The Specialty Sessions

~ Veröffentlichung von Little Richard (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1Jenny, Jenny (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-15)
Bassgitarre:
Frank Fields (am 1956-10-15)
Gitarre:
Roy Montrell (am 1956-10-15)
Klavier und Sologesang:
Little Richard (am 1956-10-15)
Schlagzeug:
Earl Palmer (am 1956-10-15)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-15)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-15)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 20)
recording of:
Jenny, Jenny (made famous by Little Richard; not the 867‒5309 song) (am 1956-10-15)
Verfasser(in):
Enotris Johnson (bis 1956-10-15) und Richard Wayne Penniman (bis 1956-10-15)
publisher:
Sony/ATV Songs LLC
4.52:04
2Good Golly, Miss Molly (master, take 9)
recording of:
Good Golly Miss Molly
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:51
3Baby Face (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
aufgenommen bei:
J&M Music Shop in New Orleans, Louisiana, Vereinigte Staaten (am 1956-10-16)
cover recording of:
Baby Face (am 1956-10-16)
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
Komponist(in):
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. und Benny Davis Music
recording of:
Baby Face
Texter:
Benny Davis (US vaudeville performer and songwriter) (in 1926)
Komponist(in):
Harry Akst (in 1926)
publisher:
B & G Akst Publishing Co. und Benny Davis Music
2:15
4The Girl Can’t Help It (movie master version, take 9)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
Hintergrundgesang:
Junior Gordon (am 1956-10-16), Art Neville (am 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (am 1956-10-16) und William Tircuit (1950s vocalist) (am 1956-10-16)
recording of:
The Girl Can’t Help It (am 1956-10-16)
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
2:32
5The Girl Can’t Help It (take 10 & master take 12)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
Hintergrundgesang:
Junior Gordon (am 1956-10-16), Art Neville (am 1956-10-16), Adolph Smith (1950s vocalist, guitarist & songwriter) (am 1956-10-16) und William Tircuit (1950s vocalist) (am 1956-10-16)
Kompilation von:
The Girl Can't Help It (false start & take 11) von Little Richard und The Girl Can’t Help It (master) von Little Richard
recording of:
The Girl Can’t Help It (am 1956-10-16)
Texter und Komponist(in):
Bobby Troup
publisher:
Robbins Music Corp. und Twentieth Century Music Corp. (in 1956)
2:50
6By the Light of the Silvery Moon (master)
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (am 1956-10-16)
Bassgitarre:
Frank Fields (am 1956-10-16)
Gitarre:
Roy Montrell (am 1956-10-16)
Klavier und Sologesang:
Little Richard (am 1956-10-16)
Schlagzeug:
Earl Palmer (am 1956-10-16)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (am 1956-10-16)
cover recording of:
By the Light of the Silvery Moon (am 1956-10-16)
Texter:
Edward Madden (in 1909)
Komponist(in):
Gus Edwards (in 1909)
publisher:
Remick Music
Teil von:
Two Weeks With Love (1950 film)
2:06
7Send Me Some Lovin’ (master)
recording of:
Send Me Some Lovin’
Texter:
Leo Price
Komponist(in):
John Marascalco
publisher:
ATV Music Corp., Robin Hood Music Co. und Sony/ATV Songs LLC
2:45
8Gene Nobles’ ‘Royal Crown Hairdressing’ commercials
Sprecher:
Little Richard (am 1956-10-16)
1:05
9Ooh! My Soul (master)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
1:49
10Keep a Knockin’ (take 4)
recording of:
Keep a Knockin’ (Little Richard’s version)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
2:10
11Keep a Knockin’ (master)
baritone saxophone:
Samuel Parker Jr. (US saxophonist) (am 1957-01-16)
Bassgitarre:
Olsie Robinson (am 1957-01-16)
Gitarre:
Nathaniel Douglas (am 1957-01-16)
Klavier und Sologesang:
Little Richard (am 1957-01-16)
Schlagzeug:
Charles Connor (am 1957-01-16)
Tenorsaxophon:
Clifford Burks (am 1957-01-16), Grady Gaines (R & B sax player / bandleader) (am 1957-01-16) und Wilbert Smith (am 1957-01-16)
Bearbeitung von:
Keep a Knockin' (slate & take 2) von Little Richard
recording of:
Keep a Knockin’ (Little Richard’s version) (am 1957-01-16)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
MCA Music Ltd.
Version von:
Keep a‐Knockin’ an You Can’t Get In
2:20
12I’ll Never Let You Go (Boo Hoo Hoo Hoo) (take 6, fast version)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
2:34
13I’ll Never Let You Go (Boo Hoo Hoo Hoo) (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
recording of:
Boo Hoo Hoo Hoo (I'll Never Let You Go)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
2:21
14Good Morning Little Schoolgirl (takes 1 & 3)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
Kompilation von:
Good Morning Little School Girl (false start 1) von Little Richard, Good Morning Little School Girl (false start 3) von Little Richard und Good Morning Little School Girl (false start 4) von Little Richard
teilweise cover recording of:
Good Morning, School Girl (am 1957-10-18)
Texter:
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948)
Komponist(in):
Sonny Boy Williamson (John Lee “Sonny Boy” Williamson, 1914–1948) (in 1937)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Georgia Music Corp. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:59
15Ooh! My Soul (take 8)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
1:46
16Ooh! My Soul (take 9)
recording of:
Ooh! My Soul
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-01)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sony/ATV Music Publishing (UK) Ltd.
2:10
17Early One Morning (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
recording of:
Early One Morning (Blues) (am 1957-10-18)
Texter und Komponist(in):
Richard Wayne Penniman (in 1957-10)
basiert auf:
Wee Baby Blues
2:16
18She Knows How to Rock (false starts 1, 2 & 3)
4:19
19She Knows How to Rock (master)
Bassgitarre:
Olsie Robinson (am 1957-10-18)
Gitarre:
Nathaniel Douglas (am 1957-10-18)
Klavier und Sologesang:
Little Richard (am 1957-10-18)
Schlagzeug:
Charles Connor (am 1957-10-18)
Tenorsaxophon:
Clifford Burks (am 1957-10-18), Grady Gaines (R & B sax player / bandleader) (am 1957-10-18) und Wilbert Smith (am 1957-10-18)
cover recording of:
Rockin' With Red (She Knows How to Rock) (am 1957-10-18)
Texter und Komponist(in):
William Lee Perryman (in 1950-07)
publisher:
Unichappell Music, Inc.
2:03
20Whole Lotta Shakin’ Goin’ On (rehearsal & master)
Kompilation von:
Whole Lotta Shaking Going On (Specialty alternate take with chatter & false start) von Little Richard und Whole Lotta Shaking Going On (Specialty master with piano chords) von Little Richard
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Sunny David (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
2:38
21Bama Lama Bama Loo (take 10)
Kompilation von:
Bama Lama Bama Loo (chat, slate, take 7) von Little Richard und Bama Lama Bama Loo (announcement & master - take 10) von Little Richard
recording of:
Bama Lama Bama Loo
Texter und Komponist(in):
Richard Wayne Penniman (in 1964)
publisher:
Venice Music und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
2:45
22Poor Boy Paul (false start & master)
Bassgitarre:
Don “Sugarcane” Harris (am 1964-05-01)
Gitarre:
Dewey Terry (rock & roll, blues, US) (am 1964-05-01) und Glen Willings (am 1964-05-01)
Klavier und Sologesang:
Little Richard (am 1964-05-01)
Schlagzeug:
Earl Palmer (am 1964-05-01)
recording of:
Poor Boy Paul (am 1964-05-01)
Texter und Komponist(in):
Don Weise
2:24
23Annie Is Back (false start & take 3)
recording of:
Annie Is Back
Texter und Komponist(in):
John Anderson (writer of 'Annie Is Back')
2:57
24Annie Is Back (45 mono master – take 7)
recording of:
Annie Is Back
Texter und Komponist(in):
John Anderson (writer of 'Annie Is Back')
1:59
25Miss Ann (false start & take 6)
recording of:
Miss Ann
Verfasser(in):
Enotris Johnson (in 1955-11) und Richard Wayne Penniman (in 1955-11)
3:20
26Well Alright! (false starts 1 & 2, take 3)
recording of:
Well Alright
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
3:59

Nennungen

Veröffentlichungsgruppe

enthalten in:The Specialty Sessions (Ace version)
Discogs:https://www.discogs.com/master/698993 [Info]