The Complete Recordings

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Annotation

Packaging: box with booklet and 19CDs (each in cardboard sleeve)

Status: All 19 discs now have tracklists entered. All records I could find shared/merged. All ARs entered.

Still to do: Some editing for consistency. Linking (and creating if needed) works.

Annotation last modified on 2017-09-16 05:02 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▶CD
5▶CD
6▶CD
7▶CD
8▶CD
9▼CD
#TitleArtistRatingLength
1The Dream of Gerontius op. 38: Part 2: (Andantino) — I went to sleep (Soul of Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar5:54
2The Dream of Gerontius op. 38: Part 2: My work is done (Angel/Soul of Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:07
3The Dream of Gerontius op. 38: Part 2: All hail! My child (Angel/Soul of Gerontius)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar6:30
4The Dream of Gerontius op. 38: Part 2: Low-born clods of brute earth (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:01
5The Dream of Gerontius op. 38: Part 2: It is the restless panting of their being (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:19
6The Dream of Gerontius op. 38: Part 2: The mind bold and independent (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:19
7The Dream of Gerontius op. 38: Part 2: I see not those false spirits (Soul of Gerontius/Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:29
8The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:15
9The Dream of Gerontius op. 38: Part 2: The sound is like the rushing of the wind (Soul/Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:17
10The Dream of Gerontius op. 38: Part 2: Glory to Him (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:32
11The Dream of Gerontius op. 38: Part 2: They sing of thy approaching agony (Angel/Soul/Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:52
12The Dream of Gerontius op. 38: Part 2: But hark! a grand mysterious harmony (Soul)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:58
13The Dream of Gerontius op. 38: Part 2: And now the threshold (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:24
14The Dream of Gerontius op. 38: Part 2: Praise to the Holiest (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar7:57
15The Dream of Gerontius op. 38: Part 2: Thy judgement now is near (Angel/Soul)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar2:33
16The Dream of Gerontius op. 38: Part 2: Jesu! by that shuddering dread (Angel of the Agony/Soul)
producer:
Christopher Bishop (conductor/producer)
solo bass vocals:
Robert Lloyd (operatic bass) (from 1975-05-18 until 1975-07-31)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar4:23
17The Dream of Gerontius op. 38: Part 2: Be merciful, be gracious (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar0:40
18The Dream of Gerontius op. 38: Part 2: Praise to His name! (Angel)
producer:
Christopher Bishop (conductor/producer)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:37
19The Dream of Gerontius op. 38: Part 2: Take me away (Soul)
producer:
Christopher Bishop (conductor/producer)
solo tenor vocals:
Nicolai Gedda (tenor) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar3:42
20The Dream of Gerontius op. 38: Part 2: Lord, Thou hast been our refuge (Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar1:55
21The Dream of Gerontius op. 38: Part 2: Softly and gently (Angel/Chorus)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1975-05-18 until 1975-07-31) and London Philharmonic Choir (from 1975-05-18 until 1975-07-31)
solo contralto vocals:
Helen Watts (contralto) (from 1975-05-18 until 1975-07-31)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1975-05-18 until 1975-07-31)
conductor:
Sir Adrian Boult (conductor) (from 1975-05-18 until 1975-07-31)
chorus master:
John Alldis (chorusmaster and conductor) (from 1975-05-18 until 1975-07-31)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
Warner Classics (in 1976, in 1986)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1975-05-18, on 1975-07-18, on 1975-07-21, on 1975-07-24, on 1975-07-27, on 1975-07-31)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1975-05-18 until 1975-07-31)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Edward Elgar7:03
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Credits

Release

manufactured in:EU (Europe)
printed in:EU (Europe)
photography:Derek Allen (photographer)
liner notes:Martin Cotton (in 2013)
liner notes translator:Dennis Collins (liner notes translator) (in 2013)
Leandra Rhoese (liner notes translator) (in 2013)
compiler:Richard J. Bradburn (compiler)
copyrighted (©) by and phonographic copyright (℗) by:Warner Classics (in 2013)
ASIN:UK: B00C68FJ0K [info]

Release group

includes:Choral Works
Enigma Variations / Pomp & Circumstance Marches Nos. 1–5 by Elgar (Edward Elgar, composer); London Symphony Orchestra, London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 1 in A-flat / Serenade for Strings / Chanson de nuit / Chanson de matin by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
Symphony no. 2 in E-flat / Cockaigne Overture by Sir Edward Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)