Complete Recordings on Archiv Produktion and Deutsche Grammophon

~ Release by Karl Richter (see all versions of this release, 1 available)

Annotation

The complete recordings of Karl Richter on Archiv Produktion and Deutsche Grammophon. The set consists of 97 CDs and 3 Blu-Ray audio discs containing 24 bit/192 kHz versions of Bach's cantatas and other major sacred works included in the set.

Annotation last modified on 2021-08-15 10:30 UTC.

Tracklist

1▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1961 Rec.)
2▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1961. Rec)
3▶CD: Bach: Mass in B minor, BWV 232: Kyrie - Gloria (1969 Rec.)
4▶CD: Bach: Mass in B minor, BWV 232: Symbolum Nicenum (Credo) - Sanctus Osanna, Benedictus, Agnus Dei & Dona nobis pacem (1969. Rec)
5▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1958 Rec.)
6▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1958 Rec.)
7▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1958 Rec.)
8▶CD: Bach: St. Matthew Passion, BWV 244 (Part I beg.) (1979 Rec.)
9▶CD: Bach: St. Matthew Passion, BWV 244 (Part I cont. & Part II beg.) (1979 Rec.)
10▶CD: Bach: St. Matthew Passion, BWV 244 (Part II cont.) (1979 Rec.)
11▶CD: Bach: St. John Passion, BWV 245 (Part I & Part II beg.)
12▶CD: Bach: St. John Passion, BWV 245 (Part II cont.)
13▶CD: Bach: Christmas Oratorio, BWV 248 (Part I & Part II beg.)
14▶CD: Bach: Christmas Oratorio, BWV 248 (Part II cont., Parts III & IV)
15▶CD: Bach: Christmas Oratorio, BWV 248 (Parts V & VI)
16▶CD: Karl Richter Rehearses Bach's Christmas Oratorio
17▶CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Bereitet die Wege, bereitet die Bahn”, BWV 132 / “Christen, ätzet diesen Tag”, BWV 63
18▶CD: Bach: “Christum wir sollen loben schon”, BWV 121 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Gottlob! nun geht das Jahr zu Ende”, BWV 28 / “Gott, wie dein Name, so ist auch dein Ruhm”, BWV 171
19▶CD: Bach: “Ach Gott, wie manches Herzeleid”, BWV 58 / “Sie werden aus Saba alle kommen”, BWV 65 / “Meinen Jesum lass ich nicht”, BWV 124 / “Meine Seufzer, meine Tränen”, BWV 13
20▶CD: Bach: “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Jesus schläft, was soll ich hoffen?”, BWV 81 / “Ich habe genug”, BWV 82
21▶CD: Bach: “Ich hab in Gottes Herz und Sinn”, BWV 92 / “Erhalt uns, Herr, bei deinem Wort”, BWV 126 / “Du wahrer Gott und Davids Sohn”, BWV 23
22▶CD: Bach: “Wie schön leuchtet der Morgenstern”, BWV 1 / “Himmelskönig, sei willkommen”, BWV 182
23▶CD: Bach: “Christ lag in Todes Banden”, BWV 4 / “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Der Friede sei mit dir”, BWV 158 / “Halt im Gedächtnis Jesum Christ”, BWV 67
24▶CD: Bach: “Du Hirte Israel, höre”, BWV 104 / “Weinen, Klagen, Sorgen, Zagen”, BWV 12
25▶CD: Bach: “Es ist euch gut, dass ich hingehe”, BWV 108 / “Bisher habt ihr nichts gebeten in meinem Namen”, BWV 87
26▶CD: Bach: “Lobet Gott in seinen Reichen”, BWV 11 / “Sie werden euch in den Bann tun”, BWV 44 / “O ewiges Feuer, o Ursprung der Liebe”, BWV 34
27▶CD: Bach: “Also hat Gott die Welt geliebt”, BWV 68 / “Er rufet seinen Schafen mit Namen”, BWV 175 / “Gelobet sei der Herr, mein Gott”, BWV 129
28▶CD: Bach: “Brich dem Hungrigen dein Brot”, BWV 39 / “Die Himmel erzählen die Ehre Gottes”, BWV 76 / “Ach Herr, mich armen Sünder”, BWV 135
29▶CD: Bach: “Ich hatte viel Bekümmernis”, BWV 21 / “Ein ungefärbt Gemüte”, BWV 24
30▶CD: Bach: “Freue dich, erlöste Schar”, BWV 30 / “Wer nur den lieben Gott lässt walten”, BWV 93
31▶CD: Bach: “Herz und Mund und Tat und Leben”, BWV 147 / “Meine Seel erhebt den Herren”, BWV 10
32▶CD: Bach: “Es ist das Heil uns kommen her”, BWV 9 / “Es wartet alles auf dich”, BWV 187 / “Wo Gott der Herr nicht bei uns hält”, BWV 178
33▶CD: Bach: “Es ist dir gesagt, Mensch, was gut ist”, BWV 45 / “Herr, gehe nicht ins Gericht”, BWV 105 / “Herr, deine Augen sehen nach dem Glauben”, BWV 102
34▶CD: Bach: “Mein Herze schwimmt im Blut”, BWV 199 / “Siehe zu, dass deine Gottesfurcht nicht heuchelei sei”, BWV 179 / “Lobe den Herren, den mächtigen König der Ehren”, BWV 137
