Time Life Loves the ’80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:49
2Just Like Heaven
assistente produttore:
Sean Burrows, Michel Dierickx (Belgian producer & engineer, aka ‘Shelle’) e Jacques Hermet
produttore:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tecnico di missaggio:
Bob Clearmountain
basso elettrico :
Simon Gallup
batteria e percussione :
Boris Williams
chitarra elettrica :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1987)
registrata presso:
Compass Point Studios in Nassau, Bahamas, ICP Recording Studios in Brussels (Brussels-Capital Region), Belgio e Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia
video musicali:
Just Like Heaven di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 11), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 22), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 108), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 231) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 483)
registrazione di:
Just Like Heaven
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson, Lol Tolhurst e Boris Williams
editore:
APB Music Co.
The Cure4.23:31
3Wild, Wild West
registrazione di:
Wild, Wild West
autore:
Johnnie Christo, John Holliday, Amos Pizzey, Trevor Steel e Milan Zekavica
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) (nel 1988)
The Escape Club54:06
4Bust a Move
produttore e tecnico di missaggio:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
chitarra basso ospite :
Flea (US bassist)
arrangiatore:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
diritti fonografici (℗) detenuti da:
Delicious Vinyl, Inc. (nel 1989)
mixata per, arrangiata per e è stato produttore per:
Delicious Vinyl Inc.
campionamenti:
Daytime Hustler di Bette Midler, Found a Child di Ballin’ Jack e Scorpio di Dennis Coffey & The Detroit Guitar Band
parte di:
Grammy Award: Best Rap Performance nominees (numero: 1990 winner) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 60)
registrazione di:
Bust a Move
autore:
Matt Dike (American producer), Marvin Young e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Young MC44:27
5Only in My Dreams
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione e produttore:
Fred Zarr
assistente tecnico:
Bill Esses
tecnico di missaggio:
Doc Dougherty e “Little” Louie Vega (US house DJ/producer)
basso :
Gary Down
chitarra :
Ira Siegel
percussione :
Bashiri Johnson
sassofono :
Jeff Smith (US saxophonist)
tastiera e sintetizzatore :
Fred Zarr
tom-tom :
Billy Amendola
voce di accompagnamento:
La‐Rita Gaskin e Norma Jean Wright
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1987)
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 95) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 479)
registrazione di:
Only in My Dreams
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson43:51
6Little Lies
produttore:
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Richard Dashut
basso elettrico :
John McVie
batteria e percussione :
Mick Fleetwood
campionatore [Fairlight CMI] e chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
tastiera :
Lindsey Buckingham (guitarist, singer, songwriter and producer) e Christine McVie
voce di accompagnamento:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
voce principale:
Christine McVie
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1987)
registrazione di:
Little Lies
paroliere e compositore:
Christine McVie e Eddy Quintela
editore:
BMG Songs, Inc. e Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.153:38
7Ride Like the Wind
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , chitarra solista e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Lenny Castro
pianoforte e pianoforte elettrico :
Michael Omartian
sintetizzatore :
Rob Meurer
voce di accompagnamento:
Christopher Cross (US singer‐songwriter) e Michael McDonald (R&B & soul singer)
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 1979) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Ride Like the Wind
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) e Universal Music–MGB Songs
sub-editore:
Shinko Music Entertainment Co., Ltd. e Universal Music Publishing, Synch Division
Christopher Cross4.24:30
8St. Elmo’s Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
9Need You Tonight
assistente tecnico:
Paula Jones (Australian audio engineer, producer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain e Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1987, nel 1997), PolyGram International Music B.V. (not for release label use!) (nel 1987) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1999)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
video musicali:
Need You Tonight (music video) di INXS
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 16) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 114)
registrazione di:
Need You Tonight
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (nel 1987) e Chardonnay Investments Ltd. (nel 1987)
INXS4.153:03
10Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.94:29
11What I Like About You
produttore:
Peter Solley (English pianist, songwriter and producer)
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1979) e Nemperor Records, Inc. (nel 1979)
registrata presso:
Coconut Recording in Miami, Florida, Stati Uniti (nel 1979-10)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 97) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 483)
registrazione di:
What I Like About You (nel 1979-10)
autore:
Jimmy Marinos (American drummer), Wally Palmar (guitarist and songwriter) e Mike Skill (Singer, bassist, guitarist, songwriter)
editore:
EMI April Music Inc. e EMI Music Publishing Australia Pty. Limited (not for release label use!)
parte di:
Freaky Friday (2003)
The Romantics4.552:57
12Whip It
produttore:
DEVO (new wave/rock band)
produttore associato:
Robert Margouleff
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 63) e Indie 88: Top 500 Indie Rock Songs (numero: 463)
registrazione di:
Whip It (Devo song)
autore:
Gerald Casale e Mark Mothersbaugh
editore:
DEVO Music, EMI Virgin Music Australia Pty Ltd e Nymph Music
DEVO4.452:42
13Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:41
14Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:53
15You’re the Inspiration
tecnico e tecnico di missaggio:
Humberto Gatica
produttore:
David Foster (Canadian music producer, arranger and composer)
assistente tecnico di missaggio:
Larry Fergusson
arrangiatore strumenti:
Jeremy Lubbock
arrangiatore:
Peter Cetera e David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1984, nel 2010) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1984) e The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1984)
mixata presso:
Lion Share Recording Studios in Los Angeles, California, Stati Uniti
registrazione di:
You’re the Inspiration (nel 1984)
autore:
Peter Cetera (nel 1984) e David Foster (Canadian music producer, arranger and composer) (nel 1984)
editore:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1984) e Foster Frees Music Inc. (nel 1984)
Chicago53:48
16Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:18
17I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.954:59
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