conductor, composer, arranger and record producer)
recording of:
Last Time I Saw Him
Verfasser(in):
Michael Masser und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
EMI Songs Musikverlag GmbH und Jobete Music Co., Inc.
Diana Ross32:50
6Ain't No Woman (Like the One I've Got)
Produzent(in):
Steve Barri, Dennis Lambert und Brian Potter (US songwriter & producer)
Saiteninstrumente arranger:
Don Hockett und Dennis Lambert
recording of:
Ain't No Woman (Like the One I've Got)
Verfasser(in):
Dennis Lambert und Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc. (BMI)
Four Tops3:06
7Sail On
recording of:
Sail On
Texter und Komponist(in):
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music Co., Inc. und Libren Music
Commodores5:36
8Drift Away
recording engineer:
Gene Eichelberger
Produzent(in):
Mentor Williams (songwriter & producer)
Akustikgitarre und E-Gitarre [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
Bass:
Mike Leech (Nashville session musician and arranger)
E-Gitarre [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
Händeklatschen, Schlagzeug und Tamburin:
Kenny Malone (session drummer/percussion)
Klavier:
David Briggs (US producer and musician)
Saiteninstrumente arranger:
Mike Leech (Nashville session musician and arranger)
Orchestrator(in):
Mike Leech (Nashville session musician and arranger)
aufgenommen bei und mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Drift Away
Texter und Komponist(in):
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:56
9Just My Imagination (Running Away With Me)
Produzent(in):
Norman Whitfield
Sologesang:
Eddie Kendricks (von 1970-01-24 bis 1970-12-03)
vocals:
The Temptations (Motown soul vocal group) (von 1970-11-24 bis 1970-12-03)
phonographisches Urheberrecht (℗) von:
Motown Record Company (company credits only; do NOT use as release label) (in 1971), Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1971), Motown Record Corporation (company credits only; do NOT use as release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
aufgenommen bei:
Golden World in Detroit, Michigan, Vereinigte Staaten (von 1970-11-24 bis 1970-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 233) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 389)
recording of:
Just My Imagination (Running Away With Me) (von 1970-11-24 bis 1970-12-03)
Texter:
Barrett Strong
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stone Agate Music
The Temptations4.353:49
10Before the Next Teardrop Falls
cover recording of:
Before the Next Teardrop Falls
Verfasser(in):
Vivian Keith und Ben Peters (country music songwriter)
publisher:
Shelby Singleton Music Inc.
Freddy Fender52:36
11Let Me Be There
recording of:
Let Me Be There
Texter und Komponist(in):
John Rostill
publisher:
EMI Al Gallico Music Corp., EMI Music (do not use as release label! this is a music publisher) und Petal Music Ltd.
Olivia Newton‐John3:04
12I'm Not in Love
Bass und Gitarre:
Graham Gouldman (in 1975)
Effektgerät [musical effects]:
Eric (in 1975)
Hybrid-Piano und Sologesang:
Eric Stewart (in 1975)
Klavier:
Lol Creme (in 1975)
Moog:
Kevin Godley (in 1975)
Synclavier [control desk]:
Eric (in 1975), Graham (in 1975), Kevin (in 1975) und Lol (in 1975)
Hintergrundgesang:
Lol Creme (in 1975), Kevin Godley (in 1975) und Graham Gouldman (in 1975)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!)
Bearbeitung von:
I’m Not in Love (album version) von 10cc
recording of:
I’m Not in Love (in 1975)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4.23:48
13I Got a Name
Akustikgitarre [lead acoustic guitar]:
Maury Muehleisen
Bass:
Joe Macho
Gitarre [rhythm guitar] und Klavier:
Tommy West
Perkussion:
George Devens
Schlagzeug:
Rick Marotta (US drummer/percussionist)
Hintergrundgesang:
Jim Croce, Maury Muehleisen und Tommy West
vocals:
Jim Croce (am 1973-06-06)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographisches Urheberrecht (℗) von:
Saja Music Co. (Saja Music Company, publisher) (in 1973)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1973-06-06)
recording of:
I Got a Name (am 1973-06-06)
Texter:
Norman Gimbel
Komponist(in):
Charles Fox (film/TV composer, also Latin pianist)
publisher:
Fox Fanfare Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jim Croce43:12
14Come Saturday Morning
recording of:
Come Saturday Morning
Texter:
Dory Previn (Dory Langdon, Folk singer, songwriter, lyricist and poet)
Komponist(in) und arranger:
Fred Karlin
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 2)
The Sandpipers3:03
15The Entertainer
recording of:
The Entertainer (catch-all for arrangements)
Komponist(in):
Scott Joplin (composer and pianist)
Arrangement von:
The Entertainer
Marvin Hamlisch3:05
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Romancing the 70s (Nummer: 9) (Reihenfolge: 9)