35▶CD: Bach: “Allein zu dir, Herr Jesu Christ”, BWV 33 / “Jesu, der du meine Seele”, BWV 78 / “Wer Dank opfert, der preiset mich”, BWV 17
36▶CD: Bach: “Jauchzet Gott in allen Landen”, BWV 51 / “Was Gott tut, das ist wohlgetan”, BWV 100 / “Wer weiß, wie nahe mir mein Ende!”, BWV 27
37▶CD: Bach: “Liebster Gott, wann werd' ich sterben?”, BWV 8 / “Bringet dem Herrn Ehre seines Namens”, BWV 148
38▶CD: Bach: “Herr Christ, der einge Gottessohn”, BWV 96 / “Wo soll ich fliehen hin”, BWV 5 / “Ich will den Kreuzstab gerne tragen”, BWV 56
39▶CD: Bach: “Schmücke dich, o liebe Seele”, BWV 180 / “Aus tiefer Not schrei ich zu dir”, BWV 38 / “Ich armer Mensch, ich Sündenknecht”, BWV 55
40▶CD: Bach: “Mache dich, mein Geist, bereit”, BWV 115 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “O Ewigkeit, du Donnerwort”, BWV 60 / “Ach wie flüchtig, ach wie nichtig”, BWV 26
41▶CD: Bach: “Du Friedefürst, Herr Jesu Christ”, BWV 116 / “Wachet! betet! betet! wachet!”, BWV 70 / “Wachet auf, ruft uns die Stimme”, BWV 140
42▶CD: Bach: “Herr Gott, dich loben alle wir”, BWV 130 / “Ein feste Burg ist unser Gott”, BWV 80 / “Gottes Zeit ist die allerbeste Zeit” (“Actus tragicus”), BWV 106
43▶CD: Bach: Magnificat, BWV 243 / “Jauchzet Gott in allen Landen”, BWV 51
44▶CD: Bach: “Ach wie flüchtig, ach wie nichtig”, BWV 26 / Hoffman: “Meine Seele rühmt und preist” / Bach: “Weichet nur, betrübte Schatten”, BWV 202
45▶CD: Bach: 20 Sacred Songs from Schemelli's Song-Book
46▶CD: Bach: Brandenburg Concertos nos. 1-5, BWV 1046-1050
47▶CD: Bach: Brandenburg Concerto no. 6, BWV 1051 / Orchestral Suites nos. 1 & 2, BWV 1066 & 1067
48▶CD: Bach: Orchestral Suites nos. 3 & 4, BWV 1068 & 1069 / Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo, BWV 1044
49▶CD: Bach: 3 Double Concertos BWV 1060R, 1043, 1060 / Concerto for Oboe d'amoure, Strings and Basso continuo, BWV 1055R / Concerto for 3 Violins, Strings and Basso continuo, BWV 1064R
50▶CD: Bach: Harpsichord Concertos, BWV 1052-1055
51▶CD: Bach: Harpsichord Concertos, BWV 1056-1058, 1060, 1061
52▶CD: Bach: Harpsichord Concertos, BWV 1062-1065
53▶CD: Bach: Musical Offering, BWV 1079
54▶CD: Sonatas for Violin and Harpsichord nos. 1-3, BWV 1014-1016
55▶CD: Sonatas for Violin and Harpsichord no. 4-6, BWV 1017-1019
56▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1030-1032 / C. P. E. Bach?: Sonata in G minor, H 542 (ex BWV 1020)
57▶CD: Bach: 3 Sonatas for Flute and Harpsichord, BWV 1033-1035 / Partita for Solo Flute, BWV 1013
58▶CD: Bach: Aria with 30 Variations “Goldberg Variations”, BWV 988
59▶CD: Bach: Italian Concerto, BWV 971 / Chromatic Fantasia and Fugue, BWV 903 / Toccata and Fugue, BWV 915 / Pastorale, BWV 590 / Fantasia, BWV 906 / Handel: Suite no. 5, HWV 430 / Chaconne with 21 Variations, HWV 435
60▶CD: Bach: Toccata and Fugue, BWV 565 / (Trio) Sonata no. 2, BWV 526 / Prelude and Fugue, BWV 532 / Prelude and Fugue, BWV 543 / Fantasia (Prelude) and Fugue, BWV 542 / Prelude and Fugue, BWV 552 / Prelude and Fugue, BWV 548
61▶CD: Bach: Sonatas, BWV 525 & 529 / “Wachet auf, ruft uns die Stimme”, BWV 645 / “Kommst du nun, Jesu, vom Himmel herunter”, BWV 650 / “Schmücke dich, o liebe Seele”, BWV 654 / 2 Preludes and Fugues, BWV 544 & 546 / Canzona, BWV 588
62▶CD: Bach: Toccata and Fugue, BWV 540 / Partite diverso sopra: “O Gott, du frommer Gott”, BWV 767 / Toccata and Fugue “Dorian”, BWV 538 / Partite diverse sopra: “Sei gegrüßet, Jesu gütig”, BWV 768 / Passacaglia and Fugue, BWV 582
63▶CD: Bach: Toccata and Fugue, BWV 565 / “Ich ruf zu dir, Herr Jesu Christ”, BWV 639 / Passacaglia and Fugue, BWV 582 / “Wachet auf, ruft uns die Stimme”, BWV 645 / Fantasia (Prelude) and Fugue, BWV 542 / “Kommst du nun, Jesu, von Himmel herunter”, BWV 650 / “Von Himmel hoch, da komm ich her”, BWV 606 / Prelude and Fugue, BWV 548
64▶CD: Bach: Organ Concertos nos. 1-6, BWV 592-597
65▶CD: C. P. E. Bach: 4 Orchestral Sinfonias, Wq 183
66▶CD: Beethoven: Mass in C major, op. 86
67▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Overtura, Act I & Act II beg.)
