| # | Title | Artist | Rating | Length |
|---|
| 1 | I Want to Break Free- additional recording engineer:
- Mike Beiriger
- assistant recording engineer:
- Eddie DeLena and Stephan Wissnet
- recording engineer, programming and engineer:
- Mack
- producer:
- Mack and Queen
- acoustic guitar [acoustic rhythm guitar] and bass guitar:
- John Deacon (from 1983-08 until 1984-01)
- drums (drum set):
- Roger Taylor (from 1983-08 until 1984-01)
- electric guitar:
- Brian May (from 1983-08 until 1984-01)
- guest solo synthesizer and guest synthesizer:
- Fred Mandel (from 1983-08 until 1984-01)
- synthesizer:
- John Deacon (from 1983-08 until 1984-01) and Freddie Mercury (from 1983-08 until 1984-01)
- background vocals and lead vocals:
- Freddie Mercury (from 1983-08 until 1984-01)
- phonographic copyright (℗) by:
- Raincloud Productions Ltd. (in 1984) and Queen Productions Ltd. (in 2011)
- recorded at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- produced at:
- Musicland Studios in München , Bayern , Germany (from 1983-08 until 1984-01) and The Record Plant in Hollywood, Los Angeles, California, United States (from 1983-08 until 1984-01)
- edit of:
- I Want to Break Free by Queen
- recording of:
- I Want to Break Free (from 1983-08 until 1984-01)
- lyricist and composer:
- John Deacon
- publisher:
- EMI Music Ltd., EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Queen Music Ltd.
- included in:
- We Will Rock You
- included in:
- We Will Rock You
| Queen | 4.3 | 3:18 |
| 2 | December ’63 (Oh What a Night)- recording engineer:
- Steve Maslow
- producer:
- Bob Gaudio
- mixer:
- Val Garay
- bass:
- Don Ciccone
- drums (drum set):
- Gerry Polci
- guitar:
- John Paiva
- keyboard:
- Bob Gaudio and Lee Shapiro
- piano:
- Bob Gaudio
- vocals:
- Bob Gaudio, Don Ciccone, Frankie Valli , Gerry Polci and John Paiva
- brass [horns] arranger and strings arranger:
- Lee Shapiro
- phonographic copyright (℗) by:
- WEA International Inc.
- recorded at:
- Sound Factory in Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 64)
- recording of:
- December, 1963 (Oh, What a Night)
- lyricist:
- Bob Gaudio and Judy Parker
- composer:
- Bob Gaudio
- publisher:
- EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. and Seasons Music Co.
| Frankie Valli | 3.85 | 3:28 |
| 3 | 9 to 5 | Dolly Parton | 3.55 | 2:44 |
| 4 | Manic Monday | Bangles | 4 | 3:04 |
| 5 | Don’t Worry Be Happy | Bobby McFerrin | 3.55 | 3:53 |
| 6 | I Get the Sweetest Feeling | Jackie Wilson | 4.5 | 2:54 |
| 7 | Lady Marmalade- producer:
- Allen R. Toussaint
- arranger:
- Allen R. Toussaint
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1974) and Sony Music Entertainment Inc. (in 1974)
- part of:
- Billboard: The 500 Best Pop Songs (number: 411) and Rolling Stone: 500 Greatest Songs of All Time (number: 479)
- cover recording of:
- Lady Marmalade (in 1974)
- writer:
- Bob Crewe and Kenny Nolan
- publisher:
- Ardmore and Beechwood Ltd., EMI , EMI April Music Inc., EMI Blackwood Music Inc., EMI Music , EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation and TannyBoy Music
| LaBelle | 3.3 | 3:55 |
| 8 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:22 |
| 9 | Oh Pretty Woman- recorded in:
- Nashville, Tennessee, United States (on 1964-08-01)
- producer:
- Fred Foster
- 12 string guitar [12 string guitar Epiphone] and lead vocals:
- Roy Orbison (on 1964-08-01)
- double bass [upright bass]:
- Bob Moore (on 1964-08-01)
- drums (drum set):
- Buddy Harman (on 1964-08-01)
- guitar:
- Jerry Kennedy (on 1964-08-01), Wayne Moss (on 1964-08-01) and Billy Sanford (on 1964-08-01)
- harmonica:
- Charlie McCoy (on 1964-08-01)
- percussion:
- Paul Garrison (on 1964-08-01)
- piano:
- Floyd Cramer (on 1964-08-01)
- saxophone:
- Boots Randolph (on 1964-08-01)
- vocals:
- Roy Orbison
- phonographic copyright (℗) by:
- Orbison Records, Orbison Records, Inc. and Monument Record Corp. (in 1964)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 20), Billboard: The 500 Best Pop Songs (number: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (number: 222)
- recording of:
- Oh, Pretty Woman (on 1964-08-01)
- lyricist and composer:
- Bill Dees and Roy Orbison
- publisher:
- Acuff-Rose Music Limited , Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. , Acuff-Rose Publications, Inc. (on 1964-08-26) and Acuff-Rose (in 1972)
| Roy Orbison | 4.3 | 2:58 |
| 10 | Happy Together | The Turtles | 4.4 | 2:53 |
| 11 | Sugar Sugar | The Archies | 3.5 | 2:47 |
| 12 | Daydream Believer | The Monkees | 4.65 | 2:54 |
| 13 | It Must Be Love | Labi Siffre | 4 | 3:52 |
| 14 | Let Your Love Flow | The Bellamy Brothers | 3.65 | 3:15 |
| 15 | I Got You Babe | UB40 | 2.75 | 3:08 |
| 16 | It Ain’t What You Do It’s the Way That You Do It | Fun Boy Three & Bananarama | | 2:35 |
| 17 | Tide Is High- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals:
- Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) and Frank Infante (in 1980)
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980) and Chrysalis Records, Inc. (in 1980)
- recorded at:
- United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett (in 1967) and Tyrone Evans (in 1967)
- writer:
- John Holt (in 1967)
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.45 | 3:51 |
| 18 | Smile | Lily Allen | 3.7 | 3:15 |
| 19 | Sitting Down Here | Lene Marlin | 3 | 3:53 |
| 20 | No Worries | Simon Webbe | 3.35 | 3:28 |
| 21 | All Rise | Blue | 2.6 | 3:43 |
| 22 | What a Wonderful World- additional engineer:
- Rupert James Coulson and Brian Masterson
- engineer:
- Steve Sale
- producer:
- Mike Batt and Chris Biondo
- bass:
- Tim Harries
- drums (drum set) [drums]:
- Henry Spinetti
- guitar:
- Jim Cregan , Steve Donnelly, John Parricelli, Luke Potashnick and Chris Spedding
- instruments:
- The Irish Film Orchestra
- percussion:
- Ray Cooper and Rob Farrer
- piano:
- Mike Batt
- trumpet:
- Dominic Glover
- violin:
- Mike Darcy
- vocals:
- Eva Cassidy and Katie Melua
- conductor:
- Mike Batt
- arranger:
- Mike Batt and Chris Biondo
- phonographic copyright (℗) by:
- Blix Street Records Inc. (in 2007), BMG Rights Management GmbH (in 2007) and Dramatico Entertainment Ltd. (in 2007)
- cover recording of:
- What a Wonderful World
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
- recording of:
- What a Wonderful World
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Eva Cassidy & Katie Melua | 2 | 4:18 |
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