Le 100 canzoni di sempre internazionali

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Jailhouse Rock
drums (drum set):
D.J. Fontana (on 1957-04-30)
electric bass guitar:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1957-04-30)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (on 1957-04-30)
additional vocals:
The Jordanaires (southern gospel group) (on 1957-04-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-04-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1957) and BMG Music (in 1957)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 67) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 216)
recording of:
Jailhouse Rock (on 1957-04-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC and Sony/ATV Songs LLC
sub-publisher:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley3.42:29
2Be‐Bop‐a‐LulaCarl Perkins2:56
3Oh! Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
Neil Sedaka32:17
4Istanbul (Not Constantinople)
recording of:
Istanbul (Not Constantinople)
lyricist:
Jimmy Kennedy (Irish songwriter)
composer:
Nat Simon
The Four Lads2:21
5C’est si bon
orchestra:
Henri René & His Orchestra (on 1953-03-12)
recording of:
C’est si bon (original French version) (on 1953-03-12)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (songwriter and pianist) (in 1947)
publisher:
Éditions Beuscher Arpège
Eartha Kitt42:59
6Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (on 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (on 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (on 1956-06-29)
writer:
Johnny Bragg, Buddy Killen and Robert Riley
Johnnie Ray42:39
7Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1957-12-03) and The Ray Charles Singers (on 1957-12-03)
orchestra:
Mitchell Ayres and His Orchestra (on 1957-12-03)
arranger:
Joe Reisman
phonographic copyright (℗) by:
BMG Entertainment (in 1958)
recording of:
Magic Moments (on 1957-12-03)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Music Publishing Ltd. and MCA Music Ltd.
Perry Como3.152:40
8Mambo Italiano
recorded in:
Hollywood, Los Angeles, California, United States (on 1954-09-23)
vocals:
Rosemary Clooney (on 1954-09-23) and The Mellomen (American singing quartet) (on 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (on 1954-09-23)
conductor:
Paul Weston (on 1954-09-23)
recording of:
Mambo Italiano (original english version) (on 1954-09-23)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:32
9Banana Boat Song (Day‐o)
recording of:
Day‐O (The Banana Boat Song) (Burgess/Attaway arrangement made famous by Harry Belafonte)
additional lyricist:
William Attaway (in 1955) and Irving Burgie (in 1955)
composer:
[traditional] (special purpose artist)
publisher:
Caribe Music Corp., Cherry Lane Music Ltd., Cherry Lane Music Publishing Ltd, EMI Songs Ltd., Garber Music Ltd., Lord Burgess Music Publishing Co., Music Sales Corp (American copyright holder in both popular and classical music) and Reservoir Media Music
version of:
Day‐O (The Banana Boat Song) (original folk song)
Harry Belafonte3:47
10Whatever Will Be, Will Be (Que sera, sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), St. Angelo Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1956 winner)
Doris Day2:06
11Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong3:22
12’s Wonderful
Ray Conniff, His Orchestra & Chorus2:28
13Jezebel
recording of:
Jezebel
lyricist and composer:
Wayne Shanklin
publisher:
Anne-Rachel Music Corp. and Domino Publishing Co. Ltd.
Frankie Laine3:12
14A Certain Smile (from “A Certain Smile”)
producer:
Al Ham and Mitch Miller
orchestra:
Ray Ellis and His Orchestra (on 1958-05-12)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1958)
cover recording of:
A Certain Smile (on 1958-05-12)
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
recording of:
A Certain Smile
lyricist:
Paul Francis Webster
composer:
Sammy Fain
publisher:
EMI United Partnership Ltd.