68▶CD: Gluck: Orfeo ed Euridice (Original Version, Vienna 1762) (Act II cont. & Act III)
69▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I beg.)
70▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part I cont. & Part II beg.)
71▶CD: Handel: Der Messias, HWV 56 (1964 Rec.) (Part II cont. & Part III)
72▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part I & Part II beg.)
73▶CD: Handel: Messiah, HWV 56 (1972 Rec.) (Part II cont. & Part III)
74▶CD: Handel: Samson, HWV 57 (Symfony, Act I)
75▶CD: Handel: Samson, HWV 57 (Act II)
76▶CD: Handel: Samson, HWV 57 (Act III)
77▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Overture, Act I beg.)
78▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act I cont.)
79▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act II)
80▶CD: Handel: Giulio Cesare in Egitto, HWV 17 (Act III)
81▶CD: Handel: Arias from Serse, Giulio Cesaree in Egitto & Samson / Schütz: Musikalische Exequien, SWV 279-281
82▶CD: Handel: Overtures from Alcina, Deidamia, Agrippina, Radamisto, Rinaldo, Jephtha, Rodelinda, Belshazzar, Susanna
83▶CD: Handel: Music for the Royal Fireworks, HWV 351 / Concertos a due cori nos. 2 & 3, HWV 333 & 334
84▶CD: Handel: Concerti grossi, op. 3 nos. 1-6, HWV 312-317 / Concerto grosso, op. 3 no. 4b
85▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
86▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
87▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330 / Concerto grosso “Alexander's Feast”, HWV 318
88▶CD: Handel: Trumpet Concertos nos. 1-3, HWV 301, 302a, 287 / Telemann: 3 Trumpet Concertos, TWV 51:e1, Anh. 51:G1, 51:c1
89▶CD: Handel: 6 Flute Sonatas: HWV 379, 363b, 367b (op. 1 nos. 1, 5, 9) / HWV 374-376 (“Halle Sonatas” nos. 1-3)
90▶CD: Handel: Concerti grossi, op. 6 nos. 1-5, HWV 319-323
91▶CD: Handel: Concerti grossi, op. 6 nos. 6-9, HWV 324-327
92▶CD: Handel: Concerti grossi, op. 6 nos. 10-12, HWV 328-330
93▶CD: Haydn: Symphony no. 94 “Surprise”, Hob. I:94 / Symphony no. 101 “The Clock”, Hob. I:101
94▶CD: Maria Stader Sings Arias by Bach, Handel, Haydn, Mendelssohn, Scarlatti
95▶CD: Mozart: Fantasia, K. 608 / Brahms: 11 chorale Preludes, op. post. 122 / Liszt: Prelude and Fugue on the Name B-A-C-H, S 260
96▶CD: Liszt: Prelude and Fugue on the Name B-A-C-H, S 260 / Reger: Fantasia and Fugue on the Name B-A-C-H, op. 46
97▶CD: In dulci jubilo: 18 European Christmas Carols
98▶Blu-ray: Bach: St. Matthew Passion, BWV 244 (1958 Recording) / St. John Passion, BWV 245 / Christmas Oratorio, BWV 248 / Magnificat, BWV 243 / Mass in B minor, BWV 232 (1961 Recording)
99▶Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 1)
100▼Blu-ray: Bach: Cantatas for all the Sundays and Feast Days in the Church Calendar (Part 2)
#TitleArtistRatingLength

This medium has too many tracks to load at once, so it’s been paginated.

1“Ich hatte viel Bekümmernis”, BWV 21: Part I. 1. Sinfonia
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach2:58
2“Ich hatte viel Bekümmernis”, BWV 21: Part I. 2. Chorus: “Ich hatte viel Bekümmernis”
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:01
3“Ich hatte viel Bekümmernis”, BWV 21: Part I. 3. Aria: “Seufzer, Tränen, Kummer, Not” (soprano)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:39
4“Ich hatte viel Bekümmernis”, BWV 21: Part I. 4. Recitative: “Wie hast du dich, mein Gott” (tenor)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:42
5“Ich hatte viel Bekümmernis”, BWV 21: Part I. 5. Aria: “Bäche von gesalznen Zähren” (tenor)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (catch-all for unknown versions) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach7:13
6“Ich hatte viel Bekümmernis”, BWV 21: Part I. 6. Chorus: “Was betrübst du dich, meine Seele”
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:45
7“Ich hatte viel Bekümmernis”, BWV 21: Part II. 7. Recitative: “Ach Jesu, meine Ruh, mein Licht” (soprano)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach1:45
8“Ich hatte viel Bekümmernis”, BWV 21: Part II. 8. Duet: “Komm, mein Jesu, und erquicke” (soprano, bass)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1969-07)
soprano vocals:
Edith Mathis (soprano) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach4:15
9“Ich hatte viel Bekümmernis”, BWV 21: Part II. 9. Chorus and Chorale: “Sei nun wieder zufrieden”
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach5:31
10“Ich hatte viel Bekümmernis”, BWV 21: Part II. 10. Aria: “Erfreue dich, Seele” (tenor)
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
tenor vocals:
Ernst Haefliger (tenor) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:15
11“Ich hatte viel Bekümmernis”, BWV 21: Part II. 11. Chorus: “Das Lamm, das erwürget ist”
producer:
Dr Gerd Ploebsch (engineer) and Hansjoachim Reiser (engineer/producer)
oboe:
Manfred Clement (oboist) (in 1969-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1969-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
Johann Sebastian Bach3:44
12“Ein ungefärbt Gemüte”, BWV 24: 1. Aria: “Ein ungefärbt Gemüte” (alto)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1971-05, from 1974-02 until 1974-03, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": I. Aria (Alto) "Ein ungefärbt Gemüte" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach4:58
13“Ein ungefärbt Gemüte”, BWV 24: 2. Recitative: “Die Redlichkeit ist eine von den Gottesgaben” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": II. Recitativo (Tenore) "Die Redlichkeit ist eine von den Gottesgaben" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:53
14“Ein ungefärbt Gemüte”, BWV 24: 3. Chorus: “Alles nun, das ihr wollet”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Ursula Buckel (soprano) (in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": III. Coro (Soprano, Alto, Tenore, Basso) "Alles nun, das ihr wollet" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:12
15“Ein ungefärbt Gemüte”, BWV 24: 4. Recitative: “Die Heuchelei ist eine Brut” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": IV. Recitativo (Basso) "Die Heuchelei ist eine Brut" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach1:50
16“Ein ungefärbt Gemüte”, BWV 24: 5. Aria: “Treu und Wahrheit sei der Grund” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": V. Aria (Tenore) "Treu und Wahrheit sei der Grund" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach3:27
17“Ein ungefärbt Gemüte”, BWV 24: 6. Chorale: “O Gott, du frommer Gott”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I] and oboe d'amore [oboe d'amore I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II] and oboe d'amore [oboe d'amore II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
trumpet:
Pierre Thibaud (French trumpeter) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 24 "Ein ungefärbt Gemüte": VI. Choral "O Gott, du frommer Gott" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 24 "Ein ungefärbt Gemüte"
Johann Sebastian Bach2:14
18“Freue dich, erlöste Schar”, BWV 30: Part I. 1. Chorus: “Freue dich, erlöste Schar”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, I. Coro "Freue dich, erlöste Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:13
19“Freue dich, erlöste Schar”, BWV 30: Part I. 2. Recitative: “Wir haben Rast” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, II. Recitativo (Basso) "Wir haben Rast" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:12
20“Freue dich, erlöste Schar”, BWV 30: Part I. 3. Aria: “Gelobet sei Gott, gelobet sein Name” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, III. Aria (Basso) "Gelobet sei Gott, gelobet sein Name" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:33
21“Freue dich, erlöste Schar”, BWV 30: Part I. 4. Recitative: “Der Herold kommt und meldt den König an” (alto)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, IV. Recitativo (Alto) "Der Herold kömmt und meldt den König an" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach0:55
22“Freue dich, erlöste Schar”, BWV 30: Part I. 5. Aria: “Kommt, ihr angefochtnen Sünder” (alto)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, V. Aria (Alto) "Kommt, ihr angefochtnen Sünder" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach8:01
23“Freue dich, erlöste Schar”, BWV 30: Part I. 6. Chorale: “Eine Stimme lässt sich hören”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil I, VI. Choral "Eine Stimme lässt sich hören" (in 1975-01)
lyricist:
Johann Olearius
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Breitkopf 389 Choralgesänge (number: 103)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:09
24“Freue dich, erlöste Schar”, BWV 30: Part II. 7. Recitative: “So bist du denn, mein Heil, bedacht” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VII. Recitativo (Basso) "So bist du denn, mein Heil, bedacht" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:07