part of:
The 31st Academy Award for Best Original Song (number: 2)
Johnny Mathis32:47
15Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan & George Treadwell's Orchestra3:01
16Stranger in Paradise (78rpm version)
recorded in:
New York, United States (on 1953-10-13)
vocal:
Tony Bennett (US jazz/standards vocalist) and The Ray Charles Singers
vocals:
Tony Bennett (US jazz/standards vocalist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (on 1953-10-13)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
Tony Bennett3:06
17Smoke Gets in Your Eyes (When Your Heart’s on Fire)
Vic Damone3:52
18I’m a Fool to Want You
bass:
Milt Hinton (on 1958-02-20)
bass trombone:
Tom Mitchell (US jazz trombonist) (on 1958-02-20)
cello:
Maurice Brown (jazz cellist) (on 1958-02-20) and David Soyer (on 1958-02-20)
drums (drum set):
Osie Johnson (on 1958-02-20)
flute:
Danny Bank (reeds) (on 1958-02-20), Phil Bodner (Woodwind player) (on 1958-02-20), Thomas Parshley (on 1958-02-20) and Romeo Penque (on 1958-02-20)
guitar:
Barry Galbraith (on 1958-02-20)
harp:
Janet Putnam (harpist) (on 1958-02-20)
piano:
Mal Waldron (American jazz pianist) (on 1958-02-20)
solo trombone:
Urbie Green (on 1958-02-20)
trombone:
Jack Green (on 1958-02-20) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1958-02-20)
trumpet:
Billy Butterfield (on 1958-02-20), Mel Davis (US jazz trumpeter) (on 1958-02-20) and Bernie Glow (on 1958-02-20)
viola:
Sidney Brecher (on 1958-02-20) and Richard Dickler (on 1958-02-20)
violin:
Emmanual Green (on 1958-02-20), Harry Hoffman (violinist) (on 1958-02-20), Harry Katzman (on 1958-02-20), Leo Kruczek (on 1958-02-20), Milton Lomask (on 1958-02-20), Harry Melnikoff (on 1958-02-20), George Ockner (on 1958-02-20) and Sam Rand (violinist) (on 1958-02-20)
background vocals:
Elise Bretton (on 1958-02-20) and Miriam Workman (on 1958-02-20)
lead vocals:
Billie Holiday (on 1958-02-20)
orchestra:
Ray Ellis and His Orchestra (on 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (on 1958-02-20)
cover recording of:
I’m a Fool to Want You (on 1958-02-20)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
19Summertime
alto saxophone:
Cannonball Adderley (on 1958-08-18)
bass:
Paul Chambers (US jazz bassist) (on 1958-08-18)
bass clarinet:
Danny Bank (reeds) (on 1958-08-18)
bass trombone:
Dick Hixson (trombonist) (on 1958-08-18)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-08-18)
flugelhorn:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18)
flute:
Romeo Penque (on 1958-08-18) and Jerome Richardson (on 1958-08-18)
French horn:
Willie Ruff (on 1958-08-18), Gunther Schuller (US horn player, conductor, composer) (on 1958-08-18) and Julius Watkins (on 1958-08-18)
trombone:
Joe Bennett (trombonist) (on 1958-08-18), Jimmy Cleveland (US jazz trombonist) (on 1958-08-18) and Frank Rehak (US jazz trombonist) (on 1958-08-18)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1958-08-18), Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1958-08-18), Bernie Glow (on 1958-08-18), Louis Mucci (trumpetist) (on 1958-08-18) and Ernie Royal (on 1958-08-18)
tuba:
Bill Barber (Jazz tuba player) (on 1958-08-18)
conductor:
Gil Evans (Canadian‐American jazz pianist and composer) (on 1958-08-18)
arranger:
Gil Evans (Canadian‐American jazz pianist and composer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-08-18)
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1958-08-18)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Miles Davis53:21
20Solitude
recording of:
(In My) Solitude (on 1957-10-14)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Duke Ellington4:44
21Theme From “A Summer Place”
partial recording of:
Theme from “A Summer Place” (original instrumental version)
composer:
Max Steiner (in 1959)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America
Percy Faith & His Orchestra1:57
22Put Your Head on My Shoulder
recorded in:
New York, New York, United States
producer:
Joe Sherman
vocals:
Paul Anka (Canadian singer, songwriter and actor) (in 1958-08)
conductor:
Joe Sherman (in 1958-08)
arranger:
Joe Sherman
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1962)
produced for:
Camy Productions, Inc.
recording of:
Put Your Head on My Shoulder (in 1958-08)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Spanka Music (ended), Chrysalis Standards Inc. and Epa Publishing
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Paul Anka52:35
23The Look of Love
engineer:
Ray Hall (engineer) (on 1967-06-15)
producer:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
drums (drum set):
Bernard “Pretty” Purdie (on 1967-06-15)
electric bass guitar:
Gene Taylor (US jazz bassist) (on 1967-06-15)
electric guitar:
Eric Gale (on 1967-06-15) and Rudy Stevenson (on 1967-06-15)
harpsichord and piano:
Ernest Hayes (American pianist, organist and arranger) (on 1967-06-15)
vocals:
Nina Simone (on 1967-06-15)
conductor:
Sammy Lowe (trumpeter, arranger and conductor) (on 1969-06-15)
arranger:
Sammy Lowe (trumpeter, arranger and conductor)
recorded at:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, United States (on 1967-06-15)
cover recording of:
The Look of Love (on 1967-06-15)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Nina Simone32:23
24Blue VelvetBobby Vinton2:49
25Everybody’s Talkin’
phonographic copyright (℗) by:
BMG Music (in 1967)
earliest release:
Everybody’s Talkin’ by Nilsson (US singer-songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 51)
cover recording of:
Everybody’s Talkin’
lyricist and composer:
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music and Third Story Music, Inc.
Harry Nilsson3.92:46