25“Freue dich, erlöste Schar”, BWV 30: Part II. 8. Aria: “Ich will nun hassen” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, VIII. Aria (Basso) "Ich will nun hassen" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach6:22
26“Freue dich, erlöste Schar”, BWV 30: Part II. 9. Recitative: “Und ob wohl sonst der Unbestand” (soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, IX. Recitativo (Soprano) "Und obwohl sonst der Unbestand" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:00
27“Freue dich, erlöste Schar”, BWV 30: Part II. 10. Aria: “Eilt, ihr Stunden, kommt herbei” (soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, X. Aria (Soprano) "Eilt, ihr Stunden, kommt herbei" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach6:12
28“Freue dich, erlöste Schar”, BWV 30: Part II. 11. Recitative: “Geduld, der angenehme Tag” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XI. Recitativo (Tenore) "Geduld, der angenehme Tag" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach1:11
29“Freue dich, erlöste Schar”, BWV 30: Part II. 12. Chorus: “Freue dich, geheilgte Schar”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Gernot Woll (flautist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe I] and oboe d'amore:
Manfred Clement (oboist) (in 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-03, in 1974-05, in 1975-01)
timpani:
Mathias Holm (German timpanist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet I]:
Pierre Thibaud (French trumpeter) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II]:
Pierre Thibaud (French trumpeter) (in 1974-05, in 1975-01)
trumpet [trumpet III]:
Manfred Klette (trumpet) (in 1974-03, in 1974-05, in 1975-01)
violin:
Kurt Guntner (violinist) (in 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-03, in 1974-05, in 1975-01)
trumpet [trumpet II] arranger:
Pierre Thibaud (French trumpeter) (in 1974-03)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-03, in 1975-01)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-05)
recording of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar": Teil II, XII. Coro "Freude dich, geheilgte Schar" (in 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1738)
part of:
Kantate, BWV 30.2 "Freue dich, erlöste Schar" (former BWV 30)
Johann Sebastian Bach4:21
30“Wer nur den lieben Gott lässt walten”, BWV 93: 1. Chorus: “Wer nur den lieben Gott lässt walten”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": I. Coro (Sopran, Alt, Tenor, Bass) "Wer nur den lieben Gott läßt walten" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach7:46
31“Wer nur den lieben Gott lässt walten”, BWV 93: 2. Chorale und Recitative: “Was helfen uns die schweren Sorgen” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1974-01, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": II. Recitativo (e Choral) (Bass) "Was helfen uns die schweren Sorgen?" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:24
32“Wer nur den lieben Gott lässt walten”, BWV 93: 3. Aria: “Man halte nur ein wenig stille” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": III. Aria (Tenor) "Man halte nur ein wenig stille" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:45
33“Wer nur den lieben Gott lässt walten”, BWV 93: 4. Duet: “Er kennt die rechten Freudenstunden” (soprano, alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (in 1974-01, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": IV. Aria (Duetto Sopran, Alt) (con Choral) "Er kennt die rechten Freudenstunden" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach3:24
34“Wer nur den lieben Gott lässt walten”, BWV 93: 5. Chorale and Recitative: “Denk nicht in deiner Drangsalshitze” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": V. Recitativo (e Choral) (Tenor) "Denk nicht in deiner Drangsalshitze" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:42
35“Wer nur den lieben Gott lässt walten”, BWV 93: 6. Aria: “Ich will auf den Herren schaun” (soprano)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VI. Aria (Sopran) "Ich will auf den Herren schaun" (in 1974-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach2:26
36“Wer nur den lieben Gott lässt walten”, BWV 93: 7. Chorale: “Sing, bet und geh auf Gottes Wegen”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (in 1974-01, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (in 1974-01, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1974-01, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1974-01, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1974-01, in 1975-01, in 1975-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1975)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1974-01, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten": VII. Choral "Sing, bet und geh auf Gottes Wegen" (in 1974-01)
lyricist:
Georg Neumark (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 369)
part of:
Kantate, BWV 93 "Wer nur den lieben Gott läßt walten"
Johann Sebastian Bach1:08
37“Herz und Mund und Tat und Leben”, BWV 147: Part I. 1. Chorus: “Herz und Mund und Tat und Leben”
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:05
38“Herz und Mund und Tat und Leben”, BWV 147: Part I. 2. Recitative: “Gebenedeiter Mund” (tenor)
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:08
39“Herz und Mund und Tat und Leben”, BWV 147: Part I. 3. Aria: “Schäme dich, o Seele, nicht” (alto)
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:06
40“Herz und Mund und Tat und Leben”, BWV 147: Part I. 4. Recitative: “Verstockung kann Gewaltige verblenden” (bass)
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:15
41“Herz und Mund und Tat und Leben”, BWV 147: Part I. 5. Aria: “Bereite dir, Jesu, noch itzo die Bahn” (soprano)
producer:
Prof. Dr. Hans Hickmann
soprano vocals:
Ursula Buckel (soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:28
42“Herz und Mund und Tat und Leben”, BWV 147: Part I. 6. Chorale: “Wohl mir, dass ich Jesum habe”
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:27
43“Herz und Mund und Tat und Leben”, BWV 147: Part II. 7. Aria: “Hilf, Jesu, hilf, dass ich auch dich bekenne” (tenor)
producer:
Prof. Dr. Hans Hickmann
tenor vocals:
John van Kesteren (tenor) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:34
44“Herz und Mund und Tat und Leben”, BWV 147: Part II. 8. Recitative: “Der höchsten Allmacht Wunderhand” (alto)
producer:
Prof. Dr. Hans Hickmann
alto vocals:
Hertha Töpper (mezzo soprano) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:47
45“Herz und Mund und Tat und Leben”, BWV 147: Part II. 9. Aria: “Ich will von Jesu Wundern singen” (bass)
producer:
Prof. Dr. Hans Hickmann
bass vocals:
Kieth Engen (operatic bass) (in 1961-07)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:36
46“Herz und Mund und Tat und Leben”, BWV 147: Part II. 10. Chorale: “Jesus bleibet meine Freude”
producer:
Prof. Dr. Hans Hickmann
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) and Solistengemeinschaft der Bachwoche Ansbach (in 1961-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-07)
balance engineer:
Walter Alfred Wettler
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Münster zu Heilsbronn in Heilsbronn, Bayern (Bavaria), Germany (in 1961-07)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1961-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:39
47“Meine Seel erhebt den Herren”, BWV 10: 1. Chorus: “Meine Seel erhebt den Herren”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:45
48“Meine Seel erhebt den Herren”, BWV 10: 2. Aria: “Herr, der du stark und mächtig bist” (soprano)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
soprano vocals:
Edith Mathis (soprano) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:00
49“Meine Seel erhebt den Herren”, BWV 10: 3. Recitative: “Des Höchsten Güt und Treu” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:09
50“Meine Seel erhebt den Herren”, BWV 10: 4. Aria: “Gewaltige stößt Gott vom Stuhl” (bass)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
bass vocals:
Kurt Moll (operatic bass) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:57
51“Meine Seel erhebt den Herren”, BWV 10: 5. Duet: “Er denket der Barmherzigkeit” (alto, tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
alto vocals:
Anna Reynolds (alto) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:10
52“Meine Seel erhebt den Herren”, BWV 10: 6. Recitative: “Was Gott den Vätern alter Zeiten” (tenor)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:43
53“Meine Seel erhebt den Herren”, BWV 10: 7. Chorale: “Lob und Preis sei Gott dem Vater”
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe [oboe I]:
Manfred Clement (oboist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
oboe [oboe II]:
Robert Eliscú (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1974-02 until 1974-03, in 1974-05, in 1975-01)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1974-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:23
54“Es ist das Heil uns kommen her”, BWV 9: 1. Chorus: “Es ist das Heil uns kommen her”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": I. Coro "Es ist das Heil uns kommen her" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach5:12
55“Es ist das Heil uns kommen her”, BWV 9: 2. Recitative: “Gott gab uns ein Gesetz” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": II. Recitativo (Basso) "Gott gab uns ein Gesetz, doch waren wir zu schwach" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:49
56“Es ist das Heil uns kommen her”, BWV 9: 3. Aria: “Wir waren schon zu tief gesunken” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": III. Aria (Tenore) "Wir waren schon zu tief gesunken" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach3:57
57“Es ist das Heil uns kommen her”, BWV 9: 4. Recitative: “Doch musste das Gesetz erfüllet werden” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": IV. Recitativo (Basso) "Doch musste das Gesetz erfüllet werden" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:48
58“Es ist das Heil uns kommen her”, BWV 9: 5. Duet: “Herr, du siehst statt guter Werke” (soprano, alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1975-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": V. Aria (Duetto: Soprano, Alto) "Herr, du siehst statt guter Werke" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach5:46
59“Es ist das Heil uns kommen her”, BWV 9: 6. Recitative: “Wenn wir die Sünd aus dem Gesetz erkennen” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VI. Recitativo (Basso) "Wenn wir die Sünd aus dem Gesetz erkennen" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:59
60“Es ist das Heil uns kommen her”, BWV 9: 7. Chorale: “Ob sichs anließ, als wollt er nicht”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 9 "Es ist das Heil uns kommen her": VII. Choral "Ob sichs anließ, als wollt er nicht" (in 1977-06)
lyricist:
Paul Speratus
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1732 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 87)
part of:
Kantate, BWV 9 "Es ist das Heil uns kommen her"
Johann Sebastian Bach1:18
61“Es wartet alles auf dich”, BWV 187: Part I. 1. Chorus: “Es wartet alles auf dich”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": I. Coro "Es wartet alles auf dich" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach5:18
62“Es wartet alles auf dich”, BWV 187: Part I. 2. Recitative: “Was Kreaturen hält das große Rund der Welt” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": II. Recitativo (Bass) "Was Kreaturen hält" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:15
63“Es wartet alles auf dich”, BWV 187: Part I. 3. Aria: “Du, Herr, du krönst allein das Jahr” (alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": III. Aria (Alt) "Du Herr, du krönst allein" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach4:31
64“Es wartet alles auf dich”, BWV 187: Part II. 4. Aria: “Darum sollt ihr nicht sorgen” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": IV. Aria (Bass) "Darum sollt ihr nicht sorgen" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:20
65“Es wartet alles auf dich”, BWV 187: Part II. 5. Aria: “Gott versorget alles Leben” (soprano)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": V. Aria (Sopran) "Gott versorget alles Leben" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach3:50
66“Es wartet alles auf dich”, BWV 187: Part II. 6. Recitative: “Halt ich nur fest an ihm” (soprano)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VI. Recitativo (Sopran) "Halt ich nur fest an ihm" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach1:43
67“Es wartet alles auf dich”, BWV 187: Part II. 7. Chorale: “Gott hat die Erd schön zugericht'”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 187 "Es wartet alles auf dich": VII. Choral "Gott hat die Erde zugericht'" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-08-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Hans Vogel (in 1563)
part of:
Breitkopf 389 Choralgesänge (number: 308)
part of:
Kantate, BWV 187 "Es wartet alles auf dich"
Johann Sebastian Bach2:08
68“Wo Gott der Herr nicht bei uns hält”, BWV 178: 1. Chorus: “Wo Gott der Herr nicht bei uns hält”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": I. Coro "Wo Gott der Herr nicht bei uns hält" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach4:49
69“Wo Gott der Herr nicht bei uns hält”, BWV 178: 2. Recitative: “Was Menschenkraft und -witz anfäht” (alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1975-03, in 1976-10) and Júlia Hamari (Hungarian mezzo-soprano) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": II. Recitativo (Alt) "Was Menschenkraft und -witz anfäht" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach2:22
70“Wo Gott der Herr nicht bei uns hält”, BWV 178: 3. Aria: “Gleichwie die wilden Meereswellen” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": III. Aria (Bass) "Gleichwie die wilden Meereswellen" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach3:27
71“Wo Gott der Herr nicht bei uns hält”, BWV 178: 4. Chorale: “Sie Stellen uns wie Ketzern nach” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1975-03 to present, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": IV. Choral (Tenor) "Sie stellen uns wie Ketzern nach" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:51
72“Wo Gott der Herr nicht bei uns hält”, BWV 178: 5. Chorale and Recitative: “Aufsperren sie den Rachen weit” (chorus)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": V. Choral e Recitativo (Coro, Bass, Tenor, Alt) "Auf sperren sie den Rachen weit" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach1:27
73“Wo Gott der Herr nicht bei uns hält”, BWV 178: 6. Aria: “Schweig, schweig nur, taumelnde Vernunft” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1975-03 to present, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VI. Aria (Tenor) "Schweig, schweig nur, taumelnde Vernunft" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach4:26
74“Wo Gott der Herr nicht bei uns hält”, BWV 178: 7. Chorale: “Die Feind sind all in deiner Hand”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Peter-Lukas Graf (flutist) (in 1975-03, in 1976-10, in 1977-06)
oboe d'amore:
Manfred Clement (oboist) (in 1975-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält": VII. Choral "Die Feind sind all in deiner Hand" (in 1977-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-07-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Justus Jonas (Hymn-Writer) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 384)
part of:
Kantate, BWV 178 "Wo Gott der Herr nicht bei uns hält"
Johann Sebastian Bach2:03
75“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 1. [Chorus]: “Es ist dir gesagt, Mensch, was gut ist”
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach5:45
76“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 2. Recitative: “Der Höchste lässt mich seinen Willen wissen” (tenor)
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:28
77“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part I. 3. Aria: “Weiß ich Gottes Rechte” (tenor)
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
tenor vocals:
Ernst Haefliger (tenor) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:46
78“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 4. Arioso: “Es werden viele zu mir sagen” (bass)
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
bass vocals:
Kieth Engen (operatic bass) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:24
79“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 5. Aria: “Wer Gott bekennt aus wahrem Herzensgrund” (alto)
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach3:48
80“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 6. Recitative: “So wird denn Herz und Mund” (alto)
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:33
81“Es ist dir gesagt, Mensch, was gut ist”, BWV 45: Part II. 7. Chorale: “Gib, dass ich tu' mit Fleiß”
recording engineer and balance engineer:
Walter Alfred Wettler
executive producer:
Prof. Dr. Hans Hickmann
producer:
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (from 1959-07 until 1959-08)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1959-07 until 1959-08)
orchestra:
Solistengemeinschaft der Bachwoche Ansbach (from 1959-07 until 1959-08)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1959-07 until 1959-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1959)
recorded at:
Augustana-Hochschule in Neuendettelsau, Bayern (Bavaria), Germany (from 1959-07 until 1959-08)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 1959-07 until 1959-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
Johann Sebastian Bach1:19
82“Herr, gehe nicht ins Gericht”, BWV 105: 1. Chorus: “Herr, gehe nicht ins Gericht”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:04
83“Herr, gehe nicht ins Gericht”, BWV 105: 2. Recitative: “Mein Gott, verwirf mich nicht” (alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1976-03, in 1976-10) and Júlia Hamari (Hungarian mezzo-soprano) (in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:16
84“Herr, gehe nicht ins Gericht”, BWV 105: 3. Aria: “Wir zittern und wanken” (soprano)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
soprano vocals:
Edith Mathis (soprano) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach7:44
85“Herr, gehe nicht ins Gericht”, BWV 105: 4. Recitative: “Wohl aber dem, der seinen Bürgen weiß” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:42
86“Herr, gehe nicht ins Gericht”, BWV 105: 5. Aria: “Kann ich nur Jesum mir zum Freunde machen” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:14
87“Herr, gehe nicht ins Gericht”, BWV 105: 6. Chorale: “Nun, ich weiß, du wirst mir stillen”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
horn:
Hermann Baumann (horn player) (in 1976-03, in 1976-10, in 1977-06)
trumpet:
Paul Lachenmeier (trumpet) (in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-03, in 1976-10, in 1977-06)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:52
88“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 1. Chorus: “Herr, deine Augen sehen nach dem Glauben”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": I. Coro "Herr, deine Augen sehen nach dem Glauben" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach6:10
89“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 2. Recitative: “Wo ist das Ebenbild, das Gott uns eingepräget” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": II. Recitativo (Bass) "Wo ist das Ebenbild, das Gott uns eingepräget" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:25
90“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 3. Aria: “Weh der Seele, die den Schaden nicht mehr kennt” (alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": III. Aria (Alt) "Weh der Seele, die den Schaden" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach6:17
91“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part I. 4. Arioso: “Verachtest du den Reichtum seiner Gnade” (bass)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": IV. Arioso (Bass) "Verachtest du den Reichtum deiner Gnad" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:46
92“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 5. Aria: “Erschrecke doch, du allzu sichre Seele” (tenor)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
revision of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": V. Aria (Tenor) "Erschrecke doch, du allzu sichre Seele" (for tenor, flauto traverso and continuo)
Johann Sebastian Bach3:55
93“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 6. Recitative: “Beim Warten ist Gefahr” (alto)
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
alto vocals:
Julia Hamari (Hungarian mezzo-soprano) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VI. Recitativo (Alt) "Beim Warten ist Gefahr" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach1:25
94“Herr, deine Augen sehen nach dem Glauben”, BWV 102: Part II. 7. Chorale: “Heut lebst du, heut bekehre dich”
recording engineer:
Hans‐Peter Schweigmann (engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
flute:
Aurèle Nicolet (flutist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe I]:
Manfred Clement (oboist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
oboe [oboe II]:
Robert Eliscú (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1975-03, in 1976-03, in 1976-10, in 1977-06)
engineered at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1977-06)
recording of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben": VII. Choral "Heute lebst du, heut bekehre dich" (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 320)
part of:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
Johann Sebastian Bach2:04
95“Mein Herze schwimmt im Blut”, BWV 199: 1. Recitative: “Mein Herze schwimmt im Blut”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": I. Recitativo "Mein Herze schwimmt im Blut" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:48
96“Mein Herze schwimmt im Blut”, BWV 199: 2. Aria: “Stumme Seufzer, stille Klagen”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach7:30
97“Mein Herze schwimmt im Blut”, BWV 199: 3. Recitative: “Doch Gott muss mir gnädig sein”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": III. Recitativo "Doch Gott muß mir gnädig sein" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach1:27
98“Mein Herze schwimmt im Blut”, BWV 199: 4. Aria: “Tief gebückt und voller Reue”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach9:46
99“Mein Herze schwimmt im Blut”, BWV 199: 5. Recitative: “Auf diese Schmerzensreu”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": V. Recitativo "Auf diese Schmerzensreu" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach0:21
100“Mein Herze schwimmt im Blut”, BWV 199: 6. Chorale con viola obligata: “Ich, dein betrübtes Kind”
recording engineer:
Klaus Scheibe (editor/engineer)
co-executive producer:
Helen Kuzaj (producer)
producer:
Dr. Gerd Ploebsch (engineer)
oboe:
Manfred Clement (oboist) (in 1971-12, in 1972-01)
viola:
Fritz Ruf (violist) (in 1971-12, in 1972-01)
soprano vocals:
Edith Mathis (soprano) (in 1971-12, in 1972-01)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1971-12, in 1972-01)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1971-12, in 1972-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1971-12, in 1972-01)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VI. Choral "Ich, dein betrübtes Kind" (catch-all for unknown versions) (in 1972-01)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
Johann Sebastian Bach2:08
This medium has too many tracks to load at once; currently showing 100 out of 268 total. Load all tracks...

Credits

Release

photography:Siegfried Lauterwasser
Werner Neumeister (photographer)
miscellaneous support:Nicole Albring (art director and designer) (task: creative production manager)
Martin Dirnberger (project manager) (task: product manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Eva Reisinger
texthouse (liner notes)
purchase for mail-order:https://www.deutschegrammophon.com/en/catalogue/products/karl-richter-complete-recordings-on-archiv-and-deutsche-grammophon-12084 [info]
https://www.prestomusic.com/classical/products/8846072--karl-richter-complete-recordings-on-archiv-produktion-and-deutsche-grammophon [info]